the world is beautiful

Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German Photographer associated with the new objectivity. He was born in Würzburg and began taking photographs at the age of twelve and after service in the First World War he had his first museum exhibition in 1927.

Albert Renger-Patzsch’s attitude towards photography involved exploring light, rhythm, line, texture, repetition and many more. He published his famous book ‘The World is Beautiful’ in 1928 which consisted of 100 images which had a lot of detail. Patzch’s work is sharply focused and matter-of-fact style. His work references the aesthetic of The New Objectivity that became quite popular during the Weimar Republic in Germany (1919 – 1933).

Patzsch’s ideas and values of photography are similar to an American photographer called Edward Weston. Weston is known as one of the most innovative and influential American Photographers and one of the masters of 20th century photography. Over his 40 year career, Weston took photos of many different subjects such as including landscapes, still lives, nudes, portraits, genre scenes and even whimsical parodies. Similar to Patzsch, after taking photos of cities and subjects in cities, he went to the countryside and took photos of rocks, trees, rivers and more. Over this 2 year stay in nature, he produced 1,400 negative images using his 8 by 10 camera.

My Photos

Repetition

Half of my images are that of symmetrical patterns inside my house. They are similar to some of Renger-Patzsch’s photos as they are symmetrical but random at the same time. For example the image of the bookcase is very aligned and symmetrical but at the same time random as the books are not perfectly symmetrical or the same.

Final Outcome

I believe the image above is the best from the photo shoot above. This is because i have used the metal railing to frame the incinerator. I have also edited the contrast, curves and cropped it so that the rule of thirds line up with the metal railing.

Contact sheets

A contact sheet is similar to a negative but in positive colors. This contains thumbnail images of all the photos from the shoot. This makes it very easy for you to see what images you like and what might need improvement or removal.

The purpose of a contact sheet is to be able to quickly scan a series of images to find the keepers or the ones chosen to be enlarged.

the world is beautiful

Albert Renger-Patzsch was a German born photographer living in the twentieth century. He is widely associated with the New Objectivity movement taking place in Germany. This movement was against the idea of expressionism. In Renger-Patzsch’s work order and tradition can be seen clearly throughout, this is what expressionism challenged. Expressionism sort out to express emotion rather than nature and tradition, this is what the New Objectivity and Renger-Patzsch’s work doesn’t capture.

Analysis

In his work it is clear that Renger-Patzsch uses tone and light to create depth. He contrasts very dark tones with very light tones. He also uses lots of repetition in his work, this repetition can be seen in the shapes he finds.

In the first image the repetition is obvious. The lines in the photo cross the image diagonally creating a triangular shape in the top right half of the image. The crevices in the wall create dark triangular shadows, these contrast with the tone on the outer walls which is a lighter grey. The round shapes on top of the crevices create a rhythm that flows to the background of the photo.

In the second image repetition can be seen in the lines. these lines are shown on the sides of the building and the way the building is shaped. A depth is given with the way Renger-Patzsch angled his camera. Dark, black tones sit beneath the lighter grey and white tones in the sky and on the front of the building. A rough texture is captured on the side of the building which is in direct contrast with the flat sky.

Response

contact sheets

A contact sheet is a a group of images all put together in an order. On one contact sheet will be all the images from one photo shoot. They help to archive the negatives to be quickly scanned.

Contact Sheet or Proof – Guide to Film Photography

This is a contact sheet from one of my photo shoots. It is of the back of a bench and has been edited into black and white to capture the shadows and the highlights. I also changed the contrast so the highlights were more visible.

the formal elements

The formal elements are used by famous photographers all around the world. They are the parts that create some of the most praised images in the world. They help create interesting and professional images.

In class I took photos of paper shaped and folded in different ways using different backdrops and lighting.

Analysis

Light – In my second and third image the lighting is quite harsh and creates dark, contrasting shadows. This was done by using downward facing, close lighting. In my fifth image the lighting is softer creating less contrast in tones and fainter lines.

Line – In my fourth photo the lines are quite abstract and unnatural due to the way I crumpled the paper. This contrasts with the sharp, straight lines on the edges of the paper. In my first image the lines are very harsh and impactful. This is also due to the lighting coming from the side.

Repetition – There are repetition of triangular shapes in my second and third image and in my first image the lines repeat and are parallel.

Space – In my third photo there is a sense of depth due to the way it folds behind each other. I think all the photos have a depth to them because of the way they are set out and folded.

Texture – The lines in the photo would feel sharp and flat whereas some of the crumpled paper would feel more rough.

Tone – In all my photos a range of tones can be seen. In my first and second image the tone fades and is not as sharp as the other images. They also don’t contain as dark shapes and lines.

Colour – In my first and last image the dominant colour is black with hints of grey and white. This is different to the other photos where the dominant colour is white and grey.

Composition – In my second and last image the paper has been arranged into a sort of pyramid formation.

The Formal Elements – Paper

In class this week we experimented with abstract photography by using our phones to photograph paper in different ways. I was inspired by photographers such as Martin Creed, who took a photo of some A4 paper crumpled into a ball to connote the disappointment of things not going to plan.

work illustration
Martin Creed | Work No.88

I was inspired by Creed’s impreciseness of subject and I wanted to create images without an exact form so they could be ambiguous to the observer. Nevertheless, I also wanted to photograph the different shapes and structures paper could make. I did this by ripping, folding, crumpling and bending the paper to create a range of images that symbolized different things.

Contact Sheets

Paper Experimentation

I really enjoyed the ambiguity of this image I took, I believe it shows the paper in an abstract way so it is hard to tell whether it’s paper at all. I took this close up shot of some crumpled up paper in hopes to create an image to represent ice, glaciers and icebergs. I believe I achieved this through my use of harsh lighting to create dramatic highlights with some mid-tone shadows. I edited this image on photoshop by increasing the exposure to give a brighter impression, and by sharpening the edges to reflect the crisp white colour palette of the photo. Similarly, I increased the contrast of the image to intensify the rough texture and acute lines of the paper.

In this image, I bended and squished the paper to create a photo with more curved lines instead of bold harsh ones. I believe this produces a smoother, more flowing texture. However, the sudden bursts of irregular shadows create dramatic moments throughout the image. Secondly, I have edited this image to be monochrome to experiment with tone and colour. I believe the low saturation of the photo creates a gloomy, dull atmosphere in the image. I have also zoomed in on the paper in this photo to further the theme of ambiguity, I purposefully took this shot with no black empty space to draw focus to the centre swirl of the image. Personally, I think this photo of plain paper looks almost flower-like, with large curved petals surrounding a swirl, similar to a rose.

Final Photo Analysis

Light: My image has been lit by a strong artificial light coming from the bottom left which creates harsh shadows on the right. My dark, unlit background enhances the folds of paper and I have amplified this by increasing the contrast of the image.
Line & Shape: There are very strong straight lines in this photo that create a sharp shape throughout the image. The folds of paper look almost like book pages and the juxtaposition between the dark and light lines catch the observer’s eye.
Repetition: This image holds lots of lineal repetition with parallel lines and reflection of light. The shafts of artificial light hitting the left of the image create a dramatic rhythm. Additionally, the sharp creases of paper that repeat throughout the image draw the observer’s eyes up along the photo from one corner to the other.
Space: The space of the image is quite shallow and narrow, this is because I was close to the subject. I made sure the observer couldn’t see any other objects in the background of the image by limiting the space shown above and using a black sheet of paper to cover any unwanted distractions.
Texture: My image has a rigid texture, produced by the sharp edges of the folded paper. The points of the paper also create a jagged, rough texture.
Value/Tone: The image contains a wide range of tones going from very dark to very light. In the background, the dark black emptiness contrasts with the bright white highlights. In addition, there is a subtle blue hue in the bottom right shadow, possibly created by the blue undertones in the other phone torch I used to light the subject. The image has low saturation and vibrancy because I believe it intensifies the paper’s already muted colours.
Composition: The diagonal lines of the image and the close-up shot create a sense of drama. Also, the long folds draw the observer’s attention to just above the middle of the image, where the paper is most in focus. I created this affect by having a large depth of field so the top and bottom of the image was out of focus, and the one crease in the middle was a clear focal point.

Contact Sheets

Contact sheets are a tool used by photographers, most of the time with film photography, that allow them to view each image they have taken. These consist of photographs from one photo shoot, which display the same object or idea. However, as technology has advanced contact sheets have slowly become more and more unnecessary, due to the digital age.

Contact Sheets are useful as they allow you to see each photo from your photo shoot and sort through them, deciding which one is your best.

Some examples of contact sheets can be seen below.

William Klein

Albert Renger-Patzsch Contact Sheets

These are the contact sheets from my photo shoot in the style of Albert Renger-Patzsch, in which I took photos of the area around the harbour and the recycling center. In this process I also looked for any patterns or repetition I could record. I chose this area as I believe it links to Patzsch’s work, in which he displayed industrial settings including boats, and large framework structures.

Favourite Edited Images

For my favourite images from the Patzsch style photoshoot, I used photoshop to adjust the contrast, exposure, shadows, highlights, texture, and clarity. Therefore allowing for them to look more similar to Patzsch’s work.

Final Image

I believe that this edit is my best image from this photoshoot, as I think it best portrays the style of post expressionism and is similar to Patzsch’s work in the New Objectivity movement. This is as the image showcases an everyday industrial structure with bold leading lines, creating a geometric image. In addition, I think that the framing of this image works the best as it leaves little empty space.

Black Light

Task 1

Exploring high contrast images with Keld Helmer-Petersen

Helmer-Petersen was a Danish photographer who was inspired by Albert Renger-Patzsch, the experiments at The Bauhaus in Germany and by Harry Callahan and Aaron Siskind at the Art Institute of Chicago. He achieved fame for his colour photographs but he also published several books of black and white images that explore dramatic contrasts of tone. In some, we are only presented with images that are black and white. All mid tones have been removed. He created and found these images, using both cameras and flat bed scanners to achieve the effects he was looking for. These books are beautifully designed and encourage us to consider the space around the image and the accompanying text as integral to the meaning of the work.

  • Choose 4 x images of your own to work with
  • Edit the images using the THRESHOLD ADJUSTMENT in Adobe Photoshop
  • Choose how far you “push” the image
  • Option : Add a “stroke” to the final image
  • Present your final images in a grid of 4 x square / rectangle format
  • Remember to Flatten Image and check file size
  • Blog files should be reduced to 1000 pixels on the long edge
Original Image
Threshold Adjustment in Photoshop
Adjusting the threshold level slider
Cropping the image
Rotate the image if necessary
Finished image
  • Create a blog post that includes your experiments, including original images, edits and final outcomes
  • Include key information about Keld Helmer-Petersen
  • Add annotations to describe and explain your process
  • Critically evaluate your outcomes
  • Print your final design A4 to Photography Printer

Task 2 (extension)

  • this task is designed to encourage you to explore Adobe Photoshop further and select areas of an image to reveal / conceal
  • You will begin to use LAYERS and LAYER MASKS
  • You will also use the 2 x OPACITY sliders
Original
Adapted image

METHOD

  1. Open an image in Adobe Photoshop
  2. Add a new layer from the LAYER PANEL > SOLID COLOUR
  3. Reduce the opacity in the LAYER PANEL to reveal your image
  4. Click on the LAYER MASK (white box) in your LAYER PANEL
  5. Choose the brush tool from the TOOLBOX
  6. Adjust the size of the brush using the {} keys
  7. Check / adjust  the opacity level of your brush (top bar)
  8. Click on various areas of the image to create circular “holes”
  9. Using the opacity slider in the LAYER PANEL, bring the level up to 100%
  10. You have a completed image. Flatten the layers, save and upload.
  • Explore ways you can extend this basic idea
  • Create a blog post entitled “Conceal / Reveal”
  • Describe and explain your process and include visual evidence
  • Critically evaluate your process

Remember to use the model :

TECHNICAL -VISUAL-CONCEPTUAL-CONTEXTUAL

here are some helpful examples for you to work from…

Picture

Follow the 10 Step Process for each unit to ensure you tackle all Assessment Objectives thoroughly :

  1. Moodboard (AO1)
  2. Mindmap of ideas (AO1)
  3. Artist Reference / Case Study (AO1)
  4. Action Plan (AO3)
  5. Photoshoots + contact sheets (AO3)
  6. Image Selection (AO2)
  7. Image Editing/ manipulation (AO2)
  8. Presentation of final outcomes (AO4)
  9. Compare and contrast (AO1)
  10. Evaluate and Critique (AO1+AO4)

contact sheets

Contact sheets display a series of thumbnails from a photoshoot, these were mainly used when film photography was more popular. they are an easy way to visualise all photos at once and allows you to select your more interesting photos simply.

Thomas Lang:

“Gesalt” – Thomas Lang (2018)

Thomas Lang is a portrait photographer who was born in Paris, France. His set of photographs from his series “Gesalt” was produced in 2018 as a form of displaying his portrait photography in an abstract form. He fractures the face of his model into a mosaic-like puzzle. Here, he uses contact sheets as a way of displaying a whole photograph in sections.

My example of a contact sheet:

This is an example of a contact sheet from my project of creating a response to “The Formal Elements”. Here I have used the shape tool in photoshop to highlight my most successful and least successful images from the photoshoot.

This way of using contact sheets easily allows me to view a multitude of photos at once and pick out the photos that instantly grab my attention over others. I can them highlight them for future reference to show why I liked them, and why I thought they were more successful.

looking and seeing

Ralph Eugene Meatyard

Ralph Eugene Meatyard was an American photographer, born in 1925, known for his experimental use of exposure in his photographs. Working as an optician, Meatyard was able to see how others perceptions of the world were varied, which is clearly portrayed in his work, we see this connection the most in his series ‘Out of Focus’. This selection of abstract photos showcased black and white images of undistinguishable shapes, breaking down the conventional rules of photography. In addition, in his series ‘Zen Twigs’, Meatyard created images that displayed a blurred photograph containing one thin twig in focus which sliced through the image, foregrounding Meatyard’s precision when it comes to aperture.

Saul Leiter

Saul Leiter was an American photographer and painter, born in 1923, known for being a contributor to early colour photography, whilst he documented the streets, architecture and people of New York, usually in dreary weather. Leiter used long lenses to compress space, taking pictures from unique perspectives, using negative space and large out of focus areas.

Saul Leiter’s photos play with focus and aperture much like Meatyard’s do but in a different way. I like that you can see movement in his images, like time has stopped for a brief moment just for him to take the photo. His photos show of a tonal contrast which gives them more depth. Leiter’s photos aren’t very simplistic , they have a focus like they’re telling story. The first photo above has a lowered shutter speed which is what gives the blurred affect. I has a big range of tone from almost white to black and there aren’t many mid-tones. The second photo plays with focus as it focuses on the women in the background rather than the people in the foreground. The last photo once again plays with the focus by focusing on the girl in the background and not the large object across the image

Image Analysis

This is a piece from Ralph Eugene Meatyard’s collection from ‘Zen Twig’. This photo displays a singular twig in the centre of the photo. The lack of objects in this piece leaves a lot of empty space around the twig, this draws the viewers attention into the twig. While taking this photo, Meatyard used a high aperture to blur out the background and keep focus on the solo twig we see in the foreground. As we can guess from the tree like shapes in the background, this photo used natural lighting, creating a soft and appealing photo as there aren’t any harsh direct lighting on the twig.

Contact Sheet

Final photo

When taking this photo, i lowered the shutter speed to add a blur effect to reflect on Meatyard’s style of photography. This makes the photo more interesting as the blur effect makes it harder to differentiate the objects at first glace, drawing in the viewer.

The composition of this photo follows the rule of 3. This is a form of composition splits the photo into three section, either vertical or horizontal. In my piece, the photo is split up vertically. In the left hand side of the photo, we see a very busy section of leaves that gradually decrease through the photo. In the center third, a large bare twig is located, taking over the majority of the third. Finally in the right hand third, we can see a lot of empty space with very few leaves.

After converting the photo to black and white, I noticed that there was a lot of dark areas in the photo, the contrast between the lighter wall in the background and dark leaves and twigs creates a dramatic atmosphere in the photo, especially since there is a greater amount of darker shades.