rural landscape photography

What does rural mean in photography?

Rural landscape photography refers to “photography in the countryside” and covers the rural environment. While rural landscapes often contain architecture – much the same as urban landscapes – rural landscape photography is more about capturing the life and elements found in the countryside.

What is rural landscape photography? –

Natural/rural landscape photography consists of photos which are taken outside in various locations such as beaches, forests, streets, etc. The photos can also include wildlife, plants, close ups of natural scenes and textures with a variety of weather such as mist, rain, sunshine, cloudy, during the evening or night, etc which can add drastic effects to the photos which can be used in a representational, abstract, romanticised or impressionistic way.

These factors can help to make you feel like you are there within the photos landscape, when looking at various photos from different photographers, therefore these can also create a lot of different emotions for the viewer like happiness, sadness, excitement, calmness, etc. Landscape photography can also be used to share important messages such as showing the impact of global warming on the world and how humans are destroying natures natural beauty for creating large scale buildings for industry purposes or how rubbish can impact wildlife and plants.

Mood board –

Galen Rowell

  • Wilderness, adventurer, mountaineer photographer.
  • Born on August 23rd, 1940 and passed away on August 11th, 2002.
  • Never formally trained in photography, began taking photos as a way to share his experiences with others and by 1972 it became his full time job.
  • Worked with many publications such as National Geographic, Outdoor Photographer, Life, etc.
  • Won the Ansel Adams award for Conservation photography in 1984.
  • His photography style included taking photos of “dynamic landscapes” of the Natural world by capturing them with the fast changing nature of light.
What Camera Would Galen Rowell Use if He Were Still Alive Today? | Dan  Bailey's Adventure Photography Blog
Galen Rowell.

Examples of his work –

Analysis –

I think that this photo taken by Galen Rowell is quite effective because of the light from the sun which has been created as it is setting/rising. This is because it creates the feeling of a forest fire which is rising between the trees and getting worse as it takes control of its surroundings, like it is infecting them. I also like how in this photo there are various points where the sunlight is much warmer and vibrant which could be used to signify the heat of the fire and how intense and dangerous it is. This photo can be used to show the dangers of forest fires/global warming and raise awareness of them to the community as they are damaging to the wildlife which live in these areas where everybody is ignoring them and not giving this issue the support and care which it needs.

In my own work I will consider using the techniques which Galen Rowell uses with natural light and how it can be used to show the beauty and dangers of landscapes/natural life. I will go to various locations at different times of the day such as sunset and sunrise, when the sun is high in the sky, at night, etc (when it is sunny) and try to capture the way the light is created naturally in different ways.

Alfred Stieglitz

  • Born on January 1st 1864, passed way on July 13th 1946.
  • An American photographer.
  • Focussed on taking photos of cloud formations in the sky, which made him one of the most influential and popular photographers in history.
  • Stieglitz called these photos “Equivalents” to parallel the artists own inner state.

Examples of his work –

Equivalent (1926).
Equivalent (1929).
“Music: A sequence of 10 clouds”.

Analysis –

Equivalent (1927).

I really like this photo from Alfred Stieglitz because of the contrast of dark to light tones within the clouds which looks as if there is a solid, jagged line in-between which separates the 2 areas, as if they are in a fight as it can show danger and fear. This atmosphere has been created through the photo because of how dark the tones are at the edges as if they are in a war with each other and are protecting what is theirs. I also like in this photo how there is a small glimpses of light created through sunlight on the smaller clouds and especially in the bottom right corner as when taking the photo as the bright, white tones can show a signal of hope and calmness to a war which feels like it might not end as if it is the light at the end of the dark tunnel.

In my own work, I would like to focus on cloud formations as I like how interesting they can be and the shapes which they are able to form. I will do this by taking various pictures at different times of the day in different locations to get a range of photos. I will then bring my photos into photoshop and change them into black and white contrasts just like Alfred Stieglitz’s work.

Ideas

For this project I’m gonna aim to record and create romanticised landscape photographs. I’m going to do this by taking photographs of the coastline, the sea, the woods etc. I’ll try use the rainy and foggy weather to my advantage and create a sense of atmosphere, and I’ll photograph at different times of day to get a larger selection of images. I’m also going to look for leading lines such as pathways, roads etc to help dissect my images and provide a sense of journey/discovery to them.

romanticism in landscape photography

The Age of The Enlightenment (1700-1800)


The Enlightenment included a range of ideas centred on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as liberty, progress, toleration, fraternity, constitutional government, and separation of church and state.

An eighteenth century intellectual movement whose three central concepts were the use of reason, the scientific method, and progress. Enlightenment thinkers believed they could help create better societies and better people.

The Age of Romanticism (1800-1900)

Definition: Romanticism was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.

It started with its emphasis on the imagination and emotion, Romanticism emerged as a response to the disillusionment with the Enlightenment values of reason and order in the aftermath of the French Revolution of 1789.

The founders of Romanticism, critics August Wilhelm Schlegel and Friedrich Schlegel, began to speak of romantische Poesie (“romantic poetry”) in the 1790s, contrasting it with “classic” but in terms of spirit rather than merely dating. It involved breaking with the past, and consciously moving away from the ideas and traditions of the Enlightenment. In so doing, Romanticism fundamentally changed the prevailing attitudes toward nature, emotion, reason and even the individual.

Romanticism | Artchiv

5 characteristics of romanticism:

  • Interest in the common man and childhood
  • Strong senses, emotions, and feelings
  • Awe of nature
  • Celebration of the individual
  • Importance of imagination

Romanticism in Photography

Romanticism means that photography can be made dramatic for the sake of the viewers, making it more interesting to see and telling a real story about maybe the history of the landscape or the purpose of the photography.

My favourite quality of romantic landscapes is how they beautifully dramatize the courtship of light, land, water, and the presence of man on that courtship. Such scenes tell tales about Man’s adapting nature to his needs, and sometimes how nature defeats those very intentions. Romantic landscapes are typically “moody” in atmosphere; they are more about the subjective feelings of the artist, than an objective record of the observable world.

Ansel Adams

Ansel Easton Adams was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating “pure” photography which favoured sharp focus and the use of the full tonal range of a photograph.

When speaking of Ansel Adams’ photography, the most famous is Monolith, the Face of Half Dome. This was Adams’ first photograph that gathered the attention of the public and the art world. Using his Korona camera, Adams captured his iconic photo of Half Dome in Yosemite National Park after a difficult hike.

Adams was strongly influenced by Alfred Stieglitz, whom he met in 1933 and who mounted a one-man exhibition for him in 1936 at Stieglitz’s An American Place gallery in New York City.

Adams shot in colour for almost as long as he did in black and white. And he experimented with it for the rest of his life, snapping over thirty-five hundred shots. Originally working in the Pictorialist style, widely popular in the 1910s and 1920s, Adams encountered Paul Strand’s photography in 1930, and rejected his earlier painterly, soft focus style for a new “pure” and sharp focus approach.

In 1932, Adams founded Group f/64 with Edward Weston. Active between 1932 and 1935, f/64 comprised a group of photographers – including Imogen Cunningham, Willard Van Dyke, Consuelo Kanaga, Henry Swift, Alma Lavenson, and Sonya Noskowiak – that advocated Straight and unmanipulated photography over Pictorialism.

Pictorialism favoured traditional, soft-focus images, which were printed from manipulated negatives that produced prints more reminiscent of oil paintings than photographs. The group’s name, f/64, referred to their use of the smallest aperture setting (f-stop) on a camera that created an image with the sharpest depth of field.

Image analysis

Iconic Ansel Adams image sells for nearly $1M at Sotheby's auction, total  sales of $6.4M: Digital Photography Review
Most famous piece

I have selected this image to analyse this image of Ansel Adams’ as I think that this piece, being among his most famous work, is my favourite piece of his. The first reason for this is the contrast throughout the whole image, as the romanticism is really present in this image, with the river is tones 0/1 along with the clouds. with the trees and bottom of the mountains being tones 9/10, and the majority of the vegetation being mid tones. I think that the perspective of this image is important to note as it means that the river and the mountains are the most apparent natural elements of the image, and the image is more symmetrical as the river is part of both halves of the image. I think that this would be Adams’ way of expressing his love for nature.

Furthermore, the fact that the mountains are so far away from where the image was taken means that there is added more depth as this means there are other elements to the image. I like that the all of his work is in black and white, because this adds to the romanticism of his work as the shadows are very strong and contrast very obvious, adding to the tonal values of the image. I thin that Adams’ work is also very popular as the clarity of his images, especially considering the era that his photography was taken and this may have been seen as revolutionary for the time,

Zone System

Adams came up with the concept of that every monochromatic image he took should consist of these 11 tones, for example trees/ shadows should be tone 0 and aspects such as the moon and highlights should be tone 9/10. This meant he was aiming to take photographs and planning what the final result would look like rather then just adapting to the photographs he too. Also, this gave his final pieces of work lots of contrast and made them seem more creative as they was consistent, meaning that his style of photography was recognisable and this helped his develop his name.

How to make a Value Scale -

Ansel Adams

  • An American photographer, who really began to focus solely on photography in the 1930s.
  • Born February 20th 1902 in San Francisco, California.
  • Formed a group of photographers, Edward Weston and Imogen Cunningham, called “f/64” who wanted to elevate photography into a high art instead of being used for documentational purposes.
  • Travelled throughout the country to take various pictures of different environmental nature sites.
  • Sadly, Ansel Adams died on April 22nd 1984.
How Ansel Adams used his creativity to harness the communicative power of  photography | The Milwaukee Independent
Ansel Adams.

Examples of his work –

Horizontal Aspens, 1958
Horizontal Aspens, 1948.
Arches, North Court, Mission San Xavier del..., 1968
Arches, North Court, Mission San Xavier del…, 1968.
The White Church, Hornitos, California, From , 1946
The White Church, Hornitos, California, 1946.
Winter Evening, Owens Valley, 1962
Winter Evening, Owens Valley 1962.

Analysis –

The White Church, Hornitos, California, From , 1946
The White Church, Hornitos, California, 1946.

I really like this picture taken by Ansel Adams in 1946 because of the way he uses the darker and lighter tones which are contrasted well against each other and have been created due to the sunlight which creates this shadow on the floor which is wavy and looks very strange, like when water is reflected onto something which makes it create this calm yet bust atmosphere for the viewer. It really attracts your attention well as the lines in-between have been highlighted through the sunlight fighting through the gaps in the fence as if it wants to be seen. I also like how the church in the background stands out extremely well due to it being grey which contrasts heavily besides the white, and this shows how it is not lost within it and guiders you to focus your attention on it as it is a really bright white which is due to the black and white filter which Ansel Adams uses in his photographs as well.

In my work, I’m going to use a black and white filter, similar to Ansel Adams. This is because I want to create a deep contrast of black and white and make it looks strange yet looks like it works perfectly which he portrays well within his work and create shapes/lines which you wouldn’t normally see as well. I think that this would work with clouds, and their formations in the sky and horizon views where you cant see much besides a small part at the bottom of houses/trees.

Art and Romanticism in Landscape Photography

The Age of Romanticism

Romanticism (also known as the Romantic era) is a state of being romantic or affectionate in a sentimental way. It was also an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. This movement emphasized nature, imagination, emotion and the individual.

Painting Vs Photography

Roger Fenton, inspired by nature and romanticism revisited a spot in Wales where previously the painter Samuel Palmer had been inspired by the natural beauty of this river valley. The images are very similar as they both have the river flowing through the middle and the tall trees surrounding it.

The Age of Enlightenment (1685-1815)

The Enlightenment , also known as the Great ‘Age of Reason’, is the time period in the 17th/18th century Europe. During this period, people started questioning the church and started being more interested in science. It was an intellectual movement whose three central concepts were the use of reason, the scientific method, and progress.

The Sublime

Edmund Burke created the Sublime Theory in the mid-18th century, defining Sublime art as “art that alludes to a magnificence beyond all capacity of measurement, assessment, or reproduction.” He described the Sublime as an aesthetic impact that produces the most powerful sensation the intellect is aware of experiencing.

RURAL LANDSCAPES – romanticism

Age of romanticism- around the 1800s to 1900s

Age of enlightenment- around the 1700s to 1800s

rural landscapes

Construction dairy: Ansel Adams: A Different Kind Of Landscape
My Portfolio: The Rural Landscape | Steve Huff Photo
15 Inspiring Landscape Photographers | PetaPixel

rural landscapes mainly focus on the areas which have been left untouched by mankind, the most natural areas are what seem to be photographed the most.

The sublime

The sublime means a quality of greatness which inspires wonder. From the 17th century and so on the concept and emotions it contributes have been a main source of inspiration for artists and writers, especially in relation to landscape.

Throughout the Italian Renaissance the concept started to form. The depictions of’ Christ lifeless and suffering’ by Andrea Mantegna and Masaccio, as well as Raphael’s sketches and analyses of skeletons, show us of the certainty of mortality and the not knowing of life– essential elements of the Sublime. Nevertheless, it was only in the Romantic era that the Sublime as an artistic notion gained attraction all round Europe.

enlightenment

The Enlightenment, a philosophical movement that dominated in Europe during the 18th century, was centred around the idea that reason is the primary source of authority and legitimacy, and advocated such ideals as liberty, progress, tolerance, fraternity, constitutional government, and separation of church and state.

romanticism

romanticism consists of contrasting kinds of art, such as painting, literature and music, but can also be applied to photography. A large focus of Romanticism is appreciating the beauty of nature.

Romanticism | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline  of Art History
Romanticism, Academism, and Realism | Highbrow

most romanticism paintings tend to lean to having both terrifying and beautiful features and such immense detail, which is what makes them so interesting and special.

Ansel Adams

Born– 20th Feb 1902

He was a landscape photographer based in California, he also worked on being an environmentalist which lead him to be able to protect certain sights into being modernised.

He mainly focused on capturing eyeful black and white naturality.

Ansel Adams in Our Time - Portland Art Museum
From Ansel Adams to Infinity | Chrysler Museum of Art
examples of ansel adams work

He then started to publish his work in the 1920s.

image analysis

Ansel Adams in Our Time - Portland Art Museum

The way the river is leading into the mountains shows a sense of ominosity, the mountains holding something dangerous. The way this photograph is in black and white also creates an effect of how visually there is a dark mysterious vibe going on. The river intruding the land can be an intake of a snake like trail. The photo is captured from an up wright angle showing all of the landscape.

Romanticism

“Romanticism, attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century.”

Romanticism in in landscape photography and art is a style that rejects classical aspects of an image and emphasises the other aspects. For example the nature and the emotion. This is shown in the deep colours of the foliage and the colour contrast between each item of the photo. Additionally, most images of this style often have a haze or tone over them which i think gives them a more old fashion style. This is also due to the style being popularised in the mid twentieth century around 1950 – 1960. This was after the popularisation of colour photography rather than black and white. In Romanticism landscapes the colours are often phased and blended together which reduces the sharpness of the contrast and colour changes. this provides a softer image to look at which therefore makes the image more relaxing to look at and gives a calmer feel. Romanticism can be seen in many different subjects of all different styles. For example poetry and art. Romanticism in art follows very similar patterns as the style in photography.

DON MCCULLIN

Sir Donald McCullin CBE is a British photojournalist, particularly recognised for his war photography and images of urban strife. His career, which began in 1959, has specialised in examining the underside of society, and his photographs have depicted the unemployed, downtrodden and impoverished. He was born on October 9th, 1935 and has now aged 86 years.

McCullin took a range of different kinds of images such as, landscape, rural, war photography, portraits, close ups and much more. He is most known for his war photography because of how powerful most his images are, but he also does have a big amount of good landscape photos.

“Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin

Don McCullin landscape photos:

Image analysis:

Don McCullin Is a War Photographer. Just Don't Call Him an Artist. - The  New York Times

In this image you can see multiple people that seem to be running away from something unknown but it can be imagined they are escaping from war that is happening where they are. The image is displayed in black and white due to this photo being taken many years ago which I think makes the image look more effective and creates a dark tone. In the background you can see a lot of fog/smoke which was confirmed to be tear gas due to soldiers gassing the neighbourhood. McCullin seems to be attempting to catch emotion with this image by photographing people who seem to be running for their life which at the time all the people are going to have many emotions at the time such as, frightened, shocked and helpless. On the wall there are people that look like their wearing soldier uniform such as a helmet and some look to be holding a weapon. This means this image must’ve been taken during the World War in the 1940s which is when most of Dan’s images were photographed.