case study 2: IDRIS KHAN

British artist Idris Khan OBE is known for his multi-layered photographs, paintings, and sculptures that take on a variety of source material, ranging from musical scores to theological texts. He has received international acclaim for his minimal, yet emotionally charged photographs, videos and sculptures and is without question one of the most exciting British artists of his generation. Drawing on diverse cultural sources including literature, history, art, music and religion, Khan has developed a unique narrative involving densely layered imagery that inhabits the space between abstraction and figuration and speaks to the themes of history, cumulative experience and the metaphysical collapse of time into single moments. In 2012, Khan was commissioned by the British Museum in London to create a new wall drawing for the exhibition, Hajj: Journey to the Heart of Islam. In addition to the wall drawing, Khan’s stunning floor sculpture, Seven Times, was installed in the museum’s majestic Great Court. In March of the same year, The New York Times Magazine commissioned Khan to create a new body of work that was published in their London issue. Khan’s works – in media including sculpture, painting and photography – rely on a continuous process of creation and erasure, or the adding of new layers while retaining traces of what has gone before. Idris Khan draws inspiration from the history of art, music, philosophy and theology, laying and manipulating images and text in a conversation around memory, experience and society.

Here are some of his photos:

My photos inspired by his work:

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