Using Blub for Photobook

When creating my photobook on Lightroom classic I made sue when exporting it to the final destination Blub that all the measurments and images wee in the place I wanted them in.

The platform includes a variation of design tools, quality printing and distribution options. It also offers a range of high quality printing options which includes professional-grade paper types which is an essential option for photobooks. The quality of the paper and the print is crucial for preserving the integrity of the photos. The website also includes features of glossy or matte paper with options for lay-flat binding. It ensures that your photographs will be showcased in the best way.

If a persons work involves fine details, high printing prints are neccessary to bring out the true colour, texture, and lighting in each photograph.

It also provides an integrated online platform, where you can sell your photography book directly to the public through their website. Additionally, the platform allows you to distribute your book to other online retailers like Amazon that makes it easier for a wider audience to discover and purchase your work. This could significantly expand the reach of a photographers book without needing a traditional publisher or intermediary.

photoshoots – experimenting

Here I used multi-exposure technique to overlay 3 images of this player performing a free throw. You can see the player start from a normal position, then the next photo shows them beginning to run towards the hoop to catch the rebound. Using this technique, I’m also able to show time in a photo, making this photo more interesting to view.
Here I used Lightroom to select the subject in the middle, I then pressed invert and brought the saturation down to -100. This meant the whole photo, apart from the middle subject, was in black and white. This makes the centre player seem important, as the colour draws the attention towards him. I added a vignette around his as well to keep the eyes away from the outside and and more towards the centre of the image. The composition it well formulated, as the negative space is evenly spread out thought the image.
Here I added a linear gradient layer mask to the top of the image since there isn’t much up there, it better if it isn’t bright and noticeable. But I do like the composition with all the players taking up the lower half of the image, so I didn’t crop it.

Here I used the multi-exposure technique again by cropping out the subject using photoshop, with a mixture of quick select and manual cut out. Then I duplicated the subject, creating 3 new layers, as offsetting them equally. Then with each layer I decreased the saturation to make it B&W and decreased the opacity, becoming more and more opaque as the layer gets further away from the original subject. I think this allows a lot more of the image to be filled up, while also creating more emotion since the subject is duplicated multiple times.

Photobook: Story and narrative

1. Write a book specification and describe in detail what your book will be about in terms of narrative, concept and design with reference to the same elements of bookmaking as above.

Title: Co więźi nas razem? (What Bonds Us Together?)

Through this visual narrative, I aim to reflect on how identity, heritage, and human relationships remain intertwined despite the changes that time and history impose.

The title, Co więźi nas razem? (What Bonds Us Together?), reflects the question of the photobook: how family, place, and shared experiences create enduring connections, even as these elements evolve. The book reflects both the continuity and change within the familial and cultural landscapes, particularly focusing on the journey of my family and the lasting imprint of Eastern European identity.

The photobook is an exploration of how physical spaces like the landscapes of Poland, and human connections, such as those within my family, shape who we are and continue to influence our identity, even across generations. The archival imagery will be complemented by new photographs that bring these themes into the present offering a perspective on how our family’s history and identity continue to play out.
The layout of the photobook is carefully designed to complement the narrative, offering a visual flow that guides the reader through the history, changes, and connections within the story. The design will emphasise contrast between past and present, between Eastern European heritage and my own personal experiences.

I’ve chosen to mix image sizes and formats throughout the book, ensuring a dynamic design that offers visual variety and engagement. Larger images will be used for more impactful moments perhaps significant family events or key images that highlight important moments in history while smaller images will be used to create a sense of intimacy and to allow the viewer to explore the subtle details of family life and heritage.

For the front and back cover, I have opted for a striking double-page spread in monochromatic colors. This design sets the tone for the entire book, differentiating the opening and closing pages from the rest of the book, creating a visual bookend that reflects the timeless nature of family bonds. The monochrome coloring provides a sense of nostalgia while also creating a cohesive introduction/ conclusion.
The book will be produced in a standard portrait format as this fits with the narrative’s need for a structured layout while offering space for the photographs to breathe and take centre stage. It is ideal for presenting both large images and smaller, more intimate shots that maintains a balanced flow from start to finish.
The content of the book will follow a carefully structured narrative, beginning with the exploration of my family’s roots in Eastern Europe and their migration to new places. The archival images will serve as a starting point, providing historical context and visual documentation of my family’s early years. These images will be paired with personal stories or reflections to create a deeper understanding of the historical backdrop and the personal connections within the family.

The middle section of the book will transition into a more contemporary exploration of how these familial connections continue to influence my life today. New photographs will document my experiences, juxtaposed against the archival images to create a dialogue between past and present. This section will also explore the broader concept of human connections to different places both in terms of physical relocation and the emotional ties we have to our cultural heritage.

The final section will serve as a reflection on the concept of home, belonging, and identity, asking how these ideas have evolved through the generations. The book will conclude with a series of images that encapsulates the themes of continuity, connection, and the enduring ties between family and place.

Narrative: What is your story?
Describe in:

3 words:
Heritage, Connection, Legacy

  • A sentence:

This photobook tells the story of my Polish heritage, exploring the deep bonds between my family and Eastern Europe through a blend of archival images and contemporary photographs, reflecting the lasting impact of place and identity.

  • A paragraph
  • This photobook is a visual exploration of my Polish heritage and the connections that link my family to Eastern Europe. Through a curated mix of archival images and modern-day photographs, the book reflects on the historical journey of my ancestors, their migration, and the lasting influence of their roots. The narrative delves into how human connections to different places shape identity and family, focusing on the bonds that remain strong despite time and distance. By connecting past and present, the story speaks to the timeless nature of family, culture, and the ways in which our heritage continues to shape us.

Design: 


I want my photobook to have an intimate feel, something that invites the reader to slow down, reflect, and engage with both the images and the story. The design should feel like a bridge between the past and present, combining historical richness with a contemporary perspective. The book will have a sense of timelessness. It should feel personal yet polished, allowing for an immersive experience.

I’ve chosen premium lustre paper for its balanced finish, sleek, yet not too glossy. The lustre finish will ensure that the colours in both the archival images and contemporary photos are vibrant and true to life, while softening contrast for a more cohesive feel. The ink used will be high-quality, ensuring that both black-and-white and color images maintain their depth, sharpness, and warmth, creating a consistent aesthetic throughout the book.

The book will be in a standard portrait format, which will allow for a clean and structured layout. The format is ideal for balancing image sizes and offers ample space for creating a cohesive narrative flow. The size will be large enough (around 10×12 inches) to showcase the richness of each photograph while maintaining a manageable and approachable feel for the reader. The portrait orientation suits the vertical nature of many of the images I plan to include, making it easier to highlight the details and compositions within each shot.

For the binding, I chose a sturdy, hardcover binding. This choice not only makes the book feel substantial but also ensures the longevity which allows it to be a keepsake. The cover will be minimal and striking, with a monochromatic design that contrasts with the vibrant, rich images within. The title, Co więźi nas razem? (What Bonds Us Together?), will be elegantly embossed inisde the book in the second page on the right, in a subtle, classic font, to keep the focus on the narrative and image.


The book will end with a reflective section on identity and belonging, exploring the broader theme of human connections to places. Each section will flow seamlessly into the next, with the layout providing a visual progression from past to present.

Design and Layout:
The design will be clean and minimalistic, allowing the images to speak for themselves. I will use a variety of image sizes and placements to create dynamic pages that feel balanced yet engaging. Larger images will draw the viewer’s eye to moments of significance, while smaller, more intimate images will create a sense of intimacy and allow for reflection. For visual contrast, The pages will also be spaced thoughtfully to avoid overcrowding, ensuring the book has an airy, organized feel.

The editing process will involve sequencing being crucial in guiding the reader through the narrative, alternating between archival and modern images to show the interweaving of the past and present. The flow will not only make sense chronologically but will also emphasize thematic connections such as family, place, and continuity. Each image will be paired with text or captions when necessary, ensuring the context and connections are clear.

Images will take centre stage with minimal text to allow the photographs to truly speak for themselves. Where appropriate, short captions or reflections will accompany the images, providing context or insights that deepen the understanding of the story. Some of the archival images may include small annotations to give additional historical context or personal details about the family members in the photographs.

Final Prints & Virtual Gallery

Chosen final prints and layouts-

I decided to put these images for my final prints to be mounted on a board together as I felt that they sequenced together seamlessly. I wanted a variety of page sizes, and decided I wanted these images to be A4. These photos sequenced seamlessly to me as they present the same theme of feminism stereotypes ‘traditional housewife’ however obtain different elements in each image. This is because of the variation of angles. The first image represents the motherhood and nurturing element through the subjects hand over her slower stomach and is looking down obtaining the ‘female gaze’. Although, this does not include the symbol of heels. The second image I wanted in the middle as it is the most different to the others, and gives the illusion of the subject looking over at the left image. The bending over with the high heels with the props such as the apron and dishes, signifies more of a submissive woman in the household. Finally, the right image expresses all of these elements at once in one image, as it emphasises the jewellery, high heels and the ‘female gaze’ looking over the shoulder from a behind angle. All of which symbolise different elements within femininity and stereotypes within the 1st wave movement.

For these combination of images, I chose for these A5 images to be mounted together as I felt as if they fitted each other perfectly. I liked how the 2 on the edges worked well with each other as they are the same, but obtain different feminine poses. I wanted my middle image to break up the similarities, but at the same time to obtain relevancy. Therefore, I added this image which is one of my favorites as it is taken from above, signifying that she is submissive, and the man in the household is mostly likely dominant. Whereas the other two have a sense of independency. The middle one, the subject has hair rollers in which expresses her effort to appeal to her husband. Another reason why I decided to mount these images together is because the two images on the side, are expressing reflection (Reflections of Repression), whereas my middle image is executing the ‘female gaze’ and looking up, to emphasize this stereotype of being submissive and dominance, portraying the gender roles and power dynamics. Therefore, I really admired how all 3 images had a different meaning to interpret.

I chose these images for my virtual gallery as they are my preferred images from my 4 photo shoots. This is why I chose these images for my final prints. Overall, I think the black and white for all of my images fit into my theme I decided to focus on. Not only this, but I believe it looks smarter and more organised when sequencing my images together. I personally like how each image has meaningful interpretations of being a woman which was my objective within this project. Although each image is layed out thoughtfully so two photos do not clash together, I liked how the first image on the left is the beginning of the feminism waves, contrasting to the last image on the right which is representing the last wave of feminism. Ultimately, expressing the change of women throughout the years and how stereotypes are ultimately formed.

Mirrors and Windows Photoshoot

Windows- Contact Sheet

The images which are highlighted green are the images I have chosen to edit, because they are my best images with the best composition and layout. I also chose images with different colours in them, so I could create an image in photoshop with different colours and similar colours.

Edits

I edited this image by increasing the contrast, shadows, whites, vibrancy and saturation, while decreasing the exposure, highlights and blacks. I did this, so that the image would have slightly better lighting and have more vibrant blue tones.

I edited this image by increasing the contrast, shadows, whites, vibrancy and saturation, while decreasing the exposure, highlights and blacks. I did this, so that the image would have slightly better lighting and be more vibrant.

I edited this image by increasing the exposure, contrast, shadows, whites, vibrancy and saturation, while decreasing the blacks. I did this, so that the image would be slightly more exposed so the lighting was better and the image was more vibrant.

I edited this image by increasing the contrast, shadows, whites and vibrancy, while decreasing the exposure, saturation, highlights and blacks. I did this, so that the image was slightly less exposed, so the lighting was less harsh, and so different shades and tones of the grass could be more visible.

I edited this image by increasing the contrast, shadows, whites, vibrancy and saturation, while decreasing the exposure, highlights and blacks. I did this, so that the image had better lighting.

I edited this image by increasing the exposure, contrast, shadows, whites and vibrancy, while decreasing the highlights, blacks and saturation. I did this, so the image would have better lighting and be more vibrant.

I edited this image by increasing the exposure, contrast, shadows, whites and vibrancy, while decreasing the highlights, blacks and saturation. I did this, so the image would have better lighting and be more vibrant.

I edited this image by increasing the exposure, contrast, shadows, whites and vibrancy, while decreasing the highlights and blacks. I did this, so the image would have better lighting and be more vibrant.

The images which are highlighted green are the images I have chosen to edit, because they have the best composition and layout and display the mirrors theme the best.

Edits

I edited this image by increasing the exposure, contrast, shadows, whites, vibrancy and saturation, while decreasing the highlights and blacks. I did this, so that the image would have more contrast and better lighting.

I edited this image by increasing the exposure, contrast, shadows, whites, vibrancy and saturation, while decreasing the highlights and blacks. I did this, so that the image would have better lighting.

I edited this image by increasing the exposure, contrast, shadows, whites, vibrancy and saturation, while decreasing the highlights and blacks. I did this, so that the image would have better lighting and be more vibrant.

I edited this image by increasing the contrast, shadows, whites, vibrancy and saturation, while decreasing the exposure, highlights and blacks. I did this, so that the image would have better lighting and be more vibrant.

I edited this image by increasing the exposure, contrast, shadows, whites, vibrancy and saturation, while decreasing the highlights and blacks. I did this, so that the image would have better lighting and be more vibrant.

I edited this image by increasing the exposure, contrast, shadows, whites, vibrancy and saturation, while decreasing the highlights and blacks. I did this, so that the image would have better lighting and be more vibrant.

Photoshop

Virtual Gallery

To create my virtual gallery I used ArtSteps.

How?

First, I chose which studio I wanted to use for my virtual gallery.

Next, I dragged my images into Artsteps from my documents.

Then, I placed my images where I wanted them in my studio.

Finally, I chose which frames I wanted on my images. I chose the dark brown frame, because I thought it best suited my images.

Final Virtual Gallery

Evaluation

Overall, I think my photoshoots went well, as they displayed the themes youth and identity well, by presenting different activities, which abided by or opposed stereotypical norms. I also presented my youth and identity in particular, as I displayed activities I enjoyed doing in my youth and activities I still do and enjoy now.

I also think my virtual gallery is aesthetically pleasing, because my images go well together and have been displayed well together, similarly to my photobook. I have also used my best images, which I have used in my photobook in my virtual gallery as well.

Evaluation of Photobook

Evaluation

Overall I’m happy with my photobook and the layout of it and I have specifically designed the book so that it tells a narrative of memories that were important to my Grandad. The front cover of the book is also important because it shows how the book is about happy memories and nice places but it is also quite sombre as he’s no longer here which contrasts with the narrative really well.

Hyperlink to Blurb Photobook

https://www.blurb.co.uk/bookstore/invited/10535818/3cda4659068a24e77696fc603135b2535454bcbe