Photoshoot Plan

As a class, we will be going on a walk from Havre Des Pas to La Colette to take photographs of landscapes, inspired by The New Topographics. I am going to aim to take photos of how urbanisation has transformed the landscapes of Jersey. For example, La Collette area is very heavily urbanised, therefore, I am going to try take some photos there.

Contact Sheet

I took these images using exposure bracketing in order to ensure that I get the correct exposure and to practice the technique.

Image Selection

As there were many images for me to sort through, I started off by labelling all the good photos yellow so then I could go back through the set of the yellow images and label the ones that I wanted to use as green.

Selection

Sub-selection

Edits

Photos I have left unedited:

I didn’t edit this image because the sky is very over-exposed so if I were to lower the contrast or highlights it would make it grey. On the other hand, I think this is a very effective photo as it shows development being done on the beach.

The following images I didn’t edit as I was already satisfied with how they looked.

Edit 1

I edited this photo by slightly decreasing the exposure and cropping the sides.

Edit 2

All I did to edit this photo was crop and rotate it. I rotated it so that the roofs of the buildings were horizontal to make the image look better.

Edit 3

I edited this image by lowering the exposure, vibrance and highlights as it was a little too saturated then increased the texture to make it more detailed. Finally, I cropped the edges.

Edit 4

I edited this image by, firstly, lowering the exposure and increasing the texture then cropping it. After this, I used the brush tool to select the apartment building as in the original image it was quite blurred, therefore, I did what I could to minimise this.

Edit 5

I edited this photo by, firstly, lowering the exposure, highlights and vibrance as I wanted the image to be dull to show how infrastructure has impacted the beauty of the nature. I then increased the texture and slightly rotated the image.

Edit 6

All I did to edit this image was make it B&W then lower the exposure and contrast so that tones of the sides and bottom of the balconies contrasted. I then finished this off by slightly cropping the bottom.

Edit 7

I edited this photo by slightly increasing both the exposure and contrast and making it B&W.

Edit 8

I edited this photo by making it B&W then slightly decreasing the exposure and increasing the contrast as I wanted the rock to display a gradient of different tones.

Edit 9

I edited this photo by, once again, slightly increasing the exposure and contrast. After this, I faintly rotated it.

Edit 10

I edited this image by lowering the exposure and clarity and increasing the contrast and texture as I wanted the picture to appear more detailed with the edges of the stone. After this, I then slightly cropped the top and left to get rid of the area in the corner.

Edit 11

To edit this photo I started off by increasing the exposure and contrast to make the chimney more visible, however, the sky became quite over-exposed so I lowered the highlights. After this, I finished off by rotating it slightly so that the chimney was vertical.

Edit 12

I edited this photo by making it B&W, lowering the exposure, increasing the contrast and highlights then slightly rotating it.

Edit 13

I edited this image by, simply, making it B&W then decreasing the exposure and increasing the contrast.

Edit 14

I did the same for this image as I did the previous, however, I also rotated it.

Edit 15

All I did to edit this image was crop and rotate it as I was happy with how everything else looked.

Virtual Gallery/Evaluation

These are my final images which I had taken during the photo walk. As you can tell, there is a variation of different scenes displayed, however, I personally think that they all link to the New Topographics as they all show how Jersey has been developed over time.

The New Topographics Photos

What is The New Topographics?

‘The New Topographics: Photographs of a Man-Altered Landscape’ was an exhibition at the George Eastman museum in Rochester, New York. This exhibition was created by William Jenkins in 1975 and included the work of various photographers such as:

• Frank Gohlke
• Robert Adams
• John Schott
• Lewis Baltz
• Stephen Shore
• Joe Deal
• Nicholas Nixon
• Bernd and Hilla Becher
• Henry Wessel

The word ‘topographic’ refers to the arrangement of physical features in an area, therefore, The New Topographics is a way of stating that the arrangement of physical features have been changed. In addition, The New Topographics was a reaction to the Post-war American Landscape, where the world was becoming increasingly suburbanised and landscape photography was becoming progressively romanticised and idealised. Moreover, the purpose of this exhibition was to highlight the effects of human intervention on the environment and, as a result, this exhibition significantly contributed to conservationism, a movement which aims to conserve and protect natural resources and wildlife, as it made people realise what the world was becoming.

Key Features of The New Topographics

The New Topographics inspired the beginning of the genre Urban Landscape and these images often included features such as petrol stations, industrial parks, trailer homes, industrial buildings and houses. These images brought attention to landscapes and areas which people see everyday but never think twice about in an attempt to protect natural landscapes from human intervention. The industrial features in these images are often paired with natural landscapes in the background to create contrast between natural and man-made.

Case Study of New Topographics Photographer

Robert Adams – The New West

Robert Adams, a photographer who was part of The New Topographics, published a book in 1974 named ‘The New West’. This was a book containing landscapes along the Colorado Front Range (Mountain Range) and it is regarded as a classic book of photography. Adams created this book as a way of documenting the development of freeways, mobile homes, low-rise business buildings and signs in the suburbs, rather than romanticising it. The images displayed in this book are all mostly of middle-grey scale which is a common feature amongst Adams’ work.

Some photos from this book:

Bernd and Hilla Becher

Source

Bernd and Hilla Becher where a married couple who began collaborating in photography together in 1959, 2 years after meeting each other. After 2 years of collaborating together, they got married and they travelled around Europe and North America together photographing industrial architecture. Their images often displayed industrial structures such as water towers, coal bunkers, gas tanks and factories and they exhibited their work as sets of typologies:

Additionally, Hilla Becher stated:

• ‘By placing several cooling towers side by side something happened, something like tonal music; you don’t see what makes the objects different until you bring them together, so subtle are their differences.‘

• ‘For me, photography is by its very nature free of ideology. Photography with ideology falls to pieces.‘

• ‘We photographed water towers and furnaces because they are honest. They are functional, and they reflect what they do – that is what we liked. A person always is what s/he wants to be, never what s/he is. Even an animals usually plays a role in front of the camera.‘

These quotes prove that the purpose of their photographs was to display the beauty, similarity and complexity of various functional, man-made structures.

Lewis Baltz

Source

Lewis Baltz is another photographer who was involved in The New Topographics movement. He was born in Newport Beach, California and studied at the San Francisco Art Institute, where he received a BFA (Bachelor of Fine Arts) in 1969 and at Claremont Graduate School, where he received an MFA (Master of Fine Arts) in 1971. Baltz worked as a freelance photographer and taught at various institutions in California, as well as some others across the globe. During his career, Baltz produced numerous photo books and has had his work featured in a variety of Museums, including Tate Modern, Metropolitan Museum of Art and many in the United States.

Photographs by Lewis Baltz:

Baltz’ work, featured in The New Topographics, challenged 19th century western landscape photography by presenting a more realistic view of the landscape, displaying the effects of suburban development on the topography, rather than picturesque landscapes. His images were all displayed in monochrome and featured man-made structures with straight edges, such as doorways and warehouses. These features, in most of his photographs, are accompanied by natural features/vegetation such as trees, grass and rocks.

Analysis of an Image

Source

This is one of the most well known images by Robert Adams, titled Mobile Homes, Jefferson County, Colorado. It was taken in 1973 and it is best known for splitting the Colorado landscape into two, presenting both a sublime mountain-scape and the harsh reality of mobile homes impacting the landscape. Additionally, this image displays a contrast between the man-made, smooth edges of the mobile homes and the natural form of the mountain, conflicting between humans and nature. This photograph shows that the Colorado landscape and wilderness is not quite what you would envision after seeing the work of Ansel Adams. Rather, it is a site of interaction between humans and the inhuman, an environment scattered with human development rather than an untouched natural environment.

What are HDR Images?

HDR stands for High Dynamic Range and they are images which display very high contrast, similar to the human eye or sometimes even more. These images often display details within an image which wouldn’t usually be seen such as shadows which would normally be black or details within highlights that would normally be washed out. This is because the image displays a combination of exposures which merge to create one final image.

Examples of HDR Images:

How to create HDR Images:

To create HDR Images, firstly, you should produce images which have been taken of the same landscape and in the same positions but are of various exposures. This can be done using a camera by adjusting the Exposure Meter in settings to be on -1, 0 and 1 then turning on Continuous shooting, also with an aperture of 16. After taking these photos, you should upload them to Adobe Lightroom and, for each HDR Image, select multiple photos with different exposures and merge them by right clicking then going to Photo Merge > HDR.

My Own HDR Images

Merge 1

These are the images that I merged:

Merge 2

These are the images that I merged:

I used the brush tool to lower the exposure and saturation of the water as it was a bit too bright.

Merge 3

These are the images that I merged:

I decreased the saturation and exposure slightly of the whole image as it was a bit bright then I used the brush tool on the cliff to make it more vibrant and contrasting between the green, orange and brown by increasing the exposure and saturation.

Merge 4

These are the images that I merged:

I thought that this photo was a bit over-saturated, therefore, I lowered the saturation and exposure slightly. I also rotated the image as it was taken at a bit of an angle.

Merge 5

These are the images that I merged:

This photo, at first, turned out very over-saturated and the sky was very dull so I lowered the entire saturation then used the brush tool to increase the saturation for the sky so that there was a little bit of blue.

Merge 6

These are the images that I merged:

I slightly cropped the left side and bottom of this photo as they looked a bit out of focus, making the quality of the photo look worse.

Merge 7

These are the images that I merged:

Virtual Gallery of Final Outcomes

I used ArtSteps to create the following Virtual Galleries:

Evaluation

Overall, my images relate to Ansel Adams’ as they display high contrast, however, my images are in colour rather than B&W. These images also relate to the sublime as they display the beauty of the cliffs, however, their size and brilliance is terrifying when in comparison to a human.

These are some of my images in B&W:

As you can see, each of my images display a range of tones within the Colour Zonal System, alike the work of Ansel Adams.

Some information about Ansel Adams

Early Childhood

Ansel Adams was born in San Francisco in 1902, shortly before the ‘Great Quake’ in 1906. As a result of an aftershock of the Great Quake, Ansel was slammed to the floor and he suffered from a broken nose, leaving his face disfigured. When Adams was in school he was very introverted and conscious of his nose, which he never got fixed, so he didn’t fit in very well at school, resulting of him moving schools a lot. After moving around various schools, his Father decided that it was best for Ansel to get home-schooled. During this time, Adams would find comfort in going on long walks to the forest and dunes of the Golden Gate, which was near his house. When Adams was 12, he taught himself to play and read music on the piano, which he really enjoyed, however, after years of lessons, he realised he wasn’t cut out to be a professional. When Adams was 14, he was gifted a Kodak Brownie Box Camera by his parents and was taken on a trip to the Yosemite National Park, where he later met his Wife and would frequently visit up until his death in 1984.

Professional Career

In 1919, Ansel Adams joined the Sierra Club, an organisation which worked to protect the environment by creating national parks. In 1927, Adams was officially named the Sierra Club’s trip photographer and he published his first photos on the Sierra Club Bulletin. Adam’s reputation as a photographer and environmentalist grew over the next few years and he became more politically involved with the Club’s Environmental Activities such as the fight to create King’s Canyon National Park. In 1934, Adams was elected as a member of the Board of Directors for this club and maintained the role for 37 years. In 1936, Ansel used his portfolios as a way to try and convince the members of congress to transform the area into a park, however, this proposal failed. This failure did not stop Adam’s fight for the park so in 1938 he published a book with his photos of the King’s Canyon National Park which then gained the attention of many people, including President Roosevelt. Finally, in 1940 the King’s Canyon National Park was created and Adams became known for being both an artist and defender of Yosemite and the environment. Ansel Adams went on to gain multiple Presidential rewards, including the Presidential Medal of Freedom in 1980, and he was (and still is) admired for preserving nature in both his photos and in real life.

Ansel Adams and the Half Dome

Monolith, the face of Half Dome, 1927

This is the photo which Ansel Adams took in 1927 that ultimately changed his career. Adams started the journey to take this photo on the morning of April 10th, alongside his Fiancé and 3 of his close friends. During this journey, the group had to climb to mountain with all their gear to get to the diving board, a platform where they could view the face of the dome. At the time this photo was taken, out of the frame there was the sun which was highlighting the face of the dome, creating contrast between the black sky, grey dome and white snow. The photo on the right shows the result from the use of a yellow filter, which Adams didn’t believe fit his vision so he swapped it to a dark red filter, which can be seen on the left as his final image. Furthermore, Ansel used visualisation to take this image by imagining what he would like the image to look like in his head before actually taking it.

Some more photographs by Ansel Adams

As you can see, Ansel Adams enjoyed taking photos of mountains, especially within Yosemite National Park, and water courses. Although Adams took many photographs within his lifetime, these were some of my favourites as I think that they are a good representation of his capabilities and style.

Colour zonal system

The colour zonal system is a system which was used thoroughly by Ansel Adams that ranges from 0 to 10 in roman numerals. Each number represents a tonal value from black to white, with grey tones in the middle. This system is the exposure meter on a modern camera and each zone represents an f-stop which is used to change the aperture. In addition, Adams used this system to control the contrast in his images so that they display both highlights and shadows.

This is a very well known photograph by Ansel Adams. As you can see, it clearly displays tones ranging from 0 to 10 in the colour zonal system. For example, the colours in the river range from 8 to 10 and the bottom left corner is clearly 0. Also, the snow on the mountains is 10 but the mountains that it is upon appear to vary between all tones.

Ansel Adams and Group f/64

On the 15th of November 1932 at the M.H Young Memorial Museum in San Francisco, Ansel Adams, along with 10 other photographers, announced themselves as Group f/64. This was a group of photographers with the same style of sharply detailed, purist photography, such Ansel Adams, Edward Weston, his son Brett Weston, Willard Van Dyke and more. This group was created against pictorialism and, instead, promoting realism in photography.

Ansel Adams and Edward Weston

Source

Edward Weston was an American Photographer, born in Illinois in 1886, who was best known for his detailed images of natural forms, landscapes and nudes. Weston received his first camera at the age of 16 as a gift from his father then studied at the Illinois College of Photography. In 1911, Edward Weston moved to California to pursue his Photography career after falling in love with it when visiting his sister.

Edward Weston and Ansel Adams became great friends through their careers and Group f/64 and they were two of the most influential photographers of the 20th century. Whilst Ansel Adams liked to focus on depictions of mountains and clouds, Edward Weston would focus mostly on close ups of natural objects such as fruits and vegetables. On the other hand, Weston also depicted many landscapes, mostly of sand dunes, capturing their finer details. Although their work differed in some ways they were also very similar in terms of displaying high contrast and detail. Each of their work also displayed themes of Romanticism as they displayed the natural beauty of the world and things within it that have not been impacted by humans.

Photographs by Edward Weston:

Quotes

‘You don’t take a photograph, you make it.‘ – Ansel Adams

This is one of the most well-known quotes from Ansel Adams where he is referring to the fact that taking photographs is much more than just the click of a button and, instead, it is what you make it by visualisation and hard work.

‘We don’t make a photograph just with a camera, we bring to the act of photography all the books we have read, the movies we have seen, the music we have heard, the people we have loved.’ – Ansel Adams

Similarly to the previous quote, here, Adams explains that there is more to photography than just taking a photo on a camera which is what motivates us to take the image and the story behind it.

‘Good composition is merely the strongest way of seeing.’ – Edward Weston

This quote describes what the art of photographic composition really is and describes that it is one of the key points to success when taking a photograph, rather than the subject matter. For example, if you were to get a professional photographer and a child to take a photograph of the same subject, it is most likely that the professional photographer will have a more successful outcome as they have more knowledge of composition.

Art

John Constable – The Hay Wain 1821

This is a very famous painting which was created by John Constable in 1821. John Constable was one of the first artists of the Romantic movement to create landscape paintings which were directly inspired by nature, rather than idealised depictions. He was also, interestingly, one of the first painters to paint trees green, rather than a yellowish-brown and he was known for his realistic paintings of the sky/clouds. After realising how low landscape art was in the hierarchy of art, John Constable created his ‘6 footers’ in an attempt to put landscape art out there to more people. Altogether, Constable succeeded with this and, as a result, he increased the hierarchy of landscape art. This oil painting was originally titled ‘Noon’ and it depicts a rural landscape near Flatford Mill in Suffolk. John Constable painted this landscape in his London studio on a canvas measuring 130.2cm x 185.4cm canvas. This painting depicts 3 horses which appear to be pulling a large farm wagon across the river and a small cottage to the left named ‘Willy Lott’s Cottage’. Constable’s father owned the Mill nearby and this cottage belonged to a tenant farmer, Willy Lott. The name of this piece being changed to Hay Wain, a hay wagon drawn by horses, suggests that the subject of the photo is in fact the horses pulling the wagon. It is suggested that the horses where stationary in the water in this painting so that the wagon’s wheels could cool down, as well as them, and so they could have a drink of water. What we don’t see in this image is that it was based on the times of the Industrial Revolution, where workers would have been going to work in factories, rather than on farms, leaving the people working on farms having to struggle and work harder, making them suffer in poverty because machinery was taking their jobs. In addition to this, he subject being the wagon in this image may be a way of emphasising the hard work that the lower class had to undergo at the time of the industrial revolution to survive. Finally, this painting was presented to the National Gallery in London by Henry Vaughan in 1866 and it has been there ever since.

Photography

Roger Fenton

Roger Fenton

Roger Fenton was a War Photographer and previous lawyer who was known for staging his photographs, manipulating the truth. For example, this image, ‘Valley of the Shadow of Death’:

This image displays cannon balls on a road which are believed to have been placed there, perhaps between exposures.

This is another image by Roger Fenton, much different to my previous example. This image features the location in which the painter Samuel Palmer had been inspired by the natural beauty of this river valley. As a result, this indicates that Fenton was also inspired by nature and romanticism when taking this image in Wales. By looking at this photograph, it is clear that Roger Fenton wanted to emphasise the beauty of subject matter, tonality and composition of this image, rather than document the reality. Finally, it looks as if this image had been taken using a slow shutter speed to show the movement of the water. This can be seen by what looks like white haze amongst the water which makes the picture look heavenly.

Fernando Maselli

Source 1 and Source 2

Fernando Maselli is a Photographer, based in Madrid, who is inspired by Edmund Burke’s romantic conception of the sublime and its connection to nature. Maselli creates montages of mountains to make one extraordinary landscape from various existing landscapes that will produce concepts of the Sublime. Maselli takes photographs of mountains at different times throughout the day and at different angles then used fragments, cuts, repetitions and overlaps to build the artificial landscapes. He is fortunate to have trained as a climber to make his photographs possible.

Fernando Maselli stated ‘I seek to recreate an imaginary landscape, almost perfect, where the repetition and accumulation of the elements creates in the viewer a disturbing sensation.‘ This shows that the aim of his photographs are to represent the Sublime.

What is Romanticism?

Romanticism is an artistic and intellectual movement that originated in Europe in the late 18th century. Previous to Romanticism being introduced was the Age of Enlightenment, also known as The Age of Reason. This was when emotion had been sucked from art and literature and people focused mainly on science and logic, whereas, romantics later rejected the whole idea of science and reason. During the Age of Romanticism, people explored the beauty of nature, emotion and life, creating an idealised reality within art and literature. The Age of Romanticism was also introduced during the industrial revolution, the development of cities and machinery, which may also explain the obsession with nature as it could have been an escape from the new reality.

Romanticism in Photography emerged alongside this movement, in the 19th century, and it involves capturing images with dramatic lighting, sublime scenes and dramatic landscapes, creating a sense of awe and nostalgia. Romantic photographers evoke these feelings and emotions through techniques and paying attention to the smaller details like the lighting, focus, composition and depth of field. In Romantic Art, Artists used small, close strokes of complementary colours to create brilliance and vivid visual effect. Overall, romanticism is defying realistic and scientific views on the world and, instead, exploring the emotional effects of the beauty and power of nature.

Here are some examples of Romanticism:

Art

Photography

What is the Sublime and how does it link to Romanticism?

Typically, Sublime is when something is really great, however, the Sublime in photography is when images evoke intense emotions and feelings of awe, whilst also being overwhelmingly beautiful and powerful to the point that they cause terror. This is because it makes people feel small and insignificant. The Sublime links to Romanticism as it’s the emotional effect which is created by romantic photographs and paintings. 

Edmund Burke and The Sublime

Source 1, Source 2 and Source 3

Edmund Burke was an Irish Political Philosopher who was best known for his . He served as a member of the parliament between 1766 and 1794 in the House of Commons of Great Britain and has published many books based on political arguments. Burke was the founder of modern conservatism with his publication of the ‘Reflections on the Revolution in France’ in 1790. Back in 1757, Edmund Burke published ‘A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful’. This was the first to separate the beautiful and the sublime into their own categories. Edmund Burke stated that the beautiful is aesthetically pleasing, whereas, the sublime is something that has the power to both compel and destroy us. Altogether, Burke transformed the meaning of the Sublime to ideas of the human experience and how things which are so beautiful can fill us with such horror.

What is Landscape as a Genre?

The Genre ‘Landscape’ is most often used within art and photography and it is the depiction of the natural elements/scenery around us, such as trees, rivers, forests, waterfalls, mountains, beaches and more. There are various types of landscape including:

• Natural Landscapes -the original landscape that exists before it is acted on by human culture

• Urban Landscapes – outdoor environments that are dominated by urban/man-made structures such as buildings, harbours, factories and more.

• Coastal and Marine Landscapes – ocean-related landscapes which may include waves, beaches, ships, cliffs, etc.

• Cultural and Historical Landscapes – historically significant places which show evidence of human interaction with the physical environment.

• Agricultural Landscapes – depicting farming and agriculture, such as farms and fields with crops.

The term ‘landscape’ originates from the Dutch word ‘landschap’, meaning ‘region, tract of land’. Landscape is now defined as ‘a picture depicting scenery on land’, this definition was acquired in the early 1500s.

Mood board – The Evolution of Landscape Photography

A Timeline of Landscape as a Genre

16th Century – Albrecht Altdorfer

Previous to the 16th Century, paintings of landscapes were seen as a setting for religious and figural scenes, rather than a genre themself. Albrecht Altdorfer was a German printmaker who was known for the 9 landscape etchings he produced between 1518 and 1522, the first known artwork to celebrate landscape as a primary subject matter, according to the met museum website. This particular etching is the Alpine Vista with mountains around it and it was created during the Renaissance.

17th Century – Nicolas Poussin

In the 17th Century, the Classical Landscape was born. In a Classical Landscape, the positioning of every feature, such as trees, flowers, rocks and animals, are considered. Nicolas Poussin was a French artist who is known for perfecting the Classical Landscape, along with Claude Lorrain. Nicolas Poussin worked to higher the status of landscape art because he believed that landscapes could express the same powerful emotions as history paintings. At this time, landscape art remained inferior, however, it became more popular as time went on.

18th Century – Pierre-Henri de Valenciennes

In the late 18th Century, Pierre-Henri de Valenciennes worked to convince the Academy and his contemporaries that landscape painting was worthy of a higher status because he believed that it was. He published a book in 1800 on landscape painting, emphasising how the ‘historical landscape’ should be based on the study of real nature. The Academy created a prize for ‘historic landscape’ in 1817 in response to the success of this book.

19th Century – Theodore Rousseau

During the 19th Century, there were many milestones for landscape art, including the birth of landscape photography and romanticism. With the industrial revolution, it pushed more people to become interested in the genre of landscape and it became more popular around the world. Theodore Rousseau, among other Barbizon (realism) painters, focus less on classical landscapes and, instead, focused on plain air painting. Plein Air Painting is when the artist paints outdoors with the subject in clear view.

20th Century – Ansel Adams

In the early 20th Century, painters continued to support the landscape whilst landscape photography also grew in popularity. Ansel Adams is a very well-known photographer from this time who photographed breath-taking views of the American countryside, including locations such as various National Parks

Within the second half of the 20th Century, the definition of landscape was challenged and different concepts of the genre of landscape were introduced, such as urban landscape and landscape architecture.

Final Outcomes

Inspired by Hannah Altman’s ‘Indoor Voices’

Inspired by Justine Kurland’s ‘Girl Pictures’

Virtual Gallery

Inspired by Hannah Altman’s ‘Indoor Voices’

Inspired by Justine Kurland’s ‘Girl Pictures’

Compare and Contrast to Artist References

Hannah Altman’s ‘Indoor Voices’

I personally think that my work is very similar to Hannah Altman’s in terms of displaying the relationship between a mother and daughter. I also attempted to make use of natural light, as also seen in Hannah Altman’s photos. On the other hand, I think that my photos also oppose her work as the relationship displayed in my photos appear more normal and traditional. What I mean by this is that in a lot Hannah Altman’s photos the subjects appear to be doing things such as holding an orange in their feet or sitting together on the side of a bathtub which are not things you would expect to see a mother and daughter do in person, whereas, in my photos, you would naturally expect to see a mother and daughter doing each of these things and consider them ‘normal’.

Additionally, I think these photos relate to Cindy Sherman through the use of ‘selfies’ as I took these photos of myself and my Mum by setting up a camera with a timer. Another way that my work relates to Cindy Sherman’s is by conveying female stereotypes, a mother caring for her daughter. Alternately, my work also differs to Sherman’s as she never displayed her real identity through the camera but in my photos my Mother and I aren’t depicting characters and are in fact just being ourselves.

Justine Kurland’s ‘Girl Photos’

I personally think that by photos are quite similar to Justine Kurland’s in the sense that the girls are in a group outside having fun and exploring. These images also relate to Justine Kurland’s as they appear to have run away from home and are in random fields, however, the locations I took these photos weren’t anywhere near as good as Justine Kurland’s. For my photoshoot, I asked for my friends to wear jeans as they are mostly what is worn in Justine Kurland’s photos and I also made sure that we went to big, open grass spaces, similar to some of Kurland’s photos. On the other hand, my images are quite obviously less professional than Justine Kurland’s as they were taken on my phone and also went through less effort to find locations as we had no way of transport to the places we would have wanted to go.

My photos contrast to Claude Cahun’s in the sense that the girls in the photos appear confident with their identity, rather than trying to hide it. This is shown through the fact that they are just doing as they like with a smile on their face, whereas, Claude Cahun would dress up to oppose their identity and make you question whether they were actually male or female but you can clearly see that the subjects in my photos are females just living their lives.

I think that this image specifically relates to Justine Kurland’s work as the girls look like they are running away from home to go explore the outside world.

Finally, I believe that this photo also portrays the girls as runaways who are potentially exploring the woods to build somewhere to stay. This relates to Justine Kurland’s work as a lot of her work portrays the subjects to have run away from home.

Evaluation and Critique

I am very proud of all my final outcomes as I think they definitely display and define femininity through two of the most important feminine relationships, with both a Mother and friends. Both photoshoots link to Girlhood, growing up into a woman.

This is my personal favourite photo I took for this photoshoot as it was taken through the mirror, as you can see by the picture frame on the left. I also like the use of natural light as it has created shadows from the stair rails onto my face and the bottom of the stairs above. This photo gives off the impression that my Mum and I are having a nice conversation of the stairs after just getting out of bed, due to our clothing, my Mum’s body language and my facial expressions. I am very happy with this photo, therefore, I don’t think I would do anything to improve it as I just like how it looks natural.

I also like this photo as, again, you can see the use of a mirror and natural light which I think makes it much more effective and looks well-thought out.

This is one of my favourite images I took, inspired by Justine Kurland. I think that this photo relates to her work through being outside, a common theme throughout Kurland’s ‘Girl Photos’. I also think this photo relates to her work as the subjects appear to be having fun and appear to have possibly found this trampoline whilst exploring. Additionally, I like how my friend is doing a handstand as gymnastics is seen as quite a feminine thing, linking to the theme of femininity. Finally, I enjoy looking at this photo because it just looks like a very natural, caught in the moment photograph and it gives me a somewhat peaceful, free impression due to the fact that they are enjoying the outside and you can see the sea far into the distance. If I were to change this photo to improve it, I would probably step a bit further back from the trampoline so that you can see more of the field around it.

Photoshoot 1 – Inspired by Hannah Altman

Contact Sheet/Image Selection

These are a combination of my photoshoots inspired by Hannah Altman ‘Indoor Voices’. I took these in various places around my house using a tripod and my camera with a 10 second timer.

Image Sub Selection

I have decided to go back through my most successful photos and colour rate them to determine which ones to edit. Green is yes, yellow is unsure and red is no.

Edits

Edit 1

I found that the original image for this edit was very pixelated and not the best quality so I edited it by, firstly, making it darker by lowering the exposure, contrast and highlights. I then increased the texture so things are more defined but lowered the clarity and increased dehaze so everything appears smoother.

Edit 2

My aim for this edit was to make the colours of my hair and my Mum’s face look less orange, therefore, I lowered the exposure, highlights and vibrancy. Similar to the previous edit, I also increased the texture and lowered the clarity.

Edit 3

I edited this photo by cropping it then lowering the exposure, highlights and texture. I also increased the shadows and clarity. Finally, I lowered the vibrancy and saturation to make the colours less bright in the photo and make the image more tranquil.

Edit 4

I edited this by, firstly, cropping it then lowering the exposure, highlights and vibrancy. After this, I increased the shadows, texture and clarity to make the lines in the photo more defined.

Edit 5

I started off editing this photo by cropping each side then lowering the exposure and contrast slightly and increasing the texture and clarity.

Additionally, I used the brush tool to increase the exposure of the bottom half of the window so that it can’t be seen through.

Edit 6

I edited this by lowering the exposure, contrast, highlights, whites and clarity then increasing the texture. I did this to make the image just a little bit less bright and more defined.

Edit 7

To begin editing this photo, I started off by cropping the sides. After this, I lowered the contrast, highlights and exposure and increased the shadows, texture and clarity. Furthermore, I attempted to use the brush tool to get rid of the glisten in my eye, however, it just made it look worse so I kept it how it was.

Edit 8

I personally think that the original photo doesn’t need editing, however, I decided to try edit it anyway which I actually prefer the outcome of. To edit this photo, I decreased the exposure, contrast, highlights, whites and vibrancy and just increased the texture.

Edit 9

I edited this photo by lowering the exposure and clarity then increasing the highlights and texture. After this, I lowered the vibrancy to give the photo a bit less warmth as it makes it look better quality.

Edit 10

This was my last edit to represent a mother and daughter relationship and I edited it by lowering the exposure and whites then increasing the highlights. After this, I increased the texture and clarity to make everything more smooth yet defined. Finally, I finished off by cropping it then lowering the vibrancy and saturation to make the colours less lively to fit the sense that we are in pyjamas and look tired.

Photoshoot 2 – Inspired by Justine Kurland

Contact Sheet/Image Selection

Image Sub Selection

I have decided to go back through my chosen images and create a sub selection of the specific ones that I am going to edit, shown in green.

Edits

Edit 1

I only subtly edited this photo by lowering the exposure to make it more vibrant, increasing the highlights, decreasing the shadows and then increasing the blue and yellow hue.

Edit 2

I edited this by, firstly, cropping it then lowering the exposure, increasing the highlights and texture and increasing the yellow and green hue.

Edit 3

I edited this photo by, firstly, cropping it then lowering the exposure, whites and texture and increasing the clarity and highlights.

Edit 4

I personally think that the original photo was too dark so I edited it by increasing the exposure, whites and vibrancy and decreasing the shadows and clarity. Finally, I slightly cropped the bottom.

Edit 5

I edited this photo by cropping the bottom then increasing the texture, clarity and contrast to make shapes and lines more defined. I then lowered the exposure, highlights, shadows, vibrancy and saturation because I think that the original photo was too vibrant.

Edit 6

I edited this photo by decreasing contrast, shadows, clarity and exposure and increasing highlights and texture. Finally, I finished off by cropping the bottom of the photo.

Edit 7

I edited this by slightly cropping the top of the image then increasing the exposure, contrast, texture, clarity and vibrance then decreasing highlights and whites to make the image a little less bright.

Edit 8

I edited this by cropping the bottom then making small adjustments to the exposure, contrast and clarity.

Edit 9

To edit this photo, I cropped it then increased texture clarity and highlights and lowered the exposure.

Edit 10

When editing this photo, I attempted to remove the orange tint in my friend’s face and hair. I did this by lowering the exposure, highlights, vibrancy and saturation then increasing the contrast, clarity and texture. After this, I finished off by experimenting with the hue and saturation of green and blue to make the grass a bit more vibrant.

Edit 11

I edited this image by slightly cropping the bottom then decreasing the exposure and highlights to make the photo less bright then increasing whites, texture and clarity.

Edit 12

This is my final edit for this photoshoot inspired by Justine Kurland’s ‘Girl Pictures’. I edited this photo by just slightly adjusting the exposure, highlights, texture, clarity and vibrancy. Finally, I finished off by cropping the top and bottom, as well as a little bit off the left.

My Ideas for Photoshoots

Idea 1

My first idea is to try and find old photos of both my mum and grandma when they were around my age and recreate them with myself as the subject to capture the generations of females within my family. I would also capture photos of myself and what it’s like as a female in my own generation. This may be quite hard to find some photos as when my Gran was around my age she may have not had as many photos taken, however, I can always go through the photos she has to see. I think this will be effective towards the theme of femininity as it shows the generations of females within my family.

Idea 2

Similar to my first idea, I am going to look at old photos and try to imitate them but, instead, capture female stereotypes throughout the generations, rather than just one person. This work will be inspired by Cindy Sherman. I will do this by, firstly, gathering lots of research then preparing many outfits and looks to recreate. I think this would be a good photoshoot because Cindy Sherman is very popular in photography for her images that relate to femininity.

Idea 3

My third idea is to capture the relationship between mother and daughter. This photoshoot will be inspired by Hannah Altman’s Project, ‘Indoor Voices’. I am going to do this by coming up with a variety of locations around the house, preferably where light shines through the windows, and my Mother and I will get into position whilst I have the camera on a tripod with a timer. I think this will be a great photoshoot as it really relates to femininity through mother-daughter relationships which are a key part of growing up to be a woman. With attention to detail, I also think that I could produce a group of powerful images.

Idea 4

My fourth idea is to capture the similarities between me and my mother from when she was my age, although we don’t look much alike there will still be some resemblance. This photoshoot will be inspired by Ugne Henriko’s Project ‘Mother and Daughter’. I will do this by finding some old, printed photos of my mother and recreate them, almost like it’s a reflection. I think this will be effective because it will highlight the similarities and differences between us from when she was around my age.

Idea 5

My fifth idea is a bit different from the others. For this photoshoot I will ask for one of my male friends or my Dad to dress up in various (stereotypically) women’s outfits. This will be inspired by Rebecca Jurgen’s series ‘Boys will be Girls’. I think it will be effective as I can’t imagine many of my peers would do this and it also is something different to each of my other ideas.

Idea 6

My final idea is to ask for some of my friends to come with me to a field or the woods so that I can get some photographs of us having fun and exploring. This will be inspired by Justine Kurland and relates to femininity as it explores female youth.

Photoshoot Plan

I have decided to go for idea number 3, which is to do a photo shoot capturing the relationship between my mother and I. We are going to position ourselves in many locations around the house and use a tripod to hold the camera with a timer. This photoshoot is inspired by Hannah Altman’s project ‘Indoor Voices’. I think that this is a really good idea for a photoshoot because having a woman role model to look up to is a very important aspect of growing up as a female. This would also relate to femininity due to females stereotypically being a mother figure and this photoshoot would display the relationship between a mother and their daughter. I am also going to do Idea number 6 and link both my photoshoots to female youth. For this idea, I will go to a field with my friends and get a variety of photographs of them doing different things. We may also go to an area with trees nearby so I can capture photographs of them climbing trees. This photoshoot will be inspired by Justine Kurland’s Girl Pictures which almost appears to go against the female stereotype with the fact that they are exploring and getting dirty as it’s more what you would expect boys to do. Overall, I think that these photoshoots could work together to create a final outcome as it shows some of the most important female relationships for a girl, with their Mother and with their friends. Additionally, they also both display female adolescence, the stage when a girl is old enough to go out exploring with her friends whilst also having a close and more understanding relationship with her Mum.

Hannah Altman

Hannah Altman is an American photographer from New Jersey, known for her use of natural light and incorporating Jewish aspects into her work. She was born on the 1st of May 1995 and is Jewish. At the age of 19, whilst studying at Point Park University, Hannah Altman started her first project, ‘Indoor Voices’. Altman started this project in 2015, still adding to it now, and it is based around intergenerational womanhood, matrilineal responsibility and the symbol of quiet intimacy. By looking at the images in this series, you can see that they all consist of a mother and daughter and display their relationship through everyday life and struggles.

To plan out this photoshoot, I have taken photos of the places around the house that I have in mind for each image and drawn stickmen in the place of me and my Mum. This is to make it easier to visualize how the final outcomes will be and make it easier for myself to remember when taking the photos.

Justine Kurland

Justine Kurland, born in 1969 in New York, is a fine art photographer. In 1996, she earned her Bachelor of Fine Arts degree from the School of Visual Arts then went on to study at Yale University for her Master of Fine Arts. Between 1997 and 2002, Justine Kurland travelled along the road in the American Wilderness and captured photographs of teenage girls. She stated “I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals”. She portrayed the girls as fearless, fierce and free and made them appear to explore, swim and socialise, without paying attention to the camera. I personally really like this photoshoot as it looks like it would be fun to create and, when looking at the photos, makes me feel calm and free.

I am planning on doing this photoshoot in the field next to my Friend’s house and possibly even in a woodland or area of trees nearby. I am going to ask for my friends to do various things such as running in the field, sitting down talking, climbing trees and more. There is also a tyre in the field and a rope swing nearby so I may try and use them in my photoshoot.