I went through all of my photos and chose my best images before I began editing them.
My edits
In order to create these edits I turned my photos black and white and increased the contrast in order to make the shadows and highlights easily distinguishable from one another. Then, I darkened the shadows even further as I wanted to exaggerate the different depths and tones between everything in frame.
— Edit 1: ——————–
I believe this is my most successful edit as there’s a variety of tones within the image due to the different shadows and textures, creating a visually interesting image. The highlights create a contrast between the darker tones, emphasising the pattern created by the shadows.
— Edit 2: ——————–
I also think this edit is successful as I turned the image black and white then increased the exposure, making the sky in the background completely white which caused the darkness of the construction to stand out, emphasising the smaller details.
The Anthropocene Epoch is an unofficial unit of geologic time, used to describe the most recent period in Earth’s history when human activity started to have a significant impact on the planet’s climate and ecosystems. The Anthropocene is a new, present day epoch, in which scientists say we have significantly altered the Earth through human activity. These changes include global warming, habitat loss, changes in the chemical composition of the atmosphere, oceans and soil, and animal extinctions.
HoloceneAccording to the International Union of Geological Sciences (IUGS), the professional organisation in charge of defining Earth’s time scale, we are officially in the Holocene (“entirely recent”) epoch, which began 11,700 years ago after the last major ice age.
Mood Board
Even more people suggest it dawned in 1950, when nuclear weapons cast radioactive elements across the globe. The radioactive debris from nuclear bombs made its way into rocks, trees and the atmosphere – they may represent the golden spike that scientists are searching for. Currently there is no clear consensus. It is important to note that some countries, regions, communities and industries have contributed to planetary pollution and climate change more than others. Industrialised and post-industrial societies have produced proportionally more emissions and use more resources than developing countries.
How can this be explored through photography?
Studio Work
Objects can be collected from natural locations such as the beach and can be arranged and photographed in ways that reflect that natural beauty, this can be done with objects such as shells or pearls. In contrast, studio work could also help illustrate how harmful objects such as plastics are on our environment and marine life.
Objects
Linking to the studio work, we can take objects associated with anthropocene, such as plastic bags and paper straws, this work can be used in the project and related to places that link to anthropocene.
Bags
Straws
Fossil
Multi-exposure Editing
This method of editing includes choosing two or more images and merging them together to create a new image. to relate to the topic of Anthropocene contrasting images such as an industrial landscape (for example a warehouse) and a natural one (such as mountains) and merge them together to show how much manmade alterations how effected the planet.
Industrial Structures
One of my main ideas at the moment for the way in which this topic can be approached would be to to photo some of Jersey’s main industrial areas around La Collette. I think that this shows how Jersey has become more developed, but still recycles a lot of its waste, so this would be a contrasting idea in itself.
Natural Landscapes
I think that rather then focusing on how humans have changed the landscape, for this project the focus on could be preserving the natural landscapes, photographing them to illustrate how man hasn’t ruined the planet and looking for the positives through anthropocene.
The word combines the root “anthropo”, meaning “human” with the root “-cene”, the standard suffix for “epoch” in geologic time.
Anthropocene represents the more recent time of the earths everchanging landscape. From urbanization to great masses of landfill, the human species has had an impact on this planet like no other species before. Anthropocene documents the human impact on this earth, reviewing the significant negative impacts on the planets changing climate and eco systems. These changes include global warming, habitat loss, changes in the chemical composition of the atmosphere, oceans and soil, and animal extinctions.
It is widely believed that the Anthropocene began during the industrial revolution of the 1800s due to a colossal human impact on carbon and methane in the earths atmosphere. However, some people believe that the Anthropocene didn’t begin until 1945 due to the environmental impacts of humans dropping atomic bombs, especially Hiroshima and Nagasaki, Japan. These atomic bombs left radioactive particles scattered in soil.
Copper Mines
The documentation of Anthropocene is exhibited is many gallerys, following the work of photographers four-year collaboration between Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, the exhibitions use both new and traditional lens-based art to create an innovative and dynamic expression of humanity’s incursions on the planet.
National Geographic Definition – Period of time during which human activities have impacted the environment enough to constitute a distinct geological change.
Humans have reached a point now where they have more of an effect on the world than all other natural forces combined. This Project is using the combined subjects of fine art photography with film and scientific research to look upon and investigate the influences that humans will have on the dynamic future of the planet. It has become a multimedia exploration of the complex and indelible human signature on the Earth.
General Ideas Mindmap
Please note these are general ideas and thoughts and are not specific to photography
The Anthropocene Epoch is an unofficial unit of geologic time, used to describe the most recent period in Earth’s history when human activity started to have a significant impact on the planet’s climate and ecosystems.
We are living in a time many people refer to as the Anthropocene. Humans have become the single most influential species on the planet, causing significant global warming and other changes to land, environment, water, organisms and the atmosphere.
The Anthropocene Epoch is an unofficial unit of geologic time, used to describe the most recent period in Earth’s history when human activity started to have a significant impact on the planet’s climate and ecosystems. 5 – 8. Anthropology, Biology, Geography, Human Geography.
Artist research -Edward Burtynsky
Ed Burtynsky (born February 22, 1955) is a Canadian photographer and artist known for his large format photographs of industrial landscapes. His works depict locations from around the world that represent the increasing development of industrialization and its impacts on nature and the human existence. It is most often connected to the philosophical concept of the sublime, a trait established by the grand scale of the work he creates, though they are equally disturbing in the way they reveal the context of rapid industrialization.
Burtynsky is the inaugural winner of the TED Prize for Innovation and Global Thinking in 2005. In 2016 he was the receiver of the Governor General’s Awards in Visual and Media Arts for his collection of works thus far.
Burtynsky is an advocate for environmental conservationism and his work is deeply entwined in his advocacy. His work comments on the scars left by industrial capitalism while establishing an aesthetic for environmental devastation, the sublime-horrors discussed in a number of essays on the topic of his work. He sits on the board of Contact, Toronto’s international festival of photography.
Artist research- Jeremy Carroll
Jeremy Carroll is the artist and photographer of these images featured in an exhibit called Entanglement. Each image depicts a human being caught up in the waste that is commonly found in seawater and along beaches such as discarded fishing nets, plastic bottles, grocery bags and flip flops.
With the way things are going, The Ellen MacArthur Foundation predicts that there will be more plastic than fish in the sea by 2050. Even without hearing this shocking prediction can tell things are looking grim with the horrifying and heartbreaking images of innocent turtles and whales found trapped in plastic or with a stomach full of garbage created and disposed of by humans.
While many of feel saddened by the harm inflicted on marine wildlife, many people still take an “out of sight, out of mind” approach to justifying the use of disposable, single-use plastic products.
Edward Burtynsky is regarded as one of the world’s most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of humans on the planet.
Burtynsky was born in 1955 of Ukrainian heritage in St. Catharine’s, Ontario. In 1985, he founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging and new media computer-training centre catering to all levels of Toronto’s art community.
Early exposure to the sites and images of the General Motors plant in his hometown helped to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet; an inspection of the human systems we’ve imposed onto natural landscapes.
Burtynsky stated “Nature transformed through industry is a predominant theme in my work. I set course to intersect with a contemporary view of the great ages of man; from stone, to minerals, oil, transportation, silicon, and so on. To make these ideas visible I search for subjects that are rich in detail and scale yet open in their meaning. Recycling yards, mine tailings, quarries and refineries are all places that are outside of our normal experience, yet we partake of their output on a daily basis.”
“These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire – a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times.”
Edward Burtynsky
Old Factories #6, China – 2005
Old Factories #5, China – 2005
Camilo Jose Vergara
Camilo José Vergara is a Chilean-born, New York-based writer, photographer and documentarian.
Vergara has been compared to Jacob Riis for his photographic documentation of American slums and decaying urban environments. Beginning in the 1980s, Vergara applied the technique of rephotography to a series of American cities, photographing the same buildings and neighborhoods from the exact vantage point at regular intervals over many years to capture changes over time. Trained as a sociologist with a specialty in urbanism, Vergara turned to his systematic documentation at a moment of urban decay, and he chose locales where that stress seemed highest: the housing projects of Chicago; the South Bronx of New York City; Camden, New Jersey; and Detroit, Michigan, among others.
Camilo Jose Vergara stated “For more than four decades I have devoted myself to photographing and documenting the poorest and most segregated communities in urban America. I feel that a people’s past, including their accomplishments, aspirations and failures, are reflected less in the faces of those who live in these neighborhoods than in the material, built environment in which they move and modify over time.”
Camilo Jose Vergara
Andrew Moore
Andrew Moore is an American photographer who is widely acclaimed for his photographic series, usually taken over many years, which record the effect of time on the natural and built landscape. He is known for large format color photographs and the series he created include work made in Cuba, Russia and Ukraine, Bosnia, Times Square, Detroit, The Great Plains, and most recently, the American South.
Andrew Moore published many of his own photographic collections such as Blue Alabama, Dirt Meridian, Detroit Disassembled, Cuba, Russia: Beyond Utopia and Inside Havana
CubaDetroitDetroit
DetroitDetroitRussia/Ukraine
CubaDirt MeridianCuba
Yves Marchand & Romain Meffre
William Livingstone house, Brush Park, 2006Fisher Body 21 Plant, 2007
Roosevelt Warehouse, Public Schools Book Depository, 2007Spooner theater, Bronx, NY, 2009
GunkanjimaGunkanjima
Marchand (b.1981) and Meffre (b.1987) live and work in Paris. Initially pursuing photography individually, they met online in 2002 and started working together with the beginning of their Detroit project in 2005. They met through a mutual interest in contemporary ruins.
They both completed a number of critically acclaimed series including Theaters (2005 – ongoing), which was born out of the time they spent in Detroit. Noticing the sorry state of many of the movie theatres they came across, Marchand and Meffre discovered and documented abandoned movie theatres across America that had either fallen into decay or been transformed entirely. Many of the theatres date back from the Golden Age of film and the stories told through these images act as a fascinating documents of American history.
Their work has been exhibited extensively throughout Europe and has been featured in the New York Times, The Guardian, The British Journal of Photography, Time Magazine, amongst others.
Yves Marchand & Romain Meffre
Aaron Siskind
Aaron Siskind was an American photographer whose work focuses on the details of things, presented as flat surfaces, to create a new image independent of the original subject.
He was also best known for his black-and-white, close range, and aerial photos of surfaces and objects. With the transformative properties of monochromes and their lack of scale or context, Siskind’s photos can seem both sculptural and vast or diminutive and painterly.
I particularly like Aaron Siskind’s work as it is so textured and interestingly shot. The abstract photographs make it difficult to decipher what he is actually capturing when he takes these shots, as each photo is incredibly close up and highlights the textures that we don’t easily notice at first glance.