PERSONAL STUDY ARTIST CASE STUDIES (FINAL IDEA)

The idea

I have come up with a second personal study idea which I am now using as my final idea where I would like to create a book through images representing my journey to God and becoming christian. I want to capture not only religious images but ones that show and create my own personal story of how I come to find God and interpreting my emotions throughout the images by using drawings on the images to represent my emotions I was feeling while on my journey.

Genres I want to include –

  • Environmental Portrait photography – Arnold Newman
  • Black & White Photography -Matt Black
  • Documentary photography – Henri Cartier Bresson

Artist references

Arnold Newman – Environmental Portraiture photography

Who is Arnold Newman?

Biography and his significance –

Arnold Newman was a photographer who became famous for his unique style of portrait photography. Born in 1918, he started his career with a love for capturing people in ways that were different from the typical posed studio shots. Instead of just focusing on their faces, Newman liked to include the person’s surroundings to show more about who they were. He photographed artists, politicians, and musicians, and his work became known for its depth and creativity. Newman didn’t just take a picture; he made sure his photos told a story about the person in them.

Environmental portraiture –

Arnold Newman is known for his “environmental portraiture,” which basically means he liked to take photos of people in their natural settings rather than just in a studio. Instead of posing his subjects in front of a plain backdrop, he’d show them in places that reflected their personality or work. For example, he might photograph a famous artist in their studio surrounded by their artwork, or a musician in a setting related to their music. This approach made his photos more interesting and gave you a sense of who the person was beyond just their face. It wasn’t just about taking a picture, it was about capturing the whole story.

His composition and lighting techniques –

Arnold Newman wasn’t just interested in taking a nice picture; he wanted to capture who his subjects really were. Before taking a shot, he’d spend time getting to know them, understanding their personality and background. This meant that his photos often felt personal and full of character. Whether he was photographing a famous artist or a politician, he made sure the photo showed more than just their face. The environment around them, their expressions, and even the little details all worked together to tell a story about who they were as people, not just what they looked like.

The stories he tells –

Arnold Newman’s photos weren’t just about snapping pictures of famous people—they were about telling a story through his subjects and their surroundings. He had a real knack for picking up on little details that gave you a better sense of who the person was. For example, he might photograph a musician in their studio, surrounded by instruments, or an artist in front of their own paintings. These extra elements helped make the photo feel more real and showed something deeper about the person, like what they cared about or what they did every day. It was like the setting became part of the story, not just the background.

Famous people and subjects –

Arnold Newman’s portfolio is full of famous faces, from artists to politicians, musicians to writers. He had a way of capturing these people in a way that went beyond just their fame. Instead of just a typical posed shot, Newman made sure to photograph them in settings that felt personal and meaningful to them. For example, he might snap a picture of a famous painter surrounded by their art, or a musician with their instrument in hand. These photos weren’t just about the celebrity—they told a bigger story about who they were and what made them unique.

Arnold Newman’s influence on other photographers –

Arnold Newman’s work didn’t just influence his peers at the time; it also had a big impact on photographers who came after him. His style of environmental portraiture, where the setting is just as important as the subject, became a major inspiration for a lot of modern photographers. Newman showed that portraits could be more than just nice pictures; they could tell stories and really capture the personality of the person. Today, many photographers still use his approach of including the environment to give their portraits more depth and meaning, keeping his influence alive in the photography world.

The people/things that inspired him –

Arnold Newman was heavily influenced by a variety of artists, photographers, and intellectual currents. One of his primary inspirations was Albert Renger-Patzsch, a German photographer known for his precise and objective style. Newman was also inspired by Berenice Abbott, an American photographer who focused on capturing urban environments and people in a direct, unflinching way.

Arnold Newman Moodboard

Personal Opinion

What I like about Arnold Newman’s work is that he uses people within their natural environment therefore he captures people to their full capacity as people often feel the most comfortable in their own personal environment. Although they do know they are being photographed many of the images still turn out very natural as if the camera wasn’t there.

Arnold uses quite a lot of natural lighting in his images, whether they are taken outside or close to windows letting in the natural sunlight and lighting in from the outside. Although all of his images are manipulated and changed to black and white the natural lighting within each image is still very clear and noticeable.

All of Arnold Newman’s photographs have a warm light feel to them even whilst all the images are black and white you can still see the warm, soft lighting within the photographs.

Arnold Newman uses a wide range of different perspectives, shapes and points of view within his images, some are up close and very detailed while others show a bigger picture with less of a focal point.

Henri Cartier Bresson

Who is Henri cartier Bresson?

Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. Cartier-Bresson was one of the founding members of Magnum Photos in 1947.

Who inspired Henri Cartier Bresson?

Cartier-Bresson’s photographic vision was shaped by a blend of artistic, philosophical, and documentary influences, ranging from Surrealism and Pictorialism to painting and the revolutionary spirit of the 20th century. His unique style, which emphasized capturing the essence of life’s fleeting moments, was an amalgamation of these diverse inspirations.

some of the types of people who inspired him:

  • The Pictorialists (Artistic Photography Movement)
  • Garry Winogrand and Walker Evans
  • The Surrealists
  • Robert Capa
  • Paul Strand and Edward Weston
  • The Concept of “The Decisive Moment”
  • Painting and Drawing

What was Henri Cartier Bresson’s most famous piece?

Henri Cartier Bresson’s most famous piece was the Place de l’Europe, Behind Gare Saint Lazare (1932)

Image Description:

Cartier-Bresson’s impulsive masterpiece picturing a man suspended in mid-air as he hops over a large puddle creates a sense of anticipation as he captures the dynamic movement of an unaware participant in the decisive moment: the instant before his heel hits the water.

Henri Cartier Bresson Moodboard

Henri Cartier Bresson famous Quotes

  • “The decisive moment is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which give that event its proper expression.”
  • “Your first 10,000 photographs are your worst.”
  • “I do not photograph nature, I photograph life.”
  • “There is nothing in this world that does not have a decisive moment.”

Personal Opinion

Henri Cartier Bresson’s work is really intriguing, I love how he captures very pure moments in time which show a story from a first look within the image but which also have a deeper meaning and story to each and every image.

The decisive moment definition – is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organisation of forms which give that event its proper expression.

He inspires me as I am a very creative person who enjoys creating deeper meanings and stories behind images which may look so simple however they create such a inspiring story behind them.

Matt Black – Black & White photography

Who is Matt Black?

Matt Black is a photographer who’s known for focusing on social issues like poverty and migration, especially in rural and underserved communities. He started his career with a passion for documentary photography, wanting to show the stories of people who are often overlooked in mainstream media. Born in California, his work really zooms in on the struggles people face in places most of us don’t think about, using his photos to give them a voice. Through his lens, he sheds light on important issues, making people stop and think about the bigger picture.

Using Documentary style –

Matt Black is all about documentary photography, meaning he captures real-life moments as they happen, without staging or altering them. His approach is all about authenticity, he doesn’t try to make things look prettier or more dramatic than they actually are. Instead, he focuses on showing the raw truth of people’s lives, especially those in difficult situations. Black’s photos don’t just tell you a story; they pull you right into the moment, making you feel like you’re standing there with the people in the photo, experiencing it with them.

what he focuses on –

Matt Black has always had a strong focus on showing the lives of people who are often left out of mainstream media, like those living in poverty or facing tough circumstances. His work isn’t just about taking photos of poor communities, it’s about telling their stories with respect and dignity. He doesn’t want to sensationalize or exploit the struggles people face; instead, he works to show the humanity behind the hardship. Whether he’s photographing migrant workers or people in rural towns, his goal is to capture the full picture of their lives, highlighting both the challenges they face and their resilience.

His context –

Matt Black often uses the geography and environment of his subjects’ surroundings to add depth to his photos. It’s not just about taking a picture of a person, it’s about showing where they live, work, or struggle, and how those places shape their lives. For example, when he photographs communities dealing with poverty, the landscapes or settings around them often tell as much of the story as the people themselves. By including these details, Black helps the viewer understand the bigger picture and how geography and social conditions are intertwined with the personal stories he captures.

His techniques –

Matt Black has a unique way of making his photos feel really impactful, and part of that comes from his choice of gear and style. He often uses a large format camera, which helps him capture super detailed and striking images. He also sticks to black-and-white photography, which might seem simple, but it actually makes his work stand out. The lack of color puts more focus on the textures, lighting, and emotions in the photo, so you really notice the mood and story behind the image. It’s all about giving the viewer a chance to feel something deeper, rather than just looking at a pretty picture.

What were his most known projects?

Matt Black’s projects are some of the most powerful examples of social documentary photography. One of his standout series is “The Geography of Poverty,” where he traveled across the U.S. to capture the harsh realities of poverty in different regions. He’s also worked on stories about migration and rural life, often focusing on communities that don’t get much attention. His long-term projects give him the chance to dive deep into these issues, showing a bigger, more complex picture of what life is like for people living in tough situations. Each project feels like a deep exploration of the challenges many face but rarely get seen.

Who did he influence?

Matt Black has received a lot of recognition for his powerful work, and it’s clear that his photos are making a real impact. He’s won awards and had his work featured in major exhibitions, which has helped bring attention to the social issues he covers. But beyond the accolades, his influence on other photographers is huge, especially those focused on documenting real-life struggles and social justice. Black’s ability to show the humanity in difficult situations has inspired many in the photography world, and his work continues to raise awareness about important topics like poverty and migration.

Photoshoot 1

explaining what you focused on in each shoot and how you intend to develop your next photoshoot.

  • How successful was your photoshoot and experimentation?

During this photo-shoot I visited various street around St Helier which I felt displayed the perfect relation between colour, pattern, shapes and how a unique composition was created by this. I decided to use someone I know, as I could further stage and direct how I wanted them to pose in front of the compositional background. I found this an interesting concept to experiment with, as features such as lines, shapes, and outlines of colour or an object could be further enhanced against the main ‘silhouette’ of the subject.

  • What references did you make to artists references? 
  • comment on technical, visual, contextual, conceptual?

Looking closely a the work of Saul Leiter, his use of visual elements such as colour, pattern, composition, shape, and outlines, all work together to create contrasting, hectic features. Through his use of people as subjects that complement the background, creates this intriguing relationship as

Overall he achieves this unique concept about how he captures these specific moments to the final image. This is what makes his work so unique, never failing to attract the viewer. I love Leiter’s thought processes which lead him to creating such exciting and engaging images; ‘decisive moment,’ ‘the beauty of simple things’ and ‘the most uninteresting things can be very interesting.’ In response I took a close approach focusing on simple features that were in fact the most interesting, as I found what made the images was how it all fitted together through the contrasting colours, with lines/ patterns of random marks/ signs/ letters, defining this. I picked a locations with bold colours and features that made it unique. Leiter’s use of abstract approaches of forms and innovative compositions creates this painterly abstract look, further expressed through visual elements

  • How are you going to develop your project from here? – comment on research, planning, recording, experimenting.
  • What are you going to do next? – what, why, how, when, where?

intense colour

Y13: PERSONAL STUDY PLAN (IDEA THAT I DIDNT USE)

Photoshoot one –

Concept –

The first shoot is used to present documentary style photography where I will take images of my computer and have all the designing process presented on screen whilst I take the photos in order to show and represent the designing process. I will also use images in which show my expressions and how I felt whilst designing my hoodies.

Location –

For this photoshoot I am going to take almost all of the photos within my house, more specifically my bedroom with most the images featuring my desk and computer.

Equipment –

  • pc.
  • camera.
  • natural/artificial lighting.
  • keyboard.

Artist reference for this shoot –

Henri Cartier Bresson

– Documentary style photographer

Photoshoot Two –

Concept –

For this shoot I am going to take images of my devices such as my phone and pc etc. showing the creation of the social media platforms for the brand and representing the time and effort it takes to create all the socials.

Location –

Anywhere in my house when using my phone however when taking photos of my pc the images will be taken in my bedroom.

Equipment –

  • Camera (canon)
  • pc/phone
  • LED lighting

Artist Reference for this shoot –

Henri Cartier Bresson

– documentary style photographer

Photoshoot three –

Concept –

For this shoot I am going to be taking photos of the sample hoodies arriving at my door in the box and then photos of the hoodies being unboxed and somehow representing the feelings of receiving the samples.

Location –

This shoot will be done within my house and front garden some images taken inside for the unboxing and photos taken outside of the door and garden with the parcels outside.

Equipment –

  • sample hoodies
  • camera
  • boxes
  • unboxing equipment (scissors etc)

Artist Reference for this shoot –

Henri-Cartier Bresson – Documentary photography

Photoshoot four –

Concept –

For my fourth photoshoot I am going to gather a group of my friends who are willing to model for me. I am going to take them into my school studio and set up the camera to capture some portrait images of them wearing my hoodies.

I am going to use 4 separate models, three which are boys and one girl, I will take photos of each of them wearing each different colour hoodie whilst guiding them to do different poses and positions to really capture the hoodies and their portraits.

Location –

For this photoshoot I am going to be using my school photography studio. to create that studio effect to my photoshoot.

Equipment –

  • Camera (canon)
  • studio lighting
  • studio backdrop
  • hoodies
  • brand tags
  • reflectors

Artist Reference for this shoot –

Oliver Doran – portrait photographer

Photoshoot Five –

Concept –

For this photoshoot I am going to take documentary style photos of my hoodies bulk order and more images of all the extra supplies that are needed for my brand.

Location –

I will use my bedroom an create a home studio to take images of the products and the supplies.

Equipment –

  • hoodies
  • supplies
  • camera (canon)
  • artificial lighting
  • home made studio

Artist Reference for this shoot –

Henri-cartier Bresson – documentary style photography

Photoshoot Six –

Concept –

For this photoshoot I am going to take photos of money and the orders coming through online to represent the real start of the journey with selling these products.

Location –

I will do this photoshoot at my house, possibly in my room using a home made studio and using my pc.

Equipment –

  • camera (canon)
  • money
  • pc
  • home made studio

Artist Reference for this shoot –

Henri Cartier Bresson – documentary style photograpy

Photoshoot Seven –

Concept –

For this photoshoot I am going to take images in the perspective of a customer ordering from me, the process of them ordering and waiting for the order to arrive to them then getting the package and openeing it.

I will then get some images of them trying it on and walking outside the house wearing it.

Location –

My house.

Equipment –

  • camera
  • hoodies
  • friend
  • box
  • natural lighting

Artist Reference for this shoot –

Henri-Cartier Bresson – Documentary style photography

Personal Study – Edits #1

Edits from my first few photoshoots:

Further edits with tone curve and colour grading

For my first selection of images, I wanted to keep and enhance the warm ambient lighting from the surrounding lamps. This style of lighting may stay consistent throughout my book, with some breaks and pauses through other juxtaposing photos. Another motif along some of these first photos are bright lights, either from these lamps or the moon.

These two photos I feel link well to each other well because of the lens being out of focus, crafting a distinct look to them.

Some of my other photos may have a more blue tone, or be taken with flash.

Photoshoot Plans

Photoshoot 1: Portraiture

For my first photoshoot I will focus on taking portraits based off of old photos I have collected from albums. These portraits will include photos of people together as well as alone. I will try to make the poses as similar to the original image as I can. This photoshoot will be mainly based on the photographer Irina Werning as she takes new photos based on older ones.

Photoshoot 2: Landscapes

For my second photoshoot I will focus on Taylor Jones’ photography where he holds up old photographs and photographs them against the same place they were originally taken. This shows how things change overtime as well as how things also remain the same. I will do this by collecting various photos from photo albums where I know where they have been taken. I will then produce multiple photoshoots in response to these in different environments.

Essay Draft

I copied in the essay plan from the blog and put it into my own blog post so that while I was working on my essay draft, I would be able to stay on track and know what I was doing:

Literary sources: Go to this blog post here: Theory: Literary Sources and copy relevant key texts relating to the subject of your essay and list in alphabetical order in your bibliography. In addition, find your own key texts in relation to artists selected for in-depth analysis in your essay and list these too. These texts could be interviews with the artist, or reviews/ critique’s written by others. See useful online sites/ sources here .

  • Research and identify 3-5 literary sources from a variety of media such as books, journal/magazines, internet, Youtube/video that relates to your personal study and artists references .
  • Begin to read essay, texts and interviews with your chosen artists as well as commentary from critics, historians and others.
  • It’s important that you show evidence of reading and draw upon different pints of view – not only your own.
  • Take notes when you’re reading…key words, concepts, passages, page number to be used for in-text referencing etc.

Bibliography
List all the sources that you have identified above as literary sources. Where there are two or more works by one author in the same year distinguish them as 1988a, 1988b etc. Arrange literature in alphabetical order by author, or where no author is named, by the name of the museum or other organisation which produced the text. Apart from listing literature you must also list all other sources in alphabetical order e.g. websites/online sources, Youtube/ DVD/TV.

Essay Question

  • Think of a hypothesis and list possible essay questions
  • Below is a list of possible essay questions that may help you to formulate your own.

I began going through the Theory: Literary Sources blog post to look at the different subjects that were there to see which ones were the most relevant to my personal study and my artist references. I took screengrabs of these so that I could have a brief overview of all the key texts that I could use:

I included a section about snapshot/vernacular photography as this may be useful in my essay as this is part of my personal study.

Possible essay questions:

  1. How does the work of Carole Bénitah and Jessa Fairbrother explore issues of memory and loss within family?

2. Compare How Phillip Toledano’s  and Nancy Borowick’s photography represent the concept of loss?

3. How have concepts of family, separation and memory been explored in the photo books of Sarello, Casanova and Germain?

4. How are concepts of loss and memory narrativised through the works of Markosian, Toroptsov and Sarello?

5. How have Yury Toroptsov, Mariela Sancari and Julian Germain reflected upon the  themes of memories and remembrance in the construction of their photobooks?

6. Explore How both Yury Toropstov and Julian Germain Convey the Theme of Loss, Through their work.

I thought it would be appropriate to go through possible essay questions on the blog and list them on my own because this way I can easily see which question would be the most relevant to my personal study. This way, I can start to go through and find quotes from the different sources so that I can begin my essay clearly. As well as this, it gives me a good starting point for my own research too.

Previous essays:

Below are previous high-marking essays from students that I feel are the most relevant to the concept of my personal study as this gives me good examples of what an effective structure looks like so that I can use this as a tool in my own essay.

How do Diana Markosian and Rita Puig-Serra Costa express the notion of family history and relationships in their work?

 In what ways do alterations in Jessa Fairbrother’s work make the visible what is invisible?

Format:

  • Essay question: How does the work of Yury Toroptsov and Philip Toledano explore issues of memory and loss within family? 
  • Opening quote: ‘surplus of Faustian energy and psychic damage needed to build modern, inorganic societies’ (Sontag 1977:4)
  • Introduction (250-500 words): What is your area study? Which artists will you be analysing and why? How will you be responding to their work and essay question?
  • Pg 1 (500 words): Historical/ theoretical context within art, photography and visual culture relevant to your area of study. Make links to art movements/ isms and some of the methods employed by critics and historian. 
  • Pg 2 (500 words): Analyse first artist/photographer in relation to your essay question. Present and evaluate your own images and responses.
  • Pg 3 (500 words): Analyse second artist/photographer in relation to your essay question. Present and evaluate your own images and responses.
  • Conclusion (250-500 words): Draw parallels, explore differences/ similarities between artists/photographers and that of your own work that you have produced
  • Bibliography: List all relevant sources used – example:

Sontag, S. (1977). ‘In Plato’s Cave’ in On Photography. London: Penguin Books.

Personal Study: Photoshoot 1 Edits

I have done a small photoshoot in St Helier to experiment with what I would like my outcomes to look like. I personally am not too satisfied with these photos and would prefer to get more detail and deadpan shots. I also think the lighting and composition in these images aren’t the best.

This is a map showing the area in which I walked:

Contact Sheet

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Edit 10

Final Images

Image Comparison

On the left is an image by my artist reference, Keith Dotson, and on the right is an image which I have taken. These images are similar as the style of each building are quite alike and each of these images have been taken from an angle. On the other hand, Keith Dotson’s image has a lot more contrast and detail than mine. This could have potentially been due to bad lighting or editing on my behalf, or just the buildings in general.

Photoshoot plans

Snapshot Aesthetic – Its purpose is the recording of meaningful moments and delights in its familial sharing. Snapshot aesthetics refers to the visual style and cultural significance that arises from casual, unplanned, and often spontaneous photography, emphasizing the ordinary moments of everyday life.

I will use snapshot images across my project, to capture natural and meaningful images, as well as matching my artist case study images, Nick Haymes.

Vernacular photography – An umbrella term used to distinguish fine art photographs from those made for a huge range of purposes, including commercial, scientific, forensic, governmental, and personal.

photoshoot 1

my first photoshoot took place at a party. This environment fit perfectly as i got a lot of my friends together, and as it was a party, followed a lot of the stereotypes so linked back to my project nicely. This photoshoot took place in october half term at my house for my 18th birthday.

Photoshoot 2

For my second photoshoot, instead of fitting stereotypes made by the older generation, i took pictures of my friends having genuine fun, outside and away from ‘bad influences’.

For this shoot, i wanted my pictures to reflect Sian Daveys work. I photographed my frieds in a ‘raw’ moment, meaning nothing was set up or staged, it was pure enjoyment of being with friends.

I also like how this shoot links with Nick Haymes work too, the simplicity speaks bigger than taking the picture itself.

Photoshoot 3

my last photoshoot was pictures taken at reading festival. i wanted to put these pictures in my work as i believe they really look in to what my project is based on, and along with other pictures, all create a theme and storyline.