Studying photography enhances your creative, social and cultural understanding, while developing your specialist technical knowledge around equipment, techniques and style
Remember that many employers accept applications from graduates with any degree subject, so don’t restrict your thinking to the jobs listed here.
Work experience
You’ll need a portfolio of your work to demonstrate your ability and style. You can develop this through work experience or volunteering, as well as getting involved in university projects, local competitions and final year degree shows.
Degree courses may provide opportunities for you to get work experience through placements and to undertake live briefs. Use these experiences to build up a network of contacts that can be helpful for finding work. Attending industry talks can also provide access to contacts.
You may be able to find relevant opportunities in image archiving, print services, framing services and photo developing centres within pharmacies, supermarkets and department stores.
Interpersonal skills are critical for photography careers, so any experience which promotes customer service skills will be useful, as is experience at events, particularly social ones, where you can observe structure and organisation and practise your photography skills.
There are many online courses and tutorials available which could help you to develop skills in photo editing and image processing.
Relevant employers can depend on your specialist area, which may cover:
architectural
commercial advertising
documentary
fashion
fine arts
landscape
portrait
press
scientific and medical
sports
wildlife.
Employers include:
media organisations such as newspapers, magazines, film and television
publishing companies
wedding photographers or high street photography companies
advertising agencies
design companies
large organisations such as universities, hospitals or airports
cruise liners, holiday and leisure companies and theme parks
the police – for ‘scene of the crime’ photography
A large number of photographers are self-employed and work in a freelance capacity.
It’s also possible to use your creative skills in related areas such as marketing and digital marketing, advertising, web design, graphic design, publishing and curating, where opportunities exist with a range of businesses and consultancies. Teaching is another option for photography graduates.
Studying photography provides you with expertise in sophisticated photography techniques, such as composition, manipulation, editing, processing, colouring and visual effects, as well as practical skills in relevant technologies.
You learn how to curate and exhibit your photography and develop the marketing skills needed to sell and promote it. You also learn about the key legal, ethical and cultural issues around taking, editing and selling photographic images.
The course also allows you to gain confidence in relationship building between image maker, subject and client.
In addition, you acquire a range of skills that are highly valued by employers. These include:
critical, analytical and practical problem solving
risk taking and making use of failure
rigorous self-evaluation and critical reflection
organising, planning and time management
working independently and in collaboration
presentation
project management
literacy and communication through technical descriptions, reports, essays and a dissertation.
Further study
There are a range of photography-related postgraduate courses available both in the UK and internationally. These courses may help develop the skills you need for self-employment, or improve employability in what is a very competitive field.
Some courses focus learning into a specific area of photography, such as clinical photography or photojournalism, while others offer a more in-depth look at photography generally.
Other areas of postgraduate research, study and training commonly taken up by photography graduates include advertising, design, film, editing, journalism, teaching and creative enterprise.
Over a third of graduates working in the UK six months after graduation are working as photographers or audio-visual and broadcasting equipment operators.
What type of image is this (photo, painting, illustration, poster, etc.)?
What do you notice first? Describe what else you see.
What’s happening in the image?
What people and objects are shown? How are they arranged? How do they relate to each other?
What is the physical setting? Is place important?
What, if any, words do you see?
Are there details that suggest the time period this image relates to? Is the creation date listed in the bibliographic record? If the creation date is listed, was this image created at or around the same time period the image relates to?
What other details can you see?
REFLECT: Generate and test hypotheses
What tools might have been used to create this image?
Why do you think this image was made? What might have been the creator’s purpose? What evidence supports your theory?
Why do you think the creator chose to include these particular details? What might have been left out of the frame?
Who do you think was the audience for this image?
What do you think the creator might have wanted the audience to think or feel? Does the arrangement or presentation (lighting, angle, etc.) of the details affect how the audience might think or feel? How?
What do you feel when looking at this image?
Does this image show clear bias? If so, towards what or whom? What evidence supports your conclusion?
What was happening during the time period this image represents? If someone made this image today, what would be different/the same?
What did you learn from examining this image? Does any new information you learned contradict or support your prior knowledge about the topic or theme of this image?
Once you have been instructed on how to use the lighting studio safely and respectfully, you will be able to use the studio during lesson times or in study periods. You must book the facility in advance via one of your teachers JAC / MM / MVT / CMK
You must always leave the studio in a clean and tidy, safe manner. All equipment must be switched off and packed away. Any damage must be reported and logged.
Types of lighting available
Continous lighting (spot / flood)
Flash head
Soft box
Reflectors and coloured gels
Still Life Photography and using the product table / copy stand
Still-life Studio Shoot:
You can choose to photograph each object individually or group together several objects for a more complex still life arrangements.
Technical stuff
Continuous Lights – photograph objects three dimensionally
Camera setting: Manual Mode ISO: 100 White Balance: Daylight Aperture: F/16 Shutter: 0.5 sec to 0.8 sec (depending on reflection of each object) Lights in room must be switched off to avoid reflections
Continuous Lights – portrait
Camera setting: Manual Mode ISO: 100 White Balance: Daylight Shutter Speed 1/125 sec Aperture f/16
Camera setting: Manual Mode ISO: 100 White Balance: Daylight Aperture: F/16 Shutter: 1/125-1/200 (depending on reflection of each object) Flash heads set to power output: 2.0 Use pilot light for focusing
PORTRAITS
Camera settings (flash lighting) Tripod: optional Use transmitter on hotshoe White balance: daylight (5000K) ISO: 100 Exposure: Manual 1/125 shutter-speed > f/16 aperture – check settings before shooting Focal lenght: 105mm portrait lens
Camera settings (continuous lighting) Tripod: recommended to avoid camera shake Manual exposure mode White balance: tungsten light (3200K) ISO: 400-1600 – depending on how many light sources Exposure: Manual 1/60-1/125 shutter-speed > f/4-f/8 aperture – check settings before shooting Focal length: 50mm portrait lens