Photomontage

The technique of photomontaging is creating a collage constructed from multiple photographs.

Historically, the technique has been used to make political statements and gained popularity in the early 20th century (World War 1-World War 2).

Artists such as Raoul Hausmann , Hannah Hoch and John Heartfield employed cut-n-paste techniques as a form of propaganda – as did Soviet artists like Aleksander Rodchenko and El Lissitsky

Photomontage has its roots in Dadaism, a ridiculing and nonsensical style of art created in response to the savagery and insensitivity of the First World War, which is closely related to Surrealism, as it often questioned the conventions of Western art at the time.

Photomontaging uses techniques such as Tearing / Scrunching / Folding / Sticking / Stitching / Sewing / Weaving / Making Holes / Burning / Singeing / Overlapping

Hannah Höch, Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, photomontage and collage with watercolor, 1919-1920, 114 x 90 cm, Nationalgalerie, Staatliche Museen, Berlin
Hannah Höch, Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, photomontage and collage with watercolour, 1919-1920

Adolf Hitler addresses the German people on radio on 31st January, 1933
John Heartfield

John Stezaker

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El Lissitsky

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Aleksander Rodchenko

Pop Art developments (USA and UK 1950s-)

Mostly targeted political concerns such as consumerism, gender roles and war through the use of exaggerated expressionism.

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Peter Blake
1982
David Hockney
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Richard Hamilton
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Christian Marclay-Album Covers
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Andy Warhol

Some key artists include:

John Stezaker / Bobby Neal Adams / Linder Sterling / Johanna Goodman / Max-o-matic / Luis Dourabo / Joe Castro / Bela Borsodi / Kensuoke Koike / Sarah Eisenlohr / Jesse Treece / Jesse Draxler / Joachim Schmidt

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