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Mary Ellen-Bartley

Search Images - Patrick McMullan

Mary Ellen Bartley is known for her photographs looking at the tactile and formal qualities of the printed book, she photographs stacked paperback books that are minimal minimal and can be used as sculptures. 

inspired by her unique aesthetic I decided to try and recreate our own version inspired her style:

PHOTO MONTAGE – experiments

Physical:

Here are some images I printed out and used techniques such as cutting, ripping, taping, gluing etc to piece them together into a montage.

Using Photoshop:

The images below show some images I compiled and layered next to/on-top of each other:

This image has an empty alt attribute; its file name is image-188.png

Then I played around with the OPACITY on Photoshop to layer the images i a different way which gave them a more artistic and abstract feel to the photos:

This image also shows me snipping and pasting parts of different images together.

new objectivity – single object edits

Artists references

Walker Evans

Walker Evans

Walker Evans was an American photographer and photojournalist well known for documenting the effects of the Great Depression however he also published a collection of images of different tools – usually displaying only one tool per image he wanted the tools to be the focal point ensuring the viewers full attention was on the detail and sometimes simplicity of the tools.

Walker Evans, Beauties of the Common Tool | FOTOFORM
“Beauties of the Common Tool” – 1955 

Darren Harvey-Regan

Darren Harvey-Regan is known for his images of sculptures, by creating mostly monochrome pieces he allows the shadow and light to be the contrasting features and ‘The Erratics’ has been described as a ‘thoughtful photographic interpretation of a geological phenomenon’ due to its literal meaning of the name as an erratic is a rock that has been carried hundreds of thousands of kilometers on glacial ice therefore draws upon this idea that it is both literal and abstract.

new objectivity

The New Objectivity movement began in Germany and arose during the 1920’s as a reaction against expressionism and was used to characterise German paintings and architecture whilst also producing exciting and innovative results in photography.

The movement was versatile allowing photographers to take different approaches, Albert Renger-Patzsch, focused more upon capturing the simplicity and beauty of objects. Whereas, August Sander, focused more upon portraying the people of Germany to show the truth about German society.