Headshots

A head shot or headshot is a modern portrait in which the focus is on the person. The term is applied usually for professional profile images on social media, images used on online dating profiles etc.

A great headshot should include the following:

  • Simple background.
  • A clear photo of one person.
  • Good expression.
  • Proper attire.
  • Minimal distractions.
  • Should reflect how you look currently.
  • Proper cropping of the photo.
  • Flattering poses.

Flash lighting

Flash photography is using an artificial light source to light a person or a scene whether you want to give that scene a different look or you have to out of necessity.

With your camera set to manual, set the shutter speed around 1/125sec to 1/250sec depending on your camera’s flash sync speed. ISO 320, aperture f/5.6, daylight white balance. For flattering results without much distortion use a short telephone lens or a zoom setting from 70-85mm.

A flash photograph can vary the appearance of a subject by controlling the intensity, position and distribution of light coming from a flash.

Continuous lighting

Camera settings (continuous lighting)
Tripod: recommended to avoid camera shake
Manual exposure mode
White balance: tungsten light (3200K)
ISO: 400-1600 – depending on how many light sources
Exposure: Manual 1/60-1/125 shutter-speed > f/4-f/8 aperture
– check settings before shooting
Focal length: 50mm portrait lens

The deadpan aesthetic

The origins of the word “Deadpan”  can be traced to 1927 when Vanity Fair Magazine compounded the words dead and pan, a slang word for a face, and used it as a noun. In 1928 the New York Times used it as adjective to describe the work of Buster Keaton.

In summary Deadpan photography is a cool, detached, and unemotional presentation and, when used in a series, usually follows a pre-defined set of compositional and lighting rules.

The deadpan aesthetics is considered a technically perfect photograph which depicts a landscape, still life or a person by a direct centred composition. The photographs usually have a single central theme (a mining tower, face, mound of clay, etc.), the background is usually unimportant (which does not apply for more sociologically oriented concepts), ignored or is neutral and sterile.

Passport Photos

The UK government has a specific list on what passports must include, this can be found on the UK government website.

FACE:

  • eyes must be open and clearly visible, with no flash reflections and no ‘red eye’
  • facial expression must be neutral (neither frowning nor smiling), with the mouth closed
  • photos must show both edges of the face clearly
  • photos must show a full front view of face and shoulders, squared to the camera 
  • the face and shoulder image must be centred in the photo; the subject must not be looking over one shoulder (portrait style), or tilting their head to one side or backwards or forwards
  • there must be no hair across the eyes
  • hats or head coverings are not permitted except when worn for religious reasons and only if the full facial features are clearly visible
  • photos with shadows on the face are unacceptable
  • photos must reflect/represent natural skin tone

BACKGROUND:

Photos must have a background which:

  • has no shadows
  • has uniform lighting, with no shadows or flash reflection on the face and head
  • shows a plain, uniform, light grey or cream background (5% to 10% grey is recommended)

Typologies

the study and interpretation of types and became associated with photography through the work of Bernd and Hilla Becher, whose photographs taken over the course of 50 years of industrial structures; water towers, grain elevators, blast furnaces etc can be considered conceptual art. The Becher’s were influenced by the work of earlier German photographers linked to the New Objectivity movement of the 1920s such as August Sander, Karl Blossfeldt and Albert-Renger-Patzsch.

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