Tag Archives: headshots

headshots – deadpan

A head shot or headshot is a modern (usually digital) portrait in which the focus is on the person. Head shots are used in many different ways, for example actors, models, and other performers are usually required to present a range of head shots alongside their portfolio and CV when applying for a job. This is so their employer can see exactly who they are ( i.e. age, ethnicity, etc. ). It is therefore important that they are taken in the right and most flattering way.

THOMAS RUFF

Thomas Ruff ( 1958 – ) is a German photographer who has been described as ‘a master of edited and reimagined images‘.  In 1974, Ruff acquired his first camera and started to experiment, taking shots similar to those he had seen in many amateur photography magazines. During his studies in Düsseldorf, Ruff developed his method of conceptual serial photography. He began photographing landscapes, but while he was still a student he transitioned to the interiors of German houses, with typical features of the 1950s to 1970s. This was followed by similar views of buildings and portraits of friends from the Düsseldorf art and music scene. Between 1981 and 1985, he photographed 60 half-length portraits in the same manner: passport-like images, with the upper edge of the photographs situated just above the hair, even lighting, the subject between 25 and 35 years old, taken with a 9 × 12 cm negative and, because of the use of a flash, without any motion blur. The early portraits were black-and-white and small, but he soon switched to colour, using solid backgrounds in different colours. The resulting portraits depict the individual framed as in a passport photo, typically shown with emotionless expressions, sometimes face-on, sometimes in profile, and in front of a plain background.

MY RESPONSE – ACTION PLAN

WHO – My plan is to take photographs of my friends as they are easily available for me to shoot.

WHAT – I will be taking deadpan photographs in order to portray a ‘passport’ effect.

WHERE – I will take these photographs in the lighting studio against plain black and white backgrounds.

WHEN – I will be taking these photographs at the earliest opportunity in order to allow myself more time to edit and finalise my images.

WHY – I will be taking these photographs in order to showcase my knowledge and understanding of portrait photography.

CONTACT SHEETS

FINAL IMAGES

I have selected these two photographs as my final images because I think that they reflect Thomas Ruff’s work the most accurately. For example,e I have taken these photographs against a plain white background with my subject facing directly to the camera. My subject is placed in the middle of the photograph in order for there to be an equal amount of space and depth on all sides. I experimented with different angles and distances, such as shooting from up close to a few steps back. This allowed me to ensure that my photographs all looked as unique and different as possible, whilst still staying true to Ruff’s work. I edited my photographs using PhotoShop; firstly I sharpened them by selecting the filter tab, then sharpen. I then adjusted the vibrance by selecting the image tab, then adjustments, then vibrance. I slid along the scale until I was happy with the end result.

headshots – diamond cameo

HENRY MULLINS

Henry Mullins started working at 230 Regent Street in London in the 1840s and moved to Jersey in July 1848, setting up a studio known as the Royal Saloon, at 7 Royal Square. He would photograph the upper class such as doctors and political elites as they were able to afford to visit his studio. He would photograph the upper class such as doctors and political elites as they were able to afford to visit his studio.

File:E16MullinsMulti2.jpg

MY RESPONSE

Before I started working on the diamond cameo, I adjusted the brightness and vibrance by selecting the image tab, then adjustments, then brightness/contrast first, then vibrance. Then I used the Marquee tool in PhotoShop to draw an oval shape around my subject, then I copied and pasted the image onto a plain white background. I repeated this four times, and I also added a black and white filter onto my images.

Headshots / Diamond Cameo / Multi-Exposure

What are headshots?

The purpose of a head shot is to get a professional image of the persons head, where the focus is only of them. They are often used to convey professionalism.

They are mainly used for politics and people of status, or more commonly Instagram and the social media profile pictures.

Henry Mullins

Henry Mullins is one of the most famous photographers represented in the Societe Jersiase Photo-Archive, producing over 9,000 portraits of islanders from 1852 to 1873 at a time when the population was around 55.000.

Mullins was famous for his “Diamond Cameo” he would print a Diamond shape cameo on his Carte de visite to show four different angles of a person, with almost one different card.

My Diamond Cameo

In photoshop I made 4 ovals and put them into the form of a diamond. then I dragged the 4 images on top of the ovals, then made them a clipping mask so that they went into the oval. Then a found a vintage background on Google and made it the background and also put a copy on top. The copy on top I changed the layer style and made the opacity 50 so that the pattern would be on top of the images as well.

Double / Muti Exposures

Double or multiple exposures are an illusion created by layering images (or parts of images) over the top of each other. This can be achieved in the camera settings, or on Adobe Photoshop by creating layers and then using blending options and opacity control. Artist have used these techniques to explore unique ideas and evoke dream-like imagery, or imagery that explores time / time lapse.

Alexander Rodchenko

Aleksander Mikhailovich Rodchenko was a Russian artist, sculptor, photographer and Graphic Designer.

He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.

This is his work in the style of double exposure. He used 2 photos the create the effect. the layer on top is slightly transparent so that you can see the layer behind it.

My Attempt

I edited this image with Photoshop, and used several photo which I took in the studio.

I used multiple photos and layered them over each other making the eyes the main point where I aligned them, this made a blur effect for everything else.

This worked out well, and is in the style of Alexander Rodchenko, it created a unique effect where it messes with the viewers perception of the image as there isn’t a plain, simple face, unless you squint your eyes.

Left Image:

I love how the colours mix giving off a haze of lighter tones in the background.

It uses 2 different images, both use 2 point lighting, using a red light and a white light to create a half and half coloured image.

I used one of the eyes to line them up and put the top image on a 50% opacity to see through to the background image.

Overall, i think that the white light, create a nice highlight which bring out the details on the face. This is also where the main overlay is, so it put a bigger emphasis on the multi-exposure aspect.

Right

Studio Headshots

In this photoshoot I experimented with soft box lighting and flash lighting. I used a transmitter to set off the box lights at the same time as the shutter speed to create an intense contrast between light and dark.

ISO=100

Exposure set manually

Shutter speed=1/125

Aperture=f/16

Experimenting with lighting photoshoot

The images highlighted in red are my least successful images because they are slightly out of focus, making them blurry. One is also underexposed which makes it too dark, preventing any visual contrast of light and dark.

The photographs highlighted in green are most successful because they are not too over or under exposed and create a clear, strong contrast between light and dark.

Photoshop development

Original Image
Original Image
Edited Image
Edited Image

I wanted to keep the tones and colours in the image similar but slightly cooler, however I increased the contrast in order to create a stronger juxtaposition between light and dark and then cropped the image to get rid of excess background that I didn’t want in my final photo.

HEADSHOTS

Diamond Cameo

Henry Mullins

Henry Mullins was an English Photographer born in 1818.

Henry Mullins was the first professional photographer to come to Jersey and establish a portraiture business in the very early days of photography.

Below is an example of one of Henry’s pieces where he makes use of the presentation technique – diamond cameo.

Henry Mullins – Diamond Cameo

Diamond Cameos feature a series of four portraits that feature different angles or positions of the subject and are placed in a diamond shape in oval frames.

Michael Kenealy – diamond cameo

Double / Multi-exposures

Double / multi-exposures are compositions where multiple images are layered into one to create a repetition illusion.

Philipp Reinhard

Man Ray

Man Ray was an American experimental photographer born in 1890.

He experimented with rayographs and camera-less photography and was a specialist in the dark room.

These experimental veiws on photography led Ray to discover the emerging surrealist movement in France.

Surrealism was a movement that sought to the juxtapose distant realities and activate the unconscious mind through the imagery.

Ray’s pieces explore surrealism by challenging the idea of having many compositions of the same subject in one image. He does this by creating a multi-exposure – using the same piece of film to take multiple images of the same subject.

He uses a high contrast in his images and leaves them slightly underexposed to create a gloomier feel.

Michael Kenealy – multi exposure
Michael Kenealy – multi exposure

Juxtaposition

Juxtaposition in photography refers to the connection of two images with assumed similarities.

Below is a composition I shot where there is a juxtaposition between the subject and the landscape, surfer and the ocean.

The images above are both lowkey, they juxtapose in the tonal elements such as high contrast and low saturation but also in a contextual fashion – a surfer and the surfers environment.

Henry Mullins and Michelle Sank

Below are a few examples of a series of juxtaposing compositions where Photographer Michelle Sank responds to Henry Mullins’ works.

She responds by taking modern versions of old Henry Mullins pieces and juxtaposing them according to social, political, class and professional stand points.

Below is my attempt at juxtaposing with one of Henry Mullins’ portraits.

Sequence/grid

Henry Mullins has a good example of sequencing in his portrait album book.

This is a way of displaying final pieces and showcasing work in an ascetic, accessible and uniform manner.

The following is my reaction to J Grant Brittan’s piece.

Photo Montage

Photomontage is the technique of making a composite photograph by overlapping, gluing, cutting, and rearranging two or more photographs into a new image. 

John Stezaker

Is a British photographer born in 1949.

He is fascinated by the “lure”of images.

Stezakers’ works focus on photo montage to give old images a new meaning and add a creative surrealistic tinge to his photography.

John Stezaker - Artist - Saatchi Gallery
John Stezaker - Artist - Saatchi Gallery
John Stezaker & the Not-So-Perfect Marriage - Gwarlingo

My response to Stezakers’ work:

John Stezaker. Marriage XV. 2006 | MoMA
John Stezaker
Michael Kenealy

John Stezaker - Whitechapel Gallery