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Final prints

 I believe that these pieces best capture the essence of my photobook and the narrative as a whole since these prints show the aim of producing personal work as a way of coping and healing which this project, for me, is exactly what it was.

This project was produced at one of the worst moments of my life, a point when I had school work, family issues, situationship issues, personal issues, drama between friends and a lot going on and I do indeed believe these prints provide a sort of “blurb” to the photobook.

For example,

With this image, for someone reading it, it doesn’t seem like a big deal. Just a random stranger who goes to your gym asking to get intimate with you. No big deal. Problem is, it’s not just from one person, it’s several, and it comes to a point you start to feel like that’s all you’re there for.

Experimentation 2: Animation

Animation

Animation is a technique during which pictures are manipulated to look as moving pictures. In ancient animation, pictures were drawn or hand-painted on clear celluloid sheets to be photographed and shown on film. Today, most animations are created with Computer-generated images (CGI).

Fewocious

Fewocious is an NFT artists. He specialises in drawing his own story and life experiences. He states that this new era has opened a lot of doors for young people to be able to be creative in their own way and get recognition.

His new series series of NFT woks, paintings and ephemera have gone on sale in June to witch he says he feels like his in a “dream or something”

Known as one amongst the world’ greatest digital artists, the 18-year-old has staged many winning solo releases, additionally as 2 ground-breaking collaborations within the NFT area – with digital fashion whole RTFKT Studios and its collaborators Odius, Parrot_ism and Jonathan Wolfe – resulting in sales in the millions. His latest project, Hello, i’m Victor (FEWOCiOUS) and this is My Life, offers 5 distinctive works that detail his adolescent journey so far, growing up as a transgender man in an abusive family. on sale at Christie’ from June 25.

Photobook, concept, narrative and photo experimentation

Photobook design

In order to create my photobook I went to Adobe Lightroom and went to my catalogue and pressed the book feature:

In there I was able to see and further develop my images as well as figure out a narrative for the book:

As we can see above, once you press the Book method in Lightroom it takes you to this screen where you can drag and drop the photos from the bottom in to the book.

While figuring out a narrative which talks about my personal life, relationship experiences as well as addiction and religion, I did find it quite difficult as I thought, “How will I mix all these 4 themes in to one photobook without it looking disorganised?” However, as I started experimententing I started to figure out the narrative as we can see below:

Here we can clearly see how the book starts with what appears to be a happy couple; portrays them as really happy and having fun, then there’s a break where I’m thinking of adding my first essay.

The book then goes to show the couple on dates with messages from a gay dating application called Grindr. The messages reveal a kind of example of the type of messages I get daily. I have ordered them along with the couple on dates images in an attempt to show how people always get in the way of some relationships which is clearly shown from the oxymoron of the two images. This can be clearly seen in the following:

Here we can powerfully see a happy couple on one side and the other side a text message from a Grindr guy trying to make me feel or look bad. This oxymoron may make the viewer feel like there are some issues in the relationship which indeed is true.

However, I soon found out that the Grindr texts were a bit too colourful and ruined the aesthetic of the photobook.

So, to combat this issue, I followed Broomberg & Chanarin’s inspiration with the Holy Bible and created something similar; overlayed the text messages over the bible texts. For example:

We can clearly see the correlation between Broomberg & Chanarin’s Holy Bible project since they overlapped photos over Bible texts and I over lapped text messages over the passages which creates a sort of controversy since the passages talk against homosexuality and the messages reveal a few of my same sex experiences.

Contact sheets and experimentations

During my experimentation with these images I attempted to not only show a same sex couple having fun with each other while attempting to portray this relationship as some sort of dream. This was powerfully achieved through the use of blur and gloss on some images. This is clearly shown in the following:

My idea with the blur and gloss was to get the reader to feel or see a sort of fantasy or dream; something that is not quite real. This idea originated from the song lyrics, “painted a picture, I thought I knew you well. I got a habit, of seeing what isn’t there. Caught in the moment, tangled up in your sheets. When you broke my heart I said you only wanted half of me. My imagination is too creative, they see Cain and I see Abel…” (In my head, Ariana Grande). What these song lyrics mean to me is basically, for me it talks about having a habit of seeing, creating and falling “in love with the version of a person that you’ve created in your head, that you are trying to but cannot fix…” Therefore, this is what I attempted to achieve with the glossy/blurry images.

On the other hand, with the hi-res images I attempted to portray a feeling of reality because the experiences were real and true. This creates an oxymoron which successfully shows how relationships can be beautiful but negative events happen all the time meaning this “love” becomes nothing but a memory.

Sequencing

I have chosen these to be my back and front cover. The Front cover image has my model looking straight at the reader which could be interpreted as the reader diving into this same sex relationship since there’s a saying that “the eyes are the window to the soul.”

The back cover portrays the couple cuddling / comforting one another which makes sense after the reader has been through the whole book.

The book then goes to show the couple having cute intimate moments which makes the reader feel like they are diving into their story which is exactly the aim.

The black and white images with high contrast are there to show how there are negative moments even during intimate moments.

The colourful images however mimic the happiness in relationships.

Similarly, I attempted to create the same effects as shown above but included extracts from both the bible and text messages/experiences I’ve had with guys to attempt and tell my own story.

Photobook layout, design and experimentation

Experimentation with layout and images

The magazine is called “More Than Two” because there is always more than two people in a situationship apparently.

Using Adobe Lightroom, I uploaded all of my final images from my folder and gave them colours to show which ones I think are best and which images aren’t as good. For example:

As you can obviously see I experimented with the images on different pages seeing which images work best together. I also adjusted the size of the photograph and experimented with making some images full bleed and white borders. What I gathered was having the Bible texts as a full bleed gives a Bible book feel as well as having the front and back cover full bleed looks more aesthetically pleasing. Also, having a full bleed bible passage with a white-bordered image looks better on my layout and perfectly shows the juxtaposition between the two.

I also experimented with the order of the pages to test which order portrayed my story best and found that it was best to start off the book with the bible quote which was constantly being repeated in my mind when I was with my second ex; “For the lips of the adulterous woman drip honey, and her speech is smoother than oil; but in the end, she is bitter as gall, sharp as a double-edged sword.” – Proverbs 5:3-4. This quote, to me, at the time, was like a warning, or a reminder that this guy, may be sweet but will soon become toxic which was indeed the case, sort of… We broke up because I wasn’t ready to take things deeper with him.

The book then proceeds to show same-sex partners getting intimate together, right at the start. This was actually done on purpose for if you know anything about Grindr and hookups, you get quite intimate scarily quickly.

Moving forward, we then have a landscape image to try and show the reader that this couple has been going on dates, getting to know each other, and acting like a couple. Also shown through the upcoming images. Some images are blurry on purpose; to give a sense of memory since in many cases, these cute moments end really quickly and you’re left with nothing but memories.

My book then goes on through a new twist; a bible passage. Ironically every bible passage within my book is the passages that talk about homosexuality, and in red are some of the gay stories and experiences that I had to go through. These texts are joined by some images to help the viewer better imagine these scenarios.

Newspaper Design

For this project I was required to:

 NEWSPAPER SPREADS: Design 3-4 versions of a newspaper spreads based on images from both your current and previous projects.

You must design the following spreads:

  • FULL-BLEED: Select one image as a full-bleed spread.
  • JUXTAPOSITION: Select 2 images and experiment with different combinations.
  • SEQUENCE: Select a series of images (between 4 – 12) and produce a sequence either as a grid, story-board, contact-sheet or typology.
  • MONTAGE: Select an appropriate set of images and create a montage of layered images. You may to choose to work in Photoshop for more creativity and import into InDesign as one image (new document in Photoshop 400mm(h) x 280.5mm(w) in 300 dpi)


Here we can see the start of my work:

This was done by adding pages and inserting the Rectangle Frame tool and drag and drop the images into the frame. This was done so that the image was fitted inside the box which saves time having to resize.

We can see that I have made the first 2 full bleed with one taking over 2 pages since it is landscape.

Here we can see I have got more creative with the layout having an image be full bleed on one side and having another on the other side smaller. In addition, consistency was shown through the double page spread image again.

Similar creative approach was produced here having the images juxtapose each other in different ways; black and white vs colour and populated vs inhabited.

Essay 2

Is God dead/does he exist?

No one can disprove the existence of God.  

One reason for this is because in the beginning there was an explosion and within minutes, 98% of the matter that there is or ever will be was produced; we had a universe.  

For 2500 years most scientists agreed with Aristotle’s theory of a steady state universe; that the universe has always existed, with no beginning and no end.  

However, the Bible disagreed. In the 1920s, Belgian astronomer, George Lemaitre, a theist (someone who believes in the existence of God), said that the entire universe jumping into existence in a trillionth of a trillionth of a second, out of nothingness, in an unimaginably intense flash of light, is how he would expect the universe to respond if God were to actually utter the command in Genesis 1:3, “Let there be light.” All of which points to a God that created it. For example, in the real world, we never see things jumping into existence out of nothingness. But atheists, want to make one small exception to this rule, namely the universe and everything in it.  

You may argue that in the book, The God of Delusion, Richard Dawkins says, “if you tell me God created the universe, then I have the right to ask you who created God.” But Dawkin’s question only makes sense in terms of a God who has been created, it wouldn’t make sense to apply that question to an uncreated God which is what Christians believe in. Even leaving God out of the equation, I then have a right to turn Mr. Dawkins’ own question back around on him and ask, “if the universe created you, then who created the universe?”  

As you can powerfully see both the theist and the atheist are both burdened with answering the same question of how things started.  

You may argue that Stephen Hawking, the world’s most famous scientists, and who is not a theist, has come out in favour of a self-designing universe. This is clearly shown in the quote, “Because there’s a law such as gravity, the universe can and will create itself from nothing. Spontaneous creation is the reason there is something instead of nothing. It’s why the universe exists, why we exist. It is not necessary to invoke God to set the universe in motion.”  

But, Professor John Lennox, who teaches mathematics and philosophy, has demonstrated that there are 3 errors of logic contained in that one simple sentence which all boils down to circular reasoning. Hawkins is basically saying that the universe exists because the universe needed to exist and since the universe needed to exist it therefore created itself. For example, imagine I come to you and say, “I can prove that spam is the best-tasting food that ever existed because in all of history, no food has ever tasted better”, you’d probably look at me strange and say that I haven’t proven anything. And you’d be right, all I’ve done was restate my original claim.

But when Hawkins claims that the universe created itself because it needed to create itself and offers that as to how and why it was created, we don’t immediately recognise that he’s doing the same thing. But he is, promoting Lennox to further comment, “Nonsense remains nonsense, even when spoken by famous scientists. Even though the general public assume they’re statements of science.”

I’m not trying to say that Stephen Hawking is wrong, I’m saying that John Lennox, a professor of mathematics and philosophy, has found Professor Hawking’s reasoning to be faulty, and I agree with his logic.

On the other hand, if you can’t bear to disagree with Hawkings thinking, then I suggest you turn to page 5 of his book, “The Grand Design”, where he insists, “philosophy is dead.” And if you’re so sure of Professor Hawking’s infallibility, and philosophy really is dead, then there is really no need for people to ever study philosophy and this argument is useless. 

Another point to consider is that for the last 150 years, Darwinists have been saying that God is unnecessary to explain man’s existence and that evolution replaces God. But evolution only tells you what happens once you have life. So, where did that something that’s alive come from? Well, Darwin never really addressed it. He assumed that maybe some lighting hit a stagnant pool full of the right kind of chemicals and bingo, a living something. But it’s not that simple.  

Darwin claimed that the ancestry of all living things came from that one single, simple organism, which reproduced and slowly modified over time into the complex life forms we view today. Which is why, after contemplating his own theory, Darwin uttered his famous statement, “Natura non facit saltum”, which means, “Nature does not jump.” Well, as noted, author Lee Strobeck pointed out, that if you can picture the entire 3.8 billion years that scientists say life has been around as one 24-hour day, in the space of just 90 seconds, most major animal groups suddenly appear in the forms in which they currently hold. Not slowly and steadily as Darwin predicted, but in evolutionary terms, almost instantly. So, “nature does not jump” becomes “nature makes a giant leap.”

So, how do theists (someone who believes in the existence of God) explain this sudden outburst of new biological information? “And God said, “Let the water teem with living creatures and let the birds fly above the earth across the expanse of the sky. So, God created the great creatures of the sea and every living and moving thing with which the water teems according to its kind. And God saw that it was good” – Genesis 1:20.  

Put simply, creation happened because God said it should happen. And even what looks to our eyes to be a blind, unguided process could be divinely controlled from start to finish.  

People have the right to believe what they want to believe but, it’s easy to dismiss what you don’t understand or what you don’t want to understand.  

Another argument could be said that evil is atheism’s most potent weapon against the Christian faith, and it is. After all, the very existence of evil begs the question, “if God is all-good, and God is all powerful, why does he allow evil to exist?” The answer at its core is quite simple: free will. God allows evil to exist because of free will. From the Christian standpoint, God tolerates evil in this world on a temporary basis so that one day, those who choose to love him freely will dwell with Him in heavily, free from the influence of evil, but with their free will intact. In other word, God’s intention concerning evil, is to one day destroy it.  

Contrastingly, others may argue that “one day, I will get rid of all the evil in the world. But until then, you just have to deal with all the wars, and Holocausts, tsunamis, poverty, starvation, and AIDS. Have a nice life.” You may assume that next I’ll talk to you about moral absolutes. But why not?  

Someone who’s an atheist, doesn’t believe in moral absolutes, but let’s say that you find someone cheating in the same exam you’re taking and gets a good grade. I bet you’ll suddenly start sounding like a Christian, insisting it’s wrong to cheat, that the person should have known that. And yet, what basis do you have? If the actions of others are calculated to help them succeed, then why shouldn’t they perform them?  

For Christians, the fixed point of morality, what constitutes right and wrong, is a straight line that leads directly back to God. And I’m not saying that you need God to be moral, that a moral atheist is an impossibility. But with no God, there’s no real reason to be moral. There’s not even a standard of what moral behaviour is. For Christians, lying, cheating, stealing, in my example, someone stealing a grade they didn’t earn is a form of theft. But if God does not exist, as Dostoyevsky famously pointed out, “if God does not exist, then everything is permissible.” And not only permissible, but pointless. If this is right, then all of our struggles, our debate, whatever we decided to do is meaningless. Our lives and ultimately our deaths have no more consequence than that of a goldfish.  

In conclusion, it all comes down to choice of believe or don’t believe, that’s all there is. That’s all there’s ever been.   

Additionally, James Warner Wallace – homicide detective was the author of the book ‘Cold Case Christianity’. In his book, a subtitle he writes was, “A homicide detective investigates the claims of the gospel.” He was an atheist at the time of his research which reduces bias. Obviously, his duties as a homicide detective includes investigating cold case homicides. He states that ZERO of his cold cases were solved through the use of DNA evidence. He states that the cases got solved by examining eyewitness claims, even ones made many years earlier. This is possible through the number of techniques that they use to test the reliability of an eyewitness such as, forensic statement analysis.

Forensic statement analysis is a discipline where researchers scrutinize the statements of eyewitnesses while looking at what they choose to minimise, emphasize and omit altogether, how they expand or contract time. By examining these eyewitness accounts, researchers can tell who’s lying and who’s telling the truth, and even who the guilty party is.

Interestingly, as a former atheist, he applied his expertise to the death of Jesus at the hand of the Romans while also looking at the Gospels as he would any other forensic statement. The fact he was a non-Christian at the time means there was zero bias or influence for his findings to support or disprove that Jesus was not a real person. Within a matter of months, he determined that the 4 gospels, all written from different perspectives, contained the eyewitness accounts about the life, ministry, death and resurrection of Jesus. Also, he considered that the 4 accounts may be part of a conspiracy, designed to promote belief in a fledgling faith. However, he states that successful conspiracies often involve the fewest number of people. For example, it is a lot easier for 2 people to lie and keep a secret than it is for 20. That is where the problem with the conspiracy theories related to the apostles in the 1st century; there are just far too many of them trying to hold this conspiracy for far too long a period of time. And far worse, they’re experiencing pressure like no other.

Everyone one of these people were tortured and died because of what they claimed to see, and none of them ever recanted their story. Therefore, the idea that this is a conspiracy in the 1st century is really unreasonable. Instead, what was found in the gospels was something James called, “unintended eyewitness support statement”. For example, the Gospel of Matthew, the passage states that Jesus is in front of Caiaphas at a hearing, “Then they spit in his face and struck him with their fists. Others slapped him and said, ‘prophecy to us. Christ. Who hit you?'”. At first, it seems like a simple request given that the people who hit him are standing right in front of him which makes no sense. Why would it be prophecy to be able to tell you who hit you? But it’s not until you read Luke that you get an answer to this. He says, “the men who were guarding Jesus began mocking and beating him. They Blindfolded him and demanded, ‘Prophecy, who hit you?'”. So, now we know why this was a challenge, the gospel of Luke tells us the thing that Matthew left out, that he was actually blindfolded at the time this took place. This kind of unintentional eyewitness support that fills in a detail that the first witness left out is very common.

After years of scrutinizing these gospels using the template that James uses to determine if an eyewitness is reliable. He concluded that the four gospels in the Bible contained the reliable accounts of the actual words of Jesus on the other hand, it may be argued that there are numerous discrepancies between these accounts. But James Warner Wallace says that that is exactly what we should expect. This is because reliable eyewitness accounts always differ slightly in the way they recall a story. “They’re coming to it from different geographic perspectives, their history, even where they are located in the room.” When Wallace examined the gospels, he was trying to determine if these were accurate, reliable accounts in spite of any differences there might be between the accounts.

Finally, he states that when he began his study, he was a devout atheist. He began examining the gospel as a committed sceptic, not as a believer. He wants raised in a Christian environment even though he does have an unusually high regard for the value of evidence. He says that the reason why he’s a Christian now is not because he was nurtured into it or because he hoped it would satisfy some need or accomplish some goal. He says he’s a Christian because it is evidently true.  

Bibliography

Solomon, C. and Konzelman, C. (2014). God’s not dead. 1st film, Greg Jenkins Productions, Pure Flix Entertainment, Red Entertainment Group.

Solomon, C. and Konzelman, C. (2016). God’s not dead. 1st film, Greg Jenkins Productions, Pure Flix Entertainment, Red Entertainment Group.

Photobook specification

Photobook specification

Essay Question:

What is the relationship between photography and memory?

Opening quote:

“The lips… may be as sweet as honey and… kisses as smooth as olive oil, but when it is all over, …he leaves you nothing but bitterness and pain. …he will take you down to the world of the dead.”

Proverbs 5:3-4

Inspirations:


  • Paper and ink: use of different paper/ textures/ colour or B&W or both.

The photobook will use a classic paper since it will suit photo books of all sizes and can be used for both hardback and paperback covers. It’s a satin finish paper, which means it’s a bit more subtle than gloss-coated paper and also provides a higher level of readability.

The colour of the photobook will be coloured since it makes the book more appealing to the reader.

  • Format, size and orientation: portraiture/ landscape/ square/ A5, A4, A3 / number of pages.

A4 size, Portrait, though not all images take over one full page, some take up a section, some full bleeds allowing for each individual image to be the primary focus of each section/ page.

  • Binding, soft/hard cover. image wrap/dust jacket. saddle stitch/swiss binding/ Japanese stab-binding/ leperello

The photobook will use Lay Flat binding. This means that both sides of the book are completely flat so the pages do not turn over automatically. This binding makes it really easy to browse your Photo Book.

The cover image will wrap around the front cover as well as the back cover.

  • Cover: linen/ card. graphic/ printed image. embossed/ debossed. letterpress/ silkscreen/hot-stamping.

Printed image with silkscreen text

  • Narrative: what is the story/ subject-matter. How is it told?

The story for this is a personal one since it comes to show the good and the bad of dating culture along with how Christianity has helped certain decisions I made in these relationships.

The book will involve a series of images showing 2 same sex models getting intimate as long as “real” images of my own and archival images. As well as this, the book will show various text messages I have received along with bible quotes which have helped me through the journey.

Artist references

Broomberg & Oliver Chanarin

Adam Broomberg (South Africa, 1976) and Oliver Chanarin (UK, 1971) are two London shutterbugs who combine talkie and journalistic photography with the visual trades. They’ve been guest speakers at the University of the Trades in London and in 2013 won the Deutsche Börse Photography Award. They’ve published several books on photography and substantially deal with socio-political issues.
Broomberg and Chanarin travelled to Afghanistan to snap the British Army and lived in small communities in Tanzania, where they shared in photographic peregrinations. Graduates in sociology, history, and gospel, the brace seeks to interpret and validate contemporary literal events.
Their workshop are displayed in the collections of the Museum of Modern Art in New York, the Tate Gallery, the Stedelijk Museum in Amsterdam and the International Centre of Photography in New York.


Image Analysis

Substance:

Due to the time the photographer existed; we can assume that this image was originally in a digital format since it is printed in high resolution

The image of the bible seems to be taken in a studio since it is professionally digitalised with a white background. The images in the bible however, “are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world.”

It was taken for personal work. This is evident because om lenscultre it says, “Broomberg and Chanarin mined this archive with philosopher Adi Ophir’s central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance…it must be viewed in multifaceted contexts: violence, catastrophe, global and regional politics, religion, power, corruption, greed, propaganda, consumer advertising, human conflict, nature, sex, life, death…and photography as a powerful visual language that can used and abused for multiple purposes.”

Composition:

The main focal point of this image is obviously the catastrophic images of a kid acting as police pretending to hit a man with a small batting stick, and of a child holding a snake. The other main focus of the image is the Bible, which is opened in Ecclesiastes chapters 3-8 with the following quotes underlined in red: “on the side of their oppressors [there was] power, but they had no comforter”, “better is the ending of a thing than the beginning” and “for who can make [that] straight.”

Author has powerfully used the rule of thirds to compose this image as the archival images and the bible are positioned in the centre.

The main colours of this image are black and white tones. They purposely used the black and white technique to create this image to create a sense of light vs dark and may also have used it to show Divine (light) vs Violence (dark).

Lighting:

The light in this image seems to be coming from the top and from the sides as every aspect of the image is lit perfectly. Evidently, the light seems to be quite artificial as everything is well lit, there is a white background allowing for a better exposure of colours.

In the image of a child holding a snake however, the image is quite underexposed as it seems the camera is facing away from the sun. I know this because the camera was able to focus on the subject, otherwise, the image would be pure white. The light is natural.

In the image of a child pretending to be a policeman pretending to hit another child, the l

Techniques and editing: (evidently black and white filter or camera were used)

The artist may have purposely naturally underexposed the image to keep it in focus and so it isn’t too bright or too dark just natural.

The camera is still as this is a portrait and all the details are in focus suggesting that the camera was stationary; a tripod was likely used.

Atmosphere:

This image makes me feel quite uneasy because the Bible is a book of hope and light but when you present the viewer with a set of unpleasant images like this one, it kind of serves as a way to help the viewer think that life is not a sea of roses, there’s more we can do to make the world a better place to live in.

Response:

In my own project I will use a similar approach having text messages that I get from same-sex love interests and contrast them against the bible texts against homosexuality to cause a sense of shock to the viewer.