How does Henri Cartier-Bresson view the activity of photography?
Henri Cartier-Bresson was a French photographer, known for being considered a master of candid photography through his main component to his photos called ‘the decisive moment’, and for being a pioneer to street photography.
Growing up in a wealthy family in France, Henri was introduced to arts early, yet his inspiration sparked when he discovered photography. He travelled significantly with a camera at a young age, viewing the camera lens as an extension of the eye which allows us to see more of the detail of the world. Through this exploration of communities and cultures, Henri discovered that photography is foremost about capturing the essence of existence, rather than just taking photos.
Henri preferred the 50mm lens as it offered a field of view similar to what his eye saw, ensuring he captured images that felt immersive and natural to the viewer.
harvest of intentions
‘Decisive moment’ theory – aesthetics
Photography is like God – people go everywhere and take photos
Hunting without killing, describes it as pleasure
using camera as the extension of the eye, allows us to see more detail of the world
can manipulate truth
joins humanity, whilst other photographers look for horror (conflicts, war)
Bresson likened what he did to ‘hunting’
when taking photos, waiting and lurking can feel like hunting