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portrait of alfred krupp

The man himself is harmless, he is old and weak looking but his eyes are looking directly at the camera which is unsettling and emits an emotional response. In reality he aided the Nazis is committing mass genocide. His body language shows power as the pose he is doing is common among business men. The photo is an environmental portrait which shows people in a place they are associated with. In this case its one of his factories that produces trains. The portrait was done by Arnold Newman, a Jewish photographer who was helped bring environmental photography into mainstream media. The portrait led to public backlash and Krupp was imprisoned for crimes against humanity and he died soon after his release from prison.

The focal point of the portrait is Alfred Krupp which suggests his power and importance. Everything in the photo is tied to him. This includes the triangular leading lines that all join up to him and the lighting that centres on his face. The shadowing blacks out his eyes which evokes a sinister feeling as the eyes are often known as windows to the soul and by blocking this window you so not know someones true intentions.

The colours in this photo are more vibrant at the back of the scene but begin to dim as you look closer to Krupp. The bright orange of the industrial machinery is a stark juxtaposition to Krupp’s bleak businessman attire. This could suggest that its Krupp’s workers that are full of life whilst Krupp himself is void of life. The darkness of Krupp in the portrait connotes evilness which is likely on purpose by Newman to expose him.

Examining Arnold Newman's Environmental Portraits - The New York Times

REPETITION, PATTERN, RHYTHM REFLECTION AND SYMMETRY –

Ray Metzker

Street scene double exposure by Ray K. Metzker on artnet

shows people walking in the street- very typical of Metzker. Double exposure creates abstract effect. black and white- typical of the time period. Could suggest the busyness of life? composition is just of people in a straight line but because of the exposure it fills the frame. The lighting is natural which helps the photo not look forced. The tone is dark.

Alfred Stieglitz –

Tribute to Alfred Stieglitz - YouTube

light streaming in through the Grand Central Terminal in New York- cant see the light anymore because of buildings surrounding it. Heavy use of light. light toned considering its in black and white. Like light shining down from heaven.

surface and colours

shoot 1shoot 2
whoN/AN/A
what doorsdoors
wheretownthe market
whenMonday after school Tuesday after work
whyto replicate Hallam-Day’s photosto replicate Hallam-Day’s photos
howcamera on phonecamera on phone

SHOOT 1

I think that these photos stay true to Hallam-Days original images as they blend town life with busted doors. I would have liked to take more but I looked weird taking photos of people’s houses and shops in town so was limited to only a few photos 

SHOOT 2

This is my favourite photo from this shoot. I really like the central composition .

This shoot produced a few nice photos however I had the same issue as the first photo shoot in which I looked really weird taking photos of doors in town so couldn’t take as many as I would have wanted.

EDITING

To make the photo more like Hallam-Days, I wanted it to be a really vibrant and blue so using Photoshop I made the vibrancy and saturation really high and also put the blue and cyan out of balance to make the colour really stand out.

For the door in the market I used the same photo shopping techniques but with red instead of blue and cyan.

FINAL IMAGES

COMPARISON TO HALLAM-DAY’S WORK

In conclusion, my photos had some similarities to Hallam-Days. The use of surfaces as the subject was one of these. I think that i managed to follow his grungy style but i think that his photos were more naturally colourful whilst I had to edit a lot of my colour in.

EVALUATION AND CRITIQUES

I really liked my photos and felt that the editing process really added a lot to them however it would have been better if I had more photos to choose from .Next time I will take more photos so that I have more photos to choose so will ultimately have better photos.

PAPER PAPER PAPER

This project is inspired by the work of Vjeko Sager who created art by cutting lines into a piece of paper and raising the shapes up.

To create my own unique version of this I have decided to center my project entirely around paper. To do this I am going to create a sharp looking origami using plain paper and overlaying it on top of open books to add depth to the photos.

I crossed out the photo in red as it was far too overexposed which made the paper origami blend in too much with the background. The images with green around them are the photos i’d like to explore further.

Some of these images need cropping to remove the background

These images have been cropped to remove background distractions such as hands or the grey worktable underneath the book. I experimented with changing aspects such as contrast and exposure but I didn’t like the way it made the images look so decided to leave it unedited

THE FORMAL ELEMENTS

Light- I used natural light to keep the image soft but could have used artificial light from my iphone’s torch as a spotlight to create a more dramatic effect with dark shadowing

Lines- the creased lines on the side of the origami lead viewers eyes directly to parts of the book. To create meaning I could have had it point to a word in the book

Repetition- There is not much repetition in the photos themselves, however, when displayed together like this there is the repetition of the paper itself which is more aesthetically appealing than just a singular image

Tone- The images are very bright with a lot of available light that doesn’t really contrast with the white of the books and paper origami

BLACK LIGHT

Keld Helmer-Petersen was a danish photographer renowned for his abstract photography, often upping the contrast of his photos for a more dramatic affect

MY RESPONSE

To replicate Helmer-Petersons work, I used adobe Photoshop and used the threshold tool to achieve a high contrast look. My favorite photo is of the cuttlery in the top left hand corner. Next time I would like to try this on less delicate objects, like industrial buildings