John Constable: The Haywain

IMG_1560D John Constable. 1776-1837. The Hay Wain. 1821. L… | Flickr

Here you can see a photo painted in 1821 by John Constable, it depicts the rural scene of what appears to be a farmland. It is known as England’s most Famous Image and the Most Popular.

It also plays a part in Romanticism as this was painted during the Industrial Revolution. Meaning what is shown in this painting is slowly being shunned out by factories and buildings. Which is the point of Romanticism, to treasure the times pre Industrial Revolution and to battle it.

In the photo, we can see two people by the wagon, I assume the one wearing white is an adult and the other is a child. They are on a wagon being pulled by horses, next to them there is a cottage-like house and the other side, an empty field. We can also see what looks like a sheep dog, commonly used in farms. Which, given all of these details, it is indicated this is a farmland.

You can see no things like factories or machinery, no roads or cars and no cities. It all feels normal, it looks more like how the world should look and normal. Because of this, it feels peaceful and calm.

Ansel Adams

Who is Ansel Adams:

Ansel Adams was an American photographer and environmentalist. He was also considered by some to be one of the most influential photographers of the American West.

Ansel Adams Gallery: Discover the Life, Legend Behind the Lens - Discover  Yosemite National Park

He was best known for his black and white landscape photos of the west and he also founded Group f/64 which was a famous group advocating “Pure Photography”. He was considered to be a “Pure Photographer” as his photos were very sharp and very detailed.

Some of the photos he made:

Iconic Ansel Adams image sells for nearly $1M at Sotheby's auction, total  sales of $6.4M: Digital Photography Review
A Day to Remember in the Ansel Adams Wilderness
Ansel Adams Photography - Holden Luntz Gallery

As you can see, his photos featured lots of detail in the scenery, nicely presented in a black and white finish, it captures the beauty of nature and life, which was one of the things he wanted to teach people. That nature and mankind can live together in harmony.

Beginning:

Ansel Adams was born in 1902 in San Francisco. When he was twelve years old, he got his hands on his first camera from a trip to Yosemite National Park. Since then, he has pursued his passion for photography and has come across many achievements such as being contracted with the United States Department of the Interior to take photos of national parks, being awarded the Presidential Medal of Freedom, co-founding the magazine called Aperture and co-founding the Centre for Creative Photography at the Arizona University.

“The Face of Half Dome”:

Ansel Easton Adams | Monolith, the Face of Half Dome, Yosemite National  Park, California | The Metropolitan Museum of Art

“The Face of Half Dome” is one of Ansel’s most popular images, took in 1927 in California. It is in fact the first photo Ansel took that was influenced by his own vision. It is also the first photograph to feature the, yet to be named, Zone System. He took this photo with his Korona view camera, he also had different coloured filters and lenses and twelve panchromatic glass plates. When he first arrived to the dome, the time of day didn’t give the right light so he proceeded to wait for two hours for when the lighting would be just right.

However, by the time it was right, he only had two glass plates remaining, so he had to make sure he made the most of it and capture the absolute best shot he could get with the little he had left. The first attempt, he used a yellow filter and took the shot;

ARCHIVE - academic.evergreen.edu - /curricular/summerwork/images/Adams,  Ansel/

Ansel didn’t think it fitted his vision and ideas, he felt the contrast didn’t create a dramatic enough feeling, the sky was too bright and didn’t create enough sharpness or detail because of it.

Ansel realised that photographic emulsions are less sensitive to red light, so he decided to use a dark red filter to darken the background, he loaded it in and took his last shot;

Ansel Easton Adams | Monolith, the Face of Half Dome, Yosemite National  Park, California | The Metropolitan Museum of Art

This was the final photo taken, the red filter made the sky black and because of the darkness of the sky now, it created significantly more contrast between the black sky and the white snow. The red filter even made it so more tiny details in the rock formation could be seen too. Adams was very satisfied with this photo and he decided to publish it and name it “Monolith, the Face of Half Dome”. It was the first time Ansel could control the viewers experience of his photos. And this later refined and set the foundation for his future work later to come.

The Zone System:

As mentioned earlier, the Zone System is what Ansel would come to discover while making his work. The Zone System is a tool used to determine the exposure and light levels in Photography:

How to Meter Using the Zone System — Alan Brock Images

It was a tool used a lot by other Photographers who wanted to get more defining and dramatic photographs for their work. Each checkpoint in the system was named and described:

How to Use the Zone System by Ansel Adams : Kim Hildebrand Photography

Adams quoted: ‘Not an invention of mine; it is a codification of the principles of sensitometry. Worked out at the art centre in Los Angeles’ This system and quote was made in 1939.

exposure bracketing

Exposure bracketing is a technique where, instead of taking a single photo, you take multiple that are all exposed slightly differently; normally one is correctly exposed, one slightly underexposed, and one slightly overexposed.

window blinds shot with five different exposures

We went round the school testing exposure bracketing by using the different settings on the camera. We created light and dark images by changing the exposure with the numbers on the ‘M’ setting. Changing the numbers lower e.g -2 to create a darker image and higher e.g +2 it would make the image over exposed and much lighter.

Ansel Adams

Ansel Adams

American landscape photographer and environmentalist Ansel Adams is best renowned for his black-and-white photographs of the American West. In order to ensure that all tonal values are represented in the photos, he co-founded Group f/64, a group of photographers who promoted “pure” photography. This style stressed tight focus and the utilization of the entire tonal range of a shot. Ansel Adams fought for environmental preservation, the establishment of national parks, and the preservation of the power of nature and its beautiful settings via the creation of a lasting legacy.

“Clearing Winter Storm, Yosemite National Park,” by Ansel Adams, about 1937.
Clearing Winter Storm, Yosemite National Park, Ansel Adams, 1937
You probably remember Ansel Adams from dorm-room calendars. But there's  much more - The Boston Globe
Moon and Half Dome, Yosemite National Park, Ansel Adams, 1960 

Group F/64

The group f/64 was formed in 1932. They were a loose association of California photographers who promoted a style of sharply detailed purist photography. The original group members were; Ansel Adams, Imogen Cunningham, Edward Weston, Willard Van Dyke, John Paul Edwards, Brett Weston, Conseulo Kanaga, Alma Lavenson, Sonya Noskowiak and Preston Holder. The name of this group was taken from the smallest setting of large-format camera diaphragm aperture that gives a good resolution of depth of field. Even though the members of the group had a wide range of subject matter in their work, they were all similar in the way that they all used the camera to photograph life as it is.

Group f.64 | American photography group | Britannica

The Zone System

This zone system was created by Ansel Adams and Fred Archer. They developed this zone system to help photographers control their black and white images. It was also designed to provide structure for determining exposure, which ensured that the photographer could create a properly exposed image each time they took a photo. It was made to put the 11 zones into order of gradient. Each zone represents all of the different tones you would see in a black and white photo.

How to Use the Zone System by Ansel Adams : Kim Hildebrand Photography

Rural landscape photography and romanticism

Mind map

Photoshoot Plan

What– A photoshoot inspired by Ansel Adams and the sublime.

How – (equipment) camera, tripod.

Where– Pride rock and sunset concerts in St Ouen, these are both places with dramatic places that look down on a beautiful landscape.

When– 3-4 o clock so I can capture the sun setting

Why– I am doing this photoshoot because it links to the sublime and what we are studying at the moment.

Photoshoot:

Edits on Lightroom

John Constable

John Constable's English landscapes - Domus
The Sailsbury Cathedral
V&A · John Constable
The Wreck
John Constable
Wivenhoe Park
High Quality Reproductions Of John Constable paintings
The Hay Wain

John Constable, one of the most famous romanticist painters of the 18th century was born on June 11th 1776 in Suffolk. He was the son of a wealthy family. Constable was supposed to join his fathers business, however he decided to pursue art after meeting Sir George Beaumont, a British Art patron and amateur painter in 1795. He entered the Royal Academy School in March 1799. In 1802 Constable displayed his work at the Royal Academy for the first time. Constable mostly used water colour and graphic media in his studies of nature. In 1817, he began painting on a large scale to gain professional recognition. For example, this is his painting The White Horse which id 6.2 foot tall!

The White Horse

Throughout the 1820s, critics praised Constables work and he sold many paintings. He became a Royal Academician in 1929, which was said to be delayed due to his famously difficult personality. In 1836, Constable submitted his last work.

Exposure Bracketing

Exposure Bracketing from the ground up. — Western King

Exposure bracketing is a technique where, instead of taking a single photo, you take three (or more) that are all exposed slightly differently; normally one is correctly exposed, one slightly underexposed, and one slightly overexposed. It’s in quite a few situations, so let’s look at how it works.

We experimented with the exposure bracketing inside the school, testing the different settings on the camera. Trying light and dark images by playing with the exposure, but changing the numbers on the ‘M’ setting. Changing the numbers lower e.g -2 the darker the image will be, if the image was +2 it would make the image over exposed.

Canon 5D Mark III display showing exposure compensation settings

There, you’ll be able to adjust the exposure compensation, as well as the bracketed shots. In the image above, I have my camera set up to take one underexposed shot, one overexposed shot, and one shot as metered. Depending on your camera, there may also be additional options to set what order the shots are taken and whether there are three, five, or even seven frames.