Ansel Adams Artist Research

Who was Ansel Adams?

Ansel Adams (born February 20, 1902, San Francisco, California, U.S.—died April 22, 1984, Carmel, California) was an American photographer who was the most important landscape photographer of the 20th century. He is also perhaps the most widely known and beloved photographer in the history of the United States; the popularity of his work has only increased since his death. Adams’s most important work was devoted to what was or appeared to be the country’s remaining fragments of untouched wilderness, especially in national parks and other protected areas of the American West. He was also a vigorous and outspoken leader of the conservation movement. While photography and the piano shared his attention during his early adulthood, by about 1930 Adams decided to devote his life to photography.  Adams believed that photography could give vent to the same feelings he experienced through his music. His first attraction to photography came from his love of the natural landscape and a yearning to capture something of that overwhelming experience on film.

He is renowned for his Western landscapes eg his views of Yosemite and the Sierra Nevada. His photographs emphasise the natural beauty of the land. These images are often seen in black and white using the zone system which Ansel Adams and Archer created. There were 10 zones in Ansel Adams’ system. They were defined to represent the gradation of all the different tonal values you would see in a black and white print, with zone 5 being middle grey, zone 0 being pure black (with no detail), and zone 10 being pure white (with no detail).

Ansel Adams honed his vision for his photographs through a process called visualisation. Visualisation requires the photographer to take in a subject without a camera and imagine how the final photo will come out. Ansel Adams described it as “the ability to see the scene you photograph and recreate in your mind the print you will produce”. Meaning see your developed image, relying on the information you receive from the scene and on your developing intentions.

Group f/64 was created when Ansel Adams and Willard Van Dyke, an apprentice of Edward Weston, decided to organise some of their fellow photographers for the purposes of promoting a common aesthetic principle. The group was formed in 1932 and it constituted a revolt against Pictorialism, the soft-focused, academic photography that was then prevalent among West Coast artists. The name of the group is taken from the smallest setting of a large-format camera diaphragm aperture that gives particularly good resolution and depth of field. The original 11 members of Group f.64 were: Ansel Adams, Imogen Cunningham, Edward Weston, Willard Van Dyke, Henry Swift, John Paul Edwards, Brett Weston, Consuelo Kanaga, Alma Lavenson, Sonya Noskowiak, and Preston Holder.

Though members of the group represented a wide range of subject matter in their work, they were united in their practice of using the camera to record life as it is, through unmanipulated “pure” documentation. Works associated with Group f.64 include Adams’s dramatic images of Yosemite National Park, Edward Weston’s close-up, high-detail photographs of fruits and vegetables and of sand dunes and nudes, and Cunningham’s studies of calla lilies.

Ansel Adam’s photographs link to romanticism. He used a black and white film in his images and would photograph a variety of different landscapes eg mountains, lakes and hills. The black and white film he added to his images differentiated his work from other photographers as he manipulated his photographs to create a darker sky, making the once blue, comforting sky into something terrifying and mysterious. He casted chilling shadows over the landscapes he photographed which made his scenes look more unnerving. This is an example of romanticism as he managed to create pictures that would leave people in awe but also slightly terrified by his dark ominous sky.

Photo analysis:

For this image, Ansel Adams used a small aperture (f/64). He did this as it allowed him to capture small details from the environment and let these details be seen in his photographs. This small aperture also made his images clearer. This image clearly displays the zone system as you can see shades ranging from pure black (0) to pure white (10). When taking this photograph, he first used a yellow filter and then used a red filter. He noticed that the type of filter that he used changed how the image looked (with the red filter making the photograph look more like how the environment did in real life and enhancing the tonal range of the image). From this, Ansel Adams came up with the idea of visualisation, which allowed him to show in his image what he saw in his ‘minds eye’. He used his talent in photography to take these pictures of different natural landscapes to which he then used these images to try and persuade the government to not destroy these beautiful places. Overall, I like how this photograph looks as you can see lots of detail and texture on the mountain and the manipulated sky which has been darkened gives the image a more intense, scary feeling but is also beautiful at the same time. This image successfully portrayed the idea of romanticism.

Ansel Adams Inspired Photoshoot:

For this photoshoot, I took pictures of various natural landscapes. I ensured that I took an equal amount of vertical and portrait photographs in order to get more variety in my images. To edit them, I used photoshop and edited the levels, curves and made the images black and white, adjusting the different colours to make the blue sky more darker as seen in Ansel Adams images. This dramatic dark sky makes my images look more scary, successfully portraying the theme of romanticism. I mainly focused on mountains and cliffsides as this is what Ansel Adams typically took pictures of.

Overall, I like how my images came out as I think they have a good tonal range in which you can see shades from pure black to pure white. Additionally, my images also have good detail and clarity. If I were to do this photoshoot again, I would try take more photos in different whether conditions eg fog as I think this would help my images look more creepy, furthering the idea of romanticism in my work.

Edward Weston

Edward Henry Weston was an American photographer. He has been called “one of the most innovative and influential American photographers” and “one of the masters of 20th century photography.” He was born in 1886 and died in 1958. He is best known for his carefully composed, sharply focused images of natural forms, landscapes, and nudes. Edward Weston was born in Highland Park, Illinois. He began to make photographs in Chicago parks in 1902, and his works were first exhibited in 1903 at the Art Institute of Chicago. Three years later he moved to California and opened a portrait studio in a Los Angeles suburb. In 1902, Weston received his first camera for his 16th birthday, a Kodak Bull’s-Eye #2, and began taking photographs. Weston’s first photographs captured the parks of Chicago and his aunt’s rural farm.

Edward Weston was instrumental in establishing an identity for the West Coast school of photography in the early years of modernism in America. His eloquent combination of expansive landscapes and other natural subject matter with precise, unembarassedly technique created a prototype for the f/64 group’s purist style. Most of his work was done using an 8-by-10-inch view camera.

Through his promotion of straight photography and his daybooks, in which he recorded his artistic growth, Weston helped cement photography’s place as a legitimate modern artistic medium and influenced an entire generation of American photographers.

Artist Reference – Robert Adams

Robert Adams

Robert Adams (born May 8, 1937) is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics of a Man-Altered Landscape in 1975. 

Adams grew up in the suburbs of Colorado and in 1956, he shifted to South California to study English literature at University of Redlands. In 1965, he did his Ph.D., from University of Southern California, in the same subject.

Adams has worked on American West landscapes for more than 38 years, covering Oregon, Colorado and California. He uses his camera to express his love for landscapes. Also, to understand how industrial and urban growth has transformed it.

 Adams bought a 35mm camera and began to take pictures mostly of nature and architecture. He soon read complete sets of camera work and aperture at the Colorado springs fine arts centre. He learned photographic technique from Myron Wood, a professional photographer who lived in Colorado. While finishing his dissertation, he began to photograph in 1964. In 1966, he began to teach only part-time to have more time to photograph. He met John Szarkowski, the curator of photography at the Museum of Modern Art, on a trip to New York City in 1969. The museum later bought four of his prints. In 1970, he began working as a full-time photographer.

The New West

In a seminal series of images representing the suburban southwest, Adams shows the brutal squalor of suburban architecture and its effect on the landscape, as well as the hopeful aspects of nature that are beyond our impact.

Image Analysis

In this image there are man made buildings and structures with the natural scenery of mountains in the background. The man made structure and the natural scenery blend in together seamlessly, as there isn’t much change in tones of black and white, the mountain and the top of the buildings wouldn’t have much between them on the zone system while the sign that is lit up is much lighter and standing out more than the structures (man made and natural) in this image. The beauty of this picture is the fact that the petrol station is something that would be seen as ‘basic’ and it is something you see in everyday life. Their is a clear retro vibe in Adams images which is what I really like and find unique within these images, for example the lighting and electrical wires wouldn’t typically be the same in todays modern world, they are something you wouldn’t typically take pictures of but the idea of making something ugly and neglected and transforming it into a pleasant and interesting image is something Adams was clearly very good at.

This image is different to the first one. You can see a clear change in scenery from the top to bottom as there is a mountain in the top background and buildings at the bottom front. In this image it is easy to say there is signs of poverty and a suburban lifestyle. This is because Robert Adams liked to take these kinds of pictures where there is a ‘poor quality’ life with a beautiful, natural environment contrasting behind it. The homes look like they would not be secure and it looks like an indecent place to live, this conflicts to the mountain and hills behind where the mountain looks strong and bold unlike the homes that look poor quality and strategically placed whereas the mountains natural curves and soft corners don’t match with the man-made structures.

NEW Topographic

What does Topographic mean?

New Topographic can be represented as a radical shift by reanalysing the subject that surrounded landscape photography as a fabricated environment.

It is Technique in which a scene, usually a landscape, is photographed as if it were being observed from afar. this was practiced most known by the 1970s ‘New Topographic’ photographers which included Robert Adams, Nicholas Nixon, Lewis Baltz, and Hilla Becher.

What is Topographic a response to?

The images that were beautifully printed of the mundane but strangely fascinating topography showed both the reflection of the world that was becoming massively suburbanised and also a reaction to the tyranny of idealised landscape photography that elevated the natural and the element.

America struggled with a lot post-war.

Things like,

  • Inflation and labour unrest. The main economic concern the country had was the immediate post-war years was inflation.
  • The baby boom and suburbia. Because of the millions of people that died, returning veterans made up for lost time and got married and started a family.
  • Isolation and splitting of the family unit, pharmaceuticals and mental health problems
  • Vast distances, road networks and mobility

More

Many photographers associated with the topic ‘New Topographic’ were artists like Robert Adams, Nicholas Nixon, Hiller Becher etc…

New Topographic was inspired by the likes of Albert Renger Patszch and the notion of New objectivity.

Places like Parking lots, suburban housing and warehouses were all portrayed with a beautiful distinct strictness, almost in the same way that early photographers documented natural landscape. An exhibition in the International Museum of Photography in Rochester, New York features these photographers that revealed the growing apprehension about how natural landscape were being engulfed by industrial development.

The New Objectivity (Neue Sachlichkeit) was constructed as a style in Germany in the 1920s as a challenge to Expressionism. As seen on the name , it offered a return to unsentimental reality and a focus on world that was objective, instead of the more romantic and abstract, or idealistic likelihood of Expressionism.

Robert Adams

Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West and his participation in the exhibition New Topographic: Photographs of a Man-Altered Landscape in 1975.He looked at aesthetically pleasing photos. He was an environmentalist and usually photographed landscapes and natural enjoinment – similar to Ansel Adams, however they have no relation to each other. Robert Adams is an American photographer best known for his images of the American West. Offering solemn meditations on the landscapes of California, Colorado, and Oregon, Adams’s black-and-white photos document the changes wrought by humans upon nature.

Adams quotes- “I think if you placed me almost anywhere and gave me a camera you could return the next day to find me photographing. It helps me, more than anything I know, to find home.” This shows us his passion of taking photograph’s and his passion for it.

Typologies

 A system used for putting things into groups according to how they are similar : the study of how things can be divided into different types. Eg photographing farm houses- multiple of them as a collective group.

Robert Adams uses Typologies’.

The making of Typologies – Robert Adams

Robert Adams is a photographer who has documented the extent and the limits of our damage to the American West, recording there, in over fifty books of pictures Adams grew up in New Jersey, Wisconsin, and Colorado, in each place enjoying the out-of-­doors, often in company with his father. He was a very successful photographer and had many different exhibitions , making good money and becoming a very well known photographer , he was best known for his images of the American West. Adams’s black-and-white photos document the changes wrought by humans upon nature. Adams began to take photography seriously, learning techniques from professional photographer Myron Wood. In the 1970s, he was released the book The New West (1974), and a year later was included in the seminal exhibition “New Topographic”. Therefore making this a new big thing, still used today. Today, his works can be found in the collections of the Whitney Museum of American Art in New York, the National Gallery of Art in Washington, D.C., and the Los Angeles County Museum of Art, among others. Adams has become one of the most profound photographer’s in history and he did make history within his photographer’s.

New Topographic- typologies

What is Typologies?

A photographic typology is a study of “types”. That is, a photographic series that prioritizes “collecting” rather than stand-alone images. It’s a powerful method of photography that can be used to reshape the way we perceive the world around us, such as photographing buildings and certain types of windows as a collective and done in a group.

Typologies

 A system used for putting things into groups according to how they are similar : the study of how things can be divided into different types. Eg photographing farm houses- multiple of them as a collective group, many of which Adams did use.

What was the new topographic a reaction to?

The stark, beautifully printed images of the mundane but oddly fascinating topography was both a reflection of the increasingly suburbanised world around them, and a reaction to the tyranny of idealised landscape photography that elevated the natural and the elemental.

What is the meaning of New Topographic?

New topographic was a term coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape.

Robert Adams

Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West and his participation in the exhibition New Topographic: Photographs of a Man-Altered Landscape in 1975.

He looked at aesthetically pleasing photos. He was an environmentalist and usually photographed landscapes and natural enjoinment – similar to Ansel Adams, however they have no relation to each other.

Robert Adams is an American photographer best known for his images of the American West. Offering solemn meditations on the landscapes of California, Colorado, and Oregon, Adams’s black-and-white photos document the changes wrought by humans upon nature.

The New Topographics Features + moodboard

Features

The photographs, stark and documentary, are often devoid of human presence. Jenkins described the images as “neutral” in style, “reduced to an essentially topographic state, conveying substantial amounts of visual information but eschewing entirely the aspects of beauty, emotion, and opinion”.

On the one hand, New Topographics represented a radical shift by redefining the subject of landscape photography as the built (as opposed to the natural) environment. To comprehend the significance of this, it helps to consider the type of imagery that previously dominated the genre in the United States.

Photographers involved

 The New Topographics photographers were Robert Adams, Bernd and Hilla Becher, Lewis Baltz, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel Jr.

PHOTOSHOOT ONE

Contact sheet:

Before:

After:

Before

After

I edited these photos using Adobe Photoshop and Lightroom Classic, with inspiration from the storm as I thought I could take photos of the damage that has been caused to nature. I edited these photos to be black and white, as I think they create more emotion towards viewers. I think I could’ve improved this photoshoot by taking clearer photos that has one subject, instead of a few as they would’ve then looked neater and not as chaotic.

Romanticism & The Sublime

Origins of Romanticism

Romanticism is a movement which originated mainly in England as well as parts of Europe during the late 18th centaury, being sparked by the industrial revolution and the French revolution, and quickly spread to other parts of Europe and America.

The French Revolution began in 1789 and was caused by France being on the brink of bankruptcy and the growing dislike for the French monarchy. Before the revolution literature and also art was mainly made about high class people and religion, but after the revolution people were given more creative freedom to express themselves so started writing about nature and emotion instead. Romanticism was also used as an escape from reality which the French citizens needed after going through the revolution, further boosting romanticism and its popularity.

Industrialisation causes an increase in urbanisation (the increase of people living in towns and cities) and the increase in factories due to the demand for manufactured goods increased during the mid 18th centaury. This cased more people to live in cities and get factory jobs away from nature, which romanticists argued against and felt that this new industrial lifestyle was harsh and was supressing the natural human spirit. This caused romanticists to focus on nature again and natural human emotion as away to escape from this lifestyle.

The Romanticism movement mainly consists of an interest in nature and its beauty rather than the industrialisation which was going on at the time. Human emotion by expressing intense or true emotions, as well as the sublime. It also consisted of beautifying the past commonly the middle ages (medieval era) as ether a respect for the traditions and architecture or a sense of nostalgia. The movement was commonly displayed in the arts and forms of literature.

William Wordsworth

William Wordsworth was a popular romantic poet during the late 18th centaury and has been described as ‘the farther of romantic poetry’. Wordsworth moved into dove cottages in the lake district, which was known for its outstanding beauty. Wordsworth would commonly write about nature, history and an emphasis for a simpler life saying “For I have learned to look on nature, not as in the hour of thoughtless youth, but hearing oftentimes the still, sad music of humanity.”

Wordsworth also had a hatred for anything industrial, which was happening at the time, saying at the start of one of his poems: “Is there no nook of English ground secure From rash assault?” And when a trainline was proposed to run through the lake district Wordsworth and his fans did everything the could to get the train rerouted away from the lake district.

Romanticism vs The Age of The Enlightenment

The Age of The Enlightenment which is also known as the age of reason was a movement that occurred mainly in western Europe during the 17th to early 19th century which focused on science instead of religion an rationality over beliefs. The romanticists were against this idea and felt that reason was overemphasised and believed in connections to nature and human emotions even if it was irrational.

The Sublime

Nowadays the word sublime means really good or excellent, however the sublime was actually a key part of romanticism and has a completely different meaning.

Edmund Burk was an Irish philosopher who moved to London in 1750 and served in parliament in 1766. Edmund also wrote books, in 1757 he wrote a book called A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. In this book he would go on to explore the ideas of ‘the sublime’ with Edmund describing the Ruling principle for sublime as the awe and beauty of nature, but also elements of fear and terror because of how merciless it is.

A common theme with the sublime is the sea as it can create awe by its beauty, but also terror by its vastness and powerfulness.

This is why shipwrecks can be a popular subject in these paintings as they can create feelings of terror, by the destruction and power of the sea/nature on the ships and awe by the emphasis on nature in the paintings, for example the sky and the waves.

Photoshoot edits

I took a series of images focusing on the damages around the island from Storm Ciaran however I also took images that involved Romanticism and the Sublime.

My Inspiration from the Storm:

Photoshoot:

I focused on the area of St Clements for my photoshoot as it was one of the areas in Jersey that was affected the most severely therefore it would still have damage and debris around.

Photoshoot 1 best images:

For these images I focused on the surrounding areas of a row of fields as I felt that this would be an area where there would be not only a lot of damage from the storm but also many different locations and perspectives to find.

For most of my images I created virtual copies of them and made them black & white to represent Ansel Adams’ work as his were also monochrome. I also feel that this shows the distinct and unique forms that the branches take on due to the strength of the wind. I really liked this area as there was a combination of natural and man-made resources, as well as many twisting branches varying in size. Many of them twisted forwards so I positioned the camera in certain angles the create depth in the image. For some of my images I used HDR to combine 3 images so that the exposure was suitable, this also resulted in the images looking more vibrant by saturating the green tones more. However, this wasn’t necessary for all images as I wanted some to have a more pastel shade such as in the sky as I feel that this creates a calming and tranquil tone for the viewer, representing ‘the calm after the storm’. As well as this, in the majority of my images I used the graduated filter to create a smoother gradient from the top of the image through to the middle, then increasing or decreasing the contrast.

Photoshoot 2 best images:

For these images I chose to go into a more public space. This was a pile of chopped wood from trees that had fallen down and been piled up on top of each other. I really liked the way they had been placed and all the details that would’ve been hidden within the tree have been exposed that wouldn’t normally be shown. I also liked the way some smaller pieces had rolled off as the position each of them have landed in makes it look intentional yet relaxed. I created some blank and white versions of these images too because I wanted to show aspects of Ansel Adams work in my own.

I created an idea using Photoshop, keeping the main part of the image in colour and the background in black and white. This adds more vibrancy to the orange/brown tones and makes each layer stand out more.