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Art Movementes and Isms

Pictorialism

Time Period : 1880-1920

Key Characteristics: The make it look like art, look handmade. It reacted against mechanization and industrialisation. They abhorred the

Methods/Techniques/Processes: Rub Vaseline on the camera lens to blur parts of the picture. Scratch the negative, and use chemicals to create an interesting print.

Artist Associated:
Alfred Stieglitz. He was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O’Keeffe.

Hugo Henneberg. An amateur photographer originally trained in the sciences, Henneberg came to the medium from his study of physics, chemistry, astronomy, and mathematics. His knowledge of the technical aspects of photography served his aesthetic interests particularly well, as he created gum bichromate prints that involved multiple stages of development.

Julia Margret Cameron. The bulk of Cameron’s photographs fit into two categories closely framed portraits and illustrative allegories based on religious and literary works.

Realism / Straight Photography

Time Period : 1915

Key Characteristics: Politics, Revolutions, Cubism. Straight photographers were photographers who believed in the intrinsic qualities of the photographic medium and its ability to provide accurate and descriptive records of the visual world. These photographers. Realism photography grew up with claims of having a special relationship to reality, and its premise, that the camera’s ability to record objectively the actual world as it appears in front of the lens was unquestioned. A belief in the trustworthiness of the photograph is also fostered by the news media who rely on photographs to show the truth of what took place.

Methods/Techniques/Processes: Sharp Focus, Shape, Form, To face reality. “The camera is an instrument of a new kind of vision.”

Artist Associated:
Paul Strand. He was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century.

Walker Evans. Often considered to the leading American documentary photographer of the 20th century. He rejected Pictorialism and wanted to establish a new photographic art based on a detached and disinterested look. He most celebrated work is his pictures of three Sharecropper families in the American South during the 1930s Depression.

Modernism

Time Period : early 1900s through to the 1960s.

Key Characteristics: characterised intellectually by a belief that science could save the world and that, through reason, a foundation of universal truths could be established. The common trend was to seek answers to fundamental questions about the nature of art and human experience. Modernity imbue all aspects of society and are apparent in its cultural forms including fiction, architecture, painting, popular culture, photography.

Methods/Techniques/Processes:

Artist Associated: Joe Cornish. He is a British photographer noted for his large format landscapes. Born in Exeter, Devon, England in 1958, he graduated with a degree in Fine Art from University of Reading in 1980 and then went to America to train as a photographer’s assistant.

Ansel Adams. He was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating “pure” photography which favoured sharp focus and the use of the full tonal range of a photograph.

Edward Weston. He was a 20th-century American photographer. He has been called “one of the most innovative and influential American photographers…” and “one of the masters of 20th century photography.”

Post-Modernism

Time Period : second half of the 20th century

Key Characteristics: Postmodernism is relativism – the belief that no society or culture is more important than any other. It explores power and the way economic and social forces exert that power by shaping the identities of individuals and entire cultures.

Methods/Techniques/Processes:

Artist Associated: Anna Gaskell. She is an American art photographer and artist from Des Moines, Iowa. She is best known for her photographic series that she calls “elliptical narratives”

David LaChapelle. Is a famous American pop photographer, moviemaker and video artist that made his name by shooting celebrities like Lady Gaga, Kanye West, Michael Jackson, etc. But unlike most “celebrity photographers” he expands his portfolio with other kinds of work and creates beautiful exhibitions. His photography often references art history and sometimes conveys social messages.

History Of Photography

THE BEGGINING – 1826

The worlds first photograph was made in a camera in 1826 by Joseph Nicéphore. The photograph was taken from the upstairs windows of Niépce’s estate in the Burgundy region of France. It was the worlds first image that didn’t fade quickly. He used camera obscure to capture his image, however he added a photo sensitive plate coated with silver chloride, which darkened where it was exposed to light. This is how he recorded his image.

history of photography timeline 3 image

It took 8 hours to record the image. You can see sunlight illuminating both sides of the buildings. He made it by exposing a bitumen-coated plate in a camera obscura for several hours on his windowsill. Which leads to the question what is camera obscure?

Camera obscura is the Latin name means “dark chamber,” and the earliest versions, dating to antiquity, consisted of small darkened rooms with light admitted through a single tiny hole. The light rays enter the tiny hole and inside the box there will be the scene projected on the wall, however it will be upside down. Camera obscura isn’t a camera, it was invented by a Chinese philosopher called Mo-tzu (or Mozi) in 400BC. He noted that light from an illuminated object that passed through a pinhole into a dark room created an inverted image of the original object. Although, the first known date that camera obscura was 1021 AD.

DAGUERREOTYPE – 1837

In 1837, Louis Daguerre introduces the daguerreotype, a fixed image that did not fade. From 1839 on, the popular metal plate process known as daguerreotype opened up this mix of art and technology to the masses. The daguerreotype is a direct-positive process, creating a highly detailed image on a sheet of copper plated with a thin coat of silver without the use of a negative. The process required great care. After exposure to light, the plate was developed over hot mercury until an image appeared.

It was one of the easier metal plate photographic processes, it was still messy, expensive, very time consuming, and somewhat dangerous.

Replica of Daguerre-Giroux camera | Science Museum Group Collection

CALOTYPE – 1841

Calotype, also called Talbotype, is an early photographic technique invented by William Henry Fox Talbot in the 1830s.

In this technique, a sheet of paper coated with silver chloride was exposed to light in a camera obscura; those areas hit by light became dark in tone, yielding a negative image. The revolutionary aspect of the process lay in Talbot’s discovery of a chemical (gallic acid) that could be used to “develop” the image on the paper, it accelerates the silver chloride’s chemical reaction to the light it had been exposed to. The developing process permitted much shorter exposure times in the camera, down from one hour to one minute.

The developed image on the paper was fixed with sodium hyposulfite. However, if you touched the paper it would destroy it, as the emollition sits on top of the image. The “negative,” as Talbot called it, could yield any number of positive images by simple contact printing upon another piece of sensitized paper. Talbot’s process was superior in this respect to the daguerreotype, which yielded a single positive image on metal that could not be duplicated. Talbot patented his process in 1841.

history of photography timeline 4 image

KODAK – 1888

George Eastman of Rochester, New York had an idea. Use this new roll film, build a simple, easy-to-use camera, and market it as a fun use product. In the history of photography, Eastman was a master of marketing photography to the masses. “You push the button, we do the rest.”

history of photography timeline 8 image

POLAROID CAMERA – 1948

Edwin Land launches the Polaroid camera. He invented inexpensive filters for polarizing light, a practical system of in-camera instant photography, and the retinex theory of colour vision, among other things. His Polaroid instant camera went on sale in late 1948 and made it possible for a picture to be taken and developed in 60 seconds or less.

Polaroid introduces the instant camera, February 21, 1947 - EDN

CANON DIGITAL – 1984

In 1984 Canon demonstrates first digital electronic still camera, which set the path for digital photography for todays world.

Personal Project – Statement Of Intent + Mood Board/Mind Map

MOOD BOARD+ MIND MAP

I made a mind map and mood board for the topic that I chose fo my personal study is on, which is Bouley Bay. This is because I live close to it, and I feel that there is a lot of history that be explore and because it is a landscape that has a wide variety of features I can use lots of photographic techniques to capture the bay.

STATE OF INTENT

My idea is to make a photobook in which I explore the area Bouley Bay, overall I want to capture the activity, views, and close ups of key feature such as rocks, shells, heritage, the hill climb, and the bay. I could also look into the history of the bay and the Jersey Folklore, involving the Black Dog.

It is important to me as I grew up in that area, and have many memories of it. And I hope to capture it in the same way in which remember it.

I wish to develop my project by exploring the bay and collecting lots of objects to photograph in a studio, and also to take long exposure, aerial, and underwater of the bay, as I have been inspired by many photographers, such as, Martin J Patterson (@ mjplandscapes on Instagram), Jaun Munoz (@ drjuanmdc on Instagram), and David Aguilar (@ davidaguilar_photo). Using these images I can look into topics such as, beach pollution, environment and beach life. Hanna-Katrina Jędrosz and Barron Bixler have studied environments, so it would be interesting to analyse them and their work.

FIRST PHOTO SHOOT PLAN

My first photoshoot, I will go down to Bouley at Sunset when it’s not cloudy and high-tide, and take long exposure photos using a tripod, and some neutral density filters.

Reviewing And Reflecting

My pervious work over Year 12 and Year 13, that showcases some of my best images and interesting photographic techniques

Formal Elements

My first project I started was based on the formal elements using formalism, where I scrunched up and teared up paper into shapes such as, balls, holes, and different textures, then took photos of the paper. I set up multiple different lighting environments to shoot in.

Firstly, I used 1 light source, which was the camera flash, for the image of the paper ball I also made the exposure darker to emphasis the contrast between the highlights and the shadows which made creases in the ball more noticeable, additionally it made the black paper background even darker so that you couldn’t see any of the marks on the paper. This is using minimalism to direct the focus of the image to the main focal point.

In the other photos I used 2 phones to emit different coloured lights, which made the colours clash as the paper as at different heights as it was crumpled up.

In Photoshop, I didn’t really do much adjustments image were very basic. All I adjusted was the contrast and saturation, to boost the colours, or the opposite to make it black and white by setting the saturation to 0.

Surface and Colour

In this topic I used serval different camera lens to gain a different perspective. However, most of these image were shot using a macro lens.

This allowed me to achieved a really close up shot were you can clearly see the pattern and the repetition of shapes and the different textures of the subject. Additionally, I was able to use a shallow depth of field, which created a focus onto key features by blurring the edges.

Having these images in black and white helps remove any distraction of colour and helps the viewer focus on other aspects of the photo, such as the subject, the textures, shapes and patterns, and the composition.

Abstract

To create these images I played a colourful video on my laptop and shot the images through different glasses, eg, wine glasses and perfume bottles to distort the video, which created a unique and abstract effect. I also used the glass to make reflections to act like a mirror.

To also create some of these images I changed my camera to manual focus and made it super blurry, then I took photos of different glasses in front of the screen, using the same method.

Minimalism – (Artist Reference / Kevin Saint Grey)

Kevin Saint Grey is a photographer I studied who is a primarily black and white LA based photographer with a minimalist approach to his subjects which creates a drastic contrast. He shoots mostly landscape and architecture, and his work distinguishes itself for the serendipity of black and white, “humanness” and silent images. He accomplishes this by using techniques such as, symmetry and long-exposure, and he manages to get amazing, creative photographs, by using camera movements while exploring unique angles while shooting architecture.

This is one favourite minimalistic images I took, it is of a glass lamp stand. I made it so the full object is not in view as it creates a minimalistic effect, that features the curve of the sphere, and the light which reflects off of it.

I submitted this image to a photography competition hosted by the Jersey Arts Centre on their Facebook page, and it won “Best minimalistic photo of the day.”

Portrait/Close Up

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I have used the photography studio when taking portrait photos. This allowed me to experiment with different lighting colours, set-ups, etc.

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I have created a photomontage using post-processing techniques in Photoshop by using layers after lining all the images up, which created a multi-exposure image.

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The eye contact with the camera makes it a stronger image as there is more of a direct and emotional atmosphere between the viewer and the image.

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Since I used a macro lens I was able to create a shallow depth of field. This made it so the eye and part of the eye lashes were focused, and the rest wasn’t, which draws more attention to the eye itself. Macro photography is one of my favourite ways to shoot however, it one of the hardest to get right, as its only manual focus. This means you have to move closer/further away from the object or adjust the focal length.

Landscape

The landscape project was heavily inspired by Ansel Adams. Ansel Easton Adams was an American landscape photographer and environmentalist known for his black-and-white images of the American West. Also, he is considered the most important landscape photographer of the 20th century.

Both images are of natural landscapes, which display rock formations and both cover the whole of tonal zone system, going from 0, being black through to 10 being white, displaying different shades. This really puts emphasis on the highlights as it creates a high harmonious contrast.

These two images demonstrate the 3 levels of tonal values, is what makes this image stand out. It consists of the blacks in the foreground, with the grey behind it, then finally to the light-grey figures in the background which the lighthouse is apart of. Overall the harsh contrast between the sky and the rocks juxtapose each other against light and dark. I achieved the star effect caused by the sun, by using a high f-stop value, eg. f-32.

I used multi-bracket exposure to capture these images. The camera takes 3 photos, 1 over exposed, 1 normally, and 1 under exposure image. I edited it in Photoshops Camera Raw Filter after Photoshop merged the 3 images to create a HDR image. (High Dynamic Range.)

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These 4 images are more generic landscape photos, however do include unique aspects such as lens flares and reflections from the water.

This are some of the urban landscape photos I took at night in town, using long exposure. Since the exposure time was so long I had to use a tripod so that the camera was stable to create a clear image. Long exposure is one of my favourite photography techniques, as it creates unique images every time.

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This is my favourite image from the whole urban landscape topic. It captures a bus driving past a traffic light. However it did take many attempts to capture this shot, which is part of the fun.

Long Exposure – Water Photo Shoot

On the topic of long exposure these are 2 strong images that where apart of another topic, that I really like.

Street Photography/ Candid Photography

These 2 images were tableaux (set up/knew they were being photographed) Overall, I didn’t really like asking people if it was ok to take their pictures. However, it did allow me to capture the subjects closer compared to the photos below.

Where as, these 2 images aren’t set up and captures peoples natural state, emotion, and pose. Therefore, i fell that they poses more of a story.

Anthropocene

For my Anthropocene project I split it into 2 sections. The first was space, and the second was plastic water pollution.

These were some of my favourite photos I got of the full moon at 4 AM. I used a telephoto lens and a tripod to capture the moon.

These are my attempts astrophotography, I went to the west of the island at 12-1 AM and used a 18mm lens, with a low aperture using a long shutter speed of 20 seconds to capture the stars. Before I took the photo I had to manually focus the camera on the north star, this is so that the stars would in focus. Overall, these turned out good, however it wasn’t the right season, so I could do better when the milky way is more visible.

This is my best final piece which I made in Photoshop, using my own images to create a concept image using photo manipulation of plastic water pollution in Jersey. This took approximately 7.5 hours, using over 500+ layers inside photoshop, where I documented the process on my blog. I have lots of experience in photoshop and a great knowledge of the software.

Identify and Community Photoshoots Best Images

These images were taken whilst I was walking around town. This is one of my favourite ways to photography unique and different things in a new place/area.

In these images there was a metal chain across the car. This was very distracting so I removed it in Photoshop which improved the image. I also made the black background darker to remove the small details to create an old, minimalistic style.

These images work well in black and white. The image on the left demonstrates depth of field and unique angles, however the right image captures motion of flying pigeons.

These images use framing to create a focus on the key features and remove distractions around the outside of the image.

Contextual studies – Stephen Shore

I started off by selecting 3 Stephen Shore quotes that I think I could include in my image analyse of one of Stephen Shores images. The first quote I found online, and the other two were from an interview that was on a PowerPoint resource.

1.

“I don’t have to have a single point of emphasis in the picture. It can be complex, because it’s so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.”

2.

But even in that strange world, you were definitely making “Stephen Shore” pictures: intersections, shop fronts.

That’s true. Most of the pictures do have little indications that it’s a movie set. A contemporary car in the background or some scaffolding. But even the decision to shoot in colour meant that I was making photographs that couldn’t have been made in the period setting of the movie, It’s an anachronism. There are streets in New York that still look like those streets, but the décor and dressing are anachronistic, too. It was great fun.

3.

Can you describe what you had been doing?

In making Uncommon Places, I was walking down the street and watching all the relationships changing watching objects in the foreground change in relation to the background, thinking about how space is going to be seen in monocular vision on a picture plane. What happened for me was that, right away and throughout the work, structural issues and questions came to my mind. I had to solve those questions, and in the process of solving them other questions would arise. But it wasn’t as it I was sitting around thinking about them.

Analysis

Stephen Shore’s ‘Uncommon Places’ (book) finds the beauty in the most mundane. His sprawling vision of America has become a contemporary classic, a landmark of visual Americana, influencing a generation of photographers to take to the highway.

Stephen Shore: Uncommon Places | The Independent Photographer

This photo demonstrates how Shore finds interesting and unusual places by walking around, this is his usual method he uses to find places to photograph, as he was asked in an interview, “Can you describe what you had been doing?”, and Shore replied with “I was walking down the street and watching all the relationships changing watching objects in the foreground change in relation to the background, thinking about how space is going to be seen in monocular vision on a picture plane.” This shows how Shore think about how the image will look through the view finder before setting his camera equipment up. Photo walks are very important for photographers, as they’re not only perfect for meeting other camera enthusiasts, but also for honing your skills as a photographer, learning new ideas, and experiencing different places through your camera’s viewfinder.

Walking around and exploring allows Shore to capture images of shop fronts and intersections, which have been named the, “Stephen Shore” image. the interviewer asked Shore how he creates the classic image, that comes out so perfect. Shore states, “Most of the pictures do have little indications that it’s a movie set. A contemporary car in the background or some scaffolding. But even the decision to shoot in colour meant that I was making photographs that couldn’t have been made in the period setting of the movie, It’s an anachronism.” This shows how Shore uses anachronism to his advantage. Anachronism is a chronological inconsistency in some arrangement, especially a juxtaposition of people, events, and objects from different time periods. For example in this image the colourful cars are lined up perfectly in front of the old, squatting, lit-up movie theatre in the background. This creates a juxtaposition between the colourful cars and the bright movie theatre in contrast to the dull, brown factory looking buildings, which creates a focus on the centre of the image drawing the eye to the theatre, and the people outside which gives life to the image.

The camera position in this photo is across the road from the subject, which is the theatre. This shows how Shore photographs a scene that he finds on his walks. However, Shore has thought about the composition in this image, as Shore uses depth of field to his advantage as the cars in the foreground are blurred which focuses the eye on the main focal point. Shore once said, “I don’t have to have a single point of emphasis in the picture. It can be complex, because it’s so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.” This image is a good example of how Shore creates the composition of an image. However, there is a main emphasis point, which is the theatre, and it is surrounded by several sub focus points, which is the cars. The surrounding buildings and lamp posts on the street, and more detail to describe the atmosphere of the scene. The choice of shooting in the early evening makes the darker buildings less noticeable, which creates a contrast with the light, white theatre building. The light blue sky is a similar colour to the blue accents on the theatre, which creates a balance in colours between dark red, light blue and white. These colours are also the same colour palette as the American flag, this is important as Shore is an American photographer and perhaps he wanted to represent himself and glorify the American lifestyle.

Island Identity – Communities

In groups of two (Ollie and I) we had to produce a poster that reflects on one of the key areas of Jersey Identity, we were given “Communities” to explore.

This is our poster, our main focus was the different communities in each parishes, and how each parish is slightly different which is depicted on there way of life. For example, St. Helier is very built up and Trinity is more rural and less busy.

The notes around the outside inform the reader about the how, the Honorary Police is one of the oldest police forces in existence, and embodies the best Peelian principles of policing by consent. The Parish Hall Enquiry system has been celebrated as a highly effective model for restorative justice, with minor offences dealt with at a community level in a way that does not necessarily criminalise first-time offenders. Meanwhile, the twice annual Branchage and the Visite Royale are both examples of important historic rituals that form part of Jersey’s Identity.

Under the map, there’s information about how the parishes got their name, with the correlating symbol on the map and next to the information. For example, St. Helier and how the blue symbolising the sea, and the axes symbolising the martyrdom of Helier at the hands of Saxon pirates in 555 AD.

Finally, the part under the map is based on the different languages in Jersey such as, English, French, Portuguese, and Polish. However, the main section is about the language Jèrriais, as it is in the DNA of Jersey. It’s a crucial historical aspect of our identity. To quote Professor of Linguistics Paul Birt, ‘There are few languages I know with such a richness of expression, some of her idioms are poetry… Jèrriais belongs to Jersey, and without it Jersey would, I believe, stop being Jersey.’ However, if we can agree that we should not allow Jèrriais to die, then we must fund its revival properly. Jèrriais should be an integral part of our Island Identity, promoted by Government, the States, businesses and organisations, and can be used as a unique selling point to those beyond our shores, also helping to differentiate us further from neighbouring countries. Teaching it in schools can embed a sense identification, pride and citizenship in Jersey school children, regardless of background.

French is also one of the crucial components of Jersey’s cultural heritage and identity. It is important for its own sake as the language of our nearest neighbour, and as a stepping stone to Jèrriais comprehension. Additionally, all of the road names are in French, like, Rue Due Mielles.

Statement and Evaluation

Statement

Title: Online / Offline
The concept behind our NFT video is that two friends each have two separate lives; one offline and online. Our video shows how anything can happen on an online medium, but real connection and friendship occurs in real life. As technology develops relationships of all kinds are growing apart. An example of this occurred in the height of the Covid-19 pandemic lockdown. People only experienced contact with family members in the same household and the only way to speak to people outside was via an online medium. This effected the mental health of everyone and looking back on the first lockdown we can see how much we relied on technology to keep connected with family and friends.

Creators: Oliver Shiplee, Matthew Brown, Michael Kenealy and Reuben Jeanne

Evaluation

Overall, I think that the film looks good and covers our original intentions, which was to show how you could know someone in real life, but they can be completely different online. In addition, how the online world brings people together in unusual times, such as Covid-19.

The quality of the video is decent, this is because the clips go together and work well with the animated videos. However, the camera shot videos were a bit shaky, which meant they were harder to edit, for example the half-real life, and half-animated side.

Furthermore, Michael and Reuben did a good job editing the film together, especially to the beat of the music. The special effects really help convey the meaning and direction the video was going towards, which is the online/offline comparison. For example, the loading… effect helps show that Michael is travelling into the Meta verse.

The two things I think worked really well, and made the video ten times more interesting, were the drone shots and the animation. The drone shots really provided a unique cinematic angle, which made the film, feel more professional. The animation is a unique feature, which I think separated our film for others.

Personally, I think that the film could have been a little bit longer, at least 30 seconds. This could have been achieved by making the editing a bit slower, which would have helped the viewer take in the film and what the message was. Instead, we made the editing over the top to make it seem futuristic.

In conclusion, I think that the overall outcome is good and both the film and digital image relate to the original message. The animation art style is mostly in the style of the artist/digital artist that I studied, however there are some differences, as we decided to use a low-poly art style, as it emphasises the digital world more than making it look realistic.

NFT Digital image

I made the the digital image in photoshop. I used a screen grab from one of the videos of Michael wearing the VR, and the 5 animated scenes all at the same timeframe so the character lines up.

I then added some glitched text effect by using 2 layers behind each text. To make it better I added some blending mode features, such as, emboss and bevel, etc.

I used shapes and clipping layers to add all the images into to insure all the shapes are even.

This is the final image which represents the whole NFT film. It shows the most important scene, which is the split scene that includes the animation as the NFT exhibition is called 2lives (online and offline), it shows the real world and the virtual meta verse.

Recording And Editing

We used our storyboard to organise our shoots, to know where/what/when we were going to shoot.

We decided that Michael was going to be Model 1, which would mostly be in the start of the video, and Reuben was Model 2, who was only in the last half of the video. Matt (me) was recording everything, and Ollie was the director and manager.

We had to make a VR headset using a printed off image of a VR headset and then we taped it to some sunglasses.

Shooting

First, we went to a open green area, which we filmed most of our scenes at.

We started off with the main walking headshot video, then we recorded the drone shots of Michael wearing the VR. After I recorded the scene where Michael and Reuben meet in real life and the last scene where they are talking on a bench.

After, we went to record the scene where Reuben takes off the VR headset at a gaming setup.

We couldn’t record a drone shot of a house, as you can’t fly within 50m of houses/property.

Editing

Once we had all the recordings Michael and Reuben started to edit the video on Adobe Premier Pro. They used special effects, such as the loading… visual effect, and static sound effect, etc. They also time-mapped some clips to match the beat of the music.

This shows the half and half effect, with the timeline on the bottom half of the screen.

This is one of the special visual effects, which is used at the start of the video. Also, the timeline is zoomed out, so you can see all of the film on the timeline, and all its layers.

This is how the time-remapping was done, as seen on the left. He used key frame to change the speed of the clip at different time intervals.