Tag Archives: Realism Photography

Personal Sudy – Art Movements and Isms

Pictorialism

Time Period

1880 to 1920

Key Characteristics/conventions

Photographs that resemble art, making photography handmade, break away from commercialism.

Artist Associated

Alfred Stieglitz, Julia Margret Cameron, Peter Emmerson, Alvin Langdon Coburn, Photo-succession, Brotherhood of the linked ring, Vienna camera club.

Key Works

Alfred Stieglitz – Equivalent (cloud studies)

John Everett Millais – Ophelia (inspiration)

George Davidson – Reflections

Methods

Vaseline on lense

Scratching the negative

Brushing prints with chemicals

Realism

Time Period

1915

Key Characteristics/Conventions

Break away from pictorialism, focus on sharp focus, shape and form.

Artists Assosiated

Paul Strand, Edward Western, Walker Evans, Cunningham

Key Works

Paul Strand – Photograph, Blind woman

Dorothea Lange – Migrant Mother

Walker Evans – Alabama Tenant Farmer Wife

Methods

Picture looks like it does in the viewfinder, emphasis on framing, abstraction and sharp focus.

Modernism

Time Period

1900 – 1940

Key Characteristics/Conventions

Reaction to the enlightenment, examine impediments holding society back. New alignment with the experience and values of modern industrial life. New imagery, materials and techniques to create artworks that they felt better reflected the realities and hopes of modern societies.

Artists Associated

Picasso, Paul Strand, Alfred Stieglitz, Dora Maar, Edward Weston, Man Ray

Key Works

Edward Weston Nude 1936

Edward Steichen A Bee on a Sunflower 1920

Dora Maar Untitled (Hand-Shell) 1934 

Herbert Bayer Humanly Impossible (Self-Portrait) 1932

Tina Modotti Bandelier, Corn and Sickle 1927

Man Ray Glass Tears 1932

Methods

False brass lens to the side of camera, abstraction and a highly defined clarity,  photomontage,  cropping and framing a single body part, distorting and accentuating its curves and angles,  solarisation and using photograms (developing directly onto photographic paper rather than onto film) 

Postmodernism

Time Period

1970 – 2000

Key Characteristics/Conventions

Reaction against the ideas and values of modernism, as well as a description of the period that followed modernism’s dominance in cultural theory and practice in the early and middle decades of the twentieth century. Scepticism, irony and philosophical critiques of the concepts of universal truths and objective reality.

Artists Associated

Cindy Sherman, Jeff Wall, Sherrie Levine, Jean Baudrillard, Edward Burtynsky, Jeff Koons

Key Works

Jeff Koons – Three Ball Total Equilibrium Tank (Two Dr J Silver Series, Spalding NBA Tip-Off) 1985

Marilyn Diptych by Andy Warhol, 1962

Cut Piece by Yoko Ono, 1964

Joseph Kosuth – One And Three Chairs (1965)

Methods

artists experimented with form, technique and processes rather than focusing on subjects

interpretation of our experience was more concrete than abstract principles

Art Movementes and Isms

Pictorialism

Time Period : 1880-1920

Key Characteristics: The make it look like art, look handmade. It reacted against mechanization and industrialisation. They abhorred the

Methods/Techniques/Processes: Rub Vaseline on the camera lens to blur parts of the picture. Scratch the negative, and use chemicals to create an interesting print.

Artist Associated:
Alfred Stieglitz. He was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O’Keeffe.

Hugo Henneberg. An amateur photographer originally trained in the sciences, Henneberg came to the medium from his study of physics, chemistry, astronomy, and mathematics. His knowledge of the technical aspects of photography served his aesthetic interests particularly well, as he created gum bichromate prints that involved multiple stages of development.

Julia Margret Cameron. The bulk of Cameron’s photographs fit into two categories closely framed portraits and illustrative allegories based on religious and literary works.

Realism / Straight Photography

Time Period : 1915

Key Characteristics: Politics, Revolutions, Cubism. Straight photographers were photographers who believed in the intrinsic qualities of the photographic medium and its ability to provide accurate and descriptive records of the visual world. These photographers. Realism photography grew up with claims of having a special relationship to reality, and its premise, that the camera’s ability to record objectively the actual world as it appears in front of the lens was unquestioned. A belief in the trustworthiness of the photograph is also fostered by the news media who rely on photographs to show the truth of what took place.

Methods/Techniques/Processes: Sharp Focus, Shape, Form, To face reality. “The camera is an instrument of a new kind of vision.”

Artist Associated:
Paul Strand. He was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century.

Walker Evans. Often considered to the leading American documentary photographer of the 20th century. He rejected Pictorialism and wanted to establish a new photographic art based on a detached and disinterested look. He most celebrated work is his pictures of three Sharecropper families in the American South during the 1930s Depression.

Modernism

Time Period : early 1900s through to the 1960s.

Key Characteristics: characterised intellectually by a belief that science could save the world and that, through reason, a foundation of universal truths could be established. The common trend was to seek answers to fundamental questions about the nature of art and human experience. Modernity imbue all aspects of society and are apparent in its cultural forms including fiction, architecture, painting, popular culture, photography.

Methods/Techniques/Processes:

Artist Associated: Joe Cornish. He is a British photographer noted for his large format landscapes. Born in Exeter, Devon, England in 1958, he graduated with a degree in Fine Art from University of Reading in 1980 and then went to America to train as a photographer’s assistant.

Ansel Adams. He was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating “pure” photography which favoured sharp focus and the use of the full tonal range of a photograph.

Edward Weston. He was a 20th-century American photographer. He has been called “one of the most innovative and influential American photographers…” and “one of the masters of 20th century photography.”

Post-Modernism

Time Period : second half of the 20th century

Key Characteristics: Postmodernism is relativism – the belief that no society or culture is more important than any other. It explores power and the way economic and social forces exert that power by shaping the identities of individuals and entire cultures.

Methods/Techniques/Processes:

Artist Associated: Anna Gaskell. She is an American art photographer and artist from Des Moines, Iowa. She is best known for her photographic series that she calls “elliptical narratives”

David LaChapelle. Is a famous American pop photographer, moviemaker and video artist that made his name by shooting celebrities like Lady Gaga, Kanye West, Michael Jackson, etc. But unlike most “celebrity photographers” he expands his portfolio with other kinds of work and creates beautiful exhibitions. His photography often references art history and sometimes conveys social messages.