My Photoshoot Plan for the Landscape project is going to be going around Jersey to capture the dramatic landscape.

Capturing the sublime:

Jersey was recently hit by Storm Ciaran, which saw a tornado running through Jersey. I would like to start by trying to capture the environments captured by the storm, reflecting similar ideas of the Sublime in Romanticism. ifferent woods/forests with my dad taking photos of fallen

I would go to areas like these and take photos of different terrains, broken objects and buildings.

I will try take photos of the fallen objects in the rain, on a cloudy day, sunny day and on a windy day to try get a choice of each weather on the broken houses and nature.

I will try to use the HDR photo technique with my landscape photos trying to implant the multi-exposures and then merge the photo after to create this overall end photo with the best features all around.

Adams was an American landscape photographer and environmentalist known for his Black and white photographs and how he put his own style onto photographs with the use of Monochromatic photos.

What is Monochromatic?

Monochromatic means having or consisting of one singular colour. This is a style of photography that relies on the use of one colour, in one or more shades, to create an image.

The type of camera Adams used was called a Kodak Brownie Box Camera. The design of it is in the name ‘box’ with its square-like shape, very old fashioned but very modern at the time with it being a series of camera models made by Eastman Kodak released in 1900.

Ansel Adams was born in 1902, when he got his first camera at the age of 14, he also started playing piano at 14 but he knew he wasn’t going to become a musician. Him and his family went to Sierra Nevada where he took photos of the mountains and different ranges and was really proud of his photos, and that’s where he knew he wanted to become a photographer. In 1906 there was a very big earthquake with a magnitude of 7.9 and during that earthquake Adams got hit and broke his nose. He left it due to the fact he didn’t want anyone to see it and thought it was alright until the fact he went to school and was so shy and insecure about his disfigured nose which made other kids look at him funny and he kept having to move schools because of this leading to eventually his dad pulling him out of school, home-schooling him and getting him a tutor. After that he was feeling a lot better but he still had this disfigured face/nose, but he really enjoyed walking through the forest and taking landscape pictures.

In 1927, he got a break that changed his life dramatically when he was named Sierra’s Club official trip photographer. The Sierra Club was one of the worlds oldest environmental preservation societies.

The Zone System:

Ansel Adams was known for pioneering the zone system to create dramatic tone in his photos.

Starts at grey which is on 0 F Stop. You change the aperture on your camera to change the shade of your photo.

The photo below depicts one of Adams’ first experiments with filters that enabled him to capture the drama he wanted.

What is Romanticism?

Romanticism: Romanticism (also known as the Romantic movement or Romantic era) is an artistic and intellectual movement that originated in Europe towards the end of the 18th century. For most of the Western world, it was at its peak from approximately 1800 to 1850.

Romanticism emphasized inspiration, subjectivity, and the primacy of the individual. Romanticism is linked with landscape and the sense of romance of the landscape features its spirit in full bloom.

What is the meaning of Romanticism Style?

Romanticism is characterized chiefly by a reaction against neoclassicism and has an emphasis on imagination and emotions.

Romantic artists depict their nostalgic sentiment through their work.

Effects that were used in Romanticism:
Small, Close strokes of complementary colours to create brilliance and vivid visual effect.

Subjectivity:

One main significant elements of Romanticism was increased emphasis on the personal and subjective power of the individual artist. Romantic artists began to explore different psychological, emotional, and mood states in their works. The Neoclassical obsession with genius and hero transformed into new ideas about the artist. Artists were able to express themselves fully, free from the tastes and rules.

Romanticism rejected the Age Of Enlightenment and Neoclassicism

What was the Neoclassical Period?

The Neoclassical Period was an art movement that sought to evoke the style of classical antiquity in writing, painting, sculpting, and architecture found in Greek and Roman culture. It was very popular between late 18th century and early 19th century.

Neoclassicism was a movement which involved idealized form. People were perfected not as they necessarily were but rather as an idealized version would. Romanticism hated that idea. Romanticism believed that the obsession with idealization led to a lack of emotion.

The Age of Enlightenment

Also known as the Age of Reason, was an intellectual and philosophical movement that occurred in Europe, especially Western Europe, in the 17th and 18th centuries, with global influences and effects.

Started in 1685 and ended in 1815.

The main idea for it was that reason is the primary source of authority and legitimacy. So, it was an emphasized reason over superstition and science over blind faith.

3 major ideas from the Enlightenment was the values of scepticism, reason and individualism.

Sublime:

Sublime means the high quality of greatness and beautiful through physical, moral, intellectual, metaphysical, aesthetic, spiritual and/or artistic. Also means, extremely good, beautiful or enjoyable.

“It is beautiful but terrifying at the same time due to its own power.”

Sublime in the 18th century was a concept first introduced by the philosopher Edmund Burke in the eighteenth century to describe art that is truly extraordinary, invoking a powerful mix of awe, wonder and terror.

Edmund Burke

Edmund Burke was known and remembered for his support for Catholic emancipation, the impeachment of Warren Hastings from the East India Company, and his staunch opposition to the French Revolution.

He had a famous quote which says, “The only thing necessary for the triumph of evil is for good men to do nothing”.

John Constable

John Constable RA was an English landscape painter in the Romantic tradition.

Constable is famous for his landscapes, which are mostly of the Suffolk countryside, where he was born and lived. He made many open-air sketches, using these as a basis for his large exhibition paintings, which were worked up in the studio.

The Hay Wain

The title, The Hay Wain, refers to the wooden wagon (wain) used for transporting cut and dried meadow grass (hay). The empty wagon is making its way through the shallow water to cross to the meadow on the other side where haymakers are at work.

The view is of the millpond at Flatford on the River Stour.

Flatford Mill was a watermill for grinding corn, operated by the Constable family for nearly a hundred years. It still survives and is about a mile from Constable’s birthplace at East Bergholt, Suffolk. The house on the left also survives; in Constable’s time it was occupied by tenant farmer Willy Lott.

It was created in the artist’s studio in London. Working from a number of open-air sketches made over several years, Constable then made a full-size preparatory oil sketch to establish the composition before painting the final picture.

The painting by John Constable depicts a tranquil countryside life. There is no sign of the Industrial Revolution going on at the time. People turned to his painting as an appreciation of rural life, away from the cities that were booming at the time.

What does Landscape mean?
Landscape art and photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes.

History and Traditions of Landscape Photography

Artists have been painting the landscape since ancient times.

Landscape gained in popularity as a genre due to many factors such as Romanticism. Originally, it was looked as a religious significance, but it also became a method of self-expression with the emotions of the photographer and or painter shown on the painting/photograph.

Before the renaissance, (a period in history and a cultural movement marking the transition from the Middle Ages to modernity, covering the 15th and 16th century), Landscape Art wasn’t really recognised as a genre in its own right.

In the 17th century the ‘Classical’ landscape evolved . These paintings were influenced by classical antiquity and sought to illustrate an ideal landscape recalling Arcadia, a legendary place in ancient Greece known for its quiet pastoral beauty. Even though Classical Landscape was a new genre, it was not yet popular within the hierarchy of art genres.

In the late 18th, early 19th century we start to see more landscape art coming about as a result of the industrial revolution. During this time, Landscape became more accepted by the academy.

Because industrial revolution had just come about, it made people long for their old life. This made people appreciate nature more, leading to people wanting to celebrate romanticism and showing love to it.

Pierre -Henri de Valenciennes – 18th Century

The very first photography that we know of was taken in an urban landscape during 1826 or 1827 by the French inventor Nicéphore Niépce.

Photo #1

This idea came from the artist Lewis Bush and Idris Khan. Two artists that have very similar work which involves multiple exposures overlapping one another to create and end result photo.

I started by importing one photo of my model into photoshop.

For this photo, I used artificial lighting by using a black background with no studio lights above, but I used a flash light with box filter over it. Positioned model in the centre, flash light directly on the right side of model, with my model slanted at the light at about a 75 degree angle.
F-stop = f/11
Exposure time = 1/160 seconds.
ISO speed = ISO-100
Focal length = 22mm

Then I added all of the other photos I wanted to use which was 11 photos in total. Put them on top of each other, all in the centre of the grid. Changed of all of them apart from the base picture to 50% opacity, and made sure that even though they were mostly all 50% opacity, I wanted to make sure you can still see a clear image of my model.

This is my editing process of adding a few in, then some more, and then some more and below.

Which then created this final photo of all of those masculine pictures overlapping each other, which is called Multiple Exposure.

Photo #2

For this photo, I used the artist reference, Cindy Sherman. Sherman uses this way of editing to deceive the audience into thinking that her style is ‘immature, young, funny maybe even considered ugly’. But I used this way of editing on my photo because I like how different body sections are bright and coloured, and the rest is black and white.

But for my photo, I wanted to use it on a body part instead of the models face as Cindy Sherman did. So, I started by using this photo of my models arm that involved his bicep, tricep, shoulder, forearm and upper back.

I then edited it to look more masculine, increasing the contrast, lowering the exposure, lowering highlights and shadows and increasing the whites and blacks. Then, increased the texture and clarity to show more detail and definition.

Then for the final photo, I wanted to put the same picture but in black and white over the top of that photo with cut out parts in it to reveal the coloured masculine photo underneath.

Which then lead to the final result to be a combination of the two with the black and white photo on the top covering most of it, but shapes cut out in it revealing the coloured photo underneath.

Photo #3

My third photo idea came from the artist, Kensuke Koike and this is because I love how he uses 1 picture to create such a bigger photo by either swapping parts of the face around with other parts. Or, having 3 of the same photo, one lighter, one normal, and one darker all in the same position, and then cutting out parts to reveal lighter parts and darker parts too.

So just before I did this style and reference, I thought why not have two layers a blurred one and a clear one as-well, so I used his editing style but made the main photo blurred, and in the cut-out parts, where it reveals the non-blurred lighter photo underneath, another lighter blurred boarder round the cut-out.

I have chosen to use this photo because it resembles femininity a lot with the use of makeup, a female stereotype and involves a necklace and bracelet which are considered feminine. Also, her green with a ring of hazel round the middle eyes, being the main focus of this photo really brings in the audience and could also be considered a feminine idea.

Then went into photoshop and had the idea of having a blurred photo of my model and then a brighter photo underneath with cut outs revealing parts of the photo. But I blurred both of the photos, the darker and the lighter one, and then cut out parts so that there was lighter revealed parts, still blurred though. So, after I did that I wanted something else to add to it, so I also, cut out the same shapes in a smaller form of the lighter blurred photo to reveal no blur and just the brighter photo, creating my final photo.

Photo #4

I have stuck with the same editing style for this photo which I really like from Lewis Bush and Idris Khan which involves multiple exposures overlapping one another to create end result photo.

I started by using this photo I took, similar to photo #3 but different style.

This is my editing process of importing each picture in slowly with 50% opacity overlapping each other, which eventually created this full final picture.

I am really glad with how this photo ended up being with all the different multiple exposures on top of each other and how each photo is different but you can still clearly see what’s happening and the full photo.

Photo #5

Very similar to photo #1 and #4, I am really glad with my multiple exposures that I have done and so in this one I tried a different idea.

I started with this photo of my Model and was thinking of adding the different angles and positions he was in on top of it.

Started to add the different poses and angles of him over this photo.

After doing that for a few of the photos it came out to looking like this, but I thought why not add some colour in some of them as-well so I added one blue one on the left, and one yellow one on the right, but off-centred to add to the confusion and exposure look.

Having the exposures at different heights and sizes really creates depth for the photo because they are each individual separate photos all showcasing different things, but all also relate to the same thing.

Photo #6

This photo inspiration came from Cindy Sherman again where she uses the different eyes over different faces, but I didn’t want to do that exact idea so I freestyled and came up with the idea of a male model with makeup on, eye shadow on the inner of the eye, glitter on the upper cheek bone, and mascara on the eye lashes. But in the reflection of the pupil/iris was a female who ‘typically’ would be wearing this sort of makeup.

Started by using this photo.

Thought it was a bit dark and so I increased the brightness, increased the exposure, decreased the contrast, increased highlights ever so slightly, decreased the shadows and so it made this photo.

Which I much prefer as it is brighter, warmer, more friendly and helps the ‘feminine’ aesthetic look. But I wanted to use Cindy Sherman’s style by using someone else’s eye over mine, but I thought why don’t I put it in the reflection of the eye, so I got this photo of another Model.

So, after I cut her head out and put it on top of the pupil/iris, I lowered the opacity to 25% and cut around the outside of the face so it fitted the eye, and so you can still see the eye ball behind it ever so slightly and her face doesn’t stand out too much.

This is my photo gallery of all of my photos being showcased in!

My plan for the final photos I will edit will consist of:

1: One idea I had was that I will cover the photo in dark, and then select different parts and shapes on the photo to show the underneath photo.

2: I will have a photo fully blurred but at the main focal point it will be unblurred.

3: Another idea is that I will combine some of the photos with shapes/masculinity/femininity ideas to create a stronger photo.

4: A collage of photos of Joey, my Model, with different exposures all low opacity overlapping each other.

5: A combination of multiple exposures of different models doing different poses and positions to create an overall clear photo.

Follow and critique my own photos using this Image Analysis Matrix.

Here is my Top 3 best photos that resemble Masculinity

These are my final photos after I have edited them.

Here are my Top 3 photos that resemble femininity.

My photoshoot plan I’m going to use for masculinity vs femininity.

Final Photoshoots:

A woman with ‘feminine’ products and objects, (makeup).

Take a photo of a man holding masculine items with no shirt, (briefcase, aftershave).

Go into a ‘feminine looking’ room (pink walls), (ballet pictures), with a masculine guy on the bed in front of the camera.

Photo Contact Sheet:
Femininity:

For the feminine photoshoot, I did myself and other males wearing makeup, holding stereotypical female objects like perfume, body spray, makeup and has curves too. Also, a female model wearing a crop top which is considered feminine, necklace, and herself holding makeup and using it.

Masculinity:

For the masculine photoshoot, I took photos of myself and some more models showing off ‘masculine muscles’, holding objects that are either heavy or show off ‘masculine’ vibes. Also, jaw lines and males Adams apple.

Cindy Sherman works with female stereotypes and invents personas and tableaus that identify the nature of females. She does this by creating images that assumes gender roles like a photographer, model, makeup artist, hairdresser and stylist. Whilst also portraying a career girl, a blond bombshell, a fashion victim, a clown, or a society lady of a certain age. For over 35 years she created eloquent and provocative body of work for our visual culture.

Sherman’s photography is a depiction of the different ways culture defines “woman.” Her art plays on the feminist idea that gender arises exclusively within culture and deconstructs dominant gender ideologies, representing the underside of popular culture’s definition of “woman.”

She rose to fame in the international art world with her series of black-and-white photographs, “Untitled Film Stills” (1977–80), which advanced the concept of narrative photography. 

Renowned for her depictions of female stereotypes, Sherman has played with masculinity and gender expression before. In a series referred to as “Doctor and Nurse,” Sherman became both a male and female character, embodying stereotypical mid-century professional archetypes.

Claude Cahun was a spirit of rebellion and defiance. She was a defying conventional ideals of beauty and femininity with a shaven head and male attire, to her direct resistance of German occupying forces.

Claude Cahun was a Surrealist photographer whose work explored gender identity and the subconscious mind. The artist’s self-portrait from 1928 epitomizes her attitude and style, as she stares defiantly at the camera in an outfit that looks neither conventionally masculine nor feminine.

In this photo, Cahun deceives the audience because they dress up to look like a masculine man with a heavy weight in their hand, short hair, and male clothes like shorts with shirt. But in reality, the weight is fake, the hair is tied up behind so you can’t see it, so the overall photo deceives us, the audience.