was an American landscape photographer and environmentalist, most known for his black-and-white images taken in Yosemite National Park. He was born in  February 20, 1902, he later died in April 22, 1984. he became a founder of f/64 group this group advocated ‘pure’ photography, this type of photography with sharp focus and a full tonal range.

He is most famous for this image, On the chilly spring morning of April 10th, 1927, Ansel Adams set out through Yosemite’s LeConte Gully to capture an image of Half Dome, one of Yosemite National Park’s most iconic natural features.

This is a mood board to inspire me landscapes.

Lewis Baltz was visual artist and photographer he then became a important figure in the new topographic movement. born September 12, 1945,  died November 22, 2014, he was manly based in Europe from 1980 but did travel frequently. Lewis Baltz focused on architecture of tract housing, office parking lots, and industrial parks.

“But my daily life very rarely took me to Point Lobos or Yosemite; it took me to shopping centres, and gas stations” this is a quote form Lewis Baltz that explains why he didn’t fall into the traditional landscapes because he wanted to show the beauty that everyone can see and don’t have to travel miles.

I like this image because of the central symmetrical appeal of the circular in the centre of the image encased in a rectangle in a rectangular image.

The sharpness of this images highlights the beauty in the normal everyday. i think this image was taken to highlight the beauty in the mundane and show that there is beauty everywhere not just 1000 of miles away.

this photo shows a light car positioned on a very dark background this looks like a shoot but to the left of the frame the dark wall stops and the road continues showing that this isnt just a car on a black backgroubd perfectly postioned in a studio it has natural beauty which is what Lewis Baltz and the whole new topographical movement is about.

My work’s link to romanticism

In this blog post I have included an artist reference with includes an analysis of my work vs Fay Godwins. I think that my research on Ansel Adams’ work helped me understand romanticism more before going out and taking my own images, meaning I could identify the best weather conditions so that romanticisable features such as clouds were more present.

Furthermore, shooting in black and white of editing my images in monochromatic meant that my final pieces have more of a dramatic feel and this helps demonstrate the nicer features of Jersey natural environments. I also think that the image that I have included in my artist reference is a good example of a romanticised image as it has some of the same features but is different from Godwin’s work. I took inspiration for her work and used this to take some of my own images down at the beach, making this artist reference easier to create.

Artist Reference- Fay Godwin

My Work	Similarities	Fay Godwin’s
Beach	Landscapes	Hills
Rocks	Focal point	Grass
Cool toned	Clear Sky	Warm toned
People	Symmetrical	No animals
Zone system	Horizon line	Lighter image
Long structure	Rule of thirds	Limited tones
Straight horizon line	Clouds	Curved horizon line
Rocks	Clear foreground	Textured

Image analysis- Fay Godwin

Similarities- I think its important to note that the main focal point of both of these images look very similar, and the centre of both pieces are a path or can have been created by humans. The horizon lines are also located further to the top of both images, meaning that the rule of thirds isn’t really followed in either photograph. Furthermore, I like that both of these images are symmetrical, with the landscape being just surroundings to the paths and this makes both more aesthetic and therefore catching you eye.

Differences- Despite our final pieces of work being quite similar there are multiple differences including the landscape locations themselves as might was taken down at the beach and Godwin’s looks like it was taken amongst some grassy hills, mine also includes a manmade structure as is more a visual representation of our modern world. Overall my piece is more cool toned and demonstrates more range of the zone system, whereas Godwin’s is a warmer tone with less components in the original photograph. I would say Godwin’s piece has more texture then my final image as the clarity of the glass in the foreground means that the natural features come through much more in comparison to the rocks in my image.

Link to romanticism- Despite Godwin’s piece being created during the romanticism era, I think that my piece along with her work together to demonstrate how the world and changed and is now more manmade, as my piece has a built structure and Godwin’s piece is only filled with natural features such as green land and hills. The work of Ansel Adams and the zone system is more obvious in my image as there is a wider range of contrast with the cooler tones of the image, as Godwin’s is more warm toner. Both of our images do romanticise the different landscapes and this is done well with the help of editing and Lightroom and my piece. I like that the monochromatic editing makes the images more dramatic and shows more of the natural beauty of the environment.

Final Images and Analysis

I have selected this as one of my final images as I think that there is many strong features of this image, starting with the perspective of the image, as I had to position the camera low down to the ground, and to make the structure of the image in the centre so that the final piece was symmetrical. Furthermore, the rule of thirds isn’t very present in this piece, but I like that the structure makes up the majority of the width of the image and then it disappears and gets smaller, this then nearly meets the horizon line and creates parallels within the image. I have made this image monochromatic and tried to make the contrast more clear so that the concept of Ansel Adams’ zone system is more present and the fact that this image has a large depth of field means that the wide range of tones is demonstrated all throughout.

This image was originally one that I thought was unusable as I thought it looker very average in colour, which is why I have edited it in monochromatic. Additionally, I think that the fact that the sky lacks tones and is all white is an advantage as it just means that contradiction between the structures, rocks and sky is made more obvious, making the image stronger. I like that this final piece has lots of components so that the cluttered foreground contrasts with the background. Furthermore, I think that the lack of quality if the image gives it more depth as the it makes the shadows look slightly blurred despite me adjusting the dehaze in Lightroom. This piece does contain some weaknesses including the fact that it could be seen as boring as not true to the project as there is manmade structures in this piece.

This is another one of my good images from my photoshoot down at the beach, I have selected this as one of my final images as I think that the composition of the image wasn’t planned but turned out to be successful as I like how most of the image is the land and this contradicts with some of my other final images as they most contain sky. I think that the depth of field with this image is important to note as it means that a lot of the landscape is present and it really shows how important this is when taking landscape photos. Its important to note that this image has been edited so that the rocks are very dark and this contradicts with the light blue, yellow and blue sky. Furthermore, I think that the water which lays on the sand that appears blue on the sand and the blue sky help link the image together.

This photograph was taken during my photoshoot along St Aubins beach, the best part of this image is the colours, and I have enhanced these in Lightroom. I really like that the sunsets contains contrasting colours as the orange and the blue work well when reflecting back onto the sand. Furthermore, the composition of the image and the fact that half of the image is a fake reflection and half is natural features means that the photography itself would be seen as a contradiction. I think that the abundance of parallel lines within the image ties the whole image together they help the image become cohesive as its the only part of the image that matches together.

I have selected this final piece because I think that the perspective of the image is really important as it means that more of the natural landscape is in view and creates a straight horizon line and this image is symmetrical as the top half of the image is sky and the second half is land, structures and sea. Furthermore, I like that this image was taken at sunset as it means that the colours can be easily saturated and the blacks in this piece contradict with the yellows and the fact that everything is in focus means this is more clear. One weakness of this image could be that its very generic and many people have seen this type of landscape photography before but I think that the strengths of the image save it.

Photoshoot Plan

For my rural landscapes shoot, I am planning to take pictures above St Ouen’s bay in St Peter and St Mary. I’ll try to take photos on a sunny day, but I think that some clouds could add moodiness to my images which could improve them – for example, moody skies adding a more dramatic look to my images. In my images, I will feature fields and farmland to emulate the work of Don McCullin, one of my studied artists.

Contact Sheets

Below are images of my contact sheets, pictured in grid view in Lightroom.

In these images, I had trouble with overexposure – I fixed this by turning it down and changing the setting to manual focus on my camera which helped. After putting my images in Lightroom, I used the P and X tools to filter out my good and bad images. I then went through my selected images, picking a narrower selection, and using a red colour filter to highlight them.

Here I struggled with overexposure again, but went into manual mode and turned the exposure down which helped. Pictured in red are my best images, edited in black and white.

Evaluation

Overall, I think this photoshoot had good and bad points. – The weather and cloud were quite variable which made the lighting inconsistent in some of my images. – This made them a little tricky to edit. This also caused some overexposure which meant the skies weren’t as moody and dramatic as I would have liked, but this was not noticeable in some images and was helped with editing later in my process. There were good bits about this photoshoot though too. In particular, in some of my better images, I achieved the moody skies and dramatic landscape look that I wanted. I also have some images that have some interesting leading lines like in Fay Godwin’s images, which I really like. If I was to redo this shoot, I would maybe shoot on a misty or foggy day, near some cliffs or the sea on a day with choppy conditions or some big surf, to respond more to the idea of romanticism.

Best Images

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I then used Lightroom to adjust my images in black and white. I then found a pattern of editing that I found worked quite well for my images. I increased contrast, then decreased highlights to bring out the moody skies in some of my images. I did this to emulate the work of Don McCullin, who uses dramatic skies in his images, relating to the feature of the sublime in romanticism.

Also in my editing, I added grain and texture to my images to create a film-like effect. To make this effect even further in the future I could shoot in a black and white film camera on a landscape shoot.

Edited Final Images

I chose this image as one of my best due to a few things. For example, I love the dramatic sky and how it looks like it is looming over the hills. The leading line that carries the eye from the left to the right over the top of the hill is my favourite thing about this image – It reminds me of Fay Godwin, one of my chosen artists. Furthermore, I think my editing was quite effective here. – decreasing highlights to make the sky work well here I think, as well as my use of contrast.

My favourite part of this image is the strong leading lines. These leading lines include the road to the right of the image, which bends into a circular shape to the right, creating circular shapes. The leading line of the field and the plastic wrap of the crops are broken up by a verge, which creates contrast between the bright white of the plastic, and the darker tones in the road and verges to the right. I also like how these lines lead to the vanishing point which features the tower in the distance. This tower is centred, which I think helps to keep a balanced composition in the image.

I chose this image as one of my final ones because of the powerful sky, and also the interesting composition. The powerful sky in this image includes elements of the Sublime and the idea of romanticism. The composition is unconventional here: the sky takes over almost the whole image, which could show the power of nature. The contrast between light and dark tones in this image was achieved by my editing mostly, which helped to keep the sky dramatic and increase the contrast in the field too.

I chose this as one of my final images due to the composition, and the way the eye is led down towards the horizon, with the sea. The trees and powerline frame the path in the middle nicely, and the clouds are slightly dramatic with light peeking through.

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 is an American photographer who grew up in New York, known for his images of banal scenes and objects in the United States, and for his pioneering use of colour in art photography. His books include Uncommon Places in 1982 and American Surfaces in 1999, photographs that he took on cross-country road trips in the 1970s capturing the mundane aspects of American culture in straightforward, unglamorous images.

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Shore has worked with many forms of photography, switching from cheap automatic cameras to large-format cameras in the 1970s, pioneering the use of colour before returning to black and white in the 1990s, and in the 2000s taking up the opportunities of digital photography, digital printing, and social media. He focused on capturing day to day aspects of an average Americans life such as fast food joints and housing he didn’t make an attempt to glamorise the human effects to a once natural environment this can be seen through his new Topographic images.

He was known as one of many new topographic photographers who killed romanticism in photography.

I really like this image as it doesn’t make an attempt to glamorise an aspect of day to day life the image captures movement on the roads which shows the hustle of living in the city in the 1970s. the mountain range in the back adds an element of what the garage could have looked like if it hadn’t been created by man kind the lighting creates a focus on the road which pulls you away from the signs which are scattered around in the foreground of the image and towards the mountain range in the horizon.

What is it and what is it raising awareness of?

“The new Topographics” is a term which was made up by William Jenkins in 1975 to describe a group of 10 photographers such as Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Scott, Stephen Shore and Henry Wessel who brought in a new type of photography which was of urban landscapes with a simple aesthetic of black and white of various plain buildings.

Many of these new photographers were inspired by the man-made and wanted to show its beauty in different weathers/times of the day but also a way to emphasize how much the impact of industrial development has made to the natural landscape, an exhibition in the International Museum of Photography in Rochester, New York showed this feeling of unease towards this issue.

Examples –

Topographics photographer research

Robert Adams –

“I think if you placed me almost anywhere and gave me a camera you could return the next day to find me photographing. It helps me, more than anything I know, to find home.”

Robert Adams

• Born May 8th in 1937 in Orange NJ.
• American photographer who’s most famous for his pictures of the always changing American west.
• Published a book series in the 1970s-80s: The New West, Denver, What We Bought, Summer Nights. These focussed on the suburbs along Colorado’s front range of humanities imprint and nature fighting back.
• Taken part in many exhibitions.

Examples of his work –

Analysis –

I think that this is a successful photo which I really like thattaken by Robert Adams in Colorado in 1966 of an urban landscape and will consider his style of work while photographing/editing my own work, showing “The New Topographics” influence throughout it. This is because the buildings are simple, yet show how human life has taken over and nature is trying to fight back against it which is what the aim was of Robert Adams work and this element of urbanisation in the photo is brought in through this photo through the use of the 2 metal cylinder towers which are next to the small farm buildings. I also like how the photo has been brought into black and white with a heavy contrast due to the sunlight which creates an overexposed effect to the photo but not to the point where the photo is lost in it, and many of the early topographic photographers used as it creates this important feeling of recognising the drastic development of industrialisation within the beauty of nature, which Robert Adams has done well as this would once have been a beautiful green field that was full of wildlife but due to humans this has been changed, for the worse.

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