Mirrors and Windows

What are the differences between photographs that are WINDOWS and MIRRORS?

“Mirrors” are photographs through which a photographer is trying to tell us how he feels about himself. “Windows” are those in which he is trying to tell us how he feels about the world. Although both are expressive, they can be subjective due to the fact a photo can be both. “Mirrors” were images meant to mirror the photographer’s own sensibility. “Windows” were photos meant to act as a window for the viewer to see something that is primarily factual and external to the photographer’s own sensibility. Keep in mind that Szarkowski stressed this was not a very strict dichotomy.

In metaphorical terms, the photograph is seen either as a mirror – a romantic expression of the photographer’s sensibility as it projects itself on the things and sights of this world; or as a window – through which the exterior world is explored in all its presence and reality.”

The exhibition Mirrors and Windows, an exhibition of American photography since 1960, opened at The Museum of Modern Art, New York in July of 1978. The curator John Szarkowski’s attempted to categorise photographers whose work largely reflected the subjectivity of the artist in comparison with those whose work largely sought to see outside themselves. Szarkowski wrote in the catalogue essay that accompanied the exhibition:

 “The distance between them is to be measured not in terms of the relative force or originality of their work, but in terms of their conceptions of what a photograph is: is it a mirror, reflecting a portrait of the artist who made it, or a window, through which one might better know the world?” 
— John Szarkowski, 1978

This quote explains the difference between mirrors and windows, but also states that there is a range of where they can be within mirrors and windows. In fact, an image can be both and it is not a strict dichotomy.

Eugene Atget 1898

Nan Goldin – Nan and Brian in bed, NYC. 1983

I would personally place this images within this range;

For the ‘ window’ image, I personally would say it fits more of a window, as the image is of street musicians in 1898. This image does not link to the photographer, instead the photographer is making the image about what he can see, rather than what is behind the camera. I would say it documents, is real, public and objective. However, for the ‘ Mirrors’ image, I would personally say it fits more of the mirrors side, as it is an image of the artist himself, and another. Its very personal due to them being in bed and shows who they are through expressions such as smoking and lying in bed. It is very subjective as it is showing a lifestyle, and everyone’s life style is different. Whereas, in contrast to windows which is very objective and documentary.

One thought on “Mirrors and Windows”

  1. Lainey, an excellent blog post. It would be great if you could find time to complete the essay and photo-assignment too as it might provide creative starting points for your personal study. Thanks!

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