‘A good snapshot stops a moment from running away’ – Eudora Welty
‘The snapshot aesthetic’ stems from the idea of a photograph being shot spontaneously in a quick manner. These images are usually made without photographic intent, taken impulsively as if the goal is to quickly capture a memory. This technique is typically used to document the events of everyday life, tending to portray family members, friends, pets, celebrations, sunsets, tourist attractions, childhood events such as birthday parties and the like.
As this aesthetic demonstrates a glimpse into real life, the images can be technically imperfect due to this being used by amateur photographers, for example taking a snapshot of a sunset you may see when going home from work. From its instantaneity, the snapshots may appear poorly framed or composed, out of focus and/or inappropriately lighted by flash. However, this contributes to the idea of rendering memorable moments in imperfect images.
MOOD BOARD:
The snapshot aesthetic falls under the umbrella term of Vernacular photography, this being used to distinguish ‘fine art’ photographs from those that are used for a wider range of purposes such as forensic, commercial or governmental. The different forms of vernacular photography consist of:
- Family snapshots
- Travel photos
- Photo booth films
- School/ID photographs
- Amateur portraits
- Souvenir-type photos
Snapshot photographs can also be associated with street photography when the photographer is using it to interpret societal situations, shooting at the hip without thinking about the composition and leaving the result up to chance. This is done to capture candid moments in public spaces, reducing the risk of a member of the public catching them. This could link in with Henri-Cartier Bresson’s “decisive-moment” due to the act of using impulse when taking the image.
The components which commonly feature in the snapshot aesthetic are blurriness, grain, cutting off objects as a result of shooting from unplanned angles, high contrasting, being under/over exposed and a soft focus.
The snapshot aesthetic was originally recognised as ‘folk art’ in the 1960s where it began its development into fine arts, where it is now used by photographers such as Nan Goldin, Petra Collins, Gillian Wearing and Lorna Simpson. These female photographers utilise this technique in their images to convey a message in a photo-diaristic manner, using methods to create immediacy and informality in the composition to make it seem more authentic and relate to this aesthetic as capturing meaningful moments. For example, this aesthetic can be utilised by female photographers to explore historical lineage, looking into the domestic lifestyle.
This technique is going to be woven into my work through the use of my own archival family photos, digital and physical from photobooks. Then, I am going to create adaptations from them and experiment with graphic design as well as different art mediums in destructive ways, for example ink splatters or even possibly burning sections of the image.
Links:
https://en.wikipedia.org/wiki/Snapshot_(photography)
https://www.liverpoolmuseums.org.uk/women-photographers-and-snapshot-aesthetic