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Romanticism and the sublime

What is romanticism?

Romanticism was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.

What is the sublime?

A quality of greatness or grandeur that inspires awe and wonder. From the seventeenth century onwards the concept and the emotions it inspires have been a source of inspiration for artists and writers, particularly in relation to the natural landscape

What is the romantic sublime?

For Romantics, the sublime is a meeting of the subjective-internal (emotional) and the objective-external (natural world): we allow our emotions to overwhelm our rationality as we experience the wonder of creation.

Edmund Burke’s Philosophical Enquiry (1757) connected the sublime with experiences of awe, terror and danger. Burke saw nature as the most sublime object, capable of generating the strongest sensations in its beholders. This Romantic conception of the sublime proved influential for several generations of artists.

Context

There were two intellectual movements that occurred between 1700s-1900s which were heavily influential for photography and art projects that were produced during the time.

The movements were known as ‘The Age of The Enlightenment’ and ‘The Age of Romanticism’.

Someone once quoted “Writers and artists rejected the notion of the Enlightenment, which had sucked emotion from writing, politics, art, etc. Writers and artists in the Romantic period favoured depicting emotions such as trepidation, horror, and wild untamed nature.”

“The ideals of these two intellectual movements were very different from one another. The Enlightenment thinkers believed very strongly in rationality and science. … By contrast, the Romantics rejected the whole idea of reason and science. They felt that a scientific worldview was cold and sterile.”

The Age of The Enlightenment (1700-1800ish)

The Age of Enlightenment (also known as the Age of Reason or simply the Enlightenment) was an intellectual and philosophical movement that dominated Europe in the 17th and 18th centuries with global influences and effects. The Enlightenment included a range of ideas centred on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as liberty, progress, toleration, fraternity, constitutional government, and separation of church and state.

The Age of Romanticism (1800-1900ish)

Romanticism came as a rebuttal to the Age of Enlightenment and the sense of reason and order. With the progress of industrialization, many people felt that they were losing their individualism and Romanticism aimed at reversing that feeling, celebrating individuals, their connection to nature and how they experience the world.

Romanticism (also known as the Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.

During the Age of Romanticism, William Blake became one of the most influential artists and was mainly known as an English poet, painter, and printmaker. He was largely unrecognised during his life, but is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age.

William Blake

Francisco de Goya was another one of the many influential Romantic artists and was regarded as a highly influential figure in the later years of the 18th century. Francisco Goya’s paintings, engravings, and drawings depicted the political and historical turmoil of the era, thereby influencing many artists that followed after him.

Francisco Goya – The Great Goat
1797-98

Goya’s influence extends to the 21st century, as contemporary artists have also drawn inspiration from the artist’s grotesque imagery and searing social commentary.

His art embodies Romanticism’s emphasis on subjectivity, imagination, and emotion, characteristics reflected most notably in his prints and later private paintings.

At the same time, Goya was an astute observer of the world around him, and his art responded directly to the tumultuous events of his day, from the liberations of the Enlightenment, to the suppressions of the Inquisition, to the horrors of war following the Napoleonic invasion.

Both for its inventiveness and its political engagement, Goya’s art had an enormous impact on later modern artists. His unflinching scenes from the Peninsular War presaged the works of Pablo Picasso in the 20th century, while his exploration of bizarre and dreamlike subjects in the Caprichos laid the foundation for Surrealists like Salvador Dalí.

Case studies

Ansel Adams

Ansel Easton Adams was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating “pure” photography which favoured sharp focus and the use of the full tonal range of a photograph. Even creating a Zonal System to ensure that all tonal values are represented in the images. Ansel Adams was an advocate of environmental protection, national parks and creating an enduring legacy of responses to the power of nature and sublime conditions.

Adam was known to have quite a few problems with fitting in at school and society in general when he was a child, but the most important result of Adams’s somewhat solitary and unmistakably different childhood was the joy that he found in nature. As evidenced by his taking long walks in the still-wild reaches of the Golden Gate. Nearly every day found him hiking the dunes or meandering along Lobos Creek, down to Baker Beach, or out to the very edge of the American continent. His love for nature influenced him into capturing the beautiful landscapes he saw before him in his photographs.

Adams’s technical mastery was the stuff of legend. More than any creative photographer, before or since, he revelled in the theory and practice of the medium.

This theory, that was produced by him and Fred Archer, was known as ‘The Zone System’. This system is a photographic technique for determining optimal film exposure and development

The zone system

Minor White

Minor Martin White was an American photographer, theoretician, critic, and educator. He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies. Starting in Oregon in 1937 and continuing until he died in 1976, White made thousands of black-and-white and colour photographs of landscapes, people, and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow. 

Through the idea of photographs as equivalents (learned from Alfred Stieglitz) and the Zone System (learned from Ansel Adams), White practiced using tonal values as a form of expression. Edward Weston also influenced White’s use of visual form as a way to express universal ideas.

Edward Weston

Edward Henry Weston was a 20th-century American photographer. He has been called “one of the most innovative and influential American photographers. He was also “one of the masters of 20th century photography”.

Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still-life’s, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a “quintessentially American, and especially Californian, approach to modern photography

Due to his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.

Ralph Eugene Meatyard

Ralph Eugene Meatyard was an American photographer known for his enigmatic portraits and use of multiple exposures. Though he did not gain much recognition during his lifetime, the artist’s haunting images of masked children have since established him as a key figure in American photography.

He first came into contact with photography in 1950 through his job of being an optical firm in Lexington, KY, which sold both optical and photo equipment. After purchasing his first camera, Meatyard joined the Lexington Camera club and learned many of the basics of the medium from another club member named Van Deren Coke.

The artist continued his education in the mid-1950s, when he attended a summer photography course taught by Henry Holmes Smith and Minor White at Indiana University. In the years that followed, he began to incorporate his interest in Zen philosophy and jazz music into his practice.

Eugene Meatyard’s collection: Zen

Rural landscape photography

What is rural landscape photography?

Rural landscape photography is in many ways similar to photographing urban landscapes. The difference is rural photography is about capturing the “life” in the countryside. Of some reasons I like to think of rural as something “old” while urban is mostly modern.

Mood board

Image comparison

Luke Fowler (Differences)SimilaritiesClaude Cahun (Differences)​
Landscape photographyPhotographer is included ​Portrait photography
Photographer isn’t central in the photo​Photograph includes overlaying images​Photographer is centred​ in the photo
Juxtaposed from the top to the bottom​Both composed of two images eachJuxtaposed from side to side​
Slightly different themes – freedom​Both in black and white​Theme is about gender identity and loss of identity​
All the images are flat and have a full opacity​Photograph mainly surrounds one person​The opacity has been lowered on one of the overlapped images​
Shallow depth of fieldScratchy texture​Deep depth of field
The landscape photography in the background is the focal point as it is fully in focusThe photographer’sface is the main focal point of the piece
Includes a more complex backgroundIncludes a plain background
Includes one face which is only from the photographer in the cornerIncludes 2 faces

Both these images share a range of similarities and differences. To compare the two images, one being done by Luke Fowler and one being done by Claude Cahun, I can first of all see that both of the photographers themselves are included in the pieces, but they both hold different positions in each photo. Luke Fowler is placed in the bottom corner of his image, whilst Claude Cahun is placed in the centre of the photograph.

I have also noticed that both images include the use of juxtaposition but they both present them in different ways. Claude has juxtaposed their image from side to side whilst Luke has juxtaposed his photo from top to bottom. They both composed of two images but are both presented differently, with the sense that Luke’s are placed next to each other with the opacity all the way up on both, so that it looks like it’s one image as a whole. Claude on the other hand has overlapped two images of their face and lowered the opacity on one of them so that the one from behind can still be visible.

These images both have a similar theme to identity however, Claude explores identity more in the sense of gender identity and lack of identity. Luke on the other hand, explores identity in the way of freedom and not caring what anyone thinks of him.

Evaluation and critic

What went well:

I managed to take quite a few photos for this topic and I am very happy with the final results of some of my images. I was able to execute my photos exactly how I was imagining them to be.

What to improve:

Narrow down what artists to take inspiration from instead of taking multiple different aspects from each artist as it made it harder for me to come up with a concept. Next time I should have a wide selection of artists like this time, but narrow it down to maybe one or two photographers to take my main inspiration from so that I don’t confuse myself. I would also like to figure out more ways of experimenting with editing images as I feel that my images are still quite basic.

editing experiments

Experiment 1:

I first edited both photos exactly how I would with any of my images and I then added each image on two seperate layers. I went around the reflection of myself in the mirror with the lasso tool and copy and pasted it onto a new layer. I then deleted any unwanted parts so that I would just be left with the image of myself that I outlined. I then aligned it in the mirror and I turned down the exposure and shadows so that I would blend in better with the other image. When I first pasted the cut out section into the other image, it appeared too light as they both have different exposures, so I adjusted it slightly as to have the same intensity of light.

Experiment 2:

With this photograph, I first edited the original photo to a black and white version and after I carried out that process, I blurred out my face. Once my face was blurry enough, I scribbled over my face with the brush pen in white and draw the top surgery scars in light grey where my chest is. I then decided to write “This is freedom” to signify that these surgeries can be freeing for trans people.

Here are some edits I tried doing for this image, just to figure out where I wanted the writing to be placed.

Final experiments:

Artist comparison

Claude Cahun

For this photo, I was heavily inspired by Claude Cahun’s. I feel as if my work is somewhat similar to theirs as I have maintained the fact that my image is black and white which Cahun’s is too. I have also followed a similar theme in the sense that they both signify gender identity and are positioned in a similar way, such as sitting down on a chair.

Photo editing

Before and after

I wanted for the image to not be too harsh in the black and white tones so I made sure to brighten the image enough.

Here I have adjusted the brightness and contrast after turning the original image to black and white

Afterwards I changed the exposure of the image as to slightly darken the image as I thought it still looked too light.

Finally, I moved onto changing the shadows and highlights. I then finally finished it off by adjusting the exposure once again, just to soften the darker tones of black. I do enjoy it being darker but I think I made it too dark so I decided to just adjust it slightly. I then adjusted the exposure once more, just shifting the gamma correction to soften the colour of the suit slightly so that it appears more visible in the final image.

More before and afters

Here I followed the exact same editing process as my previous photo and I am very happy with the results.

In this photograph, I wanted to make myself appear slightly more feminine so I drew on some eyeliner with the brush tool in photoshop.

This photograph isn’t as clear as the other ones I’ve taken but I decided to leave it as it is because I actually quite liked how blurry it is. I enjoy the effect it gives off, although I may not include this as one of my final images.

More final edits