Double Exposure Photoshoot Editing – Headshots

These are my contact sheets for this shoot, I picked my best shots by making the best shots green and the worst red. I was looking for photos that the lighting was already good prior editing and were well composed.

Edit One

I started by opening one shot on photoshop and dragging a second shot on top of the image, for this one I chose completely contrasting shots, one is black and white and one was taken with coloured gels.

The next step was to adjust the blending layers so both shots were visible creating the unusual multi exposure effect.

Edit Two

Edit Three

Final Outcomes

These are my final outcomes for editing using double exposure, while this is a technique that can be achieved by using a slow shutter speed on the camera I wanted to actually to try and merge two images together using photoshop. The results are quite interesting and like the previous editing of this project I chose too try three quite different edits within the technique I was trying.

Best Shot Evaluation

This is my favourite edit, I love how the colours blend together and let the black and white image poke through beneath the top layer adding depth. The two images have combined to look like one as the bottom layer has the models arm in the shot which I made sure lined up with the top layer fading into the bottom layer. The bottom layer which is the black and white layer has also lined up with the top layer so the models hand is under the colourful layers chin creating lines of grey in amongst the bright colours. The black and white image creating a sort of patchwork appears like the image is pushing thought the top layer. I love how unusual the image looks but for two completely different shots they combine very well looking intentional and focused. It is a playful result of using this editing technique which can create so many different outcomes and styles, however I love how the image isn’t as it first appears and in fact the more you look at it the more details emerge. I think it askes the viewer to look deeper into the photo and while it doesn’t have a deep meaning I aim for it to teach people to not just glance at things and in fact learn form everything you can and that allows you too as it isn’t always as it seems.

Photo Montage Editing – Headshots

These are my shots from both shoots, I have marked the ones I like and will consider using with green and yellow. The red shots are not useable but not at all what I’m looking for or are a bad shot as the model is blinking etc.

Edit One

The first bit of editing I did on this shot on photoshop was to crop the excess blank space out of the image and then use the rectangular marquee tool to select a section of the photo, the models eye.

I then used the move tool to move the selected area and start to create my photo montage.

I repeated the process making sure I moved the selected aeras to new parts of the photo making for an off kilter appearance.

I then created a new selected area and copy and pasted it multiple times, this allowed me to create a layered effect but using the same part of the photo.

Edit Two

For this shot I used the elliptical marquee tool to create a circular shape instead of a rectangle, I repeated the same process as the previous edit but used a circle instead.

I wanted to create something unusual with this photo so I used the filter tab on the one of the selected circles, I did this to be able to then have a blurred circle.

I wanted to create a black and white element within the photo so I used the new adjustments layer on the selected circle selecting the option from the bar below the selected circle.

I then adjusted saturation to make the circle black and white. This adds contrast to the over all photo making for a more interesting montage.

I then selected the background copy layer, once I had done this I used the move tool to move the entire layer moving all the circle selections into an interesting shape and creating further depth to the photo.

Edit Three

I then selected remove background on the triangle layer. Leaving the white triangles over the models face slightly opaque.

I also reedited the first photo I edited by using all the skills I had learnt doing the other edits, I chose to use the polygon lasso tool to allow me to cut out interesting and free hand shapes, I made three out of four of the cut outs black and white by once the area was selected going to image-adjustments-saturation-contrast+brightness adjusting each to suit the area of the photo.

These are my final four photos, I have tried very different ideas on each one. By doing this it has allowed me to experiment with new techniques on photoshop.

This is my favourite final image, it was actually the first one I did but I really like the ‘glitch’ effect created by the editing. The coloured lighting created by using coloured gels on the honey comb flash head has added intrigue to the photo as the lighting is split perfectly down the middle of the image it adds dimension to the shot, however as the hoodie was a reddish colour it has allowed for the editing of the layers to blend in and create an interesting pattern from the shadows and meeting of fabric. I like how it draws the eye into the displaced parts of the photo and creates a powerful feeling as the pose, having the model looking down onto the camera feels like the model is above/ higher figure of authority. Particularly, I like having the black background and how it contrasts well with the blue of the far left displaced rectangle. It doesn’t change the original photo much but does make it a unique image and one that draws the viewer in forcing them to look where parts of the photo are from and ask why it was done. Following this shot I edited two other photos however I think sometimes the simplicity of this photo makes it a very strong, well balanced image. It askes the viewer questions they might not even know the answer too, and as a the photographer and creator of the image myself I am not all too sure ether, it askes the viewer to reflect on why we always look at peoples face first and that is what we tend to judge off of but as humans we have many different layers which one we choose to show an individual is up to us. To explain this idea I used crops of the image and pulled them across and misplacing them to show we look the same but there are different layers to a individual from our emotions to how we react in certain situations.

Identity politics and culture wars

IDENTITY POLITICS: a political approach based on a particular identity, such as; race, nationality, religion, gender, sexual orientation, social background, caste, and social class.

This can be conceptualised being about the presentation and representation of identities. This is founded in the shared experiences of injustice of members of certain social groups, typically aiming for political freedom (at times wishing minority groups) within a society where they are not able to exist freely, attempting to make others understand what it is like for them in a day-to-day life.

The second half of the twentieth century saw the emergence of large-scale political movements—second wave feminism, Black Civil Rights in the U.S., gay and lesbian liberation, and the American Indian movements. Identity politics is greatly connected to the idea that some social groups are oppressed which can lead to stereotyping, violence, appropriation of identities or even erasure of them. The term was coined by the Combahee River Collective in 1977 and gained use in the 1980s, gaining currency with the emergence of social activism, manifesting in various dialogues within the feminist, American civil rights, and LGBT movements, disabled groups, as well as multiple nationalist and postcolonial organizations, for example: Black Lives Matter movement.

For example, in more recent years, the Black Lives Matter movement gained immense news coverage of people of all identity speaking up on the injustice that this group of people face within a society. This movement seeks to highlight racial violence and police brutality within society against black people, with the hashtag created in July 2013. This formed after the after the acquittal of George Zimmerman in the shooting death of a teen Trayvon Martin 17 months earlier in February 2012. It became nationally recognised for street demonstrations following the 2014 deaths of two more African Americans, Michael Brown and Eric Garner, being only some of the protested names of people who died at the hands of racial violence by the police. In the summer of 2015, Black Lives Matter activists became involved in the 2016 US election. The originators of the hashtag and call to action, Alicia GarzaPatrisse Cullors, and Opal Tometi, expanded their project into a national network of over 30 local chapters between 2014 and 2016. Street demonstrations and public protests emerged of people, regardless of who they were, standing up for this cause.

CULTURE WARS: a type of conflict which occurs when different beliefs and cultures clash against one another, the struggling for dominance of their personal values. It commonly refers to topics on which there is general societal disagreement and polarization in societal values. This can occur on a micro or macro scale, able to give explanations for violence or even wars.

Cultural conflict is likely to emerge when the rules and values of one cultural group are substantially different from another, and members of the cultures come in contact with each other. This is commonly also phrased as a culture clash.

This term is usually used in western politics concerning issues such as homosexuality, transgender rights or racial viewpoints based upon personal views, morals or lifestyles. An example of cultural conflict is the debate over abortion in the United States, where it is legalised in some states however illegal in others. Ethnic cleansing is another extreme example of cultural conflict. Wars can also be a result of a cultural conflict; for example the differing views on slavery were one of the reasons for the American Civil War.

Grid Photo Editing – Headshots

Lighting Set up

This is the lighting set up I used, by having the flash head behind me as the photographer it allowed for the light to cover the entirety of the models face, I also used another flash head with a transmitter on the camera for both, to light one side of the models face to create interesting and dynamic Chiaroscuro lighting. By having two different flash heads it allowed for good lighting without over exposing the model.

In some of the later photos I used a honey comb filter and coloured gels over a snoot light to keep similar lighting but a coloured filter over the image. This was great as it allowed for me to experiment with different lighting and multiple colours by holding a acetate sheet over one of the flash heads at the same time.

Edit One

To start making my grid layout I started by opening a document with a width of 1080 and then a res of 72 pixels/inch. I then went onto the view drop down tab and selected guide – new guide layout.

I then put in the details I wanted, I chose to have a gutter and margin to try to keep space between each shot.

After that I created a new layer and then on the rectangular marquee tool picked a new colour from the side bar.

Next I selected a box using the rectangle marquee tool and the right clicked and pressed fill, foreground colour.

By repeating this process it left me with a colour coded grid on separate layers.

The next step was to click on a layer, selecting it, and then dragging a photo onto the box and clicking the tick.

I then right clicked on the layer to produce the option of create clipping which then fits the photo to the box.

Once I had done the above steps for all 9 boxes I had 19 layers.

Clicking a new layer open then using the rectangle marquee tool to select the entire document.

After that I used select- deselect, then view-show- guides.

Edit Two

I then repeated the process making sure to have 9 separate layers with different colours on each selection. I started by making the grid and then editing each photo on Lightroom.

I chose to make an usual grid for this one as many would think it would look better if I put the black and white row in the middle of the grid, however I actually did this to show progression from fashion style, high contrast dramatic photos to fun coloured more natural captures to then a combination of both with interesting lighting but the same pose to not take away from the models natural appearance.

Edit Three

Final Evaluation

I think this is a great way of displaying photos and I really like the outcome, it allows for many photos to be displayed and its an uncomplicated way to draw peoples attention to different photos and really encourage them to think about the meaning. I used three different approaches on the first one I used the three different rows to display the model posing three different ways, on the second grid I tried to make the grid make no sense using three different colour ways and two different models, and the third grid I repeated the same three photos in the same order on each row although by having the middle row in colour it made appear to be different photos unless the viewer looked at each individual shot and then the grid as a whole. It has also allowed me to expand my photoshop knowledge and I will definitely look at using a grid in the future as it’s a simple way of displaying multiple images to convey meaning and make a point by having very few images or tens of images.

Studio Lighting Techniques Evaluation

Virtual Gallery

Chiaroscuro

Rembrandt

Butterfly

Evaluation

Chiaroscuro

I think that this is my best chiaroscuro photo as, although her head is slanted, there is a straight line down the centre of her face where there is a contrast with the lighting.

Rembrandt

I think that this is my best Rembrandt photo because there is a clear triangle underneath his eye and the photo didn’t need a lot of editing.

Butterfly

I personally think that this is my best butterfly lighting photo as you can clearly see the shadow under his nose and the cheek bones.

Environmental portraits across school

in addition to the environmental photography study i did on my grandmother, i and a few other students took a camera across school to take photos of teachers and school staff in there everyday enviroment

This photo school not only helped my confidence in photographing people i am not close with or comfortable with but also taught me a lot about the camera and helped me learn how to take high quality and in focus photos quickly and under pressure, with the teachers anxious to get on with there work we did ou best not to occupy to much of there time and therefor had to learn very quickly about how to focus and use the camera as quickly as possible, unfortunately a good amount of the photos we took did end up being a little blurry but the ones above are what i believe to be my best work from the hour we spend around school.

i edited these photos to be black and white/greyscale in imitation of Daniel Mordzinski’s photography style when photographing the ‘human atlas’ one of his most famous photography series.

photo-montage

Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. 

The plan:

I will take photos of my subject with deadpan expressions and other expression and merge them together, or replace different body parts to different parts of face. Another thing I could do is keep the subject the same but edit certain parts of the face to bring attention to it (make it stand out more).

With these photo-montage edits, I did not want to make it over edit them as they are both already fairly interesting photos. I used photo shop to edit both. With the bottom one I also used geometric template to add the triangles.

diamond cameo

diamond cameo is where photos are arranged into a diamond shape, as it means all photos get equal coverage. I took 4 photos of a class mate with different angles of his face, using the studio lights and a continuous light with a soft box to add some contrast. We positioned it slightly above the subjects face, and slightly on the right. This is done to mimic a butterfly effect.

Here are the photos I took and decided to use. I colour graded and adjusted mainly just the shadows and highlights to make it look very retro like. Here are the editing setting.

Headshots artist analysis

BRUCE GLIDEN – FACE

Bruce Gilden’s project, Faces 2012–14, is an extended series of confronting and compelling photographic portraits. He went very up and close to the subjects faces, capturing and amplifying all the imperfections lack of symmetry of people, making each person very different to each other as we are all individuals.

“My style evolved because I liked being among the common man,” he once said. “I like characters. I always have. When I was five, I liked the ugliest wrestler, so it was easy for me to pick what I wanted to photograph.”

Gilden is not without critics who view the photographs as potentially exploiting his subjects. He would often take photos of unsuspecting people along the street. The artist describes the series as a reflection on his childhood in Brooklyn and the result of a lifelong fascination with ‘characters’ he encounters in pursuit of his subjects.

Gilden, like many photographers, often shies away from explaining the meaning in his photographs. “When people look at my pictures I don’t want to tell them what’s in the pictures. I want them to look at the picture and make up their own story.” So now I’m going to analyse some of his photos in my own way.

Both these photos have a few things in common. They leave very little space in the frame for the background, and making sure the whole face is including in the photo. This allows the viewers to see every imperfection in the face, making the individuals look ugly. There’s almost a since of humour to these photos as well as the subjects didn’t get a change to pose properly and it looks like mug shots.

Here, the blemishes, bad teeth, the stubble and the scrapes – as well as the pimples, wounds, wrinkles, and bulbous veined noses – are rendered even more extreme by the closeness of the camera and the unremitting light of the flash.

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