Photoshoot 1 – Roses by Jenna Raine

Inspiration:

Birds are singin’
La-da-da, da-da-dee
Yesterday is dead to me
I feel the ground beneath my feet

When I say, ooh
Don’t go killin’ all my roses
‘Cause I’ve only started growin’
Ooh
Don’t go rain on my parade
I’m just tryna have a good, good day

Plan: I’m going to by some roses and get some photos in my dining room as it has some really nice natural light as there is a massive window. This will now have to be shot in the morning or early afternoon due to the early sunset. I would also like to experiment with different lighting techniques in the studio and create some more staged experimental pieces.

Photoshoot 2 – song for nobody by Thomas Merton

Inspiration:

A yellow flower
(Light and spirit)
Sings by itself
For nobody.

A golden spirit
(Light and emptiness)
Sings without a word
By itself.

Let no one touch this gentle sun
In whose dark eye
Someone is awake.

(No light, no gold, no name, no colour
And no thought:
O, wide awake!)

A golden heaven
Sings by itself
A song to nobody.

Plan: I’m going to by some daisies or other from of yellow flower and get some photos in my dining room as it has some really nice natural light as there is a massive window. This will now have to be shot in the early afternoon due to the early sunset. I would like to create some photos similar to Josef Seduks still life’s. I also would like to create some images that reflect the overall tone of the poem

Photoshoot 3 – withering lilies by Robert Leighton

Inspiration:

And must ye pass away,
Yellow waving lilies?
Greener grow the woodland alleys,
Greener, greener every day;
Summer’s coming up the valleys–
Yet ye will not stay!

I come at morn and even,
This green bank my cushion;
And I worship, in a fashion,
From the lilies up to Heaven:
God, accept my earnest passion,
Be it rudely given!

I bless the time of flowers,
And kneel with each new comer.
My heart’s a temple all the Summer,
Visited through all its hours,
Choir’d by every little hummer
Of the leafy bowers.

plan: I’m going to get some lilies and wait for them to wilt a bit before I take photos. I’m going to get images of the wilting process. I’m going to recreate images similar to Josef Sudek’s but at different times through out the day. I am also going to bring them into the studio in school and get some images that are more staged and play around with lighting techniques.

Photoshoot 4 –

Photoshoot 5 – To a vase of flowers by C. B. Langston

Inspiration:

Are they sighs of sorrow, my sweet flowers!
That with your fragrant breath you waft me up?
You never more will see day’s sunny hours,
But languish life away in that fair cup.

With loving, eager hand I snapt your stems,
With all their blossoms wet with dew of morn,
Nor deemed the trembling drops like flashing gems,
Were tears of silent grief that you were torn.

Sweet flowers!–ah, many maids there are like you,
Snatched from their native shades, that for a while
Drink deep of pleasure’s gilded cup, and rue
The false allurement of her fatal smile!

Then ’tis not due to me such incense sweet,
‘Twas I who caused your drooping forms to mourn,
Who thought your bright eyes glistened to entreat,
That I would bear your boughs my room t’ adorn.

Oh! you are like fair martyrs in your death,
Bowing your lovely heads to those who slay;
Returning good for ill, with latest breath,
And, with your souls serene, passing away.

vaseeee

INCOMPLETE

Josef Sudek was best know for his photos of the streets of Prague and dubbed the poet of Prague for this very reason, However, He started out his life as a bookbinder and getting his certificate at the age of seventeen. Sudek began to experiment with a box camera and became fond of self portraits. Taking his camera with him during the acts of world war two he produced three albums, however he lost his right arm while serving. After the war Sudek turned to photography.

Heavily influenced by Impressionism, Pictorialism, and Czech Poeticism, there is a romantic flow to Sudek’s images where the glass and roses meld into one to transform what once may have been mundane, to have a grace in which would have gone unseen before. In every image the light has been carefully used to add a glow to the subjects.

“Everything around us, dead or alive, in the eyes of a crazy photographer mysteriously takes on many variations, so that a seemingly dead object comes to life through light or by its surroundings….to capture some of this – I suppose that’s lyricism.”

Josef Sudek

Sudek used objects such as flowers, egg shell and glasses of water to carry meaning through his photographs. He would often work with material in his studio, sometimes on commission but in later years as photographic exercise and investigation. His still lives were undoubtedly inspired by his large collection of paintings, books and by his relationships with painters in Prague.

Other work by Keith Dotson

windows

Windows into the mortality of being.

Paul Caponigro

Keith Dotson

mirrors

A mirror in to the fragile beauty of life.

Ralph Gibson

Robert Mapplethorpe

windows shoot.

I’m going to go out and get some pictures of trees mainly focusing on dead ones and maybe get some of abstracts of leaves on the floor depending on how damp they are cause if they are mushy it wont look brilliant. I’m going to look for mushrooms whilst I am out as they don’t have a very long lifespan. I will also look for weeds that have pretty flowers though it might be the wrong time of year or this.

mirror shoots

I’m gonna buy some flowers and use some that we already have in a vase at home and stage them to look romantic I may even get my father to hold some. And I may even experiment with shutter speed.

I am going to ask a friend if she would pose for me as we like late-night walks and especially in cemeteries

What are the differences between photographs that are windows and mirrors?

As stated by John Szarkowski, in 1974, in an essay he wrote that accompanied the exhibition, “is it a mirror, reflecting a portrait of the artist who made it, or a window, through which one might better know the world?.”

Key words associated with:

Mirrors: tableaux, subjective, romanticism, fiction, personal, warped, reflective, manipulated.

Windows: documentary, depictive, objective, realism, public, candid, straight, external.

Identifying windows and mirrors.

The below image is a window, it allows the viewer of the image to see the world around the boy and the influences that affected him. This photo was taken by Diane Arbus and is titled The boy with the toy hand grenade. It was taken in central park in 1962. The boy in the photo is Colin wood, according to a 2005 article by the Washington Post, written by David seal, Colin has no recollection of having his picture being taken. Colin told Segal that he wouldn’t of posed like this unless he where asked and he recons he was imitating what he saw in war movies. It is likely that Colin was out with his nanny when Arbus came a cross him and grabbed a few shots, due to this it is very much like a documentary image and can be seen as an image reminiscent of the decisive moment.

Final layout

Evaluation

All together I believe this was successful. The photos are ordered I away that the themes of the photos run smoothly running from living beings to geometrical photos, to more abstract images. I do wish I could of spent more time down at the harbour or maybe had a more concise plan for when I was at the harbour.

Organising the photos

I had a gorgeous image of the steam clock down at the harbour. Where there is a load of negative space in the top left corner which would be nice to put the title in. I bleed the image over the border to completely fill the page as it is one of my best photos as well it was an obvious choose to go as the cover page.

I tried to place this portrait next to the image of the dog, keeping the image of the dog small as to over shadow the meaningfulness of the portrait.

However, this didn’t work so I mover the dog to the next page. I toyed with the idea of putting a quote in the blank page, but I like the way all the focus is on the portrait.

For this one I spread this one I spread the image over two pages to highlight the in focus part of the photo, I tried to bleed the image over the edge. However, it cropped it too much and didn’t seem quit right, so I kept the white border.

I decided to try placing two images on one pages, as seen below. on the page can be see a pair of waders and a tied off cleat.

I then decided I hated this and removed image of the cleat completely. I then shrunk both images and lined then up on each page so they were then centred.

However, having both images small and centre looked an little clunky so enlarged the image of the waders.

Title

I wanted to keep the title simple. I settled on ‘St Helier harbour.’ This was an nice choice as it is broad and covers all images.

I lined the title up so it sat in the centre of all the negative space I placed it on its side so it ran upwards with the chimneys and the mast. and placed my name underneath.

I chose a font that was reminiscent of a typewriter as it sat nicely with the angles on the front cover image.

STORY: What is your story?

• 3 words

Sea – Shellfish – Sold

• A sentence

Fisherman go out to sea and catch shellfish that is then brought back to land and sold.

• A paragraph

The fisherman drive down to the harbour, going past the towering steam clock, down to the pier. Rummaging through the equipment and going through the daily checks. Making sure that there is a first aid kit and fire extinguisher on board and reporting back to the coxswain. As the engine rumbles to a start, they radio in through the VHS, coast guard give the ok that they are aware of their leave. The vessel chugs out of the port and around the dolphin, headed to towards their destination. The salt water pricks at their faces, wave after wave breaking against the hull. Throwing her into neutral and rushing to the side. They hook a buoy, hoisting it up to grab on to slimy rope, the sea tugging to reclaim its kin. Emptying the pots, listening to the shells clack and clash, securing them for the trip back, accompanied by the smell of oil and fish the trip back long anticipated, sore backs and hands desperate for some relief, though relief was a far long dream. Tanks filled with creatures, claws bound ready for slaughter, to be sold. The drive home is tiering and filled with the dread of the doing it all again another day.

The chosen photos

edits

For this shoot I really enjoyed focusing on taking abstract photos instead of romanticised or straight on photos.

For this photo, I brightened it up by highering the exposer. I did not want to straighten this one as all the angles and corners create a topographical image

This photo did not need to be altered however I did not like it in colour. The black and white adds some gravitas to the image.

favourites

This shoot was most definitely a success. I came out with a multitude of photos which could of been used in the zine and in other projects however my favourites were.

This is one that I find better than the others. the day was cloudy so the ambient light wasn’t blinding. I find that the black and white accentuates the deep meaningful look on his face. He is framed by the arch and the door frame which makes for a nice compassion angling the focus towards him.

Evaluation

This photo shoot was incredibly successful. I really enjoyed going out and taking photos of things I wouldn’t of thought of, and meeting people I wouldn’t of normally met.

Selections

I managed to narrow it down to 14 images that I found to be the best from this shoot.

Editing

I have cropped this image to centre the painting, the point of the roof is not centre to the photo, however, the flag pole balances it out. I have also cut our some of the negative space in order to have the focus not only on the building but on the painting.

For this one I lowered the exposure to give the image more depth.

For me, a black and white photo can create more emotion with in the viewer. The building in the middle is the jersey rowing club, it is also the old life boat station. The slip is where the first lifeboat, the Howard Davis, was launched from. By lining up the rowing club in the centre through the barrier and the boat it is like a window to the past.

favourites

This is one of my favourites from this shoot. the dolphin is in line with the breakwater and the horizon and creates a nice even line across the images that is only broken by the ?. There is a lot of negative space with the brightness of the sky which creates a nice contrast to the darker colour of the sea.

Evaluation

This photo shoot was fairly successful however I would of liked to be more creative with my photos. A lot of what I took was very straight on and a bit more classical. I would like to go back down on a less windy day.