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Final Images

Virtual Gallery

Final Images

Links to Laura Williams

These final images are direct responses to a series of images by Laura Williams where the effect is that the mirror being held makes that subject seem invisible, creating a sense of a lack of identity.

Laura Williams

In final image 1, the female subject is in a similar position to the subject in Laura Williams’ image, where the subject has a serious expression and is looking directly into the camera. The colours are also vibrant in both of the images and the mirror covers up part of the subject.

In final image 2, the concepts and contents of the image is the same, but it is in black and white, enhancing the contract in tones between the highlights and the shadows.

Final image 3 is a mix of the two, where the main image is in colour, but the ‘reflection’ in the mirror is in black and white, indicating that maybe the subject may not know her identity because the ‘reflection’ has a lack of colour, indicating a lack of identity.

These final images link to an image by Laura Williams where the image that has been taken, is repeated within the mirror being held by the subject, which gives a sense of confusion as this seems impossible, which links to not knowing your identity or confused about identity.

Laura Williams

Both final image 4 and 5 are in this style by Laura Williams, the female subject is looking directly at the camera with the mirror covering her torso. The subject is also wearing a white, loose and wavy style top which, along with the edited mirror, adds a surreal feeling to the image.

These images are influenced by Laura Williams mirror portraits, but also Bobby Becker’s surrealism images.

Bobby Becker

Bobby Becker creates a surreal effect by creating an impossible image with mirrors. The reflections in the mirrors are different from what they should be, creating an eerie, surreal effect.

Final image 6 symbolises a lack of reality as what is inside the mirror lacks colour, but what is outside of the mirror doesn’t.

Final image 7 and 8 link to Bobby Becker’s surrealism mirror images because of the un-real reflections in the mirror, creating a surreal, eerie feeling.

Surrealism

Photography’s connection with surrealism lies in its ability to represent the material world in strange and abstract ways. Surrealist photographer Man Ray used double exposure, solarisation and reversed tonality to disturb the viewer’s recognition of things and to suggest the overlapping of dream and reality.’

Bobby Becker creates eerie surreal photography, sometimes using mirrors to do so.

Eerie Surreal Photography By Bobby Becker - IGNANT
The fascinating photography of Bobby Becker - The re:art

Bobby Becker’s images link to identity because what you are seeing in the image is not true to real life. Linking to how people may have an altered perception to their identity.

Bobby Becker, Laura Williams and Claude Cahun – Identity

Bobby Becker, laura Williams and Claud Cahun all explore identity in some way, but some more than others.

Claude Cahun explores ideas of identity the deepest out of the three photographers. She expecially explored gender identity and how smeone saw their own identity.

Claude Cahun: A Very Curious Spirit | AnOther
Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and  Sexuality - The New York Times

Laura Williams, similarly to Claude Cahun, explores how people see their own identity and lack of or multiple identities. This links to the Claude Cahun image above, which symbolises the subject having multiple identities and how they view their own identity.

Laura Williams explored lack of identity and identity as a whole through the use of mirrors. and reflections.

The Story Behind This Viral Invisible Girl Photo by Laura Williams
Image preview

Some of Laura Williams photographs are impossible looking images, such as making the subject appear invisible and epeating images within the mirrors. These give a sense of surrealism.

This links to Bobby Becker, who is a surrealist photographer. And also links to Claude Cahun and identity because of the eerie confusing images. This shows the subject being confused about their identity. Bobby Becker also has a few images with mirrors creating a reflection that doesn’t make sense within the image, such as the subject facing the wrong way in the mirror, eerily plain rooms and other images that dont make sense and make the viewer feel somewhat uneasy.

The fascinating photography of Bobby Becker - The re:art
Eerie Surreal Photography By Bobby Becker - IGNANT

Links to Gender

Lots of Claude Cahun’s images link to gender identity. In her images she tackles the problem with gender norms and stereotypes by going against the way people would expect a woman in her time to dress/act.

The early 1900s artist who rejected gender constructs | Dazed
Claude Cahune

The image above shows an image of Claude Cahun in a shirt. This would stereotypically for the 1900’s be mens clothing. Claude Cahun taking images going against these stereotypes was important to let people know that they can be free to wear and act how they want no matter their gender.

There are lots of other images by Claude Cahun that address gender norms/stereotypes such as the ones below.

The many masks of Gillian Wearing and Claude Cahun | Blog | Royal Academy  of Arts

This idea of gender identity is reflected in Laura Wiliams work and my final images because all of the subjects are female, only showing the identity and thoughts of a female subject.

Shoot 2 – editing

  • When shooting, i took multiple photos of the subject facing in different positions with the framing being the exact same in each image.
  • In photoshop i cut out the interior of the mirror in one of the images. I then put the other image i took of the subject facing a different way behind the first image, creating the effect that it is the reflection in the mirror. I then repeated this for another image of the subject facing the opposite way.

Shoot 1 – Editing

A lot of Laura Williams mirror portraits are edited in photoshop to create the funal product.

Editing process 1

  • When shooting i took images of the subject and images of the same frame without the subject in.
  • In Photoshop i then cut out the interior of the mirror and layer the other image behind so that the mirror seems to see through the subject by lining up the image behind with the image in front.

Editing Process 2

  • In Photoshop i duplicate the original image once
  • I then cut out the interior of the mirror in one of the images
  • I duplicate this edited image, layer it behind the first edited image and resize it within the frame of the mirror.
  • I then resize the original image into the mirror of the smaller image.

Identity and Place – Claude Cahun comparrison

Claude Cahun

Intro – ‘Claude Cahun, born Lucy Renee Mathilde Schwob, was a French lesbian photographer, sculptor and writer. Schwob adopted the pseudonym Claude Cahun in 1917 and is best known for self-portraits, in which Cahun assumed a variety of personae.’ – Wikipedia

Claude Cahun explored the idea of identity within lots of her portraits, such as gender/sexuality identity and self identity.

Here is one image that explores self identity and how Claude Cahun felt about her own identity.

This image by Claude Cahun is a double exposure portrait. (Double exposure – the repeated exposure of a photographic plate or film to light, often producing ghost images.) This would have been created by taking an original photograph, then taking another image using the same film that was just used to take the previous image. This creates the effect of the same person having multiple identities as the same subject appears twice in the image. The image is in black and white which creates a strong contrast between the lights and the shadows, adding depth to the image. The use of an un-detailed background also keeps the focus on the subject in the middle of the image.

Laura Williams

Intro – ‘My name is Laura and I’m a 24 year photographer and designer from a village in Suffolk, UK. I specialize in fine art portraits and natural, documentary style wedding photography.

I’m a storyteller. I use the art of photography to blur the lines between real life and fantasy to create unusual artworks and surreal worlds.’ – https://laurawilliamsphotography.co.uk/

Laura Williams also has a range of images portraying lack of/loss of identity. These images involve a mirror and a subject, and has been edited to symbolize the lack of the subjects identity –

This image by Laura Williams is of a girl holding a mirror sitting in a garden. This image has a shallow depth of field, created by having a wide aperture and focusing on the subject. Similarly to Claude Cahun. this draws attention to the subject in the centre of the image by having the edges out of focus and the centre sharp and in focus. The image has been edited in post to make the mirror being held to have a deeper meaning. Prior to taking the image with the subject in, an image was taken with the same framing but without the subject. This image was used to edit inside of the mirror, creating the effect that the mirror allows the viewer to see through the subject and all the way to the background. This links to the loss/lack of identity as it makes the subject seem as is shes not there. This contrasts to Claude Cahun’s meaning in the previous image becuase her image reflected the idea of having more than one identity, where as Laura Williams created the idea of not having an identity at all.

Identity and place – Intro

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Identity – ‘the distinguishing character or personality of an individual : individuality : the relation established by psychological identification.’

Identity of a person or group can be influenced by their location, relationships with other, relations with themselves, things that are important to them, your environment or upbringing, gender identity, cultural identity, social identity, geographical identity, political identity, lack of or loss of identity

Lack of or loss of identity is what i am most interested in as i feel i can create photographs with deep meanings and metaphors to do with this type of identity.

Image result for diptych photography

Photo-montage

Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image.

Thomas Sauvin, a French artist, created a series of images called, ‘No more, No less.’ This is where he weould edit and move around parts of the image, but not add or take away anything, creating the name ‘No more, No less.’ This was his one rule with the images, ‘nothing is removed, nothing is added.’

This interests me because it gets the photographer to work with what they’ve got and see how they can manipulate an image to create a new meaning/look.

This is one of his finished images. The edits made are simple but effective, leaving the final image looking clean and not over edited or distorted. The image is in black and white which gives eddied contrast to the blacks and shadows in the image, while the wide aperture focuses on the face of the subject, both adding depth of field to the image.

My Image & Edit

Here i used the same tonal range of Thomas Sauvin by changing the original RGB image into a grayscale image. I then Cut out a triangle around the eye and moved it to a seperate layer. I then cut out another identical triangle in another part of the image, moved that triangle to a seperate layer aswel, then swapped the location of the two shapes. The layers were ordered so that the original is behind the newly edited parts of the image.

Headshots – double/multi exposure, juxtaposition, sequence/grid

Double/Multi Exposures

What are they?

‘Double or multiple exposures are an illusion created by layering images (or portions of images) over the top of each other. This can be achieved in the camera settings, or on Adobe Photoshop by creating LAYERS and then using BLENDING OPTIONS and OPACITY CONTROL’

Example taken by Man Ray:

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My Double Exposures

Here, i layered two images of the same subject over each other in Adobe Photoshop. I then cropped the images to the desired size and changed the opacity of the layers. I moved them so that the heads of the subject are aligned and the correct transparency was achieved.

Juxtaposition

Juxtaposition is placing two images together to show contrast or similarities.

Here is one example by Henry Mullins where he compares a currant image and an old image, where the subject has a similar expression and is framed similarly:

My Juxtaposition

Here i used the same idea as the above images, where one image is recent, and another image is old, but both have a similar expression and framing:

Sequence/Grid

Duane Michals – ‘ The sequences, for which he is widely known, appropriate cinema’s frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images’ meaning and gives voice to Michals’s singular musings, which are poetic, tragic, and humorous, often all at once.’

Here is his sequence:

My Sequence

My sequence of images shows a series of 3 photos where the subject is exactly the same in all three. The camera is moving away from the subject with each photograph but the framing of the subject is the same. This creates a greater depth of field as the focal length of the lens is greater as the camera moves further away from the subject.

Headshots – Diamond cameo, Deadpan Aesthetic/typology, Closeups

HENRY MULLINS – DIAMOND CAMEO

Henry Mullins started working at 230 Regent Street in London in the 1840s and moved to Jersey in July 1848, setting up a studio known as the Royal Saloon, at 7 Royal Square.

He was known for presenting his images in a diamond shape, in oval frames:

My Diamond Cameo

Subject – Michael Kenealy

Deadpan Aesthetic/typology – Passport

In summary Deadpan photography is a cool, detached, and unemotional presentation and, when used in a series, usually follows a pre-defined set of compositional and lighting rules.

Thomas Ruff wanted to mimick the setup for a having a set of passport images taken, here are some of his images:

Typology:

These images are also classed as typology. Typology is ‘a single photograph or more commonly a body of photographic work, that shares a high level of consistency. This consistency is usually found within the subjects, environment, photographic process, and presentation or direction of the subject.’ In this case it is the deadpan aesthetic, framing of the images, colour tones and background.

My Deadpan Images

Because of the social distancing rules of the time of this shoot, these photos were taken at home with natural light and one front facing directional light source.

Up Close

Close-ups display the most detail, but they do not include the broader scene or the whole image.

Satoshi Fujiwara: Code Unknown: In Michael Haneke’s 2000 film Code Unknown, there is a scene in which the protagonist’s lover, a photographer, secretly snaps pictures of passengers sitting across from him on the train.’

My Closeups

Because of social distancing rules at the time of this shoot, it had to be shot at home with one directional light.