Contact Sheets

For these photoshoots, I did multiple photoshoots focusing on trying to get each of the various lighting effects rather than doing a photoshoot for each.

Contact Sheet for Butterfly

These photos were all taken in my bedroom using a tripod for the camera and then I held a torch above towards his face so it was facing down on him to create the shadow under the nose.

Butterfly Edits

Edit 1

I edited this photo by, firstly, making it black and white and then slightly lowering the exposure. After this I increased the contrast, highlights and shadows. Finally, I used the brush tool to increase the exposure and whites and decrease the texture and clarity to make his under eyes appear less dark.

Edit 2

I edited this photo by cropping the sides then slightly rotating it so that it follows t he rule of thirds. I then lowered the exposure, highlights and blacks and increased the contrast, shadows and whites. Finally, I used the brush tool to increase the exposure of the dark speck near the top of the photograph.

Edit 3

I edited this photo by starting off by cropping and rotating it to fit rule of thirds. After this, I decreased exposure, contrast, vibrance, texture and clarity and increased highlights, shadows, whites, blacks and sharpening. Lastly, I used the brush tool to increase the exposure and lower the texture and clarity of his under eyes.

Edit 4

I cropped and rotated this photo then lowered the exposure and contrast. Additionally, I increased the highlights and shadows and texture and decreased the clarity.

Edit 5

For this photo, I started off by rotating and cropping it to fit the rule of thirds. I then lowered the exposure and increased the contrast and texture to finish off.

enry Mullins started working at 230 Regent Street in London in the 1840s and moved to Jersey in July 1848, setting up a studio known as the Royal Saloon, at 7 Royal Square. Initially he was in partnership with a Mr Millward, about whom very little is known. By the following year he was working alone and he continued to work out of the same studio for another 26 years.

For a brief period in the 1860s he also worked in London, but judging by the collection of his photographs which is now held by La Société Jersiaise, he found plenty of willing sitters in the island prepared to pay half a guinea (promoted as “one half of that in London”) to have their portrait taken by him.

Diamond Cameo:

The patent diamond cameo photo was taken by F.R. Registered. London windows of 1864. On a diamond-shaped business card he arranged four small oval portraits, each portrait of the same person taken in a different position. A special Dallmeyer camera is used, and each time he takes a portrait he takes one piece of glass. His negative is moved to a new position on the back of the camera, and after gluing the paper print onto the card, a special press is used. and made a hole. The four portraits together form a convex cameo shape.

Henry Mullin’s famous images:

His speciality was cartes de visite and the photographic archive of La Société contains a massive collection of these. Their on line archive contains 9600 images, but the majority of these are sets of up to 16 photographs taken at a single sitting. In those times even 10s 6d was a substantial sum to pay to have one’s photograph taken, and included among his subjects are many of the island’s affluent and influential people, including Dean Le Breton, the father of Lillie Langtry.

He was also popular with officers of the Royal Militia Island of Jersey, for whom it was very popular to have portraits taken, as well as of their wives and children, for the more senior and more affluent officers. The pictures of these officers show clearly the fashion for long hair, whiskers and beards in the mid-1800s. Indeed, so similar is their appearance and so stylised the portraits, it is very hard to detect much difference between a large number of officers of the same rank and social standing.

Lighting is a key factor in creating a successful image. Lighting determines not only brightness and darkness, but also tone, mood, and atmosphere. Therefore, it is necessary to control and manipulate light correctly in order to get the best texture, vibrancy of colour and luminosity on your subjects.

Hard light is a concentrated, bright light that casts strong shadows and draws attention to specific areas of a photo. With hard lighting, the transition between light and shadow becomes very difficult and distinct. When a subject is exposed to strong light, its silhouette casts a sharp, harsh shadow.

Soft lighting is a type of light with few hard shadows that’s bright yet balanced. In soft lighting, the transition between the light and the shadows is more of a gradient and much smoother.

Warm lighting/cool lighting

Warm light, characterized by reds, oranges, and yellows, is often used in photography to evoke feelings of warmth, comfort, and intimacy. Just as warm colors in art and design can create a feeling of comfort and energy, warm light in photography can enhance the emotional impact of an image.

Cold light is the most common colour temperature of natural light, as it exists from about 1 hour after sunrise to about 1 hour before sunset. This colour temperature is fairly neutral.

“When I’m making a portrait, even when I’m doing my research and I have in my head and idea of what I might create, I’m thinking very carefully about building trust. Respect is very important to me. And so I hope there’s like a level of dignity in the way that they’re represented in the photographs. It’s all very much tied together.”

Alys Tomlinson is a British photographer born in 1975 (age 48 years), Brighton, and hove, United Kingdom. Alys studied English Literature and Communications at the University of Leeds. After graduating, she moved to New York for a year and was given her first commission for Time Out, before returning to London to study photography at Central Saint Martins College of Art and Design. She recently completed a part-time MA in Anthropology of Travel, Tourism and Pilgrimage (Distinction) at SOAS, University of London, which ties in with her long-term, personal project about pilgrimage.

Below are some of Alys Tomlison environmental portraits:

I chose Alys Tomlinson out of all the other artist as an inspiration because I love the way she takes photoshoots and how eye-catching each image is.

DOUBLE/ MULTI-EXPOSURE:

What is it?

Double/multi exposure photography is a technique that layers two or more different exposures on a single image, combining more photographs into one. Double/multi exposure creates a surreal feeling for your photos and the two photographs can work together to convey deep meaning or symbolism.

Examples:

Artist Inspiration- Man Ray

Man Ray (1890-1976) was a famous American photographer, who used the technique of Double/multi-exposure images to improve his photographs. His exploration of multiple exposures allowed him to create images that were layered with meaning and symbolism. Man Ray “used chance and dislocation of ordinary things from their everyday settings to surprise his viewers into a new awareness.”

Man Ray’s photographic efforts with combining the seemingly unrelated in the same composition began in earnest with his Rayographs, which he started producing in 1922. To create them, he arranged objects onto photographic paper and then exposed the composition to light, creating a series of photographs that transform the banal into meaningful and complex imagery. 

Examples of his work:

My Contact Sheet:

My first photoshoot:

For my first photoshoot, we used a really low shutter speed to create the blur effect. This gave me an idea of how I would like my photos to turn out like, although I will continue to edit and finalise these photographs.

My edited photos:

This was my first go at trying to use this technique, so I didn’t achieve the final product I would’ve liked to.

My second attempt went well and I really like the outcome. I used photoshop to create the multi-exposure effect.

The three different images represent different facial expressions and emotions, which I was hoping to achieve.

Evaluation:

Overall, I really enjoyed this project and I’m very happy with the final outcomes. These photos were really fun to make as it was really creative.

What is Rembrandt lighting?

Rembrandt lighting is a technique that uses a light and a reflector, or two separate lights. It’s a popular technique because it can create dramatic and natural-looking images. This is mainly characterized by glowing triangles under the subject’s eyes in the less illuminated area of ​​the face (the filled side).

What is Rebrandt lighting used for?

Rembrandt lighting is a technique utilizing one light and one reflector or two separate lights. It’s a popular technique because it creates images that look both dramatic yet natural. It’s predominantly characterized by a lit-up triangle underneath the subject’s eye on the less illuminated area of the face (fill side).

This is what type of set up you need to do Rembrandt lighting photoshoots.

These are the top three best Rembrandt lighting photoshoots.

BEST IMAGE:

What is Chiarascuro lighting?

Chiaroscuro is a high-contrast lighting technique that utilises a low-key lighting setup to achieve contrast between the subject and a dark background.

What is chiaroscuro lighting used for?

Chiaroscuro balances high-contrast light and shade to give the appearance of depth, creating an enhanced or more dramatic effect. Chiaroscuro creates three-dimensionality on a two-dimensional plane, darkening the background and highlighting the subject in the foreground, drawing the viewer’s focus and attention.

This is the set up you need for chiaroscuro lighting photoshoot.

These are the top 4 best chiaroscuro lighting photoshoot.

BEST IMAGE:

What is butterfly lighting?

Butterfly lighting is a portrait lighting pattern where the key light is placed above the subject’s face and aimed directly at the subject’s face. This creates a butterfly-like shadow under the nose. Also known as “Paramount Lighting” after the classic Hollywood glamor photo.

What is butterfly lighting used for?

Butterfly lighting is a type of lighting pattern for studio portraiture. It is used for taking flattering, glamorous portrait photos. The lighting is soft on the face. It forms a butterfly-shaped shadow under the subject’s nose, which is the source of the name.

This is what type of set up you will need to take a butterfly lighting photoshoot.

These are the top four best butterfly lighting photoshoots.

BEST IMAGE:

what are headshots?

headshots is a more specific portrait and used mostly in a professional manner for things such as websites, press releases, publications and social media profiles. Headshots capture emotions, personality and possibly professionalism. headshots are quite basic as it just a clean image of the subject looking into the camera.

why are headshots important/useful?

Headshots are important for most people but more specifically they are much more important for people like business owners or for even an employee or potential clients as this photo will be your very first impression which can help to get top known someone before you even meet them.

well known headshot photographers:

There are multiple well known headshot photographers around the world but there are handful that stand out above the rest this list consists of Peter Hurley, Annie Leibovitz, Lindsay Adler and Greg Gorman. these photographers made a name for themselves by creating the best headshots with well known celebrities and models. their photos gained so much attention as they were unique and with how well they were able to capture emotion and personality.

for this photo I tried to recreate the Henry Mullins headshots to also help create the diamond cameo

camera settings:

green coloured photos (5 star photos)

yellow coloured photos (4 star photos)

red coloured photos (1-3 stars)

these weren’t fit for what I wanted to use for what I wanted to use for my diamond cameo.