Dafna Talmar was on of my artists study’s as I liked the way her photos where presented and wanted to attempt the same with my final images.

Here is one of my final images I attempted to do like Dafna Talmar, with my image it is slightly different as I edited and cut different images with pollution onto my sunny nice image. It is similar to Dafna Talmar because it has all the cut out pieces of the images stuck back on and burnt black edges around the side, its slightly different to Dafna as I did mine virtually using photoshop to burn around the edged instead of actually doing so like how she did.

This is another version of a Dafna Talmar inspired image, it is also a similar vibe to my photo above as I have cut in different weathers and litter into the image giving the burn affect around the edge, its still not exactly like Dafna Talmar because I liked her way of burning the edges and cutting up all the images in a scruffy yet unique and beautiful way, which I also wanted to do for my images, where it is burnt and cut and scruffy but still able to see the message I was try to present and the beauty of the world as well as the ugly.

This photo was probably my most similar to Dafna Talmar as I am not changing and adding anything to the image to do with pollution I am simply just cutting up one image and placing git in a similar or same place to create the burnt and cut up look, with Dafna Talmar though when she cuts its up you cant really make out what’s in the image when with mine you can.

This is an image from Michael Marten which I really like because again I liked the way he presented it, with the same image cut up and split apart, almost like its telling a story.

This one one of my attempts doing the same thing, I don’t think it is the most exciting but I just like the way it is presented and think there is a lot you can do with it. My image is similar to Michael Martens because it is also of rocks at a beach, and the image is cut up and presented with breaks between them/

This is another attempt of work similar to his, it is similar in the way that its one image cut into three separate section next to each other to tell a story, this one is slightly different though because I edited the the middle one to have litter and show something different in the same place for more affect, that could be similar to Michael Marten in a way because in some images he shows the same place but with the tide up or down, I haven’t done exactly that but I have shown the same place just slightly different to show what can and will happen to our planet.

This is also what Michael marten does in a lot of images because he likes to show ‘sea change’ so I have attempted to present the same thing in this image of the exact same place but one when the tide is high and the other when the tide is low.

This is an image from Chris Jordan I only attempted one image similarly to Chris Jordan, and that is because he used a real bird cutting it open and putting plastic inside, mine is edited from photoshop because I thought his images where cool and was a great way to get my message across.

This is my version of his image, i think it is very good and similar to his image as it is both dead birds on the ground with plastic spewing out of their stomachs, other then that the only difference is that mine is edited and they are different birds.

Dafna Talmor

Dafna Talmor is a London-based photographer known for her abstract and conceptual landscape photography. Originally from Jerusalem, Israel, Talmor frequently explores themes of place, memory, and perception in her work.

Talmor often creates her images through a process of layering and blending multiple photographs together, creating dream-like landscapes that challenge the viewer’s perception of reality. Her work blurs the line between photography and painting, resulting in visually striking and thought-provoking compositions.

Talmor’s photographs have been exhibited in galleries and museums around the world, including the Victoria and Albert Museum in London, the Aperture Foundation in New York, and the Tel Aviv Museum of Art in Israel. She has also received numerous awards and accolades for her work, solidifying her reputation as a talented and innovative photographer in the contemporary art world.

Michael Marten

Michael Marten is a British photographer known for his captivating and thought-provoking series “Sea Change,” which documents the dramatic transformations of coastal landscapes caused by the ebb and flow of tides.

Marten’s unique approach involves setting up his camera at the same location at low tide and high tide, capturing two separate images of the same scene. When the images are juxtaposed, they reveal the stark contrast between the two tidal states, showcasing the dynamic and ever-changing nature of the coastlines.

Through his work, Marten explores themes of time, impermanence, and the impact of human activity on the natural environment. His photographs not only highlight the beauty and fragility of coastal ecosystems but also serve as a powerful reminder of the ongoing effects of climate change and rising sea levels.

Marten’s “Sea Change” series has been exhibited internationally and has garnered critical acclaim for its innovative and visually stunning depiction of the coastal landscape. His work has been featured in prestigious publications such as National Geographic, The Guardian, and The New York Times. Marten continues to create impactful and thought-provoking photographic projects that resonate with viewers around the world.

Chris Jordan

Chris Jordan is an American photographer and environmental artist known for his powerful and thought-provoking work that addresses issues of consumerism, waste, and environmental degradation.

Jordan’s most famous series, “Running the Numbers,” uses large-scale photographic images to visually represent staggering statistics related to consumption and waste in modern society. Through his intricate and detailed compositions, Jordan aims to raise awareness about the impact of human behavior on the planet and the consequences of unchecked consumerism.

In addition to “Running the Numbers,” Jordan has created other notable projects such as “Midway: Message from the Gyre,” which documents the devastating effects of plastic pollution on the albatross population of Midway Atoll. This series of photographs and films serves as a poignant reminder of the interconnectedness of environmental issues and the need for collective action to address them.

Jordan’s work has been exhibited in galleries and museums around the world and has been featured in numerous publications and documentaries. He is a passionate advocate for environmental conservation and is actively involved in using his art to inspire positive change and promote sustainable practices. Jordan’s captivating and impactful images continue to spark important conversations about the state of our planet and the urgent need for environmental stewardship.

Keith Arnette

Keith Arnatt (1930-2008) was a British conceptual artist and photographer known for his innovative approach to photography and his exploration of everyday objects and concepts.

Arnatt initially studied painting but later transitioned to photography in the 1960s, where he became known for his deadpan and analytic style. He gained recognition for his series “Portrait of the Artist as a Shadow of His Former Self” (1969-1970), in which he posed as a shadow against a wall, questioning the artistic identity and representation.

Throughout his career, Arnatt continued to challenge traditional notions of art and photography, often blurring the lines between reality and artifice. He was interested in mundane and overlooked subjects, finding beauty and significance in the everyday.

Some of his other notable works include “Notes from Jo” (1972), “Notes on Sculpture” (1969-72), and “Trouser-Word Piece” (1972), where he humorously and critically engaged with language, representation, and the art world itself.

Keith Arnatt’s work has been exhibited internationally and is held in prestigious collections, including the Tate Gallery in London. He played a significant role in the development of conceptual art and his impact can still be seen in contemporary art practices today. Keith Arnatt passed away in 2008, leaving behind a legacy of innovative and thought-provoking artwork.

These are mood boards of artists I have decided to study and am using as inspiration.

Dafna Talmor Inspiration Mood Board

Michael Marten Inspiration Mood Board

Chris Jordan Inspiration Mood Board

Keith Arnette Inspiration Mood Board

What is Anthropocene?

The Anthropocene is a proposed geological epoch that marks the period during which human activity has been the dominant influence on climate and the environment. It is characterised by significant changes in the earths ecosystems and biodiversity. largely driven by human activities such as industrialisation. urbanization, and deforestation. The term ‘Anthropocene’ is derived from the Greek words ‘Anthropos’ meaning human, and ‘kainos’, meaning new, and is used to highlight the impact of human activities on the earths geological processes. The concept of Anthropocene has gained attention in recent years as scientists and scholars seek to understand and address the effects of human-induced climate change and environmental degradation.

How and why are photographers exploring this concept?

Photographers are exploring the concept of the Anthropocene through their work in various ways. They are using photography as a medium to document and visually communicate the impact of human activities on the environment. Here are some ways in which photographers are exploring the Anthropocene:

Documenting environmental degradation: Photographers are capturing images that show the degradation of the environment, such as deforestation, pollution, urbanization, and climate change. These images serve as powerful visual evidence of the impact of human activities on the planet.

Portraying the human-nature relationship: Photographers are also exploring the complex relationship between humans and nature in the Anthropocene. They are documenting how humans interact with and alter the natural landscape, as well as the consequences of these interactions.

Raising awareness and advocacy: Through their work, photographers are raising awareness about environmental issues and advocating for positive change. They use photography as a tool to engage viewers emotionally and intellectually, prompting them to reflect on their own role in the Anthropocene and to take action.

Showing the resilience of nature: Some photographers focus on showcasing the resilience of nature in the face of human-induced environmental challenges. They capture images of ecosystems and species that are able to adapt and survive despite the pressures of the Anthropocene.

Overall, photographers play a crucial role in documenting, exploring, and raising awareness about the concept of the Anthropocene through their powerful visual storytelling. Their images can inspire action, spark dialogue, and encourage a deeper understanding of our impact on the planet

My first editing in Adobe Lightroom:

After Editing my photos in Lightroom by just lowering the exposure mainly, I then moved them to Photoshop to add the real edits to make it more like my artist studies and creative idea.

These are most of my final edits, I completed them in photoshop using AI and cutting different parts of different images then sticking them onto other ones.

With all these photoshoots I have been through and selected the best of ones I think will be good to use parts of for all my final pieces

Photoshoot 1:

My first photoshoot wasn’t very exciting, all I did was go around town to take photos litter, I probably wont use the full photos I might just cut and edit the actual litter into other images.

Photoshoot 2:

This is my second photoshoot where I went to portlet to take photos of the beach and rocks, and also some photos of modern house around nature, these images I will keep the same or edit with inspiration from Dafna Talmar, and Michael Martin.

Photoshoot 3:

This photoshoot was at St Brelades/way nay, and similar to the photoshoot above in another location.

Photoshoot 4:

This photoshoot was taken in the studio. These Photos will be mainly inspired by Keith Arnette, and my own idea to add creativity into this topic.

Photoshoot 1:

Photoshoot 1:

I took 273 photos all around Harvey Des Par, I plan to eliminate and then edit these, and take more photos in other places. After I went through with them I was left with 72 images.

These were my favourites out of this shoot.

Photoshoot 2:

I took around 82 photos and wen through and selected 26 that are the best, and my favourite to then edit.

Evaluation

The main idea to this photoshoot was to get photos from all different landscapes in the island showing our nature, like beaches, harbours, woods, railway, and cliff paths. Then you had to edit you photos inspired by Ansel Adams and other Case studies picked. A very important factor was contrast and them being grey and white. I liked my photos i enjoyed taking photos of landscapes (not as much as portraits) but found it not very free, like not many things i could do with my photos, i love some edited ones like my last virtual gallery and first one was some of my favourites, and going around jersey to take photos was gorgeous. I like all my photos and think if you looked and mine and Ansel Adams they are similar and well edited and just generally well taken in the first place, if I was to criticize them I would say it isn’t my best work as i feel they aren’t exciting and don’t stand out enough and didn’t do enough photoshoots in the first place, so ended up with not enough final pieces, I also didn’t find editing it very fun and feel like it doesn’t show my best work as they aren’t edited in the absolute best way and are still showing, all too similar of colours and not enough contrast and scale of 1-10 of shades. I think from this I could only improve and if the topic was more open to how you wanted to edit it I would have had more fun with it, but I do think my photos are good and show very well what we were meant to be and I would definitely like them if they were in a gallery. I do believe I tried hard with this topic and still came out with good outcomes that relate well to Ansel Adams and show some good work and improvement and skill of the topic.