Masculinity

Mind map:

Mood Board through years:

Femininity

Mind map:

Mood board through years:

Cindy Sherman

Cindy Sherman is an American photographer, born 19th January 1954, New Jersey, United States. Her work consists primarily of photos which depict herself in many different contexts and as various different imagined characters. Sherman usually inserts herself into a dialogue about stereotypical portrayals of women in her photographs, which resemble scenes from 1950s and 1960s films.

Her art plays on the feminist idea that gender arises exclusively within culture and deconstructs dominant gender ideologies, representing the underside of popular culture’s definition of “woman.”

Sherman has received numerous awards, including the Hasselblad Foundation International Award in Photography in 1999 and a MacArthur Foundation fellowship in 1995. She lives and works in New York.

Here, in this photo, feminism is shown as it shows a woman in the kitchen. Its stereotypically known that a woman is ‘meant to be’ in the kitchen.

This picture shows femininity as it shows a woman in front of the mirror dressed all nicely and girly. It is expected for women to dress in a specific way. She is also posing in an innocent, nurturing, and accommodating way.

Sherman’s photographs visually describe the feminist social constructionist argument that there is no natural identity behind the mask of gender. Women affirm their gender identity through performative behaviour.

Justine Kurland

Justine Kurland was born in Warsaw, New York, in 1969, she holds a BFA from the School of Visual Arts and an MFA in photography from Yale University. She is best known for photographing subjects in American wilderness landscapes, ‘girlhood’ and her strongly narrative work is influenced by nineteenth-century English picturesque landscapes and the utopian ideal as well as genre paintings, the photographs of Julia Margaret Cameron and Mathew Brady, and illustrations from fairy tales. Kurland has used staged tableaux to explore the social landscape of girlhood, life on communes, and life in the wilderness. She collaborates with her subjects, who are real people rather than models, in selecting locations and then talks to them about the scenes and scenarios she would like them to respond to and interpret for the camera.
Kurland’s photographs are held in museums including the Museum of Contemporary Photography, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art.

In this image you can see a friend group of girls hanging out. This imagine represents femininity/girlhood by using the group of girls innocence as a reflection of themselves exploring places, with no worries in the world.

Femininity

In general, being “feminine” often encompasses qualities and behaviours that are traditionally associated with women, such as nurturing, empathy, grace, and gentleness. However, it’s important to remember that these traits are not inherently tied to gender, and people of any gender can express these qualities.

Masculinity

Masculinity involves displaying attitudes and behaviours that signify and validate maleness, and involves being recognised in particular ways by other men and women. Masculinity is constructed and defined socially, historically and politically, rather than being biologically driven.

Masculinities and femininities refer to the social roles, behaviours, and meanings prescribed for men and women in any society at any time. Such normative gender ideologies must be distinguished from biological ‘sex’, and must be understood to be plural as there is no single definition for all men and all women. Masculinities and femininities are structured and expressed through other axes of identity such as class, race, ethnicity, age, and sexuality. Thus some definitions are held up as the hegemonic versions, against which others are measured. Gender ideologies are more than properties of individuals; masculinities and femininities are also institutionally organised and elaborated and experienced through interactions.

Identity?

Identity refers to the qualities, characteristics, beliefs and values that define an individual or a group. it is a multidimensional and complex concept that encompasses various aspects of a persons life, such as heir race, ethnicity, gender, sexuality, nationality, religion, social class, and personal experiences. identity can also be influenced by external factors such as culture, society and interactions with other individuals. It plays a significant role in shaping an individuals sense of self and how they relate to others.

Some factors that influence identity are external, such as socioeconomic status, ethnicity, or culture. These are classified as core elements. Identity is also influenced by internal factors, such as political, religious, and spiritual beliefs, morals, attitudes, thoughts, and lived experiences.

What can influence identities?

Identity formation and evolution are impacted by a variety of internal and external factors like society, family, loved ones, ethnicity, race, culture, location, opportunities, media, interests, appearance, self-expression and life experiences. The development of individual identities is influenced by societal forces. Therefore, you cannot understand yourself or others without understanding how society constructs or defines characteristics such as gender, sexuality, race, religion, social class, and nationality.

The themes of ‘Femininity and masculinity’ are a binary opposite, which is a pair of related terms or concepts that are opposite in meaning.

Social identity is a concept of who you are in public, work or even with your friends. this can be influenced by things people do or say that people see online or even when they are out in public. a popular/trendy identity that has grown in the UK is roadmen. stereotypically roadmen are usually dressed in all black, they are also known for having a postcode war which is a where a group of people feel like they need to defend there area from the other people around them. Social identity can also be shown through what you wear (fashion etc). this can give people an insight on who you are.

In American usage, “culture war” may imply a conflict between those values considered traditionalist or conservative and those considered progressive or liberal. This usage originated in the 1920s when urban and rural American values came into closer conflict.

What is the argument against identity politics?

Many socialists have deeply criticized identity politics for its divisive nature, claiming that it forms identities that can undermine proletariat unity and the class struggle as a whole.

Eight major social identities are:

ability, age, ethnicity, gender, race, religion, sexual orientation and socioeconomic status.

Political identity is a form of social identity marking membership of certain groups that share a common struggle for a certain form of power. This can include identification with a political party, but also positions on specific political issues, nationalism, inter-ethnic relations or more abstract ideological themes.

Positive aspect

Specifically, social identify can enrich and make people stronger and healthier because it provides them with self-esteem, a sense of belonging, existential sense and a feeling of control.

What are the examples of political identities?

This can include identification with a political party, but also positions on specific political issues, nationalism, inter-ethnic relations or more abstract ideological themes. Political identities develop in individuals and evolve over time.

How does your identity impact your perspective?

Key facets of identity (like gender, social class, age, sexual orientation, race and ethnicity, religion, age and disability) play significant roles in determining how we understand and experience the world, as well as shaping the types of opportunities and challenges we face.

Tribalism
A tribe is defined as a social division in a traditional society consisting of families or communities linked by social, economic, religious, or blood ties, with a common culture and dialect, typically having a recognised leader. When we hear the word tribe, we may think of Native Americans, but in modern usage the term can also refer to people who share common ideas and allegiances. Tribalism is defined as behaviour and attitudes that stem from strong loyalty to one’s own tribe or social group. Tribalism has societal and individual benefits as well as costs.

In terms of benefits, tribalism gives us a sense of
belonging and trust.

We needed communities we could completely rely on in order to survive. Group affiliation can bring cohesion to communities and inspire individuals to act on behalf of others. Psychologically, humans find comfort and security from feeling that we are part of something bigger than ourselves.

Tribalism can have very negative consequences when it is used to exclude individuals or groups or to take away their rights, status, and independence. These negative aspects of tribalism are often fuelled by competition and the perception of a common threat. They promote fear, anxiety, and prejudice, all of which make us more aware of fake news, propaganda, and conflict.

What are the dangers of tribalism?

These negative aspects of tribalism are often fueled by competition and the perception of a common threat. They promote fear, anxiety, and prejudice, all of which make us more susceptible to fake news, propaganda, and conflict. Tribalism can take many forms in our modern society. Social pressure created cultural norms and collective tribal life might cause tribe members to fulfill their cultural obligations through corrupt actions such as favoritism and nepotism.

The Patent Diamond Cameo photograph was registered by F.R. Window of London in 1864. Four small oval portraits (1″ x ³/₄“) were placed on a carte de visite in the shape of a diamond, each portrait being of the same person photographed in a different position. A special camera made by Dallmeyer was used in which the one glass negative was moved to a new position in the back of camera after each portrait had been taken, and when the paper print had been pasted on the card a special press was used to punch the four portraits up into a convex cameo shape.

For my attempts of creating a diamond cameo, i used 4 different styles.

I started off just creating a simple diamond cameo, no edits, just the pictures. Then, I made them black and white to create another effect. After that, i added shadows to the picture. Finally, I changed the colour/filter of each picture to make it look older.

Introduction- The term “headshot” or “head shot” just means that the portrait photo is cropped somewhere in the middle torso – so that the focus is on your face. A headshot is a form of digital photography that focuses solely on a person’s face. The subject’s face should be the main focus, and the framing should be done in a way that draws attention to the eyes and facial expressions.

Flash Lighting

In photography, flash lighting refers to either built-in flash units or devices that are external from the photographer’s camera that when used emit a strong artificial light for a designated period to light up a background or subject.

Shutter speed 1/200, ISO 200, flash power 1/4-1/32. You may have to adjust your flash setting up and down depending on the ambient light in the room. Once you are getting close to a correct exposure, leave it alone and only adjust your aperture.

Continuous Lighting

Continuous lighting, such as LED panels, fluorescent tubes, or tungsten bulbs, is any source of light that stays on constantly. It has some advantages over flash lighting, like allowing you to see the effect of the light on your subject and background before you take the shot.

ISO: 400-1600 – depending on how many light sources Exposure: Manual 1/60-1/125 shutter-speed > f/4-f/8 aperture

Check settings before shooting.

What is the difference between flash and continuous lighting?

Flash offers more power and depth of field and is generally preferred by professional photography. Continuous can serve for both video and photo but they are generally less powerful but they give you more options when used with smartphones.

The deadpan aesthetic

The deadpan aesthetics is considered a technically perfect photograph which depicts a landscape, still life or a person by a direct centred composition. The photographs usually have a single central theme (a mining tower, face, mound of clay, etc.), the background is usually unimportant (which does not apply for more sociologically oriented concepts), ignored or is neutral and sterile.

Deadpan photography is a cool, detached, and unemotional presentation and, when used in a series, usually follows a pre-defined set of compositional and lighting rules.

Passport Photos

There are very strict instruction as to taking your passport/id pictures. These are:

• eyes must be open and clearly visible, with no flash reflections and no ‘red eye’
• facial expression must be neutral (neither frowning nor smiling), with the mouth closed
• photos must show both edges of the face clearly
• photos must show a full front view of face and shoulders, squared to the camera 
• the face and shoulder image must be centred in the photo; the subject must not be looking over one shoulder (portrait style), or tilting their head to one side or backwards or forwards
• there must be no hair across the eyes
• hats or head coverings are not permitted except when worn for religious reasons and only if the full facial features are clearly visible
• photos with shadows on the face are unacceptable
• photos must reflect/represent natural skin tone

Typologies

The study of or study based on types. Its a system used for putting things into groups according to how they are similar. An example of a typology would be classification such as by age and health: young-healthy, young-sick, old-healthy, old-sick. Typological theorizing is the development of theories about configurations of variables that constitute theoretical types.

Upclose

 The close-up shot is the best way to show detail. 

Bruce Gilden’s compositions are renowned for their dramatic use of light and shadow, reminiscent of Alex Webb, another master of color and complex light. Unlike Webb, however, Gilden often employs a flash, highlighting the minute details of his subjects and further enhancing the rawness of his photos.

What is photography and its origin?

Photography was invented by Frenchman Nicéphore Niépce in 1822. The word “Photography” comes from the Greek, meaning to draw with light.

In 1826, Niépce succeeded in taking the first true camera photograph. He used a sheet of pewter coated with bitumen, which required an exposure time of at least 8 hours! The subject of this photograph hit close to home for Niépce; the view from his workroom in Saint-Loup-de-Varennes, France.

Niépce developed a technique called heliography, which he used to create the world’s oldest surviving photograph.

The origin of photography is significant because it created various aspects of human life. It showcases technological advancements, enables documentation and historical preservation, fosters artistic expression, facilitates communication and journalism, and has personal and social impact. Photography has transformed how we create, remember, communicate, and understand the world.

Chiaroscuro

Analysis: I took this picture and edited it with black and white to accompany the black backdrop. It creates a more dramatic but sombre effect.

Rembrandt

Analysis: For this picture, I filtered it with artistic 06. I liked the colour it created around the face, and still keeping the black background.

Butterfly

Analysis: Finally, with this picture I used the filter artistic 03. I liked the way it lightened up the face, but still kept the shadows in the necessary places.

Henry Mullins, a photographer in the circle of the first photography studio in Europe.

Henry Mullins started working at 230 Regent Street in London in the 1840s and moved to Jersey in July 1848, setting up a studio known as the Royal Saloon, at 7 Royal Square. Initially he was in partnership with a Mr Millward, about whom very little is known. By the following year he was working alone and he continued to work out of the same studio for another 26 years.

For a brief period in the 1860s he also worked in London, but judging by the collection of his photographs, he found plenty of willing sitters in the island prepared to pay half a guinea (promoted as “one half of that in London”) to have their portrait taken by him.

Cartes de visite

His speciality was cartes de visite and the photographic archive of La Société contains a massive collection of these. Their online archive contains 9600 images, but the majority of these are sets of up to 16 photographs taken at a single sitting. In those times even 10s 6d was a substantial sum to pay to have one’s photograph taken, and included among his subjects are many of the island’s affluent and influential people.

He was also popular with officers of the Royal Militia Island of Jersey, for whom it was very popular to have portraits taken, as well as of their wives and children, for the more senior and more affluent officers. The pictures of these officers show clearly the fashion for long hair, whiskers and beards in the mid-1800s. Indeed, so similar is their appearance and so stylised the portraits, it is very hard to detect much difference between a large number of officers of the same rank and social standing.

Diamond Cameo , a technique used under licence by Henry Mullins.

Philip Baudains

Diamond Cameo photography is four small oval portraits which were placed on a carte de visite in the shape of a diamond, each portrait being of the same person photographed in a different position.

 albumen print

 Albumen prints were the most common type of photographic print made during the nineteenth century. They are characterized by a smooth, shiny surface, which is the result of a coating of egg whites.