Albert Renger – Patzsch was a German photographer whose photography was cool, detached photos forming a photographic component of the New Objectivity.
In 1925 Albert starting his career in photography as a full-time photographer as a freelance documentary and press photographer. He rejected Pictorialism and experimentation photography who relied on startling technique. In his photographs, he recorded the exact detailed appearance of objects reflecting his early career in science. He felt that the underlying structure of his subjects did not require any enhancement by the photographer. In his book “The World Is Beautiful” he took pictures of architectural and nature to show his clear transparent style of photography.
Alberts photography is black and white which shows the era in which he was taking photos in. Even though the pictures are simplistic being black and white, it can still make an amazing photo as the shadows are enhanced in the pictures making them stand out from the objects moreover, it gives people a focus point on the pictures he has taken as there are no colours involved.
Looking at his pictures, it makes someone think that even the most unattended things in the world that people don’t really pay attention to, can be a mesmerizing photo if you take a focused picture on that object. This is shown in one of his published pieces called “The World Is Beautiful”.
Contact Sheet
Edited Work
Evaluation
I have succeeded in the craft of taking pictures like Albert Renger – Patzsch because, I have taken pictures in which I edited on making them black and white moreover, the scenery in which I choose where man made and they where repetitive for example, the picture I took with a big layout of bricks that are cemented together.
Looking over my pictures, I can see that their are patterns within my pictures and the arrangement of the certain objects in the Frame. Adding onto this, with the contrast of black and white both elements stand out from each other creating an appealing contrast visually.
Albert Renger-Patzsch was a German Photographer born in who specialised in black and white landscapes capturing the beauty of the natural world and also its man made elements specifically industrial architecture. He often shot in harsh lighting which gave his images long shadows and a large tonal range. He liked to shoot ordinary scenes from a unique angle. A lot of his pieces also had rhythmic features as he shot a lot of repeating items. He was also associated with New Objectivity Movement.
Albert arrived to photography when a new generation of photographers were moving away from pictorialism. His work reacted to expressionism, a way to face a reality and to have a figurative approach about photography.
Albert Renger-Patzsch started his work in nature, He drew the eye close to natural elements of the word around us. As he moved on, he began to focus more on modernity and drew our eye to more dynamic angles of our world, his favourite way to do this is by shooting industrialism and in addition to this he focused on how humans have changed the landscape around them.
In his book “The World is Beautiful” he creates a metaphysical description of the world in 1928. There is a thematic progression in the book; it starts with nature and then animals, then landscapes and the world constructed by man and he finishes it with an ambiguous image of a persons hands instigating they are preying or begging. He was aware of a transformative perception that was taking place in the 20s
The new objectivity movement was, simply put a style of photography that emerged out of Germany in the 1920s reacted to expressionism in a way that focused on the objective world. Some of the other artists involved in the era were August Sander and Karl Blossfeldt.
I think another photographer that has been influenced by the new objectivity movement is Henry Wessel. Henry shoots ordinary scenes and withdraws the beauty from them.
My Favorite photos from Albert Renger Patzsch
Image Analysis
The similarities in this image include:
They are both industrial settings which are man made.
They both have leading lines which make your eye travel down the length of the image.
They are both shot with a lot of light and therefore possess a large tonal range
Both images have a repeating rhythm, the image on the left has repeating geometric window frames and the image on the right has repeating factory chimneys.
The differences in this image include:
With the image on the right albert has framed the industrial factory between the two street side buildings, whereas when he took the image on the left he did not frame the building.
The image on the right has a greater depth of field
The image on the left is more geometric, this is created by the perfectly rectangular and uniform windows and the sharp corners everywhere.
My reaction to Alberts photography:
I exercised shooting interesting angles, macro framing and objectivity in our man made and natural world. I focused on finding leading lines that draw the eye to centre of the image. I also shot with a small aperture to create a great depth of field and to create more contrast in the image and accentuate the black and white film photography look that Albert used to shoot in.
Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. He was born in Würzburg and began making photographs by age twelve. In the early 1920s, he worked as a press photographer for the Chicago Tribune before becoming a freelancer and published a book in 1925, The choir stalls of Cappenberg. He had his first museum exhibition in 1927. A second book followed in 1928, Die Welt ist schön (The World is Beautiful). His best-known book is a collection of one hundred of his photographs in which natural forms, industrial subjects and mass-produced objects are presented.
The New Objectivity (Neue Sachlichkeit) was an art movement of the 1920s and early 1930s. It was in part a response to WW1, which had left many people feeling devastated by the worldwide poverty and destruction left in the wake of the war. The movement began in Germany, with George Grosz, Otto Dix and Kathe Kollwitz being some of the most notable participants. Documentary photography became increasing popular, as artists found it to be the ideal way to capture an ‘objective reality’. They used the art form to show off gritty subjects from real life, and to express the truth of their surroundings in a post – war world.
Albert Ranger – Patzsch | The World is Beautiful
IMAGE ANALYSIS
The bridges between the buildings in this photograph create geometric triangle shapes which draws the viewer’s eye to all the blank negative space in between them. The lines created by the buildings are very clear and sharp, which contrasts with the background of the photograph, which is blurry and organic in its shape. The tone of this image is fairly bright, with the white sky being plain and without any shadows. Additionally, the colour of the sky contrasts to the dark and harsh lines of the building. Patzsch has used natural lighting in this photograph, as you can see the natural shadows cast on the side of the building. Repetition is clearly shown in this photograph, as the panes of glass in the many windows create a repetitive pattern across the entire image. Also, the bricks in the side of the building closest to the camera are clearly visible, making another repeating pattern. The black and white colours are both evenly shown, with one not overpowering the other. This creates a more balanced photograph and makes it more appealing to the viewer’s eye, as they are able to focus on one colour without being overwhelmed by the other.
MY RESPONSE – CONTACT SHEETS
My thought process for this photoshoot was to take inspiration from Patzsch and his way of photographing things that would normally be considered boring or dull. For example, I took pictures of the corners that connect the walls in my house and the cutlery in my kitchen drawers. Although the objects in my photographs appear to be random, I thought carefully about what I was taking pictures of, and about how I could make them look more interesting by using distance, light and composition. Throughout the shoot, I experimented with different technical elements such as numerous angles and tone, and I tried not to take the same picture twice ( I wanted to keep all my photographs different from each other ). I took photographs of anything that caught my eye, and wasn’t looking to make my images ‘perfect’. I attempted to link Patzsch’s work on The New Objectivity to my own photographs by researching and reading about his intentions and his processes.
BEST IMAGES
FINAL IMAGE
I chose the photograph as my final image because I think that it reflects Patzsch’s work the most accurately. The contrast in the colour between the bright sky and the dark, harsh tones of the scaffolding imitate Patzsch’s composition in his images. The straight lines across the photograph create geometric shapes which deviate from the more natural, organic configuration of the trees in the background. Additionally, this photograph has a lot of depth to it, making it more aesthetically pleasing for the viewer to look at. I wanted to use natural lighting in order to keep the essence of The New Objectivity, as the movement is about capturing the world as you see it. I also thought carefully about the compositional features, such as the my angles and the distance of the subject from the camera. I did this so I could create and interesting photograph. In order to get the black and white effect, I used a feature on my phone which placed a filter on all of my images.
Albert Renger-Patszch (1897-1966) was a German photographer associated with The New Objectivity. In the early 1920’s he worked as a press photographer for the Chicago Tribune before becoming a freelancer. Patzsch published his first book entitled The Choir Stalls Of Cappenberg in 1925, and has his first museum exhibition in 1927.
In 1928, Patzsch published his second, best known, book The World Is Beautiful- which is a collection of one hundred of his photographs in which natural forms, industrial subjects and mass-produced objects are presented with the clarity of scientific illustrations. These types of subjects are what Patzsch thrived to photograph.
The New Objectivity was a movement in German art that arose during the 1920s as a reaction against expressionism. Patzsch’s work fits with this movement because he believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object. He wrote that the secret of a good photograph is it’s realism, he wanted people to ‘leave art to the artists’ and ‘endeavour to create photographs which will last because of their photographic qualities.’ Artists such as Max Beckmann, Christian Schad and Otto Dix were also part of The New Objectivity movement.
Patzsch Photo Gallery
Patzsch’s photographs are monochrome, using very harsh dark and light tones, with high contrast and low exposure. He uses lots of repetition in his images with industrial buildings and nature, showing elements of the world in their natural forms. Patzsch also takes his photos from many abstract positions, some extremely close to the subject, some from below, he uses a wide range of camera angles and zoom. Many of his photos have a rough spiked texture due to the business of his images and the detailed subjects in them.
Patzsch Photo Comparison
These two images are from Albert Renger-Patzsch’s collection ‘The World Is Beautiful.’ In the first image we can see a gloomy forest filled with tall trees, a representation of nature. However in the second image the subjects are imposing industrial towers, clearly man-made. Also, both images are edited with a monochrome, unsaturated filter- a staple of Patzsch’s photography. One similarity we can see in these images is the repetition of cylindrical objects. In the first image, the trees in the forest are unique with twisted branches and of different shapes and sizes. Contrastingly, the towers in the second image are repeated, however in a uniformed manor with identical structures and shapes. Additionally, the towers look almost like tree trunks themselves, linking to The New Objectivity and the idea that nature is being ruined and replaced by man-made industrial buildings and objects. Moreover, the subjects in both images are not fully in shot, as the frame cuts off the tops of the trees and towers, which connotes the idea that man cannot fully see the damage they have done to the world, they are oblivious.
Nevertheless, there are also many differences between these two Patzsch images. For example, the photos are taken from very opposite camera angles, the first from an eye-level medium shot and the second from a low angle medium shot. The first image’s angle shows nature surrounded by more and more nature, suggesting the power of the environment is fundamentally superior to mankind. However, the angle of the second image paints the industrial towers as intimidating, looking down on everything below them, implying man is always watching. Furthermore, we can see a significant difference in the depth of field in the images. The first clearly has more depth, as we can see trees going far back disappearing into the mist. The second has certainly got depth, however the focal point of the middle tower draws the observers attention, so not much else can be seen in the background. Additionally, the images have contrasting lighting, with the first having much more muted highlights and the second having very bright over-exposed highlights in the background. Patzsch could have purposefully done this to symbolise how nature is being forgotten and ‘muted’ in our minds, whereas industrial buildings and man-made factories thrive while destroying our environment.
My Response – Contact Sheets
In this first shoot, I photographed industrial buildings around the island that I believed best linked to Patzsch’s work. I focused on capturing man-made buildings and objects, looking at the range of tone and texture created by metal and stone. I also looked for repetition of buildings, windows and fences to add more rhythm to my images as Patzsch does.
In my second shoot, I captured elements of nature to link to Patzsch’s photography of the environment. I focused on photographing abstract flowers with rough and soft textures, tall trees with twisted branches and insects that symbolise the beauty of nature.
Final Edited Photos
Final Images
I have chosen these three images as my final evaluation because I believe the nature photos compliment each other well, while contrasting strongly with the industrial. Firstly, I love the high contrast of all these images and the sharp central focal point they all hold. I like the way both of the flower images have a circular shape, I believe the rounded perimeter’s of the subjects help to draw the observer’s attention and focus to the centre of the image. I also believe this contrasts with the second image as it contains more straight lines and geometrical shapes- clearly man made. Next, I really enjoy the repetition of the petals and flowers in image 1 and 3, I think it links well to Patzsch’s work on The New Objectivity. Additionally, I think the natural photos compliment the industrial as both have harsh dark tones and bright highlights. However, in the background of the first and last image, there are dark tones and shadows which enhance the white highlights of the flowers, painting them as clean and pure. Yet, in the industrial image, the bright highlights are in the background creating a dark silhouette of the structure. I chose to photograph this building in such a way to reflect Patzsch’s intimidating industrial images and to contrast with the purity of the environment. The camera angle of this image is also from below the subject which alludes to the idea of man looking down on society.
Albert Renger-Patszch was a German photographer born in 1897 and later died in 1966. Renger-Patszch began his photography career at the early age of twelve, and got his first job in photography in the early 1920’s for the Chicago Tribune. He opened his first photography exhibition 1927 and produced his second book, “The World is Beautiful”, in 1928. This book focused on the aspect of New Objectivity, a German movement as a reaction against expressionism. “The World is Beautiful” displays one hundred of Renger-Patszch’s best photographs which focus on natural forms, industrial subjects and mass-produced objects. Like Edward Weston, in the United States, Renger-Patszch believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object.
Albert Renger-Petzsch’s iconic black and white work could be compared to the work of Ansel Adams, who’s career in photography was also relevant at the time of Renger-Petzsch’s work. The main similarity they share is the uniformed, black an white theme, which allows the viewer to focus on the shape, pattern and lighting rather than the colours.
“Mount Williamson, Sierra Nevada, from Manzanar, CA” – Ansel Adams (1944)
Photo Analysis
Contextual:
This image, named “Fungi Lepiota Procera” was featured in Albert Renger-Patszch’s famous book: “The World is Beautiful”. It is a photograph from his botanical study is of the underside of a mushroom found in woods and pastures within the northern hemisphere.
Conceptual:
“Fungi Lepiota Procera” was taken as a part of Albert’s famous publication in 1928 which contained 100 of his best images that focused on the New Objectivity movement. The purpose of this publication as a whole was to disregard old-fashioned expressionism and to explore the universality of both natural and man made life throughout the world. Essentially, the Renger-Patszch’s idea was to capture the mundane everyday objects and bring their beauty to light by cropping sections of the image and adding a sleek monochrome tone.
Technical:
I believe artificial lighting was used for this image as the photo is of high quality and bold shadows are created. The harsh lighting creates a clear contrast between light and dark within the lines which is exaggerated by the monochromatic effect. the lighting is coming from straight ahead as the shadows aren’t cast in a particular direction and they are all rather even around the surface. The photo is quite flat as there is no background to compare depth against the focal point, and the whole image is in focus, so it is hard to tell if there is a narrow or large depth of field.
Visual :
A pattern of repetition is the main focus of this image, with the repeating lines pointing towards the centre of the mushroom to create a focal point, that being the stalk of the mushroom. the focal point is in the centre third of the image and the other two thirds are taken up by the fine lines leading from the stalk. There is no colour in this photo which accentuates the intense shadows in between the contrasting, white lines
“The World is Beautiful” inspired photoshoot:
I feel like the images in green are my more successful photos as they display better patterns of line and repetition, like the ones seen in Albert Renger-Patszch’s work.
I don’t feel like the images highlighted in red are as successful as my other images because they don’t show repetition or patterns of lines like the work of Renger-Patszch, and for a couple of the images the lighting is too over-exposed. I think these images are less relevant to the subject of “New Objectivity”.
Photoshop Development:
For the first edit, I took a close-up photo of a hydrangea and cropped a section that I felt was the most interesting, with a repetition of curved lines. I used the invert tool to change the shadows and highlights and then changed the image to fit the monochromatic theme of Renger-Patzsch’s work.
For the second and third edits, I cropped what I felt like was the focal point of two succulents and used the monochrome filter to fit Renger-Patzsch’s black and white theme. These two photos are more relevant to the theme of New Objectivity as they display clearer patterns, texture and repetition.
I used natural lighting in these photos to prove the true, natural beauty of the subjects in their natural form. I chose to focus on Renger-Patzsch’s photographs on natural forms, as I felt the patterns and repetitions produced by nature are more interesting to the viewer as they are not man-made, therefore there is less explanation to the way they look which, in my opinion, makes them more beautiful.
German photographer Albert Renger Patzsch was a pioneering figure in the objectivity movement, which sought to engage with the world as clearly and precisely as possible.
He focuses on black and white photography and noticed the changes that the world was facing during that period in time. The industrial revolution was still reasonable new at this stage so where lovely views once were, large buildings constantly creating smoke and smog replaced them.
In addition to this, he focuses on repetition of patterns and items so I will try and make sure that if I take a picture of one singular thing, it will have a pattern or texture that is repeated.
His project “the world is beautiful” looks at the way the camera interacts with things in the world. One of photography’s fundamental attributes is its capacity to adopt a range of relationships with its subject. Renger-Patzsch’s approach embodied his belief that ‘one should surely proceed from the essence of the object and attempt to represent it with photographic means alone’ (taken from the national gallery of Australia)
Image Analysis
Albert Renger Patzsch
It looks like this image was taken in a natural light as there is no glare on the buttons from where the flash had hit it. In addition, the buttons have a slight shine from the sunlight.
Some of the buttons have a slightly rough texture causing the light to only make the first half of the button shine as the raised bumps are creating a shadow for the rest of the button.
The image has a playful and nostalgic mood as many people who went to haberdashery shops always saw 100s of buttons lay around in different places. The viewer may have played with the buttons on their shirts or cardigans causing happy memories to flood back.
Image Analysis
Albert Renger Patzsch
This image shows lots of loaves of bread all lined up on a wooden surface. They seem to be uncooked as there is no varying shades on the bread that the viewers can see. However there is a few different textures allowing the reader to focus on the ends of each loaf rather than the middle.
The fact that they are all an equal shape and are all in rows and columns allows the viewer to see that this was taken in a factory or bakery because not many civilians had the time to make that many loaves of bread.
However, the image creates a homely mood because even by looking at the image, the viewers could be able to imagine what the smell of the freshly baked bread would be like once this batch had come out of the oven.
The tones in this image are mainly light, except for the gaps in-between each loaf and also between the wood and the bread, where they block the raised parts of the bread block out the light for the loaves either side of it. This repeats throughout the whole image.
Images by Albert Renger Patzsch
Shoot One
Favourite Images (unedited)
For my First shoot, I went out to St Aubin. I went there because it has so many things that repeat. For example, the boats that are parked in rows in the harbour; the ladders surrounding the harbour so people can get out, the chains attached to the anchors and also chains that are used as a barricade.
Favourite Unedited image
My favourite unedited image would probably be the rusty chain as it shows that they can be used for a very long time ; and was created in mass during the Industrial Revolution when Renger was alive.
Lighting: The natural light allows the copper colour to pop and also highlights the peeling of the corroded metal.
The shadows that are created on the floor by the coiled up chain allows the viewer to focus on something other than the rusty chain, it allows the view to wonder whether the dark patch has anything underneath or whether it is just an empty space.
The links in the chain allow the viewer to see a common pattern; however, the cracks that are created by the rusty chain allow the viewer to focus on the different shapes that the corrosion had created.
Edited Images
Favourite edited image
This is my favourite outcome from this shoot because I love the texture on the chain and how it’s beginning to corrode and therefore has chunks of each link missing. The chunks that are missing from the chain are a way to keep the viewer interested in the image because if it was just a normal chain it would be boring as most chains are the same. One could say the corrosion gave it some character.
The sunlight also hit the corners of each link causing there be be a shadow in the centre of the links as each link blocked another’s light.
The chain is a little off centre because I wanted to keep the drop from behind the chain in shot.
Shoot two
For my second shoot I was inspired by Patzsch’s image of five buttons on a plain white surface. My mum does a lot of sewing, so I took a few photographs of what was in her sewing box. The tape measure is between 80-90 years old as it was my Great Grandmother’s. I used the tape measure in particular because of its age, and the fact that Patzsch’s images were taken in black and white which is often associated with the past.
Successful unedited images
Successful unedited images
Successful Edits
These are my most successful edits. I prefer some of these images more than the first shoot I did. I loved taking the close ups of the tape measure and thread as individuals rather than in the group with other items.
Favourite Image
I cropped this image to make the tape
measure be the focus of this image, however I didn’t make it central because I
wanted to keep the end of the tape measure that was lose in the image as well.
I didn’t have the flash on my camera as I wanted the light to be smooth. So the light used was from the window just as the sun was above it, so it created a natural glow on my surface.
The tape measure, because of it age, has some dints in the fabric which creates kinks in the what seems like an infinite spiral. In addition, the tape measure’s paint has worn a bit which links with the main idea of things changing over time. This tape measure is very old, and I think it works well with the black and white filter.
Albert Renger-Patzsch was born in 1897 and died in 1966 and was a German photographer who mostly shot in black and white and was associated with the New Objectivity
New Objectivity was a movement in German art in the 1920’s as a reaction against expressionism. It was a return to focus more on the objective world, instead of abstract or romantic. Some other artists that were associated with New Objectivity were Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen.
He made a book in 1928, ‘Die Welt ist schön‘, which translates to The ‘World is Beautiful’, which is a collection of hundreds of his photographs of industrial buildings and areas, mass produced objects and natural forms. These were all in black and white, usually with great contrast between the darks and lights in the image. Lots of his images also focused on geometric shapes and repetition throughout the image.
Image Analysis
These are both images that Albert Renger-Patzsch took as a part of his ‘The World Is Beautiful’ collection.
One is an image of an industrial building, and one is an image of a deep natural woodland area, but they have many similarities aswel as differences.
Both images are taken in black and white which emphasizes the shadows created by the objects in the frame. This is seen in the dark shadows underneath the tops of the towers in the image on the left, as well and the gradient from light to dark grays on the rounded edge of the towers. These dark shadows are similar to the natural image on the right as the darkness of the trees create a silhouette against the light, foggy background, creating a high contrast between the focus objects and the background, which is also seen in the image on the left. The image on the left is very geometric with the towers and buildings completely vertical and straight in the frame. Where as the image on the right is more organic as the trees are all varying at the angle they are leaning, with different bumps and curves on each of them. The framing of the image on left is so that the image is almost completely symmetrical, which links to the idea of a man made factory creating hundreds of the same product. The image of the right is much less symmetrical and uneven, which shows the randomness of nature. Both images use layers and camera positioning to create a sense of depth. In the image on he left, the camera is focusing on a taller building behind 6 other smaller buildings which create a ‘tunnel’ towards the larger one. The bigger tower also has a lighter tone showing that it is further away from the camera than the other towers. Although both images are in black and white, the one on the right has more warm tones than the image on the left. The left image also has a higher contrast between the buildings and the sky because the whites of the sky are brighter with a higher exposure. This makes the right image more inviting as it gives off more warm as well as natural feelings. The photograph on the right was shot at chest height looking parallel to the ground to see into the woods through the trees, but the photograph on the left was shot from the ground looking up up at the buildings. This angle accentuates the size and scale of the buildings giving them more depth, as well as creating an immersive feeling of being surrounded by the buildings.
My images – Contact Sheets
A contact sheet is a way of displaying images from when film photography was commonly used. It is a sheet of printing paper that displays a whole shoot of multiple images. They provide a quick way to look at lots of images quickly in the same place.
Contact sheets were originally useful to quickly scan through a group of photographs to find the best ones to enlarge. Now it is used to quickly find the best ones to further edit and improve.
