Shoot 1 – Outside

For my outside photoshoot I went to the La Crete Shellfish van that sells outside Homefields Farm Shop. The guy there was very friendly and was happy for me to take photos of him.

About La Crete Shellfish:

This is taken from their page on getfresh.je:

La Crete Shellfish is committed to creating a sustainable supply of seafood servicing both wholesale and retail customers. Our seafood trailer is located at Homefields Growers in St Clement.We pride ourselves on supplying quality seafood at affordable prices whilst supporting local fishermen and producers in these challenging times. Our range of products includes local shellfish (lobsters and crabs, cooked to order), oysters, fresh crab meat and hand dived scallops as well as a wide selection of fresh fish (mackerel, salmon, bass, seabream, brill and many more), smoked fish, prawns plus additional products such as seafood soups.

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Best Image:

Shoot 2 – Inside

For my inside photos I photographed a worker at Reid’s Pharmacy. Unfortunately it was a small shop, with prescriptions behind the till that had peoples names on them, so I could only photograph from a certain angle to protect the patients confidentiality.

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Best image:

Creating still life compositions can be done in many different ways due to the diverse combinations of lights, backdrops and camera height, and camera settings that join together in order to create an interesting set of photos, even when using the same prop throughout the photoshoot.

For example:

Smaller Set Up:

This set up allowed the lighting to be 100% controllable as the lights allowed the temperature to be changed along with the brightness through the use of nobs on the back of them which could give the photos a yellow or blue tone whilst saturating the colourful background. Along with that, the lights had ‘barn doors’ which could subtly change the direction of the light without moving the whole light itself, making it easier to eliminate shadows.

Some examples of our photos:

Bigger Set Up:

This set up used flash head lights that only flashed when the shutter button on the camera was pressed which created harsher lighting and increased the exposure of the photo, especially as the product table was white as it helped brighten the image further. The product table was had an infinity curve which eliminated the shadows from the images and gave the photos a professional look.

Some examples of our photos:

Birds-Eye Set Up:

This set up was difficult to use as we had to stand on a stool in order to see what we were photographing which led to a lot of trial and error as we couldn’t tell if the photos were in focus until after they were taken. We changed the light set up and used flash head lights which took some time as the lights didn’t want to connect to the camera but it created better lighting for our images.

Some examples of our photos:

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My portraits from Hamptonne, I lightened and edited the images to make them look warmer and softer looking.

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As a class we took a trip to the Jersey Museum to take a look at their exhibition- “People, Power, Protest”, which looks at the history of protest on the island. One of the earliest subjects is The Jersey Corn Riots, a historic event where farmers on the island protested about food shortages and the increasing price of wheat. This event has paved the way for Jersey’s democratic journey, and recently had its 250th anniversary.

Other subjects were Apartheid, LGBTQ rights, and BLM, giving the exhibition a more contemporary view. Downstairs they also had an exhibit looking at the history of the island, with information on Neolithic times, Farming and Tourism. This allowed for a large range of imagery.

My Images-

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Walker Evans

Walker Evans was an American photographer who mainly focused on documenting the effects of the great depression however he also produced some still life images using tools which he published in a portfolio named ‘Beauties of the common tool’. in 1955.

Darren Harvey-Ragen

Darren Harvey-Ragen was another still life photographer who was known for taking more abstract images of sculptures positioned on a solid white background while both Walker and Darren photograph still life Walkers images are very consistent as the objects are always centred and taken from an above angle without shadows, while Darren uses a landscape approach and plays with angles and shadows in his images.

What am I photographing?

For this photoshoot I will be taking portraits photos of people in their working environments

How am i going to produce the images (lighting / equipment etc)?

I will be using just my cannon DSLR camera and possibly my phone camera with no extra lighting tools

	location	subject	photo type
Inside	Homefields	Fishmonger	waist up, headshot
Outside	Grouville Bus Shelter	Grouville School Site Manager	full body, headshot
Multiple people	Hautlieu Canteen	Students	Full body

Environmental portraits are portraits taken in the subject’s usual environment home or place of work, showing both the subject and the background.

Mood Board-

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Artist research-

Michelle Sank is a South African photographer who uses environmental portraits to explore societal and cultural differences, especially in the UK.

I like the simplicity of her work, often it is a single subject surrounded with an intentionally limited background, the lighting is often neutral and the interest comes from the models themselves.

Planning-

One of my friends is dying her hair so I decided to take pictures of her doing that. Another friend is coming to help her dye it so I can take my pictures with multiple people at the same time. I will take pictures around her house, but specifically her bathroom and bedroom.

The Shoot-

Contact Sheet-

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Evauluation-

I enjoyed taking all of these pictures but if I were to do this task again I would have taken more and tried to organise the composition a bit more. In the future, I want to communicate more with my subjects to get better images. The lighting was not great and I probably should have done the shoot a little later in the day.

An Image is an Environmental Portrait when the Model and their Environment, the foreground, mid-ground and background, are linked through the actions or appearance of the Model, as if they are a part of that Environment.

Mood Board of Environmental Portraits

Ideas

Plan

Outside Photoshoot

For my outside photoshoot I will be taking pictures of my uncle doing archery. I will go to the archery range on the 17th October because it is sunny on that day, which will allow my images to have natural lighting. I also want to do the shoot on Sunday because we will be doing a Clout Shoot and because it is a less modern style of archery, we will be using an older type of bow and will wear a medieval-themed shirt, which will loosely link to Heritage. I wanted to take pictures of him doing archery because we have both done it for years and we both enjoy a lot.

Inside Photoshoot

For the Inside photoshoot I will take pictures of a hairdresser cutting someone’s hair at the salon they work at, which will allow me to make the images more recognisable. I will go on the 16th October, when it is not too busy, and I will be using artificial lighting, with fairly bright natural light coming through the door. I decided to take pictures of a hairdresser because I thought it would be a good way for the model to get into poses that are easy to notice and correlate to her profession.

Two or more people

I will be photographing my mother and one of her friends while they are doing a fitness routine. I will be taking this photoshoot at Le Braye (on the dunes) because it has a flat surface and a fairly plain background, which allows the models to be the main focus, on the 16th October because it was also sunny on that day, which allows for good natural lighting to be present in the photograph. My mother used to work as a fitness instructor, so I thought it would be a good idea to capture her skills within a photoshoot.

Bert Teunissen

In this image, the exposure is fairly low, which allows for the shadows to be clearly seen and made darker, giving the image a dismal, run-down look. The composition of this image is created primarily through the pipe in the centre of the image, with leading lines from the chili’s, windows and other furniture. It is arguable that the focal point is either the pipe in the centre or the man on the left. Lighting in this image overall is not too harsh, although light shines through the windows creating brightness. The artist likely uses colour as a way to show the situation of this person, with his house looking fairly run-down, which directly contrasts with the chili-peppers which would, supposedly, act as his livelihood. The model’s whole body can be seen and he has not been posed which could have been done by Teunissen to show that life for this person is mundane or glum. The image was taken level with the model, with the camera being positioned fairly far away, allowing more of the room to be seen. The model is fairly small compared to the rest of the image, which could possibly show how this man’s livelihood is of utmost importance to him in order to survive. The model is looking directly at the camera, which could have been done by the artist to make the model appear saddened or stressed about his situation.

Outside Photoshoot Contact Sheet

For these images I wanted to edit them in a simple way, by slightly changing the exposure, contrast, highlights/shadows and whites/blacks, which would allow for the colours and lighting to stand out more.

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I think this is the best image from this set because I like how there is a difference in tone from the top and bottom halves of the image, as well as how the model inverts that difference in tone with their clothing (the darker parts of his clothing is positioned at the top half of the image which contrasts with the lighter sky, and his white trousers are in the bottom half creating another contrast). I decided to make the image black and white to make this correlation between the model and the background clearer

I decided to edit these next images in a similar way, I made the vibrancy low to create a dark red on the clothing of my model which contrasts nicely with the rest of the image which is left fairly dark and colourless.

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I think this is my best image for the Outside Photoshoot because of how the image is laid out, with the other model’s upper body being positioned inside the bow of the closer model, which creates another frame within the image, as well as how both models have a similar pose like they are synchronised with one another. I also like how the colours in the image are shown, with red and white shirts contrasting heavily with the darker green.

Inside Photoshoot Contact Sheet

I edited these images in a similar way to the last ones, with only subtle adjustments, because I thought the colours of the models’ clothing worked nicely with the mainly black and white colours of the salon.

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I chose this as the best image from the indoor photoshoot as I like how both models have their own frame or background around their head (with the model on the left having a white background surrounded by the black frames of the mirrors, and the model on the right having a mirror around their head, which is almost the complete opposite of what is shown around the model-on-the-left’s head). I also like how the image is primarily made of black and whites, yet some colour such as blue and green manage to make their way into the image and contrast with the black and whites.

Two or More Models Photoshoot Contact Sheet

For this set of images, I edited them in a simple way as well, this was so that the different colours, the warmth and tones of the images are kept close to the originals. I did this because I liked how the images turned out without editing them.

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I thought this was the best image from the Two or more Models photoshoot because I like how there is a large variety of colours in the image, with blue and green being the majority of the colour in the image’s background and pink and black being the colours of the models’ clothing, creating a contrast. I also like how the models use the blue of the sky as a background for their head, which makes their faces stand out more as the sky has very little in it, while their lower bodies use the green on the ground as their background.

Final Images

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Evaluation:

Overall, I am pleased with the outcomes of the photoshoots, I think the images correctly show what the atmosphere is like in those professions/doing those hobbies. I would say that my favourite photoshoot out of the three would be the outside one, as I think the images have a lot of energy and an ‘In-the-moment’ feel to them. However, I think I could have incorporated the style of the artist I researched (Bert Teunissen) more successfully, I could also work on my skills with communicating with my models in order to get the exact image that I wanted.

Selecting Pictures Process

Editing An Image

I decide to edit this photograph because I though the lighting was quite good and I liked the way I placed the item. This is because the rope is clearly visible and you can see all the small details on it which I thing looks interesting. I also liked the colours in the image because they compliment each other. The metal thing with the paint on reminded me of a paint palette.

I started by cropping the image because I wanted the object to be more visible to the viewer. I increased the temperature by a little bit because I wanted to give it a warmer tone and make it softer (the studio lights were a bit too harsh in my opinion). Increasing the whites and shadows made the whole image brighter and I liked that because the details became more visible.

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Final Edits

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