Artist case study – Tristan Still

“I am a multidisciplinary artist living on stolen land. My work is driven by personal relations, most often in the photographic practice. My collaborators are often linked by a shared commonality of resistance to capitalist ideals and authority – those who fiercely challenge cultural normative behaviours, practices and expectations through their actions and identities.”

“The spine of British skateboarding magazine ‘Sidewalk Surfer’, Issue 24, March ’98, reads ‘SKATEBOARDING IS FAR BETTER THAN ANYTHING MAGAZINE’. One would be hard pressed to find a skateboarder who would disagree. The words – ‘Skateboarding is better than sex’ – more than once have been uttered to me at a skate park, or dropped in a philosophical discussion of life between skateboarders.”

montage of his work

“Skateboarding is powerful enough to change one’s vision of the world – concrete is no longer simply a building material, a bench is no longer just for sitting, and stairs and accompanying handrails are no longer simply devices to aid one in descending or ascending from one level to another. The urban world is a massive and intricate playground to be explored, full of potential.”

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