Anthropocene Photoshoots Contact sheet – George Blake

(For this image, I went on a historical walk around the area of plemont and how much it has changed since the second world war).

These are my photoshoots combined into a contact sheet, for my first contact I toke images of the historical site at plemont, with its mix of architecture from 2 different time periods with how they compare today, i thought it would be an interesting location. For my second photoshoot i focused on areas with direct influence of German bunker architecture such as cornier and Elizabeth which i had gathered historical photos to make comparison images from then and now with. Some mini-photoshoots are included like old buildings in town and in the agricultural museum, Hamptonne.

These photos are rated 4 – 5 on the star rating, and are flagged: This means that they fit the aesthetic of Anthropocene, and incorporate elements associated to it and my photoshoot plans.

These images are taken well but lack the correct amount of exposure, need to be cropped, re-adjusted with their angles or contain unwanted obstacles.

These images did not fit the aesthetic because they where either blurry, poorly taken or did not fit the concept I was basing my photoshoot off.

Examples:

Final Analysis + Virtual Gallery – Anthropocene – Landscapes

Virtual Gallery

I created a virtual gallery with my final images to see what they looked like presented in a gallery format before I printed them. By using a blank wall I presented them as a tryptic display, as each shot connects to the next and they are more impactful next to each other. I also used a mixed black and white frame to match the colour theme throughout the images, this helped add a border to the photos so they didn’t feel like the geometric elements blended into the grey wall taking away from the harsh lines.

Final Analysis of Photos

The photos are all edited in a the same way, all black and white with blocks of black and white colour. This links all the photos together nicely as each photos content is a little different to the next. I went about the black and white editing on an individual basis making sure I tailored the overall low toned black and white look to each photo. This also meant I had to look after the texture of each photo, sometime increasing the texture to emphasis the point of the photo, sometimes decreasing to reduce the noise and make the point of the photo clearer. All three photos have the geometric style in common, as I used the same blocks of black and white alternating colour on all three photos adding a new element to the composition of the shot. Using the curves of the bay or harsh lines of houses is something I have done in each shot to provide leading lines and structure as otherwise photos in this style can get quite messy.

Analysis of Presentation

I have presented the photos as a tryptic both in person and on the blog. The hard copies I printed out at A4 size to ensure the details in the photos weren’t missed from being too small but also A3 would have been too big and the details of each shot would have been overwhelming. I then backed each shot onto foam board without a boarder as the white foam board looked like an extension of the photo with the photos have large amounts of white near the edges. Saying this I did then back the mounted pieces onto black mount board to group them together. This meant the shots would be displayed together with a high contrast similar to the colour blocks with the white in the photo and the black of the mount board. I chose to display them vertically as it breaks up the landscape orientation of the shots themselves, encouraging the viewer to apricate how large the areas of effected land are and it’s not just one scene. This also helped show the differences between each shot but where the similarities tied them together both in the editing and composition of the shots.

Analysis of Links to Photographer

In my final presentation of my final three photos, there are obvious links to all the photographers I looked at both for editing style and actual photos. In my final editing process I made sure I was using what I had learn through not only my first set of editing but also what I had learnt from researching and analysing Nick Frank and Guy Catling’s work. Both make use of natural geometric shapes created in the photos, removing sections nd replacing with solid colour and patterns drawing the eye to the subject of each photo. Particularly in Nick Frank’s work he uses the colour blocks to remove distracting details, details of the background highlighting the important areas of his work. I used the colour blocks to show the varsity of the areas effected by humans, almost doing the opposite of Nick Frank and using the colour blocks to draw attention to the area of photo beneath the block layer that otherwise would be over looked.

Analysis of Links to Anthropocene

The final photos I have presented have taken an unusual approach when it comes to talking about Anthropocene and it’s effect on our planet, simply because I haven’t looked into plastic or pollution individually but an area of Anthropocene as a whole. Telling the untold story of how we as humans have impacted the world around us, without even noticing. Often we have had good reasons to change a natural landscape whether it be farming so we don’t have to import so much food or housing and roads so we can access the island as a whole and reduce any over population in St Helier. My photos have also taken a dramatic editing style as well often not seen in photos around the Anthropocene as they are often kept natural so people can see it truly as it is. However I used the fact many people know the area well and overlook the differences, to my advantage, by covering the human impacted areas with blocks of colour it doesn’t just give a visual impact for the viewer but separates what they normally see with what they normally see that is human creation.

Lewis Baltz – Landscapes

Lewis Baltz

Born in Newport Beach, California in 1945, Baltz grew up to be a photographer and educator. He rose to fame in the 1970s for his work in the New Topographics movement. Baltz father died when he was 11 but he continued onward attending collage and university, meaning by 1969 he held a Master of Fine Art degree and a BFA degree in Fine Arts. He first became interested in photography at 14 when he started working in a camera shop, however Blatz said from the start he never saw himself a photographer so much as an artist because ‘I never felt any allegiance to it’s history’ in fact he went onto say, ‘I made photographs because photography was the simplest, most direct way of recording something.’ Growing up just shy of WW11 Baltz saw for himself the toll American urbanisation was taking on the world around him and how quickly it was moving. As Baltz developed his career he went through many subject matters before becoming the photographer he is known as, during the 1980s he moved to Europe and started to create large coloured prints of his work. He continued to have a rich ever developing portfolio throughout his career, having many publications and books of his work published also becoming a professor of photography passing on his talent to the next generation. 

Work

Baltz’s work has always focused around the destruction of the world around us, particularly framing images in a monochromatic, deadpan manner highlighting the lack of detail and power humans have on the world stealing nature away to turn it into mass concrete structures. His work often comes across as simple, which you can’t deny it is, however it showcases the details or lack of details in the man made world instead the natural ruggedness destroyed for geometric beauty perfectly expressing the soullessness of the modernising world.

Photo Analysis

New Industrial Parks 1970

Common in Baltz work is the mid tones of Ansel Adam’s zone system, a geometric structure and a hint of nature. This picture perfectly showcases this, unlike many other photographers work there isn’t lots of context available about this photo as Baltz worked in an anti-style of sorts, creating a link between the majority of his work all aiming to project the same idea rather unlike modern day photographers who tend to change what they want to say each new shoot, however this is just a product of current society as was Baltz work. In this photo in particular there is great use of the geometric elements of the building, using the corner to center the photo and creating a unique angle to view the building from. This is then contained as the building is then cropped so the frame is nearly fully filled with the building and the areas that aren’t are blank space creating the deadpan feel to the photo. To break up the harshness of the photo Baltz has left four and a bit trees in frame, doing so creating a further divide between the natural world and the -at the time- current urbanisation of America. Overall it’s a simple but powerful photo highlighting the modern worlds take on rugged, natural places and creating geometric modern but soulless structures all done with a low angle of a corner of a building and monochromatic, high contrasted use of blank space and harsh lines. 

AI Experimentation

Artificial intelligence (AI), is the ability of a digital computer or computer-controlled robot to perform tasks commonly associated with intelligent beings.

AI-powered tools can analyse photographs and calculate optimal exposure, correct colors, and adjust shadows, among other enhancements. They can also intelligently adapt your images, adding imaginary details that never actually existed. There is a question mark around the ethical nature of AI. However, there’s no doubt that it is a tool that can expand the world of experimental photography.

My AI Experimentation:

I used Photoshop’s ‘Generative Fill’ to manipulate some of my photographs to depict a natural world impacted by man.

Before Generative Fill:

After Generative Fill:

Before Generative Fill:

After Generative Fill:

Tania Volobueva:

I came across the photography by Tania Volobueva, titled ‘Trash’ – a visual depiction of plastic pollution.

The term plastic pollution is oftentimes used when referring to the accumulation of plastic in an environment. Throughout the years, the unrestricted accumulation of plastic products has negatively affected wildlife and humans – especially through single-use plastic. Single-use plastic is made from fossil-fuel based chemicals, and it is meant to be disposed of immediately after it’s first use – frequently used in straws, packaging, bottles, and bags.

With the topic surrounding the impact which plastic has on our environment being around for a while, countries are now just beginning to see the seriousness. Worldwide, 500 billion plastic bags are used a year, and the worlds beaches are polluted by 8.3 billion plastic straws. It is estimated that in 2020, more plastic will be found in the ocean than fish.

Through the photo series, “Trash”, Volobueva visually shares her worry about consumerism and the excessive use of plastic. The visual call-to-action should motivate the viewer to see the human’s impact on the environment through plastic pollution.

My AI experimentation inspired by Volobueva:

Before Generative Fill:

After Generative Fill:

Anthropocene Final Images

These are the photos from my Anthropocene project that I chose as my best photos:

Comparing and Contrasting

George Marazaki: ‘A Cure for Anthropocene’

My photographs relating to the Anthropocene:

Evaluation and Critique

For this photoshoot, I chose this location and took photos with inspiration from George Marazakis’ series called ‘A Cure for Anthropocene’. I decided to focus on man-made structures that are surrounded by nature that is predominant to the landscape or overgrown, for example, the radio tower at the top of the rocky cliff, the lighthouse atop the rocks out at sea, and the damaged, abandoned rock quarry surrounded by bushes, all showing the juxtaposition between nature and infrastructure.

I feel like my planning for this photoshoot helped me understand the overall composition and deadpan approach in Marazaki’s photographs, and I was able to take inspiration from those. In my photos, the natural light differed from each spot, which I paid attention to and adjusted my settings accordingly for the different locations. However, In my contact sheets, I noticed that some of my photos were underexposed, and I corrected them when editing by increasing the exposure or applying a mask on the darkest areas and increasing the exposure or brightness.

Anthropocene – AI for the past, present and future

past – I used AI to remove the generic buildings and put a natural forest inside. This is how I think the past of hav de par (where this photo was taken) would of looked like.
present – the environment is very clean but many uninspired buildings have made the landscape less appealing.
future – I used AI again to add piles of plastic, contaminating the road. This is how the world may look, even in first world countries, if we don’t do take looking after our environment seriously.

What if humans change there actions, and restore the environment?

I added wind mills to the landscape as Jersey has been planning to do off sure wind farms for a while. This is a clean, environmentally friendly energy source and would help jersey a lot if they can generate there own energy.

Artificial Intelligence

Artificial Intelligence or ‘AI’ is a technology which enables computers to learn and create. It has been designed to simulate a humans intelligence process which in recent years has been implemented into all sorts of areas such as the arts. AI generates images by scanning millions of pre-existing ones on the internet along with the texts associated with them and uses algorithms to to spot trends. This means that AI does not create new pieces, instead it stitches together pre-existing images into a what the machine guesses is ‘correct’. OpenAI’s ChatGPT was the turning point in modern AI for its accessibility and ease of application. ChatGPT can be used by everyday users by inputting prompts or by experienced software collaborators by implementing the software into gadgets and websites(Chat GPT was created with a foundation model meaning it can easily be exported and are highly adaptable). This variety has caused a widespread pickup of the tool.

Ethics & AI

Ethics are the examination of moral questions and judgements. AI has been the centre of discussion in terms of ethical dilemma ever since 1942 and literature has dramatized the topic through films such as the matrix and terminator. While all the older literature such terminator created ‘doomsday’ tales centring arround themes such as the singularity, Modern dilemmas instead revolve around data responsibility, privacy, transparency, accountability and technology misuse.

Businesses have been exploring the use of AI since the creation of the big data set. Companies created their own systems and implemented them in all areas without issue. Once they tried expanding however there were all sorts of unexpected outcomes. These faulty/biased outcomes have lead to new guidelines and ethical dilemmas. AI has been rapidly outpacing government regulations with recent developments which has caused worry, largely surrounding copyright infringement and artistic creativeity.

Tanja Deman

Tanja Deman uses collages of photographs and films to raise awareness of natural environment, ecology and climate crisis. She creates surreal pieces in two categories: showing urban cityscapes in dead, baron wastelands, and theatres of people judging and observing the natural world.

Tanja Deman creates black and white images for a dramatic, serious tone and also in ways to show the bleak future that we are headed towards. Stadium lighting beams down on the hill which guides the eye. The surrounding stadium is dark with high contrast to focus attention in one space. The angle is looking downwards from a high seat in the stadium so that the photograph is framed through the eyes of an audience member. This photograph combines two images; The first is a large stadium with a small number of people sitting in the foreground, the second is of a rural mountain scape. These have been combined mostly around the base of the viewing square. The environment has been captured and presented as a spectacle to these people. I think this is a commentary on how the work of themes such as Anthropocene is being viewed in a meta way to criticise the lack of urgency and appreciation of the viewer but also on how society treats the natural world.

The light drawing attention to the hill makes the viewer look at the hill same as the people in the stadium seats. The people are few in number in front of the camera. The lack of people shows a lack of interest from the general public. This is reminiscent of the reception environmentalists receive for their art – not taken overly seriously.

In Photoshop

Filters and Pre-sets

Ai can be used to change the mood of an image by adjusting filters. It will create a mask on top of the image to prevent changing or ‘damaging’ the original image. This mask sits on top of the entire layer stack. The ai has pre-sets with options and sliders to further adjust the image.

I tried two pre-sets. One used vibrant, unnatural colours and the other created a cooler tone.

Option 2

The second was under the filter option. The neural filters used more drastic ai.

It creates a drop down of ‘pre-sets’ which drastically adjust the image to create a totally different image. This option will add snow to hills and make them look like mountains for example.

I chose this option because it made the sea look tropical by using vibrant colours and adjusting the water texture. The ai also added and adjusted the clouds in the sky to make the sky look more similar to that in the summer.

Generative fill

To use generative fill, you use a selection tool and select the desired area. ( This only decides where as the ai will take the whole images’ context into account for direction etc.) A box will require a prompt which the ai uses to produce 3 different outcomes.

After experimenting with composition, I decided to generate something on the right side of the image. To contrast with the industrial ship, I wanted something organic. I decided to add two dolphins playing with a ball. The ball isn’t a natural occurrence which shows how the animals have had to learn to live with our waste. Additionally they are unaware of the boat and its lost crates which are slowly drifting over. The pink emitting from the boat is a clearly toxic gas which is being pumped out.

I tried both a faint, sunny day and a dull, stormy filter. Although it would make more sense for the stormy one since it reflects the trouble brought with human interference, I think the light one creates more of a contrast. The vibrant colours are more artificial which in my opinion reflects how manufactured the environment is becoming.

Spot Remove

The spot healing tool drop down has an option named remove tool. You outline the unwanted option and the software will remove and fill based on the surroundings.

I wanted to remove these sample boards so the walls would be completely plain for a virtual gallery.

Zed Nelson: Photoshoot

To respond to Zed Nelson I went to Jersey zoo to take photos of the animals and their environments in order to show the theme of Anthropocene. I managed to take over 200 photos and I have flagged them according to whether they are good or not. I have flagged the good ones with a white flag and the bad ones with a black flag.

Best Photos:

I have selected these as my best photos and these are the ones which I would like to edit.

Final Edits – Landscapes- Anthropocene

Edit One

These tools are what I used to fill in the blocks of colour. Starting by using the polygon lasso tool to select the outline of fields I then moved onto filling in the selected area with the bucket tool, switching between the colours at the base of the tool panel.

The photo above shows the layer blocked with colour, showing the shapes I made and selected using the polygon lasso tool.

This created the final image presented above. By blocking out parts of the field in black and white to match the photo it forces people to look at the image as it’s bold and intriguing.

Edit Two

This is a comparison between the original image and the black and white edited version. When editing the image I adjusted the highlights so the grey seemed duller, improving the visibility of the lighter sand patches and the sea wall. This helped me see the parts in the image I was going to cover while making the rest of the image a high quality black and white image.

For this photo I again, blocked out the fields/agricultural area in the photos showing just how much of the land is commercialised and effected by vital but often destructive human influence on the land.

Edit Three

Before
After

For this photo I used the same process of changing the photo to black and white in light room before moving the image to photoshop to use the select and fill tools to map out the fields in the same style of the the other shots.

Final Images

This created a trio of photos edited in a similar style with the same emphasis on the environment. By using the fill tool to blank out sections of the agricultural landscape, it adds direction to the photos encouraging the viewer to look at the environment and how agriculture has effected it. By using black and white images with black and white blocks on top it has created a monotone effect adding harsh contrast and geometric shapes to help get the point of how much agriculture has effected out landscapes. Although it is essential the effect is still there.

Anthropocene Photoshoot

These are images I took on a short walk along St John’s. This is the rubbish I came along on a 15 minute walk, this signifies the amount of plastics and waste that is discarded along the way. I found this photoshoot particularly meaningful because it established how much waste and litter is easily discarded throughout the world. And although the island is seen as predominantly tranquil and clean, such ease to find rubbish and discarded single use plastics

Allotments In Jersey.

Allotments are small parcels of land rented to grow fruits, vegetables and plants. These small areas are a cost effective way for families and citizens to produce fruit and vegetables for their household. these allotments, with the proper care, have the ability to produce enough fruit and veg throughout the whole year. Another use for these patches of land include beekeeping and the inhabitancy of rabbits and hens. However, when these allotments disappear or are removed, the wildlife loses their precious habitats, this poses as a threat for the wildlife. Although, many different forms of plants thrive in allotments, which creates a positive impact and creates a habitat to different species. Different waste materials also pollute the soil and can cause the contamination of the crop growing soil.

I think this photoshoot, shows the importance of humans’ contribution to the helping of the planet and positively benefiting the planet. To improve on this photoshoot, I could go into more detail and get closer to the components of each allotment in order to show the small efforts people are willing to go to.

  • You can grow and eat your own food
  • Allotments encourage exercise and benefit mental health
  • Allotments create a sense of community
  • Allotments improve the environment
  • Allotments are beneficial to wildlife

I found this area specifically interesting because it displays humans attempting to make a difference and provide for themselves whilst being environmentally friendly and avoiding purchasing ground grown goods from supermarkets.

These photos are also a contribution to my Anthropocene project, these are templates for my AI images where I will create fake realities with the hills, beaches and seas filled with buildings, pollution and urbanisation. These were taken in St John and overlook the beaches below. These are currently very plain landscape which has been untouched by humans apart from aspects such as: