In this picture I rated, coloured and flagged my photos so that I could have an idea of what pictures I liked most and so that I could edit the pictures that I liked without editing the unnecessary pictures.

This was my set up. I took my all photos from the top which meant that I had to get on top of a chair and take the photo from there so that I could properly take the photo. I placed the tools in the middle of the white paper and then free handed with my camera and made sure my hands were stable enough and then took the photos when I was satisfied with the position of the tool. I took some in landscape and some in portrait because some objects were larger but some objects looked really good in landscape but better in portrait. my camera had the setting where when I took a picture the light on the left flashed. I didn’t have a continues light shining on my tools.

For this photo I wanted to enhance the shadows and colour of the tool. I kept temperature and tint the untouched, increased exposure for the photo to be brighter, clarity to increase the details in the photo, dehaze to increase the contrast in flatter areas and vibrancy to bring more intensity to colours that were ‘muted’. Then I decreased the shadows so that the shadows were more evident. I kept the highlights, contrast, whites, blacks, texture and saturation untouched because it didn’t add much to the picture and was unnecessary. This photo was taken free hand, I was standing on top of chair to give me height so that I could take a picture from the top. The photo was taken with a flash setting so when I took the photo the light on the left flashed.

For this photo I wanted to give it more of a homey feel to it so I increased the temperature to make it warmer, decreased the tint so that I could affect the mood and later enhance it increasing other parts of the photo, increased the contrast to give the picture a more lively look, decrease the highlights to recover some of the details that aren’t as apparent, increased the blacks so that I can make a better use of the tonal range of the photo, increased the texture to show more of the details in the books, increased the clarity so that the letters in the book was much clearer and lastly decreased the vibrancy so that some of the brighter tones in the picture were ‘deafened’. I kept exposure, whites shadows, dehaze and saturation untouched because I felt like it didn’t add much to the photo.

For this picture I wanted to highlight the rust in the wrench so I kept the temperature, tint, exposure and dehaze untouched because it didn’t do anything useful to my photo. To highlight the rust I increased the exposure to make the photo brighter therefore it increased the colour of the rust, decreased the contrast to soften the image, not give it such a rough tone to it, increased the highlights to highlight some of the lightest parts in the photo, decreased the shadows so that it increased light in some of parts of the photo that are quite dark, increased the whites to make the background much lighter, increased the blacks to bring out the darkness of the tool, increased the texture to show the detail of the tools and show the texture of the rust, decreased the clarity to create a more smooth tone in the picture so that is isn’t as ‘rough’, increased the vibrancy to make darker parts of the tool really come out and become present and lastly I increased the saturation so that the rust on the tool would become more visible which was what I was aiming for.

For this photo I wanted to make the red on the tool really pop out and I also wanted to make the photo warmer. I kept exposure, whites, and dehaze untouched because they didn’t do any good to the photo. To give the photo life I increased the temperature and tint to give it a warmer tone, decreased the contrast to make the photo a little muted so its not as harsh which is the opposite to warm, increased the highlights to make areas that are lacking of light become lighter therefore intensify the colour of the tool, increase the shadows so that the shadow the the tool created became more clear, decreased the blacks so that the background isn’t as dark but not too bright either, increased the texture so that the details in the photo are powerfully shown, increased the clarity so that the details in the photo reached their full potential, increased the vibrancy so that the red would really be brought out and finally I decreased the saturation so the photo didn’t have an ‘indie’ look to it.

For this photo I wanted to make it the same as the picture before this which was make the red on the tool to really pop out and I also wanted to make the photo warmer. So I I kept exposure, whites, and dehaze untouched because they didn’t do any good to the photo. To give the photo life I increased the temperature and tint to give it a warmer tone, decreased the contrast to make the photo a little muted so its not as harsh which is the opposite to warm, increased the highlights to make areas that are lacking of light become lighter therefore intensify the colour of the tool, increase the shadows so that the shadow the the tool created became more clear, decreased the blacks so that the background isn’t as dark but not too bright either, increased the texture so that the details in the photo are powerfully shown, increased the clarity so that the details in the photo reached their full potential, increased the vibrancy so that the red would really be brought out and finally I decreased the saturation so the photo didn’t have an ‘indie’ look to it.

In this photo I wanted to darken the red but give more colour to the background so, I kept the temperature, tint, exposure, blacks, dehaze and saturation untouched as I felt like it didn’t do much to the photo. I increased the contrast to sharpen the image, highlights to give some light to parts of the picture that didn’t have as much light, texture to add more dimension so the photo isn’t as flat, clarity to make the image clearer and increased the vibrancy to give the picture more life and colour. Then I decreased the shadows to lighten darker parts in photos, whites to make the photo cooler and finally decreased the saturation so that the picture to mute colours I didn’t want apparent.

For this picture I wanted to show more texture and bring more colour to the photo so, I increased the temperature to increase balance in the photo, tint to expand the colours in the photo, highlights to make parts in the photo that were bright even brighter, whites to show more of the whites in the picture, blacks to give the red a more deep colour, texture to show all the little details in the photo, clarity to clearly show the details on the tool and background, dehaze to darken the image and add more saturation to the picture and finally increased the vibrance to bring more vibrancy to the colours in the photo. Next I decreased the exposure to make the picture darker, contrast to increase the differences in the photo, shadows to make some of the unneeded shadows go away and finally I decreased the saturation so that the photo didn’t have ‘fake’ look to it.

For this photo I wanted to bring out the colour that wasn’t as noticeable in the original photo so I kept the vibrance and saturation untouched because they gave the photo an ‘indie’ look to it. I increased the tint, to give the photo more colour, highlights to bring out more light in bright areas, whites to bring out more of the whites in the photo, blacks to show the unseen colours on the tool, texture to increase the details in the photo and finally increased the dehaze to help with the haze in the photo. Then I decreased the temperature in the photo to create and imbalance in the photo that I can build by decreasing other parts in the picture, decreased contrast to make the photo more vivid, shadows to decrease the unwanted shadows in the photo and finally decreased the clarity so that the details in the photo weren’t too harsh.

For this photo I wanted to increase the texture and lighting, so I kept the vibrance in the photo untouched so that it didn’t take the details from the photo. I increased the temperature to give it a more warm colour to it, exposure to increase the lighting on the background, contrast to sharpen the photo, shadows to give the tool more shadow, whites to increase the whites in the background and make it brighter, texture to show the Fine details in the photo and finally increased clarity to enhance the details on the photo. After I decreased the tint so that the photo didn’t have uneccesaary tint on it, highlights to recover lost details, blacks to not make the photo darker, dehaze so that the haze in the photo isn’t as evident and finally I decreased the saturation to mute and fade unwanted colours in the photo.

Finally for this photo, I wanted to bring the yellow that wasn’t really show in the original, unedited photo. First of all, I increased the temperature to give the tool a more warm tone to it and to intensify the yellowish brown on the tool, exposure to expose more the colours in photo contrast to sharpen the photo, texture to show the details on the tool, clarity to bring more clarity to the background therefore lifting the colour in the photo, dehaze to darken the image a little, vibrance to bring out the colours in the photo and finally saturation to portray the photo with an ‘alive’ tone to it. Lastly I decreased the tint to improve the contrast in the photo, highlights to so that lost detail in the photo is recovered, shadows to bring out more of the shadows in the photo, whites to give a boost to the white in the background and finally I decreased the blacks so that to make the photo brighter which gave it more life.

for these photoshoots I was trying to focus on only having a couple objects in the image and trying to focus more on shadows and depth.

I really like these photos I think they work really well especially compared to Walker Evans work with the classic white background with the seemingly quite basic everyday object.

I think for these the birds eye view shot I got works the best as it would be hard to photograph then from eye level as they are flat and cant be stood up.

For these i had the shutter speed set up at 1/100 secs and the aperture was at f/6.3. For these I had two ring lights on either side for the lighting was even and I had the lights on cool toned because it felt like it worked better based on the inspiration. However I did also take some with coloured gel sheets in font of the lights which did end up looking really interesting.

I think the photos I took of the colouring pencils although don’t fit the inspiration artist Walker Evans like I was originally planning they seem more nostalgic. This is because of the bright and vivid colours were something I liked a lot as a child.

For these images I used a tri-pod to stand up the camera so I could take the photo from that point of view and so that the photos would be extremely still. I used two spot lights either side of the object to illuminate the objects. I think the two photos contrast together from the one on the left being so uniform and organised compared to the one on the right which is very chaotic and messy.

This photoshoot was a different way to interpret and represent still life and i took more inspiration from Vanitas style photos where they often tried to represent and have themes of death in their photos. I tried to recreate that why having the skull to show a quite literal idea of death but then I also used a book for more of an abstract idea of it suggesting the story of your life.

Walker Evans

What makes his style unique is that he took pictures of his selected subjects in all sorts of angles and aimed to capture his images in the moment.

He had used a shortened exposure time in most of his images which allowed him to capture movements in time, as well as making the images sharp.

Below are examples of his work:

These images come from a portfolio created by Evans called “Beauties of the Common Tool” which was a commission by Fortune Magazine, that was originally published in 1955.

Darren Harvey-Regan

Green labelled photos (4-5 stars) is what I consider the best photos of the photoshoot, these are also flagged white to show its some of best work

the reason I think these turned out to be the best is because they in my opinion look like the best recreations of Darren Harvey-Regan and Walker Evens photos to my abilities. (they turned out how I wanted them to)

red labelled photos (1-3 stars) is what I consider the worst photos of the photoshoot.

the reason i think these are rated red is because they came out with bad clarity, objects put it odd places, or people hands in the way. these photos didn’t fit the criteria that fits the Walker Evens and Daren Harvey-Regan photo technique.

camera settings and setup

for this photoshoot i used

From this shoot I have given each photo three different ratings, a flagged rating with (p) as a filled white flag and (x) and a non-filled flag with an x in it. (p) for photos I prefer, (x) for photos that aren’t my best. The second rating is a star/number rating, 1-5 stars varying in how I would rate each photo out of five. My final rating is my colour rating, red for photos that I really don’t like, yellow for sort of mid photos, green for photos that are very good but not top top rated photos and purple for my personal best photos.

I then clicked into the develop mode and played around with the colour settings.

Darren Harvey- Regan, blurring the boundaries between photography and sculpture, Exeter-born his work challenges us to scrutinise the divide between an object and its representation. His portraits of welded mismatched industrial tools appear pristine and polished, captured on a film like a collection of precious and revered objects.

Darren Harvey-Regan is a contemporary British artist and photographer known for his work that often explores themes of identity, memory, and the passage of time. He utilizes still life photography and mixed media to create evocative compositions that challenge viewers’ perceptions of reality and the ordinary. His practice often incorporates personal narratives and reflections on memory, using objects and settings to evoke emotions and provoke thought. Harvey-Regan’s work has been exhibited in various galleries and is recognized for its artistic depth and conceptual rigor.

Darren Harvey-Regan’s images often symbolize themes of identity, memory, and the transient nature of life. His use of still life and mixed media allows him to create layered narratives that invite viewers to reflect on personal and collective experiences. Objects in his compositions frequently carry symbolic meaning, representing emotions, memories, or the passage of time.

Through careful arrangement and lighting, his work explores the fragility of existence and the complexities of human perception, prompting contemplation about how we relate to the world around us. Overall, his images serve as a poignant commentary on the interplay between memory, identity, and the objects that populate our lives.

A key difference between their works would be that Walker Evans tools are simple, lighting is placed to make them just simple shapes and lines rather than abstract art whereas Darren Harvey-Reagans work differs due to his welding two different tools together leaving the mind to question what the meaning of his work is.

Walker Evans was an influential American photographer known for his documentary style and ability to capture the essence of American life. Born in 1903, he gained prominence during the Great Depression when he worked for the Farm Security Administration (FSA). His most famous work, “Let Us Now Praise Famous Men,” features striking portraits and images of impoverished families in the South, revealing the harsh realities of their lives.

Evans was known for his meticulous attention to detail and composition, often using large-format cameras to create images that conveyed both beauty and social commentary. His work extended beyond documentary photography, influencing the fields of art and visual culture. Evans’s legacy continues to resonate, as he is celebrated for his profound ability to document everyday life and the American experience through a humanistic lens.

Walker Evans’s images symbolize the complexity of American life, particularly during the Great Depression. His work captures the struggles and resilience of individuals, emphasizing themes of poverty, identity, and the human experience. Through his meticulous compositions, Evans highlights the dignity and humanity of his subjects, often portraying their environments in ways that reflect broader social and economic conditions.

His photographs serve as powerful social commentary, inviting viewers to confront the realities of hardship while also celebrating the beauty in everyday moments. The use of straightforward, unembellished imagery in his work symbolizes authenticity and truth, making his photographs not just historical documents but also poignant reflections on the human condition. Overall, Evans’s images evoke empathy and provoke thought about social issues, identity, and the passage of time in American society.

My photos:

Here I was inspired by Walker Evans, as he had taken pictures of tools and made the photos black and white.

Walker Evans was a renowned American photographer known for his black-and-white images documenting the impact of the Great Depression. As an artist, Evans disliked the formal photography like that of Alfred Stieglitz. Instead, he aimed to capture the quotidian beauty and diaristic events of daily life.

Walker Evans photos:

For my photoshoot I decided to use paint brushes as I found them in different colours and sizes. This therefore makes my photos unique and special to me. Most of the artists looked at use more common tools such as hammers and screwdrivers, so I wanted to use something unique and inadequate to really show that I am engaged in this work, and how I can make it more my photoshoot and not just copying.

My Photos:

I really like how this has turned out as there are shadows under my tools, this makes the photo look more realistic and adds a lift to the shape of the tool. This photoshoot was quite easy in the sense that I didn’t have to position the tools in a specific way since I wanted to make the shoot more personal and specific to me .I really like the background colour as it adds a warm tone. These warm colours evoke emotions ranging from feelings of warmth and comfort to feelings of anger and hostility. It makes me feel some sort of comfort and sense of relief while a cold bright tone could make me feel quite upset as they can also trigger feelings of sadness and indifference. Therefore, I really am pleased in the way my photos have turned out.

If I were to do this photoshoot again I would have liked to move the brushes around to try and experiment what they could look like in different positions. This would open up my imagination and help me create a better understanding of why these tools are so eye catching and inspiring. I feel like some of my photos look blurry almost vivid which completely ruins the theme I was going for. Personally my favourite photo would be the middle on as it has a better angle then the rest and really defines the shape and colour of the paint brush.

What is Still Life?

Still life photography is a genre of photography, which is similar to painting, it is used for the deception if inanimate objects, typically a small group of objects. Still life photography can be categorized into two categories: “Created Still Life”, in which the photographer arranges the objects around, and “Found Still Life”, where the photographer captures already made arrangements.

Still life photography is a genre that focuses on capturing inanimate objects, often arranged in aesthetically pleasing compositions. This type of photography can feature a diverse range of subjects, including natural elements like fruits and flowers, as well as everyday man-made items such as books and glassware. The photographer carefully considers aspects like composition, lighting, and texture to create visually compelling images that evoke emotion or convey a narrative. By manipulating these elements, still life photography allows for artistic expression and exploration of themes, often emphasizing the beauty and intricacies of the ordinary.

Examples:

Olivia Parker

For more than 40 years Olivia Parker has created alluring, poetic still life photographs that transform the everyday and enchant the familiar. My favourite set of photographs from Olivia Parker would be “Toys and Games, 1993-2000” Which includes simple everyday objects, but makes minds think and see them in a different way.

Olivia Parker is an American photographer known for her innovative approach to still life photography. She gained recognition for her unique style that often combines traditional still life techniques with contemporary themes, using elements like light, shadow, and color to create evocative images. Parker’s work frequently explores the relationship between objects and their environments, and she has been influential in the realm of fine art photography. Her photographs have been exhibited in galleries and featured in various publications, making her a notable figure in the field.

Timeline of Still Life photography

The English term “Still Life” originates from within the 17th century when still-life art was at the height of European popularity. Still-life has existed since the 17th century until the modern day but, in the 19th century, artists adopted photography as a new medium for still life art, to express there concepts. Today still life photography is still very popular among many photographers. These artists appreciate the challenge of aesthetically capturing the beauty of ordinary items.

Still life photography began in the 1830s with the advent of the daguerreotype, as early photographers experimented with inanimate subjects to capture their beauty. By the 1860s, artists like Julia Margaret Cameron were elevating the genre, using soft focus and dramatic lighting. The early 1900s saw pioneers like Edward Weston exploring abstract forms, while the 1920s introduced commercial applications in advertising. The mid-20th century featured influential figures like Irving Penn, whose bold compositions shaped modern aesthetics. In the 1980s, postmodernism brought new concepts and digital experimentation, leading to vibrant color photography in the 1990s. Today, still life photography continues to evolve, blending traditional techniques with contemporary themes, reflecting identity and consumerism in the modern world.

What is Vanitas

Vanitas is a genre of art which mainly uses symbolism to show the transience of life, and the certainty of death. The painting involve still life imagery of transitory items. This genre began in the 16th century and continued into the 17th but since then it has lost its popularity by a lot.

Vanitas is a genre of art and a theme in still life that reflects on the transience of life and the inevitability of death. Originating in the 16th and 17th centuries, particularly in Dutch painting, vanitas artworks often feature symbolic objects that represent mortality and the fleeting nature of earthly pleasures. Common motifs include skulls, hourglasses, wilting flowers, and decaying fruit, alongside items like books, musical instruments, and candles that symbolize knowledge, beauty, and life. The overarching message of vanitas is to remind viewers of the impermanence of life, encouraging contemplation of what truly matters beyond material possessions.

What is Memento Mori?

Memento Mori is an artistic or symbolic trope acting as a remined of the inevitable death. The concept has its roots in the philosophers of antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards.

Memento mori is a Latin phrase meaning “remember that you must die.” It serves as a reminder of human mortality and the inevitability of death. This theme has been prevalent in art, literature, and philosophy throughout history, encouraging individuals to reflect on the transient nature of life and the importance of living meaningfully.

In art, memento mori often appears in still life and portraiture, featuring symbols like skulls, hourglasses, withered flowers, and decaying objects. These elements serve as reminders of life’s impermanence and the futility of earthly pursuits. The concept invites viewers to contemplate their own mortality and prioritize what truly matters, emphasizing spiritual values over material concerns.

What kind of metaphors and symbols are used in still life and why?

1. Fruits are some of the most ubiquitous subjects in still-life paintings over the centuries. Not only does a basket of fruit offer the artist a variety of colours and textures to utilize, but it also offers a variety of religious and mythical symbols. 
2. Made famous by Dutch and Flemish artists of the sixteenth and seventeenth centuries, vanitas still-life paintings express the transience of life and the futility of materialism. This tradition also provided a justification for painting beautiful and expensive objects instead of more overtly moralizing subjects. One of the more heavy-handed symbols that appears in vanitas still life paintings is the skull, which is a striking reminder of the certainty of death. Such a symbol is called a Memento Mori, a Latin phrase meaning “Remember that you will die.”
3. In ancient times, it was believed that a person’s soul was contained in their reflection. Mirrors have been included in a variety of paintings throughout history. They can represent either truth and self-assurance or vanity and distortion—the difference depends on who is looking at their reflection. A broken mirror is universally recognized as a bad omen.

In still life photography and art, various metaphors and symbols are used to convey deeper meanings, often reflecting themes of mortality, beauty, and the passage of time. Here are some common symbols and their significance:

1. Skulls: Often used as a direct reminder of mortality (memento mori), skulls symbolize the inevitability of death and the fleeting nature of life.
2. Hourglasses: Represent the passage of time and the idea that time is limited, encouraging reflection on how one spends their life.
3. Flowers: Fresh flowers can symbolize beauty and life, while wilted or decaying flowers signify transience and the inevitability of aging and death.
4. Fruit: Ripe fruit can represent vitality and abundance, whereas overripe or rotten fruit serves as a reminder of decay and the impermanence of pleasure.
5. Candles: Often symbolize life and the soul, with their flickering flames representing the fragility of existence and the approach of death as they burn down.
6. Books: Can represent knowledge, wisdom, and the passage of time. An open book might suggest ongoing learning, while a closed book could symbolize lost knowledge or the finality of life.
7. Musical Instruments: Symbolize the beauty of life and creativity but can also represent the ephemeral nature of music and art, which exist only in the moment.
8. Glass Objects: Their transparency can symbolize fragility and the idea that life is delicate, while reflections might represent the complexity of perception and reality.
9. Clocks: Serve as a reminder of the relentless march of time, urging viewers to consider how they allocate their moments.

These symbols and metaphors enrich still life compositions, inviting viewers to explore themes of existence, beauty, and the inevitability of change, ultimately encouraging deeper contemplation of life’s meaning.

Why still life?

Still life photography gives you an opportunity to play with light, texture, materials and subjects in a controlled environment. A lot of still life is simply about experimenting just how creative you can be.  It all comes down to intent and context.When it comes to still life photography, “nothing is moving, and you’re in complete control,” according to experienced photographer and teacher Ben Long. He continues, “It’s a fantastic challenge for your compositional skills because it’s entirely about form and a pleasing arrangement of forms within the frame. The image needs to be well balanced and have an interesting geometric play. Everything that you’re doing in the frame is guiding the viewer’s eye.”

Taking still life images allows photographers to explore creative expression through careful composition, lighting, and arrangement of objects, providing a controlled environment to experiment with artistic ideas. This genre enables the conveyance of narratives and themes, such as beauty, mortality, and the passage of time, while highlighting the textures and details of everyday items often overlooked. Additionally, still life photography serves as a valuable practice for honing technical skills and can have commercial applications in product photography. Ultimately, capturing still life can be both an aesthetic pursuit and a means to provoke deeper contemplation, making it a rich and rewarding area of photography.

Walker Evans

“Beauties of the Common Tool” was originally published in 1955 by Walker Evans with several photographs of individual tools.

The tool is clearly made of metal which reflects light and creates a clean, elevated appearance which demands respect. Depth is clearly shown with the tools harsh shadows that the lighting provides giving the tool a more complex appearance.

This photograph shows a utility tool raised in front of a plain background. This is a birds eye view with an overhead light and raised so that the shadow is kept to a minimum. This ensures that the tool is shown like you would see it and is clearly in focus showing that the subject is deserving of attention and easily draws the eye.

The photographer made sure that there were no distractions in the photograph by using having a plain colourless background framing the object. This ensures that focus is purely on the tool and forces the viewer to see the subject in an isolated environment and appreciate it in a way they wouldn’t have before.

Response

For this photoshoot I arranged tools in front of a lightbox for a bright white background, this made sure the objects were well lit. The second part used two sheets of card with only the pre-existing natural light. This meant that the images were much darker. To adjust the camera settings was difficult and required the ISO to be largely increased as well as the shutter speed and white balance changed. As a result lots of the photographs looked blue or dark because I had to trying out each option. Only the final 6 were bright and the correct white balance.

To narrow down the selection of photos I compared a few images at a time and selected the better one either with stars of colours. I managed to narrow the images down to 3 photographs highlighted with yellow.

Final Image

Darren Harvey-Regan

“Beauties of the Common Tool” was created in 2013 by Darren Harvey-Regan inspired by Walker Evans photographs of the same name.

This photograph combines two work tools through editing. They would have been two separate photographs that were joined together down the centre for a a clear line of separation.

I believe that this line was vertical because it purposefully shows both the head and handle of both the tools. This is significant because had the split been horizontal, one of the tools would have been beheaded. This would look more like the photographer was picking and choosing his favourite parts of the tools rather than appreciating both tools for their usefulness. A tool is useful as a whole rather than dismembered parts

Similar to Walker Evans, this photograph is to celebrate and appreciate house tools for what they are. The tools are infront of a plain background as to not draw attention however this time the background is much lighter. I believe this is because the photograph isn’t supposed to be as dramatic, it is brighter and more celebratory. Both the tools have different functions and different appearances but by stitching them together, this shows that they are equal. The tools are significantly darker also which contrasts with the background making them stand out more.

For this image I set the ISO to 100 since the lightbox was really bright and didn’t need any higher. Since it was so bright I also used a low aperture so that only a small amount of the light was allowed into the camera. This meant that the tool would actually be visible. I used 1/13sec shutter speed which was higher than the others to balance out the light slightly and the camera was zoomed to 41mm so that the whole tool was in frame.

Response

For this photograph I used the two Walker Evans photographs in black and white with a frame. Using photoshop I halved the plyers and layered the cropped image on top of the scissors. I tried to line up the round middle for both and arranged the handles on the same half. I think this image works best in black and white.

Biography :

Walker Evans, was an American photographer and photo journalist best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. He said that his goal as a photographer was to make pictures that are “literate, authoritative, transcendent”. Evans took up photography in 1928, around the time he was living in new York. His influences included Eugene catgut and .August Sandler. In 1930, he published three photographs in the poetry book The Bridge by Hart Crane. In 1931, he made a photo series of Victorian houses in the Boston vicinity sponsored by Lincoln Kirstein.

Walker Evans Photography :

Image analysis :

Walker Evans photography have a narrow depth of field to keep the man in focus. The pictures are in black and white which gives the pictures a dramatic and ominous feel to them.

Darren Harvey-Regan

Darren Harvey-Regan is a graduate of the Royal College of Art. His work has been in Exhibitions and Publications all over the world. His work focuses on photography but has an emphasis on the mediums relationship to language and to sculpture.

Image Analysis :

Darren Harvey-Regan’s photos are very bold and powerful and this picture in particular has a very strong contrast between the block and the shadow. This makes the object used stand out and look more powerful. The use of shape and line in this image makes the object appear more interesting to look at and gives the object a different composition.

How did Walker Evans’ work inspire Darren Harvey-Reagan?

Harvey-Regan first constructed a montage of Evans’s images to make new forms. He then sourced matching tools, cut them in half and re-joined various halves together, with the resulting physical objects being photographed to create his final work.

Comparrison :

Darren Harvey – Reagan :

Walker Evans :

with both walker Evans and Darren Harvey-Reagan you can clearly see that Darren was inspired by walker when getting into still life photography, walkers work is very much real life situations turned into still moments whereas Darren has used objects and slightly altered walkers way of work and created it his own by using non alive objects and different layouts within that category of work.