
Environmental Portrait – Mind map

What are Environmental portraits?
An Environmental photo is a photo taken of a person, usually head on, of them in their ‘natural environment’ ( place of work etc.. )
The first Environmental portrait was first created by a man named Arnold Newman ( 1918 – 2006 ). He was known for pioneering and popularising the environmental portrait.
He placed his ‘models’ in their normal work environment when he took the photo so he could represent their professions, aiming to capture the essence of an individuals life and work.
Environmental portrait mood board –
To me, these photos represent a lot more then just people at their work, they represent peoples lives and how they live and what they do. It gives a picture of the personal part of someone’s life, and almost gives us a window to understand people in a different way then just what is on the surface and what we can see first hand.
Typology –
Typology is basically a fancy word for a group of photos or a certain ‘photoshoot’ that are all themed together that give the same ‘feel’ or ‘idea’.
Some environmental portraits are also typologies, taken in a similar way. The photos all have similarities even though they are completely different and show different people and lives in completely different ways.
Environmental Portrait – a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. They are normally used to reveal something about the subject in the photo particularly in relation to the background. This does not mean it has to be a positive association like the photo Arnold Newman took of Alfried Krupp and the way Newman has framed Krupp to represent the person he is and what he has done.
Typologies – A body of work with a consistent style. Often portrayed in many different forms, some being in a structured group with equal spacing in-between or a particular style in general like the style of environmental portraits. Environmental portraits are often associated with the style of typology as they are always structed images with the same idea of the subject looking into the camera and often centred.
An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings.
The surroundings or background is a key element in environmental portraiture, and is used to convey further information about the person being photographed.
While it is often true that the background may dominate the subject, this need not necessarily be so. In fact, the details that convey the message from the surroundings can often be quite small and still be significant. It can be used as a way to tell a story.
All these images are very unique and tell very different stories. Some portray sadness while others are more lively and happy. Some images are linked to there workplace and others are to do with there current situation. They are some similarities (topology’s are similar photos) like how they all have there subject in the centre, most look into the camera, and they all have lots of contrast.
The bottom right has the basketball net as the main focus of the image. However, this does not exclude the person from the image, its almost used as a way to lead the eyes to the neutral face of the guy.
The top left is quite different as the main focus is clearly the guy sitting there seriously. It looks very planned out allowing cool details in the background to happen like the sparks.
What is an Environmental Portrait?
“An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography.”
Environmental portraits are normally people in their working environments or environments that they are associated with, like their homes.
Mind Map
Mood Board
These images can reveal somebodies life, like where they work, or what their home is like, or what they do at home. These portraits can be used to have an insight on another’s life, or to have an insight on a profession. These portraits can also be called historical, as they may show jobs, which are no longer professions, or show how homes used to look and what people would do in their homes. The images also shows people not in the present. These environmental portraits help feel a connection between the photographer and the person getting their picture taken, unlike how it would be on a phone.
An environmental portrait is a photograph that captures the person surrounded by their usual environment that relates to them, for instance their workplace or home. The purpose of an environmental portrait is to show a persons life or story in the photos and the background or objects used to show their life in them. They are formal photos where the person in them is making eye-contact with the camera.
Still life is a painting/drawing of a varied amount of objects, typically including fruit, flowers and objects contrasting these in texture such as bowls and glassware.
Artists mostly associated with still life are Paul Cézanne, Henry Matisse and Georges Braque.
Still life comes from the Dutch word stilleven, created in the 17th century when paintings of objects enjoyed immense popularity throughout Europe.
Emotional
The effect of this image makes me feel uncomforted because it is dark, looks cold, gloomy, rough, creates a male stereotype look and how the walls haven’t been cleaned shows unhygienic which also leads to uncomforting. He also has no emotion in his face which makes us feel like he is stopping us from entering.
Visual
Their is a dark, abandoned look to the photograph by having the bottom of the photo really dark an the overall photo dark with the man staring straight at the camera in the middle and the only light source being the sunlight through the windows above. Everything in the background looks old, industrial, rusty, stained or has graffiti on.
Technical
The two pillars and the perspective help create symmetry on the photo because it keeps the man in the middle with equal objects on each side. The light is used from different side angles, (left and right of his body), with one coming in from behind showing us that he is the main subject in the photograph.
Conceptual
The portrait captured the essence of Krupp’s character, making him look like the embodiment of evil. He took this photo because he was Jewish and Krupp was a convicted Nazi war criminal. But eventually after many refuses, Newman agreed as a form of personal revenge. It then later became one of the most controversial and significant images of it’s time.
Contextual
Newman was very popular for using his skillful techniques such as natural light. His work was influenced by the work of the Cubists, including Picasso, influenced the way he structures a photograph. He is mostly important for pioneering and popularizing the environmental portrait.
1963
-Alfred Krupp is the man in the photo
Emotional-
Visual-
Technical-
Conceptual-
Contextual-
-sparticuseducational.com
Arnold Newman
Emotional –
Visual – The subject in the photo is a man who is the main focus. He is staring into the camera which makes the viewer feel intimidated. He is also wearing a black t shirt, he is tanned and he looks fairly old. This man is surrounded by a factory which looks like a train factory and I have inferred this because I can see there is a half made train and lots of different broken parts. Technical -There is a line of symmetry down the middle. There is also a slight blur as the further we look in the picture which makes the subject the main focus of the photo. The lighting is also placed art the front on each side of the man in the middle which makes the middle of the mans face fairly dark and makes the rest of the photo lit up by the lighting that is pointed towards it. Conceptual – Who cares that a picture is worth a thousand words when two can be worth a career change. Take the time a young Arnold Newman stumbled across a book of Theodore Roosevelt photos and two of them stuck out. “On the cover shot, which was supposed to represent him, he looked like an overstuffed walrus,” said Mr. Newman in a 1994 interview with The Boston Globe. “Inside there was a picture of him with his foot on a rhino, growling like mad. I thought, ‘My God, that is Teddy Roosevelt!’” Mr. Newman went on to photograph Eleanor Roosevelt, Pablo Picasso, Frank Lloyd Wright, Golda Meir, Andy Warhol, Marilyn Monroe, Salvador Dalí, and the former president Bill Clinton: decidedly on his own terms. There would be no overstuffed costume fittings or stark studios. Mr. Newman’s portraits were defined by his sitter’s environments, which led him to be known as the “father of the environmental portrait.” Contextual – In 1963 Arnold Newman took this picture of Alfred Krupp. Newman was Jewish and Krupp was a Nazi which made this photograph extremely unusual. Krupp admired Newman’s work and wanted Newman to take a photo of him, however when Newman told Krupp to lean forward, he put crossed his fingers and put his hands under his chin for his face to lean on which was his natural response when Newman told him what to do. Newman quickly took the photograph of Krupp like this and he hated it. Newman chose to keep this photograph as it showed Krupp’s true self as he looked extremely eerie and dark when he glared into the camera so harshly. This was Newman’s way of revenge as Krupp had disrespected his community in ways that can not be described.