A sentence: I plan to tell a story throughout the harbour on fishing and a fishermen’s footsteps, on how we get our fish.
A paragraph: I took a very long time to decide until I realised I liked a lot of my portraits and found some images correlated well with each other, My zine will tell the story through the book of fishermen, and how there is lots of jobs to do to the boat before evening heading to the sea, it will clearly show the things you have to do on land until you enter the sea, it will then show things that fishermen collect from the sea and how they collect them, what they use. Of course the story will still be subjective and I hope everyone can find their own story within it but the clear main story is of a fishermen life, which helped as we met Captain Brain who comes into my story a bit, nothing is clearly said but I hope my images and the order it is done is clearly shown.
NARRATIVE:How will you tell your story?
I plan to tell my story by carefully ordering the images throughout my zine book, there will be portraits and full bleed images to especially show the importance and main idea of every image and to hopefully highlight what story I am trying to tell.
I will have my own produced images . At the beginning of my zine, I will have an introduction of St Helier harbour. throughout my entire zine pages will be landscapes of St Helier harbour or portraits, I also plan to have black footprints walking through all the pages.
I plan to have my font-types a friendly playful tone as it isn’t in the book much but think it works well with the image I have thought for my front cover so they will compliment each other. The cover of my zine will be one large portrait that is in colour and edited to be a bit of a warmer tone, the title will be right above the man in the photo and my name will be in the right hand bottom corner, in black so it all stands out.
Mood board of images I will use:
Text I will add in my zine
As it is all to do with fishing and fishermen and their story I will have a small introduction in the beginning that is presented in sea shanty form.
A zine (short for “magazine” or “fanzine”) is a self-published, often small-circulation work that typically focuses on a specific topic, theme, or subculture. Zines are usually created by individuals or small groups and can take many forms, including pamphlets, booklets, or digital formats.
What will my zine be?
Theme:
Tradition and Heritage
Focus on the historical significance of fishing in St. Helier, showcasing the practices and lifestyles of local fishermen. Highlight the importance of preserving these traditions in a changing world.
2. Connection to Nature
Explore the relationship between fishermen and the sea. Consider themes of sustainability, environmental impact, and the beauty of the natural landscape surrounding the harbour.
Labour and Craftsmanship
Emphasize the hard work and skill involved in fishing. Document the tools, techniques, and daily routines that define the life of fishermen, celebrating their craftsmanship.
Tone and Style
Zines have a distinct tone and style for several reasons, zines are often created by individuals or small groups, allowing for a unique voice. The tone reflects the creator’s personality, beliefs, and experiences, making the content feel more intimate and relatable, The tone and style are often tailored to resonate with a specific audience. Whether it’s humorous, serious, or experimental, the approach helps to engage readers who share similar interests or values, and Many zines address social or political issues, and the tone can be used to critique or challenge mainstream narratives. A bold, confrontational style might be employed to provoke thought, while a more reflective tone might invite empathy.
What would be the tone and style of my zine?
Nostalgia – Evoke a sense of history and connection to the past, celebrating the traditions of fishing and the stories of local fishermen.
Warm and Inviting – Create a friendly, approachable atmosphere that draws readers in, making them feel a part of the fishing community.
Visual collage – Incorporate a mix of photographs, hand-drawn elements, and text to create a dynamic layout. This can reflect the eclectic nature of life in the harbour.
Minimal text – Use concise, poignant captions or snippets of narrative alongside images, allowing the visuals to speak for themselves while providing context.
I took 392 photos around jersey St Helier Harbour.
i started editing the 43 photos i selected.
Harbour Photoshoot 1 edited
This is my first photoshoot from around st Helier harbour, I edited them on Lightroom, never did too much mainly changed exposure and lighting or cropped the images, next to most of them you can see how I edited them, the last few are main ones I was very pleased about and was fairly certain I was going to use for my final product.
Harbour photoshoot 2
We went around the harbour again for a second time to take even more photos.
we started in the maritime museum to have a talk and look around to take photos.
In this photoshoot I took around 351 photos, very similar to last time, I then went through and selected which ones I liked the best, and also to limit down on ones I had to edit.
I firstly designed a paper copy of my zine to give myself ideas on what my story is and how each photo should be places and give a vibe of the final product.
Then I went on to InDesign and made a online book of blank pages and began my zine. This is the front page of my zine, I decided to use this image as I though a lot of my portraits where very strong photos, this one also fits well with the title of fishermen’s footsteps, as it implies that I’m also saying this is Captain Bryans life and his footsteps, or journey through St Helier harbour.
This is my second and third page, I decided to add an introduction to give a vibe or an idea of what my zine would be showing, but I decided to do the introduction in sea shanty form, I also added footsteps throughout this page to look like a fisherman is walking through telling the story, walking his journey linking it to the title.
This is the 4th and 5th pages, I used one photo that I really liked and I thought fitted in well with my zine to link to the title even more ad continue the story showing someone working in the harbour like fishermen would back in the day and continue to this day.
In these two pages I matched having the red and same area together, I also added more footsteps to continue the journey and keep everything linked, I also like the photo of the boots because I thought that added well into the fishermen’s footsteps.
Once again I brought in the footsteps and added another portrait as I liked all my portraits and thought they told theory own story.
I continued to add the footsteps, as this image both has dogs I thought it linked very well together, I also considered adding some dog footprints but thought it might be random addition.
This was another full bleed image across both pages, i added the sea to kind of say how fishermen go into the sea a lot, most of their journey contain the sea and that why it takes up two pages, I also tried to have majority land images before this image and after this are all things that come from the sea or what fishermen catch.
these images all link together into my story as these are the fish that make fishermen FISHermen, they all link as well because it is either lobsters or an actual lobster catcher.
this is my final page, the back photo and I had it have bright red colours to link with other red photos in the book. I also felt it was a strong image to have last.
Evaluation
This is my final zine, which I printed out. I was really pleased with the outcome of it, my first photo, was one of my favourites as it was a portrait and thought it fitted really well with the title, it was a full bleed image that was warm coloured and matched well with the title font, I liked this image because not only was it fun to take and showed some of my best work it began the story strong. one thing I did not like was the background as it was boring but it did go well because it was the St Helier harbour. After that my first two pages was an introduction in sea shanty form, I was actually really pleased and enjoyed writing it, and thought it went well and was a funny contribution to my zine. The next photo was a good photo and I really liked it but I thought the black border didn’t look as good as as I wanted, and thought it was a random place to put it. Then it was another full bleed image which I really liked and fit really well as it was a fishermen working in the harbour. After that I created the 6th and 7th page this was red theme and reintroduced Captain Brian, the images worked well together as they were in the same area and they both linked back to the title page continuing the story on throughout my zine. I didn’t love the photo of the shoes because of the angle it didn’t work as well as I wanted. Then I had another portrait which was another good attribute to my zine, because it linked with the title and the previous page. They also both went with each other because they are in black and white and are of the same area. The second image I didn’t like as much because I gave an old aesthetic look which wasn’t what I was aiming for in my zine. I once again had these images linked together because they both have a dog in them, I didn’t like how one image was black and white but it edited better that way. I added another full bleed image across two pages, I liked this photo of the sea because I thought it looked aesthetic, and went well for my story as they headed in the sea and fishermen are in the sea a lot. Then I had the photos of the lobsters and lobster catcher, this was one of my favourite pages because of how well everything linked with each other and I really liked the bright colours as it was just a happy page. My final page was also another image I enjoyed taking and editing and it linked back to the red because of the red colouring. Overall I was more than pleased with how my zine turned out.
Describe how an image is produced using camera obscura
A camera obscura is a box or room that is pitch black, it has one tiny hole in it, that lets light in and creates an upside down version of the image out side on the opposite side of the hole. it takes more time for the image to be produced because the photons have to bounce off objects before entering the pinhole aperture.
The origin of photography essay
The story of photography is a fascinating interplay between art and science, driven by human curiosity and innovation. From its rudimentary beginnings to the sophisticated digital processes we witness today, photography has undergone a profound transformation, reflecting societal changes and technological advancements. The roots of photography can be traced back to ancient times, with notable developments occurring over centuries, leading to the formal establishment of photography in the 19th century.
The first significant phenomenon related to photography is the concept of the camera obscura, a device known to scholars and scientists since antiquity. The camera obscura, Latin for “dark chamber,” is an optical device that uses a small hole or lens to project the image of the outside world onto a surface inside a darkened room or enclosed space. Philosophers and artists, including Mozi and Aristotle in ancient China and Greece, respectively, explored the principles of light projection. However, it wasn’t until the Renaissance that the device found its place in the hands of artists, who used it as a tool for perspective drawing and composition. Artists like Vermeer and Caravaggio are often thought to have utilized the camera obscura to accurately capture the world around them.
Despite these early explorations in optics, the ability to permanently capture images remained elusive for centuries. It wasn’t until the early 19th century that significant progress was made. The birth of photography as we understand it today can largely be attributed to several pioneering individuals and their groundbreaking inventions. One of the most critical figures in this narrative is Joseph Nicéphore Niépce, who is credited with creating the first permanent photograph in 1826 or 1827. Niépce used a process called heliography, employing a pewter plate coated with a light-sensitive substance called bitumen of Judea. After exposing the plate in the camera obscura for several hours, he developed the image using lavender oil, resulting in a grainy, monochromatic picture of the view from his window, known as “View from the Window at Le Gras.”
Niépce’s collaboration with Louis Daguerre marked a turning point in the evolution of photography. Following Niépce’s death in 1833, Daguerre continued to refine photographic techniques. In 1839, he introduced the daguerreotype process, which produced clear and detailed images on polished silver plates. The daguerreotype was the first commercially successful photographic process, quickly capturing the public’s imagination. Its widespread adoption led to the establishment of photography studios around the world, as people flocked to have their portraits taken.
The mid-19th century also saw innovations from other pioneers, including William Henry Fox Talbot, who developed the calotype process. This method allowed for the production of multiple copies of an image from a single negative—a significant advancement that established the groundwork for modern photographic techniques. Talbot’s work underscored the importance of creating negatives, setting a precedent that would shape the future of photography.
As photography gained popularity, it also began to evolve as an artistic medium. The invention of the wet collodion process in the 1850s allowed for even greater detail and shorter exposure times, revolutionizing portrait and landscape photography. Additionally, the introduction of glass plates made photography more accessible and improved the technical quality of images. This time also witnessed the emergence of various styles and movements, including pictorialism, which emphasized the artistic aspects of photography and sought to elevate it to the status of fine art.
The late 19th and early 20th centuries brought further innovations, including the development of roll film by George Eastman, which led to the establishment of Kodak and the mass production of affordable cameras. This democratization of photography allowed ordinary people to capture everyday moments, transforming it from a specialized art form into a widespread practice.
With the advent of color photography in the early 20th century, the landscape of visual representation changed yet again. Technological advancements resulted in commercially viable color processes, such as the Autochrome plate, which became popular in the 1910s and 1920s. These innovations made photography increasingly accessible, allowing it to become a central part of personal and cultural expression.
In the contemporary era, the digital revolution has further transformed photography. The introduction of digital cameras and smartphones has made photography ubiquitous, enabling an unprecedented sharing of images through social media and online platforms. Today, photography functions not only as a means of documentation but also as a powerful tool for communication, artistic expression, and social commentary.
In conclusion, the origin of photography is a rich tapestry woven from centuries of scientific inquiry, artistic motivation, and technological advancement. From the ancient principles of light and optics to the revolutionary invention of the daguerreotype, photography has continually evolved, adapting to cultural and technological changes. As we move forward in the digital age, it is essential to appreciate the profound historical journey that has shaped this dynamic and influential medium, one that continues to capture the essence of human experience in all its complexity.
What was the involvement of Jersey mariners in the Canadian cod-fisheries and the Transatlantic carrying trade?
Jersey mariners played a crucial role in the Canadian cod fisheries and the Transatlantic carrying trade during the 17th and 18th centuries. They actively engaged in cod fishing along the coasts of Newfoundland and Nova Scotia, utilizing various techniques and establishing seasonal camps to process fish for transport back to Europe, which significantly boosted Jersey’s economy.
Additionally, their strategic location in the English Channel allowed them to operate a fleet of merchant vessels that facilitated trade between Europe and the Americas, dealing in goods such as rum, sugar, and tobacco. This involvement not only enhanced their economic prospects but also fostered the development of a merchant class on the island, reflecting the broader maritime and economic dynamics of the Atlantic world during this period.
Which ports did Jersey ships sail to and trade with?
Jersey ships, benefiting from their strategic position in the English Channel, engaged in trade with a variety of important ports during the 17th and 18th centuries. They sailed to Newfoundland and Nova Scotia, which were primary destinations for their cod fishing operations, and frequently visited English ports such as London, Portsmouth, and Dover for additional trade opportunities. Jersey merchants also established connections with French ports like Saint-Malo and Rochelle, facilitating goods exchange due to historical ties with France. Additionally, they traded with Spanish ports, obtaining items such as wine, and were active in the Caribbean, linking to the lucrative sugar and rum trade. Their routes also extended to American colonies, including significant trading hubs like Boston and New York. This extensive network of trade contributed to a thriving maritime economy for Jersey, strengthening commercial ties across the Atlantic.
What type of goods did Jersey merchants exchange for cod-fish?
Jersey merchants engaged in various trade transactions when exchanging goods for codfish during the 17th and 18th centuries, particularly in the context of the transatlantic fishing industry. Common items exchanged for cod included grain and flour, as merchants often brought back staples like wheat and rye from North America to meet local demand. Salt was another critical commodity, essential for preserving fish, and was frequently sourced from different regions. Additionally, liquor such as wine from France and rum from the Caribbean was highly sought after and often traded. The exchange also included cloth and textiles imported from England or other parts of Europe, fishing gear and equipment like nets and barrels, and sometimes livestock such as sheep and pigs, which served as both food sources and valuable commodities. Furthermore, Jersey merchants traded local agricultural products and manufactured items, enhancing their market appeal both locally and abroad. This diverse exchange system not only sustained the fishing economy in Jersey but also fostered broader economic connections across the Atlantic.
To what extend, has the island of Jersey benefitted from its constitutional relationship with Britain and the legacies of colonialism based on a slave plantation economy during the first Industrial Revolution (1760-1840)?
The island of Jersey has significantly benefited from its constitutional relationship with Britain and the legacies of colonialism, particularly during the first Industrial Revolution (1760-1840). This relationship provided political stability that fostered economic development, allowing the island to transition from a thriving agricultural economy to a diversified financial services and tourism sector. Jersey merchants engaged in transatlantic trade, profiting from goods produced by slave labor, such as sugar and rum from the Caribbean, which contributed to local investments and improved living standards. Additionally, the colonial connections enhanced cultural exchanges and facilitated population growth, enriching the island’s demographic diversity. Investment from colonial wealth further developed Jersey’s financial services sector, transforming it into a tax haven and banking center. The historical ties established during this period led to improvements in social infrastructure, including education and healthcare. However, while Jersey’s benefits are notable, they raise important ethical considerations regarding the wealth derived from colonial exploitation, informing contemporary discussions about inequality and the enduring impact of colonial legacies on modern society.
Task 2- A Short History Of The Development Of St Helier Harbour
Early Beginnings
St. Helier, the capital of Jersey, has a rich maritime history that dates back to its earliest settlement. The natural harbor at St. Helier was recognized for its strategic importance soon after the island’s occupation by the Normans in the 10th century. However, it wasn’t until the 17th century that significant port developments began.
The French and English Harbours
In 1700, the French and English Harbours were constructed, providing the first major infrastructure for marine activities. These two harbors, which were highlighted in early maps and illustrations, are among the oldest structures dedicated to maritime use on the island. They served as the main port for Jersey’s larger vessels for over a century, facilitating trade and maritime commerce between Jersey and the mainland.
Expansion in the 18th Century
As maritime trade grew, the limitations of the existing harbors became apparent. To accommodate increasing maritime activity, construction of the North Pier commenced in 1790. This development was crucial for enhancing the harbor’s capacity and protecting vessels from rough seas. The North Pier would take over three decades to complete, finally finishing in 1821.
19th and Early 20th Century Developments
The 19th century saw further improvements to St. Helier Harbour, including the construction of additional piers, quays, and the implementation of modern shipping facilities. The harbor became an essential hub for trade, tourism, and passenger transport, connecting Jersey to other ports in the Channel Islands and mainland Europe.
The Second World War
During World War II, Jersey was occupied by German forces, which led to significant changes in the harbor’s operations and infrastructure. Post-war reconstruction focused on repairing and modernizing the docks to support the growing post-war economy.
Modern Era
In the latter half of the 20th century and into the 21st century, St. Helier Harbour has undergone continuous modernization. Upgrades include the establishment of new ferry terminals, improved docking facilities for cruise ships, and enhanced recreational areas for leisure activities. Today, St. Helier Harbour serves as a vital link for both commercial shipping and tourism, making it a key asset for Jersey’s economy.
Here are my edits from st Malo, these are the basic edits.
In these images there only basic edits because I didn’t do much to them apart from making them black and white then changing the exposure, contrast, texture, clarity and dehaze.
For this image I went into Adobe photoshop to edit the people in the background to make this image better. I then took a few images like this one into Photoshop, and edited to make the moments look better.
Cropping
In these images I showed how I cropped them to make them better, and add affect. You can see what the before was and the the after in the photos I have presented, some I cropped potrait and some I cropped landscape, depending on what was going on in the image. Some was only a slight crop to even make the person or main subject of the image more centre to make your eye gets drawn to it.
In our day trip to St Malo, we went around the street taking street photography of people and buildings, similar to Henri Cartier-Bresson. I took 312 photos.
I then went through and picked my favourites and best shots to then edit and got rid of ones I didn’t like as much. This left me with 53 photos. Here are some of the ones I think are the best.
