Jersey Museum- My rock exibition

Ralph Nichols – Geologist Société Jersiaise Lecturer, Teacher, Secretary for the Geology, Archaeology and Jèrriais Sections of Société Jersiaise.
Favourite of Jersey’s Geology: Anne Port Bay to La Crête Point, St Martin. “My favourite geology is the Anne Port agglomerate and Anne Port rhyolite (Bouley Rhyolite Formation) with flow–banding, spherulitic rhyolite and columnar jointing. The columnar jointing at La Crête Point is similar to the Giant’s Causeway in Northern Ireland but has no crater!”

Calcite is the most common form of natural calcium carbonate. Carbonate minerals are formed of carbon and oxygen combined with various metals. Lining the holes in the rock is chalcedony, a form of quartz.

Jersey Geopark Introduction

What is a Geopark?

A Geopark is a designated area of land containing one or more sites of geological importance. This is an area in which we are trying to conserve the geological heritage and promote awareness, which is common through tourism.

A Unesco Global Geopark is are geographical area sites and landscapes of international geological significance which are managed with a holistic concept of protection, education and sustainable development.

These features are representative of a region’s geological history and the events and processes that formed it. It must also include important natural, historic, cultural tangible and intangible heritage sites.

Geoparks in Jersey

https://societe-jersiaise.org/uploads/documents/inline/pdf/jersey-geopark-2.pdf

Joiners- David Hockney

David Hockney

David Hockney (born 9 July 1937) is an English painter, draftsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century. In the early 1980s, Hockney started to produce photocollages, which he called “joiners,” starting off with polaroid prints and later of 35mm, processed color prints. Using a large number of Polaroid prints or photolab-prints of a single subject Hockney arranged a patchwork to make a composite image. One of his first photomontages was of his mother. the images are taken from different perspectives and with slightly different lighting resulting in an effect similar to Cubism.

David Hockney’s creation of the “joiners” occurred accidentally. He noticed in the late sixties that photographers were using cameras with wide-angle lenses to take pictures. He did not like such photographs because they always came out somewhat distorted. Working on a painting of a living room and terrace in Los Angeles, he took Polaroid shots of the living room and glued them together as a preparatory work, not intending for them to be a composition on their own. He realised this picture created a kind of story, as if the viewer was moving through the room. He began to work more and more with photography after this discovery and even stopped painting for a period of time. Hockney had always been interested in Cubism and the idea of multiple perspectives and viewpoints so this was another way for him to explore this way of looking.

Space is an illusion, as the photograph itself is only a representation of the ‘real’ thing. Secondly, the collage can expand space by assembling many individual images together into a wider view.

Viewpoints The construction of a collage includes many images, each with their of point of view. Therefore, by definition a ‘joiner’ is a collage with multiple viewpoints.

One of David Hockneys pieces of work consists 30 polaroid pictures which are put together similarly to a collage. His methods take into account for a bigger illusion of space in comparison to a single image and time is extended beyond a fraction of a second due to this many viewpoints are accounted for in each image.

Time is captured in a much broader scale.

By manipulating time from a fraction of a second in one image when taking multiple images in portraiture he was able to express emotions throughout time.

Hockneys work leads us to the discussion of photographs which are of course real but that they are also an illusion.

“Photographs don’t have life”

SYNCRONISED

FLATTENED

Devils Hole Photoshoot and L’Etacq Revisit

Over the summer, I decided to revisit the location of L’Etacq as I was hoping to get a wider selection of images to edit for my final images. I had quite a good range already from the first photoshoot at L’Etacq, but I thought it might be a good idea to just revisit the area as it’s always good to have more options.

—- L’Etacq —-

Contact Sheets:

Colour coded and star rated:

Green:

Yellow:

Red:

Best Images:

—- Devil’s Hole —-

Map of where I ended up taking photos

I decided to visit Devil’s Hole for another photoshoot during the summer as I believed that the rock formations along the walkway, down towards the sea are especially impressive. I started at the car park, just before where the Devil sculpture is, and proceeded down that pathway towards the ‘Devil’s Hole Viewing Platform’. Around this area was a perfect example of Jersey’s magnificent rock formations and the overall amazing representation of the geological aspects of the island.

I ended up getting a good range of photos during the photoshoot and especially liked the images I took around the viewing platform as I was able to capture more full-scale and close-up images of the rocks.

Devil’s Hole Viewing Platform
Pathway heading down towards the viewing platform

Contact Sheets:

Colour coded and star rated:

Green:

Yellow:

Red:

Best images:

Final edited outcomes from both photoshoots