Why David Hilliard?

David Hilliard’s work ‘The Tale is True’ holds several elements of my project’s message, showing the importance of family shaping our identities and how a certain place can impact a family’s entire perception of themselves. I love how Hilliard sets his images out in multi panel arrangements to tell a story as the observer’s gaze drifts over each photograph- I hope to mirror this technique when capturing and editing the images from this shoot. Furthermore, I am very inspired by Hilliard’s work as it tells a personal story between him and his father, something which I can reflect when photographing the personal link between me and my grandparents. Additionally, I want to mirror the way Hilliard takes many candid images because of their naturalistic atmosphere and inclusive nature. I think his use of staging images to look un-staged creates a very movie-like look in his photos, it is as if we are looking in on these people’s lives and they don’t even know we are there. Also, I aim to take inspiration from Hilliard’s intimate settings he captures his images in, I believe the use of place reflecting a person’s life/mood produces very personal link to identity.

Photoshoot Plan

Who – As they are the main focus of my identity project, I plan on photographing my grandparents in response to David Hilliard’s work. As I captured images of them in my last shoot, I believe my grandparents will be able to keep a candid nature while I photograph them.

What – My aim is to capture images of my grandparents on a normal weekend, doing the things they love to do in their safe home environment. I hope to photograph them reading and cooking while also taking photos of places in their home that are special to them.

Where – I will be conducting this photoshoot at my grandparents home in St Brelade due to its personal link to my family and our identity. I aim to capture images in different rooms around their home that have special memories linked with them.

When – I will conduct this photoshoot on Saturday 23rd January as the predicted sun will make it easier to light my images with natural sunlight coming in through the windows. I will also stay until evening to make use of the orange tinted lights around their home which will create a warmer atmosphere.

How – Similar to my last shoot, I aim to take photographs using natural lighting provided by sunlight and lamps around the house to produce images with a candid naturalistic nature. I will ask my grandparents to go about their day as if I was not taking photos of them to further this effect. Additionally, to capture multi-panel images like Hilliard, I will photograph rooms from 2 or 3 different perspectives so that I can edit them next to each other, creating a sequence.

Why – My aim in producing this photoshoot is to reflect the work of David Hilliard, creating multi-panel arrangements that tell stories about my family’s past and how they identify today. I want to show the importance of place and how someone’s home can hold so many memories.

Contact Sheets

Selected Images

I am extremely happy with how the images from this shoot turned out, I believe they successfully mirror the work of David Hilliard while also mirroring my personal photography experimentation. Firstly, I love how each sequence tells a different story, for example the multi-panel arrangements of my grandmother in the kitchen reflects her identity as an amateur cook, constantly providing meals for her family and doing what she loves. Due to the bright orange walls and colourful nature of my grandparents kitchen, the vibrancy of these photos is very high; representing the joy my grandmother gets from making up her own recipes and experimenting in the kitchen daily. The orange hue suggests the room holds a warm environment, reflecting the love that goes into everything they do. Additionally, the three arrangements depicting my grandfather on his iPad tells the story of family connecting all over the world. My grandparents spend lots of time on Facebook, checking up on and seeing what family and friends who may live far away are doing. I like how in these images the light from the screen reflects onto my grandfather’s face, connoting the idea that speaking with his loved ones holds such a prominent place inside him that when he does it he lights up a room. The multi-panel format I have used to arrange these images also suggests the people he is talking to are far away- physically in another country, but also mentally from losing connections with the people from his past. Furthermore, I have selected 2 sequences that present certain rooms in my grandparent’s home which hold personal memories. The first shows their downstairs spare room, a place that holds several photos of their younger selves, my family’s past memories and images of Jersey they remember from their childhood. The second ‘place’ based image shows my grandparents chairs, the place they can be found the most, usually reading the newspaper or calling family to say hello. These two areas of their home are very special to them and to me, the memories they hold have shaped our identities, the childhood nostalgia still influences us now. From a technical perspective, I really enjoy the use of lines in these images from the first’s green wardrobe and the second’s folded curtains. The lines represent an everlasting chain of family love, repeated throughout the home like the generations that grew up there.

David Hilliard

David Hilliard is an American fine arts photographer who studied at the Yale School Of Art in 1994. Hilliard’s work is heavily inspired by the people around him and his personal life, his images document the simple aspects of life and the normality seen everyday inside someone’s home. This successfully links to my interpretation of this identity project as I also plan on photographing my grandparents during their generic day, showing how even the smallest things can make you happy and form who you are. Nevertheless, many of Hilliard’s photographs are staged to seem naturalistic, evoking a performative quality and a middle ground between fact and fiction. His work consists of panoramic style images which he forms out of various single photos, Hilliard explains here http://davidhilliard.com/info_pages/about.html how his images allow him to guide the observer’s focus through each photo, I really love the storytelling created in his work.

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From the images above, it is clear Hilliard focuses on capturing very personal photographs that guide the observer through a private moment in his/someone else’s life. He not only photographs scenes dedicated to a specific subject, but also captures areas around their homes in rooms that may hold a special memory, or have a certain link to their lives. In Hilliard’s project ‘The Tale is True’, a series of images unfolding the story of father and son struggling to maintain their relationship, Hilliard wrote ‘it’s my intention that the photographs serve as a testament to perseverance; within even the bleakest of histories there exists threads of enduring hope, reminding us that even in the face of great adversity, we adapt and endure.’ I love the message behind Hilliard’s images and hope to take inspiration when furthering my identity project.

Image Analysis

David Hilliard’s project ‘The Tale Is True’ deconstructs issues surrounding familial relationships and the struggle to secure a sense of self and place in a chaotic world. Over 20 years, Hilliard documented images of him and his father, exploring their relationship and the process of aging. Most images in this series were taken at their Cape Cod family home, a place of legacy and tradition, serving as a symbol of identity and history. I love the use of perspective and distance in this image’s composition, alike Hilliard’s iconic work, the use of this panoramic style editing creates a fluidity and link between the images, when put together tells a personal story. In the left image, Hilliard has captured a self portrait sat at his dining room table and in the right he has photographed an empty chair at the end of this table. The distance between himself and this empty chair could symbolise his relationship with his father has deteriorated, possibly showing how he feels more alone as his father ages. Additionally, I really like the use of shadows in this image, especially the one that falls on the wall behind the chair. The shadow clearly shows that the image was taken during daylight, I love how Hilliard uses natural lighting from inside and outside his home to light his images. However, I think this shadow also tells the story of Hilliard’s father’s life- perhaps this was his chair, maybe it still is but as he has aged he may not be comfortable on it anymore? This shadow creates repetition of shape in the image, symbolising echoes of the past, present and future all being the same; it gives the impression that his father’s days may be or seem repetitive as he gets older. Furthermore, Hilliard’s capturing of lines in this image, for example the lines created by the torn plaster on the right wall, connote the idea that him and his father may be trying desperately to get things back to how they used to be. The tearing wall creates jagged lines which may represent his father’s health and the conflict in patterns with the table cloth and carpet may show Hilliard’s overwhelmed mind at a time when his family relationships may be crumbling.