‘Skateboarding is powerful enough to change one’s vision of the world – concrete is no longer simply a building material, a bench is no longer just for sitting, and stairs and accompanying handrails are no longer simply devices to aid one in descending or ascending from one level to another. The urban world is a massive and intricate playground to be explored, full of potential.’ In this study I am going to investigate how the world of skateboarding can be portrayed through photography, capturing photographs from unusual angles that you do not usually see in skateboarding photography. I have been skateboarding from the age of 13 and have always been interested in the media side of skateboarding, whether that is filming or photographing skateboarding. I want to show in this study how the world can be portrayed through skateboarding and how differently the world is seen through a skateboarder’s eyes. 2 photographers pop up in mind when I think about my intentions with this study, Tristan Still and Fred Mortagne. These certain photographers portray the world of skateboarding in their own unique ways, with Fred Mortagne even being nicknamed ‘Frangle’ – the unusual angle only he sees. Both artists have been documenting skateboarding since the 1990s, when skateboarding first started gaining popularity, capturing genuine and gritty shots of early skateboarders. This study could be linked with my previous urban photography work, as skateboarding is all about finding new spots within urban areas to experiment different tricks with. In this study I have explored finding new unused angles within the urban area of jersey as well as the skatepark to capture unique photographs of skaters. My work has developed from just taking my camera out with me every time I go for a skate with my friends, taking photographs of them as we skate about to create this photobook. Different digital processes were used to create some of my final images, such as Adobe Photoshop and Lightroom editing.