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STill life

STILL LIFE HISTORY

There are various types of still life paintings, which are referred to as “pieces” and fall within the following categories: “flowers”, “banquet or breakfast”, “animal”, and “symbolic”. Within the symbolic category, we also see the popular Vanitas Still Life, which made use of various objects to convey a deeper message about life and death.

Modern Still Life prevailed during art movements like Impressionism and Post-Impressionism. Notably, during Post-Impressionism, Vincent van Gogh brought Still Life painting to life with his expressive and flower and vase paintings. An example of this includes his piece, Sunflowers (1889).

A French artist from Post-Impressionism, Paul Cézanne, painted Still Life’s with fruit, bread, bottles, and baskets atop a seemingly toppling table, as in The Basket of Apples (c. 1895). The difference between these paintings and the more realistic Dutch Still Life paintings was that these modern artists used more expressive brushstrokes, colours, and different perspectives.

Still life derives from the Dutch word stilleven, coined in the 17th century when paintings of objects enjoyed immense popularity throughout Europe. The impetus for this term came as artists created compositions of greater complexity, bringing together a wider variety of objects to communicate allegorical meanings.

Still life has come to serve, like landscape or portraiture, as a category within art. Although it typically refers to depictions of inanimate things, because it incorporates a vast array of influences from different cultures and periods in history, it has always resisted precise definition.

Still life featured prominently in the experiments of photography inventors Jacques-Louis-Mandé Daguerre and William Henry Fox Talbot. They did this in part, for practical reasons: the exceptionally long exposure times of their processes precluded the use of living models.

Several decades into the twentieth-century, the American artist Man Ray emerged as a pioneer of two European art movements, Dada and Surrealism, in which the element of surprise figured prominently. This image seems both unusual for Man Ray in its apparent straight-forward approach, but also typical in its somewhat dark emotional tone.

jersey geopark

The Aspiring Jersey Island Geopark Visitor Centre tells the story of Jersey’s geological heritage, with the aim of encouraging Islanders and visitors to explore Jersey and see first-hand how geology has shaped the Island we know today.

Millie Butel , Jersey Heritage’s Landscape Engagement & Geopark Development Curator, explained that Geoparks celebrate the links between people and the Earth. The Visitor Centre will show people why Jersey’s outstanding landscapes and seascapes could make the Island a candidate for future designation. 

She said: ‘Jersey is more than just the rock it is made of – our Island is an incredible combination of natural, built and intangible heritage. A Geopark can tell the whole story and, if Jersey is successful in achieving a designation, it will be a statement of commitment to protect the Island we all love and to promote the landscapes, seascapes and heritage that are important to Islanders. 

‘The aim of the centre is to introduce the Aspiring Geopark project and encourage people to explore Jersey and discover its stories along the way. The Island has been shaped by tide and time over millions of years. Jersey’s exceptional geology and important cultural heritage form the outstanding surroundings we enjoy every day.’ 

My photosUnedited

David hockney

David Hockney is one of the most important painters of the 20th century. If you were to Google, famous British painters, there’s a good chance that Hockney’s name will appear. Born in Bradford in 1937, Hockney was one of the big artists involved in the pop art movement in the 1960s. Pop art was a style of art that was bright, full of colour. It was made by lots of young artists who felt that the art they saw in galleries was a little bit boring.

Born with synaesthesia, Hockney sees colours in response to musical stimuli. Although he has never translated this into his painting or photography, it is a common underlying principle in his designs for ballet and opera stage sets – where he bases background colours and lighting on the colours he sees while listening to each musical score.

A visit to California – where he was to live for many years – inspired Hockney to make his iconic series of paintings of swimming pools in the comparatively new medium of acryclic. “I always loved swimming pools, all the wiggly lines they make,” the artist told CNN in 2017. “If you photograph them, it freezes them whereas if you use paint, you can have wiggly lines that wiggle.”

Taking numerous Polaroid or 35mm photographs of a scene from a variety of perspectives, Hockney would then arrange the collection of images into a cohesive body, creating an almost Cubist rendering of visual reality. He called these collages and photo montages joiners.

final outcomes – mock

virtual gallery

To present my work I used Art steps a Virtual art gallery to display my photographs

SALTMINES 1

For my First photoshoot I have selected the salt mines in Black and white because I like the dark tones of the photos. I have decided to present them on a white background because the colours stand out a lot better than using a black background.

Here are some examples:

I will be using a white foam board to present my final images.

EXPERIMENTS