For my first photoshoot on landscape I visited different locations in Jersey such as Greve de Lecq, Plemount, and St Catherine’s, as well as some locations off island. I focused my images on the theme of ‘The Sublime’ capturing rocks, seas, coastlines etc. I tried to change my aperture and exposure to create different looks in the images, drawing viewers in.

contact sheet:

comparisons:

Ansel’s images:

My images:

I like how my two image link with the triangle shape in the centre of the image, but contrast as one is a cut out in the rock and the other is pure rock. They also contrast as the background in the image on the left is very dark with the light seeping through into the cave, however on the right the background is mainly lighter with the centre darker. I also like how they both include water falling off the rocks.

Ansel’s image:

My images:

Overall I think that my images represent Ansel’s with a more modern twist, I think that because my images are black and white it makes them feel more detailed with different tones and depth. I like how my images turned out as they draw viewers in with their intriguing landscapes. I think that in both images the blade at the top on the image is where viewers eyes would first be drawn to. In the image on the left I think that the clouds then create a path for our eyes to flow down into the main part of the image and onto the land. I think that because of this it makes the image easy to analyse and focus on. I also like how there is two different tones in the sea showing the water and the sand almost making it look as if it is being protected as because we are an island we are quite venerable. In the image on the right I think that the different paths and patterns on the land give something for the viewers eyes to be engaged into. Because the image is in black and white it give the land more prominent detail making the image very busy. I like how the image has texture within it as it make for a more interesting image. I also like the contrast that it holds between the light fluffy clouds and the sharp edged crater as well as the rocky cliffs.

New Topographics is photographing a man-altered landscape that contrasts modern development with natural landscapes. This type of photography gives an insight as to how man-made developments were taking over nature. Unlike Ansel Adams, it shows the truth behind this issue and shows it how it is.

Robert Adams

Robert Adams was known for using the style of New Topographics in the 1970s, after releasing his book The New West and his participation in the exhibition New Topographics. He mainly photographs in California, Colorado and Oregon, where he captured his vision that was created by his joy for natures beauty. However he noticed this was exploited by the urban and industrial growth that had ruined it, and he managed to capture this in a simple yet effective way.

What was the new topographics a reaction to?

It was a reaction to the natural landscape being eroded by industrial development. The photographers at the time wanted to raise awareness and rebel against this development. This caused the idea of new topographics photography to come about, and photographs were taken that are now well known and honoured.

An example of a photographer who did this is

Stephan Shore

Analysis

New Topographics photography refers to a genre of landscape photography that emerged in the 1970s, primarily in the United States. Characterized by a departure from traditional scenic representations, New Topographics photographers focused on the man-altered landscape and the impact of human development on the environment. In contrast to the romanticized and idealized depictions of nature, New Topographics photographers presented a more objective and often critical view of the suburban and industrial landscapes. The term “New Topographics” was coined from a landmark exhibition held in 1975 at the International Museum of Photography in Rochester, New York, titled “New Topographics: Photographs of a Man-Altered Landscape.”New Topographics photography played a crucial role in reshaping the discourse around landscape photography, influencing subsequent generations of photographers and contributing to a broader conversation about the impact of human activities on the natural environment. It was coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape.

Robert Adams

Robert Adams is crucial to the New Topographics movement and the field of landscape photography due to his influential work that epitomizes the movement’s ethos. His photographs, often taken in the American West, capture the evolving human-altered landscape with a stark and contemplative style. Adams’ images are characterized by a quiet and understated aesthetic that invites viewers to reflect on the profound changes brought about by urbanization and suburban expansion. His compositions often feature mundane scenes like housing developments, roads, and parking lots, yet through his lens, they become poignant reflections of the human impact on the environment. One of Adams’ notable contributions is his ability to merge artistic expression with a critical examination of societal issues. His work goes beyond mere documentation, offering a thoughtful commentary on the consequences of unchecked development and the loss of natural landscapes. Through his photographs, Adams prompts viewers to confront the complex relationship between humanity and the environment.

The pictures below are created by Adams.

Robert Adams bibliography

Robert Adams  is an American photographer who has focused on the changing landscape of the American West. His work first came famous in the mid-1970s through his book The New West. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.

The picture above shows a minimalistic house with the focal point of a figure of a woman standing in the window while surrounded with rectangular shapes around such as window frames and doors. The monochrome look of this images gives it a solemn and isolated feel. Due to the age of the picture it is likely that the woman in the picture is a housewife who is unchaperoned.

What is it?

New Topographics: Photographs of a Man-Altered Landscape was a ground-breaking exhibition of contemporary landscape photography held at the George Eastman House’s International Museum of Photography from October 1975 to February 1976. . A turning point in the history of photography, the 1975 exhibition New Topographics signaled a radical shift away from traditional depictions of landscape.

What was the new topographic a reaction to?

An exhibition at the International Museum of Photography in Rochester, New York featuring these photographers also revealed the growing unease about how the natural landscape was being eroded by industrial development. Examples of these are buildings, houses, roads and urban areas.

Robert Adams

This image is from Robert Adams of a woman inside her house in the suburbs. The use of the rectangles/frames around the woman creates a vocal point of the woman. The dark grey and black tones give a lonely and sad feeling to the image. It creates an image of a house wife at home on her own, in America. The frames around the woman, creates a zoom in effect. This means the focal point is the woman, the photographer has done this by using the rule of thirds.

Series of his Images

New topographics was a term coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape

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New topographics was a turning point in the history of photography, the 1975 exhibition New Topographics signaled a radical shift away from traditional depictions of landscape.

What was the new topographics a reaction to

The stark, beautifully printed images of the mundane but oddly fascinating topography was both a reflection of the increasingly suburbanised world around them, and a reaction to the tyranny of idealised landscape photography that elevated the natural and the elemental.

Post War America struggled with:

-inflation and labour rest. The country’s main economic concern in the immediate post-war years was inflation.

-The baby boom and suburbia. Making up for lost time, millions of returning veterans soon married and started families

-isolation and splitting of the family unit, pharmaceuticals and mental health problems

-Vast distances, road networks and mobility

What was the new topographics inspired by?

Many of the photographers associated with new topographics including Robert Adams, Lewis Baltz, Nicholas Nixon and Bernd and Hiller Becher, were inspired by the man-made, selecting subject matter that was matter-of-fact. Parking lots, suburban housing and warehouses were all depicted with a beautiful stark austerity, almost in the way early photographers documented the natural landscape.

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Firstly topographic refers to a man-altered landscape image, and was introduced around 1975, as a way of connecting the view of nature and human, rather than disconnecting nature and human, which is what the famous Ansel Adams done with his landscape images. Rather putting in most of the appreciation to landscape or human design, it a balance of both, in a setting in which it works, one good example is Robert Adams:

It includes all the visual elements of what a good image needs as well as the concept of landscape and human industrialism. Its setting is very important and pretty cool really, like the hill and a single tree in the middle of the image creating an effect of slight connection, acknowledging the isolation of the tree but how it is still apart of the suburb in this image. They also use a good range of shapes and lines in their imagery, for example the obvious building which looks rectangular with lines running along it shows that this is a possibly wealthy area.

There can be many view of the New Topography. others could perceive these images as helping to the environment, as a way of showing people the impact of humans on nature.

images like this represent topographic better because it shows the structured placing of houses, with a small mountain in the background. This image was aimed towards the American West.

New topographies isn’t just Land and Human built stuff, it includes the traces of what humans have left behind or still slightly using. This picture shows a street with what looks to be some local shops, it seems pretty deserted especially when you consider other areas like New York. It lacks population and care. Although this image is created well, it is to show people what other people carelessly leave behind, or put minimum effort towards.

The New Topographics

New topographics was a term coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic.

Many of these photographers gained inspiration from parking lots, suburban housing and warehouses. In 1975, the end of the Vietnam war, America had a huge economic inflation problem leading to soldiers returning home to America and there was not anywhere for them to live, resulting in suburban housing being built. Photographers like  Robert Adams, Lewis Baltz, Nicholas Nixon and Bernd and Hiller Becher, took inspiration from the man-made houses in front of the rural mountains.

An exhibition at the International Museum of Photography in Rochester, New York featuring these photographers also revealed the growing unease about how the natural landscape was being eroded by industrial development. Later on the exhibition became a movement, to show the damage and the negative impacts the human species was creating on the world. The new topographics were to have a decisive influence on later photographers.

In the photo above, I separated the image into three. in the bottom third you can see the urban, modified land with tons of houses. and in the middle third you can see some of the original untouched landscape which shows how these houses were not always there. Furthermore, in the top third, shows some moody clouds which set the tone and emotion behind the photo.