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romanticism and sublime

Romanticism is a movement in the arts and literature that originated in the late 18th century and ended in the late 19th century, emphasizing inspiration, subjectivity, and the primacy of the individual.

The Industrial Revolution also influenced Romanticism, which was about escaping from modern realities. Romanticism was a revolt against the aristocratic social and political norms of the Age of Enlightenment and also a reaction against the scientific rationalization of nature.

Romanticism | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline  of Art History
Evening: Landscape with an Aqueduct 1818
Inundated Ruins of a Monastery, Karl Blechen (German, Cottbus 1798–1840 Berlin), Pen and black ink, watercolor washes, sgrafitto
 Inundated Ruins of a Monastery
 Karl Blechen (German, Cottbus 1798–1840 Berlin)
 ca. 1824

John Constable was an English artist born on June 11, 1776. Constable contributed to the Romantic movement and died on March 31, 1837.

Constable was one of the first artists of the Romantic movement to create landscape paintings drawn directly from nature rather than the idealised and dramatic depictions favored by other artists of the period and in taking this stance he pioneered Naturalism in Britain.

John Constable, The Artists
Seascape Study With Rain Cloud 1827
Stonehenge, John Constable
Stonehenge 1835

5 most focused elements in romanticism

Interest in the common man and childhood.

Strong senses, emotions, and feelings.

Awe of nature.

Celebration of the individual

Importance of imagination.

THE SUBLIME

What is it?

The sublime of art was originally defined as an artistic effect productive of the strongest emotion the mind is capable of feeling. meaning how there is a ‘greatness beyond all possibility of calculation.’

in romanticism, the sublime is a meeting of emotions and the natural world. we allow our emotions to overwhelm and take over our rationality by looking at art.

John Martin
The Great Day Of His Wrath (1851–3)

Edmund Burke

Image result for edmund burke art

The theory of sublime art was put forward by Edmund Burke in A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful published in 1757. He defined the sublime as an artistic effect productive of the strongest emotion the mind is capable of feeling. He wrote ‘whatever is in any sort terrible or is conversant about terrible objects or operates in a manner analogous to terror, is a source of the sublime’.

Caspar David Friedrich, Woman Before Rising Sun, ca. 1818, oil on canvas. WIKIMEDIA COMMONS
Caspar David FriedrichWoman Before Rising Sun, ca. 1818, oil on canvas.

sublime photography

The Sublime Landscape | Photo Contest Deadlines
Tom Peck: Photography and the Sublime

photo gallery

This is my photo gallery of photoshop and Lightroom edits.

I mainly used layering techniques on photoshop to created different images. On the right hand side (the image with the shoes) i used four photos from the same angle and position however with different lighting and cropped different parts of the photos and aligned them up in the original background photo, creating an illusion of the shoes being different colours,

In conclusion, I believe I have done well in this still life project as I have never previously done photography. I have broadened my knowledge on photography and now have a greater understanding about cameras. During this project I have also learned how to use Adobe Light Room Classic and Adobe Photoshop which I enjoyed, as I am now able to edit the photos i have taken to make them more interesting and create more of a meaning behind them.

However, I believe if I could do better and this will be achieved as I get further into the course and improve my skills. For the next project I will be taking more photos leading to a wider selection that I can choose from for editing and my final images.

single object edits

in this photo I used vignette to create a shadow in each corner, highlighting the centre of the image therefore drawing your attention to the objects in the photo.
in this image i used photoshop to blend two photos together.
For this image i placed two images next to each other and blended on of them into the background to make it look like one image

photo collage

in this photo I captured an image of books and ripped the boarder off, them I printed a photo of mannequins out that I captured in the art department and used a Stanley knife to cut out of the objects
I then stuck the image of the books and the mannequins together and stuck the singular mannequin that I cut out further away creating layers within the collage

I then added texture for the collage by using red tape to create a red boarder the the second image. I also used a red marker pen to draw around where I cut out the image of the mannequin to add a sense or shadowing.

in this collage I printed two of the same photos off, however, one was in black and white and one was in colour and cut them all in equal slices and stuck them on black card.
I did the same thing in this collage however, aligned the two coloured photos up on different sides and sewed the coloured image together to make it look like it is being held together by the stithing.

Photomontage (history and examples)

Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. 

It was first used as a technique by the dadaists in 1915 in their protests against the First World War. It was later adopted by the surrealists who exploited the possibilities photomontage offered by using free association to bring together widely disparate images, to reflect the workings of the unconscious mind.

Photomontage - Modern Art Terms and Concepts | TheArtStory
What Is Photomontage - The Definition and History | Widewalls
Amazing Surreal Photomontages Created Without the Use of Photoshop |  PetaPixel
Photomontage: A Collection - MAT 200A 2011
  1. photomontage is a collage constructed from photographs.
Raoul Hausmann
The Art Critic (1919–20)
Tate
  1. Historically, the technique has been used to make political statements and gained popularity in the early 20th century (World War 1-World War 2)
  2. Artists such as Raoul Haussman , Hannah Hoch, John Heartfield employed cut-n-paste techniques as a form of propaganda…as did Soviet artists like Aleksander Rodchenko and El Lissitsk
Hannah Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer  Belly Cultural Epoch of Germany – Smarthistory
Hannah Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany, 1919–1920, collage, mixed media, (Nationalgalerie, Staatliche Museen, Berlin)
  1. Photomontage has its roots in Dadaism…which is closely related to Surrrealism
John Heartfield – The Photomontage Magician | Spanishsky.dk
John Heartfield – a pair of scissors and paper in hand
John Heartfield is born in Berlin, Germany 19 June 1891 as Helmut Franz Josef Herzfeld. In 1916, he changes his name to John Heartfield in protest against the anti-British sentiment in Germany, expressed, for example, in the manner of which people greeted each other: ” – God punish England – May he punish it”.

Mary Ellen-Bartley inspired experiments

Focus On: Mary Ellen Bartley - Photograph

Mary Ellen-Bartley is a photographer who mainly focuses on taking photos of books. Just as the covid-19 pandemic hit she was in italy at the time taking photos at the Giorgio Morandi studio and library, where she has to quickly leave and get the next flight back to her home in new york.

it was during her quarantine where she decided to chose 7 house hold items to photograph for every day of April. an example of one of the days she photographed is just above.

every day she would re-arrange each object, some days would be more subtle tan others however, each day was different. as you tell from the photo above and below.

new objectivity in photography homework

Albert Renger-Patzsch

Albert Renger-Patzsch: The Perspective of Things - Announcements - e-flux
Albert Renger-Patzsch | Sammlung von 3 Photographien (1940 - 1950) |  MutualArt
Albert Renger-Patzsch | flyeschool.com

What were the goals of New Objectivity in photography?The New Objectivity (Neue Sachlichkeit) emerged as a style in Germany in the 1920s as a challenge to Expressionism. As its name suggests, it offered a return to unsentimental reality and a focus on the objective world, as opposed to the more abstract, romantic, or idealistic tendencies of Expressionism.

The new objectivity is a very minimalistic choice of photography which includes a lot of lines and repetition of shapes. It is mainly in black an white which adds depth.

Karl Blossfeldt

Karl Blossfeldt | MoMA
Karl Blossfeldt | German photographer | Britannica
Nature As An Artist's Resource: The Photographs of Karl Blossfeldt |  Design: A Beginner's Handbook

my photos