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evaluation

for photography at the start of the course I wasn’t here join a bit late however I believe I caught up, I have learned about how shutter speed works and how it make a difference between a good photo and a bad photo, I have also learn about aperture and how it effects how much light is let into the camera. I have also learned how to edit on Lightroom classic and photoshop which I have never used before. I have also learned physical photography by learning how to frame pictures and put them on foam board. over all I believe that I have gotten better at photography but I can improve.

This image has an empty alt attribute; its file name is image-44-1024x386.png

I made a separate blog post about the picture above this but I edited a photo of a photo gallery and put some of my photos in it.

Introduction To Landscapes

When talking about landscape it is typically talked about as an image wider than it is tall that is shot horizontal, they tend to contain aspects of nature and natural land.

There are three typical types of landscape photography mountain, flat and costal landscape, it commonly involves daylight photography.

Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on man-made features or disturbances of landscapes.

The earliest known evidence of a landscape photograph was taken between the years of 1826 and 1827. It was an urban landscape photo taken by a French inventor by the name of Nicephore Niepce.

Formalism

Formalism specifies the critical position that the most main aspect of a art object is its form – the way it is fashioned and its purely ocular aspects – alternatively its narrative content or its friendship to the visible  experience.

The visual language shown on a fine arts work implies a pictorial ideas media in telling a lie or a particular event.

formalist photography | Art Blart

Studio Lighting

Continuous Lighting

Continuous lighting is lighting that’s always on. Its used mostly in cinematography and videography, photographers also use it to determine how the shot will come out.

Best Continuous Lighting Kits for Photography – ARTnews.com

Flash Lighting

Flash lighting is where the lights flash (1/200 to 1/1000 of a second) when the photographer takes a photo. You can use a flash to get rid of shadows from your photo. You can also use flash and a slow shutter speed when photographing a moving subject.

Flash Photography Tips: How to Get Better Light with Flashes - 42West

Key Light is the primary source of light in a scene. The Key light is most often placed in front of your subject, at an angle, and thus illuminates one section of your subject.

Portrait Lighting: Should You Face The Key Light Or Face Away? - Digital  Photo
Key light would be the lightest part of the image

Reflected light is light that reflects off the subject. Regardless of the light source, light is altered by whatever it reflects off.

Reflected light and how it impacts your photos. | by SmugMug ...

Backlight photography emphasizes the depth behind the subject and gives images a greater sense of place. Backlighting can produce a dramatic contrast between the subject and the background.

The power and simplicity of backlighting - Photofocus

the light in this photo is coming from behind the subject giving the illusion of the subject being a silhouette.

Photo montage

As well as with digital photo montages, the ones done in Photoshop, I have also had a go at experimenting with different forms of montages done by sticking some images together , cutting some up, gluing, and taping different parts of images together and combining things manually , in real life.

With the above image , after printing 2 different images I have measured and drawn horizontal lines with a pencil and a ruler on one of the images. These lines were uneven as I made one bigger then the other and then when they would reach a certain point I would make them go smaller, this pattern repeated until I’ve reached the end of the image. Aliening the strips again i have glued each other strip onto another image, leaving gaps in where every 2nd strip would be.

With an image that was already montaged with another one in Photoshop,by slitting one in half and having a split between 2 different photographs. I have cut out the above image using a utility knife, the darkest, inside areas that the canvas rolls created. Then I layered them over the other half of the image and cut around them, then when I had 2 identical shapes I have switched them around so that it looked like the paint on the right was in thee canvas rolls.

With the last image I have got 2 separate ones and not touching one , as the bottom photograph was sort of as a background. Using different tapes and glue I simply ripped parts of an image and stuck it onto the other. Since both images were matching tones and quite messy, I decided to make the final image chaotic, therefore that’s why I went for an unprepared form of montage like ripping the image and using tape.

mounting and framing final images

I mounted my first edit on a piece of foam board, cutting it out to perfectly fit the photo. After I decided to mount it again, elevating it on another piece of foam board that also created a white trim around it. I attached the photo onto the foam board by using spray on glue and the foam board onto another foam board by using double sided tape.
For this edit, I decided to mount it on a single piece of foam board, cutting it out perfectly around the photo to keep the mount looking simple. I used spray on glue to attach my edit to the foam board.
For this edit, I measured both the card and photo, so that I could perfectly cut out a space for the edit to fit into. I then used tape to attach the photo to the frame. When cutting, i always made sure to be on the left so that a thin, white trim appeared around the photo.
For this edit, I decided to keep it simple once again and mount it on a single piece of foam board, cutting it out perfectly around the photo. I used spray on glue to attach my edit to the foam board.
Lastly, a attached my photo onto a foam board, cutting it out perfectly. I used spray on glue to put my photo on the foam board. I then created a black trim by using double sided tape to attach it to a piece of black card and then cut it to create an equal border.

Lighting techniques

There are various lighting techniques in photography that can enhance or stand out from your images. These techniques can be used in a variety of other ways in addition to highlighting specific areas of your photo to give the final product more impact.

Flat Light

When you place your light source in front of your subject, you create flat light, which evenly lights your subject and eliminates any shadows. This isn’t a technique that is highly sought after because it’s crucial to show shadows in order to give your subject life, but it works well for hiding textures and other image flaws.

Broad light

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With broad light, the face of your subject is at an angle with the most well-lit side of the face is closest to the camera and the shadow on the back side of the face. This type of light can make a face look fuller so it’s ideal for those with very narrow faces.

Short light

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The face is at an angle and the shadow falls on the side of the face closest to the camera in short light, which is the opposite of broad light. A thinner face responds well to this kind of light.

Split light

Another type of side lighting is split lighting, which can be identified in an image by half of the subject being lit and the other half being in the shadows. You can see the shadow line running directly down the middle of a face’s forehead, nose, and chin.

Backlight

See the source image

Backlight is the light coming from behind your subject. Photos taken during the golden hour, when the sun is low in the horizon and just beginning to set, frequently display this. This can be accomplished by purposefully using a background light or by utilizing natural lighting.