Concept

when looking at developing photos to tell the crooked fairies story through photos my first concern was how I would depict the ‘crooked fairy’ how was I going to photograph something that had nothing with its likeness and didn’t exist?
when looking at the illustrations in the original material I figured my only option was to create a sculpture.
in light of this I figured the most effective option was to create e a small doll sized figure of the ‘crooked fairy’ and play with perspective and lighting to make it appear ‘larger than life’

Constructing The Crooked Fairy

when creating my crooked fairy i used only cardboard, mud rock, tinfoil, wire and water.

original inspiration of design

raw creation

i used wire as support for the two back legs and secured them too and piece of cardboard to give provide support, in order to create the signature arching back in detail i used tin foil to create a base frame for the torso and draped mud-rock over the legs and torso to attach and shape the fairy further, then using mud-rock alone I created the arms shoulders head and horns, shaping with my hands and water as I went.

Although a good start this sculpture didn’t yet have the detail it needed, both for up close images but with sharp enough details that they would been seen in its silhouette.

refinement

i began the process of refining my sculpture with a box knife and sand paper,
first focusing on the face and horns.
then the arched back, thin frame and ribbed back.
defining leg shape
carving strong shoulders and back detail

final result

photoshoot 1

for my first photoshoot I would dedicate it to the inspiration I got from rut Blees Luxemburg which is what a plan to do with all my photoshoots dedicating my photoshoots to each photographer I studied and trying to take photos using their techniques to my best ability. Where am I taking my photos? Because for my first photo shoot is going to be in the style of Rut Blees Luxemburg I would most likely go around around town but certain weather conditions would be necessary such as rain, fog, and possibly hail so overall harsh weather conditions. the images bellow would some I would like to recreate.

where could I achieve making an image similar to this? I would most likely take images in town where I could find street lights like this for bars, clubs, shops etc. how could I achieve this and what other factors need to come into place? to achieve this image i would need to find a street with a certain type of lighting at night. the lighting could be yellow or white doesn’t matter

photoshoot 2

for my second photoshoot I would like to take photos that would be more similar to recreate the work of Todd Hido’s house hunting project which consisted of him taking images if houses in the suburbs of America in Ohio in dark places which I could take inspiration by going to estates at night or even possibly find houses isolated and take images of that which would be more fitting to the considering his project. However I would obviously like to take my own twist the project as I just want to take inspiration and not copy the these projects. these are some of the images that i would like to recreate or put a little twist on it.

where could I go to create these images? I could create this images by going to estates or quite remote places around the island and take a couple of images of houses around those sort of areas. how could I create these images? i would need to go around the island in the night or possibly when the sun is about to set to have the perfect natural light to then be edited and maybe tint them a little bit to create the sort of misty or foggy effect that the sky has in the images.

photoshoot 3

just like all my other planned photoshoots im going to take inspiration from my artists i have studied which in this case would be Edgar Martins. in this case the images in this photoshoot would consist of images where the landscape is the main focus with sky basically not even being existent in the image as it would be completely black. then making the landscape a bit more bright as if someone was holding a flashlight when editing the image. these are some images I’m taking inspiration from for this photoshoot.

where can I create these images? I can make similar images to this near places like Cineworld where there’s an abandoned building and possibly visit other abandoned places around the island. what could I do when editing the images to recreate these effects? to recreate this image I can go into Lightroom and use the masking tool to highlight the background of the image and turn the exposure down to make it dark how the example image above looks.

• For my first photoshoot I will photograph some of my team mates in basketball, having a consistent lighting and consistent clothing to get me into this project. I will then put it into a topography of photos. I will be using my knowledge from my photoshoot work a year ago, using lighting like Rembrandt, Butterfly and Chiaruscuro to draw more attention towards the face:

• I want to also take some photos on the basketball court, using Neil Leifer as my inspiration. the photos below are some examples of what I will be trying to create.:

• Then I will take photos of my friend tony, being obsessed with the grind of basketball, and obsessed with the sport in general. Ill first go to his room, which is surrounded by basketball posters, shoes and basketballs, I will be using Sam Taylor-Johnson – crying men project as an inspiration.

• I also want to take some photos in the style of Paul m smith, where he edits himself to be in a photo multiple times. I will be using my friend tony again to get these photos. I think this would work well as he is so invested in basketball that he only plays by himself, not investing himself with the rest of the team.

• Another Idea is too take photos like Tom woods, but using my basketball team instead. I will go around town and replicating photos like this one:

• Taking shoots of basketball cloths and Item could be a good addition to my project as well.

Candles Photoshoot 1: In Praise of Shadows

This photoshoot was set up with a tripod. I lit the candle and set the camera up with a long shutter speed. Even with the longest shutter speed I had the flame did not elongate enough to look like those from Hiroshi Sugimoto. I had several attempts at creating different looks of flame: I left the flame to burn straight for an elongated appearance, I tried manipulating the shape by blowing it for a thicker appearance but regardless of what I did the flame was always short and faint. I put some black fabric behind the flame and Set the camera up as close as possible. I tried two different candles too. One slim birthday candle I thought would burn down fast and create a longer flame and one slow burn candle I thought might burn brighter. They both ended up looking similar overall however. Because my shutter speed was so low the images also looked far too over exposed which I didn’t realised until after Id finished the shoot to fix. I also took all of them in landscape instead of portrait because I thought the flames would look thicker. In editing I made them portrait instead which I think looks much better and compliments the flames photographed. I edited the contrast and set them all in black and white however none of them had the crisp outlines that were present in Hiroshi Sugimotos images. Next time I will photograph in portrait, adjust the exposure and try to photograph a match even for it’s speed. I might also take photographs of the wax once I’ve finished.

Outcomes:

I choose these 3 images for different reasons. The first one had a unique shape, the second showed the wick of the candle and the third resembles a person which I think matches the theme of my project. I also liked the difference between how grainy the middle image was and how crisp the bottom one was. I took the bottom one one 15 seconds shutter and the others on 30 seconds shutter which meant that it was crisper compared to the others.

In terms of fitting a narrative, I think I could use either the second candle as a beacon of light amongst a dark room, the bottom works as an ominous, unidentifiable humanoid resembling a strange figure that been imagined or dreamt up. The one on the top could also work as someone blowing the candle in the dark to show that the person holding the candle isn’t alone. This makes the first and last most likely but I’m gravitating towards the last. I might take some more images which can be a mix of the first two where the wick is visible but its also been blown.

Edits:

For experimenting I figured trying out multiple exposures might work well for this photoshoot since they’re all similar in set up and shape. I layered 7 images on top of each other and lined up the placement of the wick for each. Since they all had the same black background they blended together well and I just had to adjust the candle body. I adjusted the opacity of each layer until I had a shape I liked.

I didn’t like the outcome and removed a few of the layers to create a smaller shape. I realigned the neck area and made the background a navy instead. I like how the images shows the movement of a flame however I’m unsure how well it will fit into my project. I might try and contrast one of these with the still figure.

Since the flames were now extremely small around the head I added one larger one to the background and removed the rounder one in the middle. When the image is pure monochrome it almost looks yellow but when it has a blue hue it looks colder and the white looks brighter.

Overall I’m happy with the final outcome but I’m still unsure on its place in my project. This one shows clear layers and the flame obvious in the centre while the others merged into the layers. I like how in the image both halves have different colours. The left has a faint orange trim around the white and the right has blue.

Bianka Schumann –

Bianka Schumann focused on the idea of memory, and explored this from two perspectives, the first reflects on adolescence and what she called ‘no mans land’. The space between childhood and maturity. And the second being nostalgia, memory of things that sometimes we don’t remember, the memories hidden away that are enclosed by our minds. Which are usually deeply personal and not something some people may want to share.

Her work –

I feel like the prominent use of natural light in Bianka’s work give an incredible idea of the instinctive and regular life during childhood, I feel like the flame in the top middle photograph shows almost a vulnerability of the time of adolescence through its inclusion. The unease and danger that lurks through the symbolism of a flame is a very powerful way of showing how critical this time is for everyone.

The blurred or unfocused background in majority of these photos bring a very spotlighted feeling to them, the immediate focus and grasp these pictures get the viewer with is so powerful. It almost shows the desperation that is shown through the photo. It could be a case where the artist wants to bring attention to that part of their OWN life because of repressed memories or negative experiences.

Naturalistic backgrounds are seen all through this photoshoot. I believe the inclusion of this is to almost help the artist herself believe that it was natural, childhood and growing up is something everyone goes through, bad or good, it happens. I also love the inclusion of a sibling ( I think ) in this case. The perspective it gives to the audience is so powerful. Going through childhood without siblings is a completely different experience then when your surrounded by siblings all the time. it gives an idea of connection and unconditional love throughout the photoshoot.

Application –

I want to apply Bianka’s ideas of nostalgia and memory into my personal study. Since my main idea is to pursue the theme of childhood and growing up as a girl and the hardships and memories I have from my own childhood. I believe that nostalgia can be a very powerful approach to expressive work, it resonates with a very large group of people in however way you want to portray it.

Because of the inclusion of nostalgia I want to show in my work, Bianka’s use of natural light. I feel could help emphasise that a lot more. Studio lighting and artificial lights can sometimes come across as too harsh and I don’t want my photographs to look too staged. I almost want them to be candid but with some staging just for perfectionism purposes.

Catherine Panebianco –

Catherine Panebianco is a photographer from British Columbia, Canada. Her photography has been shown in art rooms all over the world, from shows in the US to internationally. Winning 1st place in numerous award shows such as the international photography awards. Catherine’s work looks for a sense of belonging, and place. Looking at memories and home, whether that is places or people she loves. Her work looks at how we connect with others, with our past and ourselves.

Her work –

Catherine’s work varies in technicality. The use of the natural light really captures the ease and thought that links to nostalgia, with no artificial memories just raw. I feel like natural light can help develop the idea of memories and their undeniable link to each and every person and the fragile memories that may come with it.

The use of the soft focus background ( blurry ) is an extremely powerful tool that has been used in this photoshoot. It immediately changes your focus to the polaroid photo in each picture, showing the focal point right off the bat, allowing the viewers to start from the centre of the image, whilst the rest of the art comes in when they take a wider look.

I also love the personal feeling this art piece holds. It may be subtle but the inclusion of the artists hand in each photo, allows each viewer to have a separate and individual relationship with the art and the artist. I also believe that this small detail almost takes the serious connotation this photoshoot may hold and while it is a professional piece that is very successful, I feel that it allows a relaxing and calm, nostalgic environment surrounding the piece.

Application –

I want to apply Catherine’s idea of a focal point into my project because I believe the use of archived photos as a main point in a photo can bring in the sense of nostalgia very strongly and with personal memories being what I want to focus on overall, the use of the archived photos really bring that to light.

Again, the use of natural light is definitely something I want to include in my work, to bring almost a comforting, natural feel. With the idea of understanding not just others but ourselves, I feel natural light has a powerful way of bringing things together and intertwining them as one. The warm feeling of the sun and the comforting feeling of the outside, can bring thousands of memories from everyone all over the world together.

‘A good snapshot stops a moment from running away’ – Eudora Welty

‘The snapshot aesthetic’ stems from the idea of a photograph being shot spontaneously in a quick manner. These images are usually made without photographic intent, taken impulsively as if the goal is to quickly capture a memory. This technique is typically used to document the events of everyday life, tending to portray family members, friends, pets, celebrations, sunsets, tourist attractions, childhood events such as birthday parties and the like.

As this aesthetic demonstrates a glimpse into real life, the images can be technically imperfect due to this being used by amateur photographers, for example taking a snapshot of a sunset you may see when going home from work. From its instantaneity, the snapshots may appear poorly framed or composed, out of focus and/or inappropriately lighted by flash. However, this contributes to the idea of rendering memorable moments in imperfect images.

MOOD BOARD:

The snapshot aesthetic falls under the umbrella term of Vernacular photography, this being used to distinguish ‘fine art’ photographs from those that are used for a wider range of purposes such as forensic, commercial or governmental. The different forms of vernacular photography consist of:

• Family snapshots
• Travel photos
• Photo booth films
• School/ID photographs
• Amateur portraits
• Souvenir-type photos

Snapshot photographs can also be associated with street photography when the photographer is using it to interpret societal situations, shooting at the hip without thinking about the composition and leaving the result up to chance. This is done to capture candid moments in public spaces, reducing the risk of a member of the public catching them. This could link in with Henri-Cartier Bresson’s “decisive-moment” due to the act of using impulse when taking the image.

The components which commonly feature in the snapshot aesthetic are blurriness, grain, cutting off objects as a result of shooting from unplanned angles, high contrasting, being under/over exposed and a soft focus.

The snapshot aesthetic was originally recognised as ‘folk art’ in the 1960s where it began its development into fine arts, where it is now used by photographers such as Nan Goldin, Petra Collins, Gillian Wearing and Lorna Simpson. These female photographers utilise this technique in their images to convey a message in a photo-diaristic manner, using methods to create immediacy and informality in the composition to make it seem more authentic and relate to this aesthetic as capturing meaningful moments. For example, this aesthetic can be utilised by female photographers to explore historical lineage, looking into the domestic lifestyle.

This technique is going to be woven into my work through the use of my own archival family photos, digital and physical from photobooks. Then, I am going to create adaptations from them and experiment with graphic design as well as different art mediums in destructive ways, for example ink splatters or even possibly burning sections of the image.

Links:

https://en.wikipedia.org/wiki/Snapshot_(photography)

https://www.liverpoolmuseums.org.uk/women-photographers-and-snapshot-aesthetic

https://aboutphotography.blog/dictionary/snapshot-aesthetic

I decided to do a small photoshoot to demonstrate my editing skills on Adobe Photoshop. This gives me the opportunity to see if AI editing is something I would like to include in my final photobook, and if whether these images are powerful and meaningful enough to be able to convey the message I would like to express. I chose for my model to do a multitude of facial expressions of fear, happiness, loneliness and confusion. From this variety, I can edit her to show different emotions heightened through AI, to show my storyline. I like how the backgrounds are also different colours such as black, white and grey, as thus then creates an array of different impressions, I can then work with. I feel like these photos are strong, however, to improve, I feel that the lighting could be more focused on with the quality being slightly increased as the model is slightly fuzzy in a few of the photos. I chose this model as her facial expressions are very clear and I feel her dark outfit demonstrates how she may feel inside.

Best Images.

I chose these photos as my 6 best images as I feel they are the highest quality and clearly demonstrate her feelings. Her expressions and body language executes her mood and shows the variety of emotions you are able to feel in a short space of time. All of the photos have a white/grey background which creates a perfect plain template for editing. However, when editing my images I would like my background to black, but I can change this using the Adobe Lightroom to alter the background from white to black. I feel that the quality could be worked on in these images, to improve, I need to assess my lighting whilst photographing and check my camera settings during photoshoots to ensure I am getting the high quality I need for my images.

Editing.

I edited these images to have a black background In Adobe Lightroom by…

I selected the masking tool and then chose ‘background’.

Adobe Lightroom then selects the background of the image and changes it automatically to the colour red.

I then change the background colour from red to black as I feel black is an easy and strong background in order to have a plain background and dos not make the image lower quality.

I then edit my model/subject to be lighter so her e.g. hair, does not blend in with the background.

Edits 1 and 2.

I then export my images from Lightroom, Into Photoshop, to begin editing. I wanted to use the AI/ generative fill settings for my images. I wanted to compose an image that shows how my model is feeling due to the pressures of the male gaze and how peoples opinions and viewpoints may make her feel. The concept of using human eyes, is demonstrating how peoples eyes are constantly on her and she constantly feels watched and looked at, and therefore cannot feel free. I feel like these images have a slight claustrophobic feeling to is, as the girl is completely surrounded by eyes and people watching her and forming opinions. The feeling of feeling judged and watched, creates mental issues for many people which I feel her body language and facial expressions convey. I wanted my model to have a slightly scared, yet fixed facial expression, in order to create the impression that she is seeking help, but wants to keep it inside. This may be due to pressures and risk of showing her true feelings. Overall, I think these two images could be improved by using more exciting or high quality photos, and possibly more in-depth and creative editing ideas, to convey my idea.

Edit 3.

I also then chose to create an image with hands reaching out to my model as if they are reaching out for her, this is to demonstrate that she is wanted and that she feels that people want something from her but don’t want her. However, I feel that this image is not by best work, this is because the arms could be better quality and could have a mix of different peoples hands. However, this arm was the best option from my generative fill option. I think, to make this mage stronger, the arms could be going in different directions and the arms are surrounding her and are creating a circle around her to shoe she is feeling claustrophobic from her surroundings.

Edit 4.

I decided to also create this very random image in order to demonstrate an abstract image through the use of random lines. I first had the pen tool on Adobe Photoshop, in order to create a background colour of white lines squiggled all around. I then created a new layer and chose a thinner black pen tool to create another layer of lines, these lines represent mental negative feelings of apprehension, worry and anxiety, however, I particularly focused on my models head to show although she is surrounded by stress and pressure, most of it is surrounding her brain and is all internal feelings that aren’t real. Her brain is generating most of these feelings, of fearing the unknown, when In fact her situation is never as bad as she assumes. I feel this image is basic but meaningful. By experimenting on photoshop, I am able work on my skills and show how even though some of these images are basic, a deeper meaning comes within the backstory.

J Riley Stewart chooses to take photograph as he wants to use the media as a way to remember a moment in time, of more specifically a story which strikes him during that moment. He believes the ‘remembering’ aspect is a major part of why he is a photographer.

“Why are we on this earth if not to remember our experiences, our stories; to learn something from them, and to pass them on?” – J Riley Stewart

Before photography became his main career, Stewart was a medical researcher. This taught him to always question, explore, experiment and to resolve the world around him. He enjoys photography largely as he is able to learn new things, which is similar to his previous career. He feels that photography allows him to stop time unlike any other medias, this creates an opportunity to explore and discover what our eyes and brains want to dismiss in seconds.

Analysis

This photo is taken of a Baptist Church, it has been put into black and white which causes each detail to stand out. The subject matter of the image is spread out evenly due to the shadows both in the foreground as well as the higher part of the image where the church is. I find this image has an eerie look to it, this is because of the way that the photo has been shot straight onwards to the church, it also looks almost abandoned and empty in the middle of nowhere.

Artist’s Statement

How will I respond?

I will take photographs of landscapes in a similar way to J Riley Stewart. However mine will be based on areas where legends and witchcraft stories as based, such as Gorey and the Dolmens.

Write a Statement of Intent of 250-500 words that clearly contextualise;

• What you want to explore?
• Why it matters to you?
• How you wish to develop your project?
• Which form you wish to present your study (photobook, film, prints etc)
• When and where you intend to begin your study?

I want to explore my grandads life and his favourite places in jersey from when he used to come and visit. I’m going to restage the images I have of him in his favourite places and then use my dad to restage the image to recreate the memory. I’m going to 5 different locations that were his favourite when he visited jersey. The places I’m going to go are St Brelades Bay, Gorey Pier, El Ticos, Corbiere lighthouse, La Mare vineyard. This matters to me because these are the places that hold the most memories for me with my grandad and they are the places where he was the happiest when he visited. I’m going to develop my project by taking images of the places I’m going and then also take restaged images with my dad in it, and then choosing the images that capture those important memories the most. I want to create a photobook for my images and I want to put a big picture of one of his favourite places on the front cover of the book, I also want to create some A4 and A3 prints of some of the scenery photos that I take to show some of the development and to just get some of the best images I have made printed for my portfolio. I’m taking images this weekend for all 5 of the photoshoots for the favourite places and then I’m also going to take the restaged images at all 5 different places as well as the images of the actual landscape itself. I want to take the images at these specific locations because they capture the most important times I knew him in my life, but they also capture some of the important times in his life that he spent here with me and my family.