Repetition, Pattern, Rhythm Reflection and Symmetry – Reflected Image

Creating Reflections & Symmetry

Original Image
Edited Image

In today’s lesson we experimented with Photoshop by creating a reflected image. First, I increased the canvas size of my image so I could copy and paste it next to the original photograph. Next, I used the ‘transform’ tool to flip the copied image horizontally so it gave the impression of the woman standing back to back with another. Additionally, I pasted the original image again to experiment with the opacity of the photograph and to create an echoed effect on the image. I copied this more opaque image and flipped it on the opposite side. Lastly, I flattened the image so all the layers became one. I really like how this abstract image came out as I believe it shows movement and rhythm, as if the woman is walking backwards into the other.

Kaleidoscope/ reflected image

Original Images

My Interpretation

I firstly opened the image in Photoshop. I then selected the image and copied it. Then I edited the size of the canvas to double the width of the image. Then i pasted the image so two of the same image are side by side. Then I flipped the image horizontally so the background from on the side meeting both images were the same. I then flattened the image so that the two previous layers became one single layer. Next I copied the image again and extended the canvas vertically doubling the height. I then pasted the image and flipped the image vertically. Finally I cropped the thin white border around the image and saved it.

Reflection and symmetry

Using Photoshop to create symmetry

Original Image
Edited Image using Photoshop

To edit this image, I copied and pasted the image onto a canvas that was double the size of the original image. I then used the transform setting to flip the image vertically to create a reflection-like affect, I flattened the image after each layer-copy aswell. I used a monochromatic filter to accentuate the shades of light and dark.

Experimenting with layers

Original Image
Edited Image using Photoshop

To edit this image, I repeated the same process in the first image to create the mirror affect, however for this image I copied and pasted the original layer back onto itself and lowered the opacity to create a ghost-like affect. I then used the eraser tool at a low harshness and opacity in order to remove extra sections of the image I wanted to remove, such as the added border of the copied layers. I adjusted the colours and curves of the image to give the photograph a cool-toned blue hue.

REPETITION, PATTERN, RHYTHM REFLECTION AND SYMMETRY – classwork blog 2

Original

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Final outcome

First I cropped my image to the size I wanted then I copied the image by pressing control A then going into edit and copy, after increasing the canvas to the right by going into image, canvas size then pressing the left middle arrow and changing the width size to 31. I pasted the image and flipped the image horizontally by going onto image, image rotation and flip image horizontal and flattened the two images together by pressing the four horizontal lines where the layers are and then pressing flatten image. I repeated the process but flipping the image vertically.

Reflected Image

Original Image

Edited Image

Process of Editing

1). The first step in creating this edit was, selecting the image then copying and pasting it onto the same file.

2). After this, I went onto the canvas size and doubled the width of the canvas to the right side in order to create space for the second image.

3). The I selected the second mixture on the other layer then went onto transform and flipped the image horizontally then flattened the image to make it one.

4). once that was done, I selected the image and copy and pasted it again onto the same file, went onto canvas size again and doubled the hight.

5). This then allowed me to move the copy image, select it and flip it vertically on transform in order to make it seem symmetrical and then flattened the image to make it one

6). Finally, I cropped off the image on any bits that still has some of the canvas showing and then it was complete.

Surface and Colour

For this project I will be exploring the different ways I can capture varying textures and colour schemes in an expressionistic consuetude. I will also be focusing on using ISO and white balance in an unconventional and creative manner.

Luigi Ghirri

Luigi was an Italian photographer born 1943. He was a pioneer in his field and he focused on the contrast between fiction and reality.

He creates minimalist compositions which focus on a consistent colour temperature and texture. The unique attitude in his work consists of very interesting textures created by a flat contrast. He experiments with the light sensitivity of his film which creates a fine grain on his images which also adds to the unique unprecedented texture of his compositions. He shoots untarnished, condensed backgrounds to accentuate the surface texture of the image. The flat contrast adds a faded look to his images.

In the above image we can see Luigi also experiments with reflective surfaces to further the idea of the unprecedented surface texture present in his images. In the above image Luigi uses a specific white balance to create a cold colour temperature in the image. This temperature, combined with the puddle which is associated with rain, gives the image a bleak feeling. He also uses a flat contrast to add a faded look and texture to the image. He uses the puddle to create depth in his image and add a unique perspective to how we view the world and its textures. He also experiments with ISO to great a grain in the image to again boost the idea of unconventional surface textures. He uses natural lighting which is not too harsh to maintain the flat contrast in his works.

Aaron Siskind and the Boyle Family

Aaron Siskind was an American photographer born 1903. Looking at Aarons work in the context of Texture and colour, his pieces relate very well. He creates compositions that focus on the detail of things and he brings their texture into light. and creating

Aaron siskind – volcano

The Boyle family is a group of collaborative artists based in London who where popular in the 60s for their minimalistic macro photography. They created work with the focus point of flat surface texture based images.

Photo Shoot Plan

Shoot puddles, road imperfections/markings and minimal style objects around my countryside neighbourhood and in urban built-up areas. Use ISO in a creative way – use extremely high ISO to give my images grainy texture. Use white-balance creatively – give the images gloomy cold tonal temperature. Focus on surface texture.

Contact Sheets

My Compositions Focused on Surface Texture and Flat Tonal Range/Colour Schemes

Taking inspiration from Luigi, when shooting my images I focused on using ISO in an unconventional way to create a grainy surface texture. I also used white balance to create a flat colour contrast.

I also took inspiration from my second reference and created detailed compositions highlighting texture in our world and creating a sense that one could rub their hand over my images and feel the road imperfections.

surface and colours

shoot 1shoot 2
whoN/AN/A
what doorsdoors
wheretownthe market
whenMonday after school Tuesday after work
whyto replicate Hallam-Day’s photosto replicate Hallam-Day’s photos
howcamera on phonecamera on phone

SHOOT 1

I think that these photos stay true to Hallam-Days original images as they blend town life with busted doors. I would have liked to take more but I looked weird taking photos of people’s houses and shops in town so was limited to only a few photos 

SHOOT 2

This is my favourite photo from this shoot. I really like the central composition .

This shoot produced a few nice photos however I had the same issue as the first photo shoot in which I looked really weird taking photos of doors in town so couldn’t take as many as I would have wanted.

EDITING

To make the photo more like Hallam-Days, I wanted it to be a really vibrant and blue so using Photoshop I made the vibrancy and saturation really high and also put the blue and cyan out of balance to make the colour really stand out.

For the door in the market I used the same photo shopping techniques but with red instead of blue and cyan.

FINAL IMAGES

COMPARISON TO HALLAM-DAY’S WORK

In conclusion, my photos had some similarities to Hallam-Days. The use of surfaces as the subject was one of these. I think that i managed to follow his grungy style but i think that his photos were more naturally colourful whilst I had to edit a lot of my colour in.

EVALUATION AND CRITIQUES

I really liked my photos and felt that the editing process really added a lot to them however it would have been better if I had more photos to choose from .Next time I will take more photos so that I have more photos to choose so will ultimately have better photos.