Henry Mullins

Henry Mullins was a mid 19th century photographer based in Jersey. He was the first professional photographer in Jersey and started his business around 1848, called the Royal Saloon. He had photographed most of the more affluent and influential people on the island at the time. After his death, over 20,000 negatives were collected by Clarence Philip Ouless which were put into sets in his collection and given to La Société in only recent years.

Diamond Cameo

A Diamond Cameo image is a collection of portraits of the same person taken at different angles and arranged into a diamond shape, usually with the side images having the model face in an outwards direction and the top and bottom images being either a straight-on shot or slightly turned to the side. The images used in a Diamond Cameo also have no shadows, which is likely a result of the natural light used in studios at the time.

My own examples

Evaluation:

I like the idea of taking the classic diamond cameo layout and experimenting with it to create something new and more intricate. However, I don’t think the images I used fit the role in a diamond cameo sequence too well, so next time I will try and cover all of the angles so it can be more successful.

Sequences/Grids

A sequence or grid is simply a collection of images usually in a standard order which can be organised in whichever way the photographer chooses. This organisation can help create storytelling by connecting the pictures through similarities or other patterns.

My own examples

Juxtaposition

Mike Terry

Mike Terry is a New-England, Australia based photographer/filmmaker and anthropologist who has worked in several countries such as the UK, US, India, Germany, Haiti. He has worked as a visual and online producer for filmmaker Yulia Mahr’s studio and is currently a visual producer for the school of environment and rural science in New England.

Juxtaposition is placing two or more images together that are different from each other, but have links made by these differences. These differences can be in colour (in the example above there is a difference in colour, but they make a link as they use complementary colours), shape (both are triangular shapes), lighting, poses, etc…

My own examples

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Evaluation:

I enjoyed experimenting with multiple images as it allowed me to look at connections between them, rather than within a singular image. I think I understand the concept well and I am happy with the way the images turned out, however (at the time of writing this) I felt like the options I had from the photographs I have made were few.

Multi-Exposure

Man Ray

Man Ray was an American 20th century painter and photographer who produced a variety of major works in the surrealism and Dada art movements. He mainly worked in Paris, and while he worked there he rediscovered the camera-less photogram method of photography which he named Rayographs, he used this method to create many famous Dada images.

Multi Exposure refers to a singular image which has been created by either exposing a singular piece of film to two or more images (analogue), or by stacking two or more images on top of each other with different opacity/blending settings (digitally). Usually these images are created with the same model in different positions, or a singular model with a landscape image exposed with them, both creating a surreal and unnatural image.

My own examples

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Evaluation:

I like the way these images turned out, the use of different blending options gave me a lot of different possibilities when editing, which I think I will develop in later photoshoots. Next time I think I should incorporate more colour into this type of editing to see what effects can be made.

Photomontage

John Stezaker

John Stezaker is a British artist who is best known for his collage works that distorts the face of the model, using another portrait or landscape image. His work has been described as surrealist and correlates to the pop-art style.

A photomontage is an image that has had other images placed on top of it to create an unnatural scene, this can be done digitally with software such as photoshop where you can cut parts out of an image using the tools provided, or it can be done in analogue, using printed/physical images that are cut out with some sort of knife or scalpel. As the images used are usually different, there will be different lighting, colours, etc… which, when put together, creates unique, unnatural images.

My own examples

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Evaluation

I like the way these images turned out, as well as how each is slightly different from one another. I think my favourite is the one with the hooded figure with paper covering its face, as it has a sense of mystery behind it. I think a photomontage could be an interesting concept to return to for later work.

initial edits in Lightroom

for my final images I wanted them to also be black and white in order to keep them similar to my artists work by playing with softer daylight and shadows on multiple colour backgrounds it will help the tones of the images to vary just like Francesca woodman’s work. And to help stick with the theme of loss of identity

by having only 2 images with darker shadows it allows me to portray a better story as they slowly become darker as the loss of identity occurs similar to Woodman’s later work where tones and shadows were much deeper than in her early projects.

I wanted these images to have a timeless feel as the tones are varied and they leave the images up for anyone to interoperate in their own way.

final images after Lightroom

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Reworking ideas

for my reworking I went on photoshop and played around with multiple layers to create some more

Comparison

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Both mine and Woodman’s work have an almost awkward layout with the objects in the image I think I managed to give my image a feel of her work through the lighting and camera settings I also used a double exposure to emote her other work which is often taken with a slow shutter speed.

However my image is slightly softer than Woodman’s hers shows a deeper insight into her identity as a person as it is a self portrait.

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Final Images:

Kensuke Koike

Here I have recreated one of Koike’s pieces of work using photoshop. To make this piece I took two original images of my dad and brother, edited them so make them monochromatic and them took triangle sections from my dads eyes and placed them over my brothers face to create a weird optical illusion. the fact that my dad has so much more facial texture than my brother makes for an interesting image as contrast is created through the difference between smooth and uneven skin.

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Furthermore, I like how these two pieces are so similar yet so different, as Koike’s piece is composed of three different people whilst mine is only made of two, but, they both still link to the idea of family identity. I think that the second piece in this gallery is the most successful as the tones are subtle, even though this isn’t as much like Koike’s work, I still think that it came out as a good artist reference as it clear I have mostly copied his work. In addition, I took his style of image and created it in colour, but it think the texture in this image isn’t as visible, so it lacks depth.

Yoshikatsu Fujii

I have combined two old family photographs, one from my mums side and one from my dads. I created this piece by placed these images into Photoshop, then taking a image of an red string from google and placing in it the middle, so it would look the same as Koike’s. The main reason for me recreating his work is because I am intrigued by his ‘Red String’ project, which is based on the distance in his family after his parents separation.

Here I have selected two images of my grandparents when they were young, one from my mums side and one from my dads. On Photoshop I cropped both of these images, cropping out some people that weren’t as influential to me and my parents lives, so I was left with less of my family members. Afterwards I used the brush tool, adjusted the side using the bracket keys, and took many attempts and drawing a line down the middle to represent the string in the image above, as there was no images that were useful on google.

The idea behind this piece is that my dads side of the family would contrast with my mums, the piece on the right is composed of photos of my grandad, dad, uncle and brother. Whilst the right is of my uncle, aunt, and mum, the red string from my dads side not connecting to my mums, the message of this is to represent how these sides of my family are so different, and you can even see which facial features my dads side of my family share.

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I chose Andy Le Gresley as my artist reference he is most famous for his land scape photography of jerseys coastlines. my images are on the left and Andy Le Gresley’s images on the right.

I think i have linked my images to my artist reference quite well.

I knew there were certain photos I wanted to pair with each other so I decided to spend some time choosing what photos would be paired together.

Experimenting

—Experiment 1:———

Here, I was trying to pair a photo of me as a kid with a bright, colourful one in order to get a big contrast between both images and exaggerate how much has changed from then until now.

I like the way that both of these images work together as the paper helps create a connection between them, however, I’m unsure as to whether the paper makes them too similar to each other, making the pairing look busy/tacky.

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I think these two images work well together as neither image is too busy, allowing both to stand out instead of competing with one another. I decided to pair a simpler version of the older image as the final version was too busy for my liking and didn’t work well whatsoever with the other edit.

–Experiment 2:———

Here, I was trying to pair a photo from when I was little. I knew exactly what photos I wanted to try pairing with it as I attempted to recreate the butterflies on my face during my final photoshoot.

I really like how the images look paired with one another, especially as it looks like both images are looking at each other, creating an almost sad atmosphere surrounding the images due to how different they are from one another and how their positions/completions should be switched.

I also really like how this pairing looks. I think the lack of colour helps bring both photos together as it makes the contrast between them more dramatic whilst the small pop of colour from the plaster and stickers stops the images from being too different from one another.

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As my final pairings, I decided to go with these pairings:

What went well:

For my photography mock exam, I produced multiple images but only chose to use 4 as my final pieces. I am happy with the way all my images ended up coming out using photoshop and lightroom. I like the way I was inspired by multiple artists and used my own approach to create my own style of images. I am happy that I was able to include at least one of my images from when I went to Bluey Bay hotel to take some photos because I think abandoned/derelict buildings are one of the best areas to go to for a photoshoot.

What didn’t go well:

For my next mock exam project, I will make sure to take a lot more photos so I have many more options to choose from in the future. I would’ve liked to include more photos from Bouley Bay hotel but most of the photos I took didn’t turn out in the best quality. Also, I would’ve liked to have more ideas for good edits on some of the photos I took.

Conclusion:

Overall, I am very happy with my final outcomes and the work I produced.

To show all of my edited best shots, I wanted to create a virtual gallery. This will showcase them before I create my physical final outcome, with a select few images instead, which would be done by hand.

I will follow these steps in photoshop –

1. Download an empty gallery file.
2. Insert your images and place them on the walls of the gallery.
3. Adjust the perspective, size and shape using CTRL T (free transform).
4. Add things like a drop shadow to make the image look more realistic.

Creating the virtual gallery

Final piece –

For this outcome of my final pieces, I am really pleased with how it turned out. This is because I like where I have places the photos, as they fit nicely and don’t make the picture seem too overcrowded or busy, which gives it the impression that this has been a picture which someone has taken from inside a real gallery that you would see in real life. The with the use of the drop shadows, I really like how they transform the photos to look as if they are realistic frames around them which the lights are transforming as it makes them look 3D.

I also like how there’s a slight pop of colour in the middle because it shows how even if you’re in solitude, which can seem sad or lonely, you can also use books to show the positive side of reading due to the stereotype of it being depressing and shows how it is used to spread positivity and impactful/meaningful messages towards people to spread awareness of these issues. I really liked creating this “Virtual Gallery” in Photoshop because I think that it is a unique way to present your ideas, which makes it look real.

This was by far the biggest piece of work I have done for this project. I had to individually import, crop, export, edit, resize and insert 54 different photographs. This was a very time-consuming process, but I believe it was worth the time. It is telling a story of my entire family’s ancestry, going back as far as my great-great grandfather. It also includes my grandparents as children, growing up to have their own children, being my parents, leading to my parents with me.

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Whilst producing my collage, I wanted it to contain one central, bordered image that would have a lasting effect on whoever was browsing my work. For this reason, the image I chose was of the flowers lain on my Grandad’s coffin. Soft, but powerful. I applied a border by drawing a rectangle around the photo after the collage was complete. I coloured the rectangle black and applied a white border stroke around the edge to make it stand out more.

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After this, all that was needed was some slight readjustments to some of the images as there were a couple of minor gaps that needed filling. Once that was done I had a resulting product that I was happy with.

What is identity (in photography?)

(Social identity and loss of identity focus)

Identity itself is the fact of being who or what a person or thing is. Identity in photography is more about how a photograph resembles the likeness of what appeared before the lens. So, in the case of a profile picture, family album or mug shot, identity is based on the repetition of sameness that is evidenced by the image produced by the camera.

Identity can be influenced by many things including where you grew up, the people you are around, your heritage etc.

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Carole Benitah

is a French Moroccan photographer, who worked for ten years as a fashion designer before turning to photography in 2001, explores memory, family and the passage of time. I find these images very interesting as they are a fresh take on displaying emotions such as grief and the feeling of not belonging while using old family photos to link in heritage. I will definitely be using this as inspiration for my project.

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Corrine Day

was a British fashion photographer, documentary photographer, and fashion model. She was a photographer whose influence on the style and perception of photography in the early 1990s and onwards has been immense. Self taught, Day brought a more documentary look to fashion imagery, in which she often included autobiographical elements. She has projects on vitality / pressures of youth.

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Diana Markosian

takes an intimate approach to her photography and video storytelling, Her work is represented by Galerie Les Filles du Calvaire in Paris, France and Rose Gallery in Los Angeles, California. She has projects that focus on cultural, geographical and political identity. For example in the photos below she explores unseen parts of foreign culture and the “forgotten” people from older generations who still remember and embrace century old traditions and ideas. For example the first picture was taken on the outskirts of Havana, neighbours gathered in the street waiting for a girl to emerge from her house for her quinceañera. She uses wide shots to show the scale of the gathering, which I think she has done purely to emphasise how important this is in their culture.

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