My take on Studio Portraits

Here is my photoshoot from studio portraits where I took a total of 164 photos.

What I did in this photograph was Rembrandt, which is when you create a little triangle shape below the eye on the shaded side, (right eye). Also, I edited the photo by making him warmer using brighter saturated colours and using these edits:

Another Rembrandt example I edited was this photo, but I didn’t need to edit it as much as it’s already good lighting and just had to lighten him up a little and bring out the triangle a little more.

Rembrandt Lighting

This is one of the common techniques used its inspired by the way  Rembrandt Harmenszoon van Rijn (a famous Dutch painter) created his work he would seem to create the same lighting effect on his paintings where he would have an upside down triangle appear under the eyes of the model.

Just like this

Here is an example of how to create Rembrandt lighting it is easy enough to set up. What you need to do is

  • have your light source at 40-45 degrees higher than your model
  • try have just the models head and shoulders in the shot

There are many advantages to using this style of lighting the main being that it will draw attention to the models eyes which creates quite a captivating shot if that is what you are wanting from it. This is because the shapes seem to create these leading lines towards the models eyes.

Overall I think the photos have turned out good i think on all of these images I picked you are able to see a very clear shadow triangle underneath the eye and next to the nose which is the premise of Rembrandt images. I think it would have been better if I could have gotten more of these with the model in different poses.

For this image I didn’t have too much editing o do I knew I wanted to crop the image so it was more even on both sides as the was a lot of blank space on the left side than on the right which I wanted to fix. I also tried to lighten to image slightly as I did feel like it was a little bit too dark.

Chiaroscuro Lighting (split lighting):

WHAT IS CHIAROSCURO LIGHTING?

Chiaroscuro is an Italian term used to describe the technique of using light and dark in artwork. It is a high-contrast lighting technique that uses a low lighting setup to achieve contrast between the subject and a dark background. The final images produced include a well-lit subject and it is three-dimensional, with exaggerated shadows and highlights. It has a dark, full of contrast look, with dense shadows, though the background doesn’t always have to be completely black.

WHY DO PHOTOGRAPHERS USE THIS LIGHTING?

Photographers use this type of lighting because it emphasises the texture of the subject and it adds depth to portraits. This lighting is good for photographers to use because it creates a sharp contrast that makes a more dramatic and often assertive photo. This is a common technique used as it can emphasize power, glamour, and drama.

EXAMPLES OF CHIAROSCURO LIGHTING:

LIGHTING SET UP:

For Chiaroscuro lighting, we only used one light source and we did not use a reflector, unlike the other lighting methods. We placed the subject centre in front of a black background, and used the lighting source on one side of their face. This then creates the effect of split lighting.

CONTACT SHEET:

MY FINAL EDITED IMAGES:

Before:

After:

Before:

After:

Before:

After:

I edited these photos using Adobe Lightroom Classic. For all of these photos, I increased the exposure and contrast to make sure I was making the shadows intensified to create the idea of ‘split-lighting’. My favourite image I edited is the last one shown above because the Chiaroscuro lighting affect is shown clearly and accurately. The contrast between light and dark here is affective as it is clear where the lighting is split into the two differences.

Rembrandt lighting:

WHAT IS REMBRANDT LIGHTING?

Rembrandt Lighting is a technique that was taken from a famous painter in the 1600s, Rembrandt Harmenszoon Van Reign, named after the way he used light in his portrait paintings. Rembrandt lighting is a technique utilising one light and one reflector, or two separate lights. It is a type of side lighting where the side of the subject is in shadow creating a lit-up triangle underneath the subject’s eye on the less illuminated area of the face. The background of the image is also usually shadowed and dark, putting the subject front and centre. The black background emphasises the contrast between light and dark. This can be highly effective in making a two-dimensional image appear three dimensional. The Rembrandt lighting technique results in a moody and dramatic effect.

WHY DO PHOTOGRAPHERS USE THIS LIGHTING?

It’s a popular technique for photographers to use because it creates images that look both dramatic yet natural. The Rembrandt method is considered low-effort while producing high-impact photographs. Secondly, one of the reasons professional photographers go with Rembrandt lighting is to achieve a dramatic visual effect called the chiaroscuro effect.

EXAMPLES OF REMBRANDT LIGHTING:

LIGHTING SET UP:

This diagram describes the set up of Rembrandt lighting. to achieve our photos, we used one reflector placed at eye level and one main light source placed on a 45 degree offset from the subject. The reflector projected the lighting back onto the subjects face to create the small triangle of light under the eye, illuminating the model’s face.

CONTACT SHEET:

MY FINAL EDITED IMAGES:

Here are some before and after comparisons of some of my favourite photos to show Rembrandt lighting. I edited all of these images using Adobe Lightroom Classic. To show the lighting technique more accurately, I increased the shadows and intensified the highlighted areas on the face to emphasise the contrast between the light and dark, creating a lit-up triangle underneath the subject’s eye on the less illuminated area of the face. I like the outcome of these edited images because it helps show the enhancement of the triangle of light that is created by using the reflector to bring highlight to half of the subject’s face, whilst the other half of the face is shadowed. The black and white edited photo helps to creates a more effective image as the shadows are made to appear darker and softer, whilst the highlights on the face are sharp and harsh.

Henry Mullins

Henry Mullins started working at 230 Regent Street in London in the 1840s and moved to Jersey in July 1848, setting up a studio known as the Royal Saloon, at 7 Royal Square. Initially he was in partnership with a Mr Millward, about whom very little is known.

An advertisement in the Jersey Times of 5 June 1849 states that “Portraits are taken in groups of two or three, or the single figure, or bust, and of various sizes, even small enough for a ring, the charge for which is reduced to one half of that in London, viz: 10s 6d for the portrait complete. Instruction given in the Calotype, Energiatype, or photographic processes, and proficiency guaranteed for a fee of five guineas”.

After his death his collection of over 20,000 negatives was acquired in 1883 by  Clarence philip Ouless and formed part of his collection which was given to La Société in 2006.

henry Mullins was a photographer who took portraits of people he would then print these photos on  a carte de visite as a small albumen print, (the first commercial photographic print produced using egg whites to bind the photographic chemicals to the paper) which was a thin paper photograph mounted on a thicker paper card. Henry Mullins was the first professional photographer to come to Jersey and establish a portraiture business in the very early days of photography.His speciality was cartes de visite and the photographic archive of La Société contains a massive collection of these. His online archive contains 9600 images, but the majority of these are sets of up to 16 photographs taken at a single sitting. In those times even 10s 6d was a substantial sum to pay to have one’s photograph taken, and included among his subjects are many of the island’s affluent and influential people.

Some headshots by Mullins of both Jersey men and women produced as vignette portrait which was a common technique used in mid to late 19th century.

His photographs are taken very differently as some people were sitting from an angle and others are sat looking straight at the camera, these different photos change the tone of each photo as you could get one to look more professional and others look more like memorable portraits to keep, it also depends on their facial expression and whether they are looking at the camera or to the side. The top right image almost looks like it a family portrait and there is more than one people in the photo as we can very clearly see someone’s hands on the girls shoulder which shows u that Henry Mullins took all types of photos whether they were single portraits or group portraits. Personally I really like the one in the middle on the bottom row as you can see a dark shadow behind the girl an the it begins t be light again which really adds effect to the photo. You can also see some of the peoples clothes so its not just a face that is visible, this makes the photo look more interesting to look at. I also like how Henry has written the persons name under each of their photos so that they could be remembered.

Here we have an article explaining how Henry has opened his new studio in 1848, this gives us so much information, this helps us understand when he started to open his studio and take photos. The small bit of article helps me see that he was a good photographer and that people wanted him to take portraits of them, they views him quite well.

Chiaroscuro

Contact Sheets

For the studio portraiture photoshoots, I did multiple photoshoots focusing on trying to get each of the various lighting effects rather than doing a photoshoot for each.

Contact Sheet for Chiaroscuro

Chiaroscuro Edits

Edit 1

I edited this photo by using the brush tool the decrease the exposure slightly on the left side of the face to give more off a light-dark effect. I also cropped the edges and top to make the face larger in the frame.

Edit 2

I edited this photo by cropping each side and using the brush tool to make the left of the face dark by decreasing the exposure. After this, I decreased the overall exposure and increased the texture.

Edit 3

I edited this photo by, firstly, cropping the top then making it black and white. Then, I slightly lowered the exposure and increased the texture and clarity. Finally, I used the brush tool to make the shaded side of the face a bit darker.

Edit 4

To edit this photo I started off by making it black and white then slightly decreased the exposure and setting the shadows as -100, rather than using the brush tool. After this I increased the whites and blacks to around 20 each.

Edit 5

I edited this photo by cropping each side then decreasing the exposure, highlights and shadows.

Edit 6

All I did to edit this photo was crop each side, including the top and bottom, and select the background to increase its exposure rather than the whole image.

Edit 7

I didn’t think that this image needed editing so all I did was make it monochrome then cropped the top.

Edit 8

I edited this photo by, firstly, making it black and white then lowering the overall exposure. Finally, I cropped the side so that the side of his face and the edge of his ear met each line that makes the vertical centre of the rule of thirds.

Edit 9

To edit this photo I started off by making it black and white then cropping each side. I then decreased the overall exposure and increased the highlights and shadows. I also increased texture and decreased clarity. Finally, I selected the background and lowered the exposure to make it black then continued to use the brush tool to clean up areas of the background and around the edges of his face which were not black.

Butterfly Lighting:

WHAT IS BUTTERFLY LIGHTING?

Butterfly lighting is a portrait lighting pattern where the key light is placed above and directly centred with a subject’s face to create a shadow under the nose that resembles a butterfly. The lighting is soft on the face. This lighting is often seen in glamour shots and particularly with headshots. 

WHY DO PHOTOGRAPHERS USE BUTTERFLY LIGHTING?

Photographers use this method to take flattering, glamorous portrait photos. It is a popular setup because it has the effect of slimming the face due to shadows that are created on both sides of the face. This provides a flattering look that emphasizes a subject’s facial features, highlighting the eyebrows, cheekbones, and nose in a photogenic way.  Another reason why photographers use this lighting pattern is that it is easy to set up, doesn’t require a lot of fancy equipment, and it creates a natural but strong look.

EXAMPLES OF BUTTERFLY LIGHTING:

LIGHTING SET UP:

To achieve this lighting, first, we placed the main light source above the subject at a higher angle, pointing down towards the subjects face. We then placed the camera directly under the light source on a tripod. Lastly, we used a reflector to bounce the light back up and soften the shadow under the chin and under the nose. To do this, we positioned the reflector under the subject’s face. The only other thing we used was a black backdrop.

CONTACT SHEET:

MY FINAL EDITED IMAGES:

Before:

After:

Before:

After:

Virtual Gallery

I used ArtSteps to create a virtual gallery of some of my best Rembrandt, Butterfly, Chiaroscuro lighting photographs.

I used a mixture of black and white images, colourful images and of all the different lighting techniques.

Firstly, I picked a virtual gallery on ArtSteps that I liked and wanted to put my photographs in. Then, I dragged the photos I wanted to use for my gallery from my documents into ArtSteps and gave them all unique names. Then, I inserted the photos into the gallery, positioned them where I thought looked good and added a black frame to each one.

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I took a close up picture of one of the walls of the gallery, so the photographs details and features could be seen clearly. Next, I took a photo of the whole gallery from a distance, so all the photographs could be seen, and so the layout of my gallery could be seen clearly.

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