Statement Of Intent

I want to explore fears, especially universal fears such as isolation and the dark. Imagery of insects is also a common fear which I think blends well with the dark. A lot of mine and others’ actions and decisions are dictated by fears. Fears of failing, being alone or potentially embarrassment but also, on a smaller scale: darkness. Darkness fuels fears as its essentially the unknown; you don’t know what’s in the room with you. This will be linking with the themes of ‘Observe, Seek and Challenge’ in a few ways such as making note of what’s associated with fears and linked themes and I will be finding locations and situations that would fit the theme.

To develop my project I will be taking photographs inspired by numerous artists: Todd Hido, Rut Blees Luxemburg, Raymond Meeks, Hiroshi Sugimoto, Jose Conceptes and in part even Cindy Sherman. These will be abstractions, urban liminal spaces and potentially even some framed photographs to somewhat resemble a scene from a horror film. A large part of the photographs will be overarching aesthetic choices across all the images such as being in black and white with main focuses being light and their subsequent shadows.

I would like to present final outcomes in a photobook so that I can create a narrative without set time limits that would be present in a film. I want to document the experience of walking into a dark, dingy house with the feelings of a spider on your back and something resembling a silhouette sat in the corner and interspace with photographs of urban spaces to disrupt and create uncertainty. I will start with images resembling film stills of someone entering a building and interacting with it. From there I will begin to explore more abstract imagery of feelings associated with such locations and any spaces that catch my attention.

Any photographs of people will have their identity obscured. Any pointers to identity such as the face or full body shots will be obscured or left out because it isn’t the identity of the people that matter as much as it the experience and feelings associated. For every place I photograph I will make sure that the light is the main interest. All objects, people and locations will need to be in some way abstracted or obscured to emphasise the uncertainty. I wont be taking any photographs in a studio. Instead I will be taking images on location both inside rooms and outside the buildings. Text wont be spaced throughout as a fear induced mentality is irrational and illogical. I might manipulate a few of the images and try some collage techniques. In terms of AI technology I might try it out since it can create nonsensical and dream like outcomes which I could use but I’m not entirely convinced it will work out. If I make use of photoshop to create manipulated images then I will need to create a more surreal/dream like sequence focused on the irrational aspect of fear. If I don’t and I create more candid looking outcomes then the project will be more about the fear inducing imagery and ideas as opposed to the headspace.

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