I set my photoshoot based around Bouley Bay, St Johns and Trinity as these areas are north to Jersey in comparison to my other photoshoot located more towards the south-east. Many of my images were similar to each other so I colour-coded them after editing to make it clear.
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In this photoshoot, I sectioned my images into different themes so that I could get a wide range.
DERELICT GREENHOUSES:
I took images of this neglected greenhouse located in St Johns in inspiration of George Marazakis image of ‘A Cure For Anthropocene’ as the use of mechanical and chemical-based farming means that they are no longer in use as human development has leaned more towards using synthetic fertilizer.
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EXPERIMENTATION:
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For this image, I got to a lower angle to capture grass within the foreground to replicate George Marazakis camera angle when shooting his images.
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I chose to shoot an up close image of a singular plastic chair in the centre of this dirty neglected greenhouse as I feel it represents how plastic is one of the leading causes of decay in the environment, standing alone in the middle of this destruction.
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I also chose to shoot this image of a modern greenhouse as close as I could get to show the difference due to the fast pace modernisation is at and how quick these developments are being made
CONSTRUCTION:
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In this image, there is a clear wipe out of anything natural, replaced with a monotone silver spread across the image. The natural light of the sunset reflects off of this metallic composition really nicely alongside the sky.
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I took this image of a pile of construction materials scattered across the entire image as if they had been thrown there in a careless manner, allowing for a high amount of definition and vibrancy to catch the eye in an artificial colouring. In the background, there is a small amount of grass being toppled on, showing how this constant need of building, updating and redeveloping natural spaces presses down on any piece of natural space left.
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In this image, I pointed the camera slightly down to capture the wheel of a vehicle behind some wooden palettes and broken plastic. I wanted to shoot this image as I feel that it carries a destructive tone within it, especially due to the sharp and violent way the black pieces of what appears to be plastic is thrown into a bucket, pointing in every direction to add a sense of danger.
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This image consists of many brightly coloured gas canisters placed in a formal way, waiting to be released into the atmosphere to contribute to global warming even more.
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I shot this image as I wanted to capture how these building materials had been thrown onto the grass causing it to become destroyed as its dragged across. I feel that this image shows the carelessness that humanity gives towards the natural landscape as it is clear these materials have been put here without a second thought.
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In the foreground, the grass has been reduced to dry dust crumbling on the floor due to the hard slabs being placed upon these wooden palettes. I shot this image as I thought the way the healthy green bushes were bordered off from the now decayed dirt contrasted really well together and symbolised how one day, that’s all it will be.
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I thought that the composition of this image worked really well as the sun doesn’t focus on any of the unnatural, man-made materials thrown around on the gravel, just focusing on nurturing the singular tree in the background.
ABANDONED STRUCTURES:
I took these images at the abandoned Bouley Bay hotel. These areas were boarded up and covered with urban graffiti, there was a large amount of dirt and rust stuck to the entirity of this structure to show its age. This area was located next to a alrge cliff edge which I wanted to capture alongside a large amount of destroyed palm trees and posion ivy.
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